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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DADE5 it is the complementary color #B2521A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DADE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DADE5 shade: #52ADE0, #63BFF3, #74D1FF, #85E3FF and #96F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DADE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DADE5 shade: #4DADE5, #3C9BD2, #2B89BF, #1A77AC and #096599

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DADE5 shade: #4DADE6, #4D84E6, #4D5BE6, #684DE6 and #914DE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DADE5 shade: #4DADE6, #4D84E6, #4D5BE6 and #4D4DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DADE5 shade matches the following richer shades: #4DADE6 and #3CB1F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DADE5 shade: #4DADE6, #5DA9D5, #6EA4C4, #7EA0B4 and #8F9CA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DADE5 shade: #4DE6CC, #4DD6E6, #4DADE6, #4D85E6 and #4D5CE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DADE5 shade: #1C86C4, #289DE0, #4DADE6, #71BEEB and #95CEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DADE5 shade: #4DADE5, #A34DE6 and #E6E04D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DADE5 shade: #4DADE5, #E64DAD and #ADE64D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DADE5 shade: #4DADE5, #A34DE6, #E6854D and #8FE64D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DADE5 shade: #4DADE5, #D14DE6, #E6854D and #61E64D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 24 / 0 / 10

HEX #4DADE5

RGB 77 173 229

HSL 202.11, 0.75%, 0.6%

LAB 67.37, -10.98, -36.43

 

Complementary color

CMYK 0 / 54 / 85 / 30

HEX #B2521A

RGB 178 82 26

HSL 22.11, 0.75%, 0.4%

LAB 46.41, 35.94, 48.24

 

CMYK 63 / 23 / 0 / 12

HEX #52ADE0

RGB 82 173 224

HSL 201.55, 0.7%, 0.6%

LAB 67.32, -11.76, -33.74

 

CMYK 59 / 21 / 0 / 5

HEX #63BFF3

RGB 99 191 243

HSL 201.67, 0.86%, 0.67%

LAB 73.79, -12.5, -34.01

 

CMYK 55 / 18 / 0 / 0

HEX #74D1FF

RGB 116 209 255

HSL 199.86, 1%, 0.73%

LAB 79.92, -15.12, -30.95

 

CMYK 48 / 11 / 0 / 0

HEX #85E3FF

RGB 133 227 255

HSL 193.77, 1%, 0.76%

LAB 85.58, -20.69, -22.25

 

CMYK 41 / 4 / 0 / 0

HEX #96F5FF

RGB 150 245 255

HSL 185.71, 1%, 0.79%

LAB 91.24, -25.64, -13.65

 

CMYK 66 / 24 / 0 / 10

HEX #4DADE5

RGB 77 173 229

HSL 202.11, 0.75%, 0.6%

LAB 67.37, -10.98, -36.43

 

CMYK 71 / 26 / 0 / 18

HEX #3C9BD2

RGB 60 155 210

HSL 202, 0.63%, 0.53%

LAB 60.83, -9.88, -36.15

 

CMYK 77 / 28 / 0 / 25

HEX #2B89BF

RGB 43 137 191

HSL 201.89, 0.63%, 0.46%

LAB 54.2, -8.48, -35.84

 

CMYK 85 / 31 / 0 / 33

HEX #1A77AC

RGB 26 119 172

HSL 201.78, 0.74%, 0.39%

LAB 47.48, -6.66, -35.47

 

CMYK 94 / 34 / 0 / 40

HEX #096599

RGB 9 101 153

HSL 201.67, 0.89%, 0.32%

LAB 40.68, -4.27, -35.02

 

CMYK 67 / 25 / 0 / 10

HEX #4DADE6

RGB 77 173 230

HSL 202.35, 0.75%, 0.6%

LAB 67.41, -10.66, -36.91

 

CMYK 67 / 43 / 0 / 10

HEX #4D84E6

RGB 77 132 230

HSL 218.43, 0.75%, 0.6%

LAB 55.88, 13.05, -55.1

 

CMYK 67 / 60 / 0 / 10

HEX #4D5BE6

RGB 77 91 230

HSL 234.51, 0.75%, 0.6%

LAB 45.32, 38.36, -72.15

 

CMYK 55 / 67 / 0 / 10

HEX #684DE6

RGB 104 77 230

HSL 250.59, 0.75%, 0.6%

LAB 44.18, 50.57, -73.93

 

CMYK 37 / 67 / 0 / 10

HEX #914DE6

RGB 145 77 230

HSL 266.67, 0.75%, 0.6%

LAB 48.31, 57.9, -67.03

 

CMYK 67 / 25 / 0 / 10

HEX #4DADE6

RGB 77 173 230

HSL 202.35, 0.75%, 0.6%

LAB 67.41, -10.66, -36.91

 

CMYK 67 / 43 / 0 / 10

HEX #4D84E6

RGB 77 132 230

HSL 218.43, 0.75%, 0.6%

LAB 55.88, 13.05, -55.1

 

CMYK 67 / 60 / 0 / 10

HEX #4D5BE6

RGB 77 91 230

HSL 234.51, 0.75%, 0.6%

LAB 45.32, 38.36, -72.15

 

CMYK 67 / 67 / 0 / 10

HEX #4D4DE6

RGB 77 77 230

HSL 240, 0.75%, 0.6%

LAB 42.15, 46.73, -77.34

 

CMYK 67 / 25 / 0 / 10

HEX #4DADE6

RGB 77 173 230

HSL 202.35, 0.75%, 0.6%

LAB 67.41, -10.66, -36.91

 

CMYK 76 / 28 / 0 / 4

HEX #3CB1F6

RGB 60 177 246

HSL 202.26, 0.91%, 0.6%

LAB 68.79, -9.79, -43.51

 

CMYK 67 / 25 / 0 / 10

HEX #4DADE6

RGB 77 173 230

HSL 202.35, 0.75%, 0.6%

LAB 67.41, -10.66, -36.91

 

CMYK 56 / 21 / 0 / 16

HEX #5DA9D5

RGB 93 169 213

HSL 202, 0.59%, 0.6%

LAB 66.14, -10.95, -29.49

 

CMYK 44 / 16 / 0 / 23

HEX #6EA4C4

RGB 110 164 196

HSL 202.33, 0.42%, 0.6%

LAB 64.84, -9.29, -21.99

 

CMYK 30 / 11 / 0 / 29

HEX #7EA0B4

RGB 126 160 180

HSL 202.22, 0.26%, 0.6%

LAB 64.06, -6.88, -14.16

 

CMYK 12 / 4 / 0 / 36

HEX #8F9CA3

RGB 143 156 163

HSL 201, 0.1%, 0.6%

LAB 63.56, -3.15, -5.24

 

CMYK 67 / 0 / 11 / 10

HEX #4DE6CC

RGB 77 230 204

HSL 169.8, 0.75%, 0.6%

LAB 83.2, -45.95, 0.94

 

CMYK 67 / 7 / 0 / 10

HEX #4DD6E6

RGB 77 214 230

HSL 186.27, 0.75%, 0.6%

LAB 79.26, -31.63, -18.73

 

CMYK 67 / 25 / 0 / 10

HEX #4DADE6

RGB 77 173 230

HSL 202.35, 0.75%, 0.6%

LAB 67.41, -10.66, -36.91

 

CMYK 67 / 42 / 0 / 10

HEX #4D85E6

RGB 77 133 230

HSL 218.04, 0.75%, 0.6%

LAB 56.15, 12.44, -54.67

 

CMYK 67 / 60 / 0 / 10

HEX #4D5CE6

RGB 77 92 230

HSL 234.12, 0.75%, 0.6%

LAB 45.56, 37.75, -71.77

 

CMYK 86 / 32 / 0 / 23

HEX #1C86C4

RGB 28 134 196

HSL 202.14, 0.75%, 0.44%

LAB 53.26, -6.33, -40.19

 

CMYK 82 / 30 / 0 / 12

HEX #289DE0

RGB 40 157 224

HSL 201.85, 0.75%, 0.52%

LAB 61.61, -8.34, -42.75

 

CMYK 67 / 25 / 0 / 10

HEX #4DADE6

RGB 77 173 230

HSL 202.35, 0.75%, 0.6%

LAB 67.41, -10.66, -36.91

 

CMYK 52 / 19 / 0 / 8

HEX #71BEEB

RGB 113 190 235

HSL 202.13, 0.75%, 0.68%

LAB 73.76, -11.53, -29.69

 

CMYK 38 / 14 / 0 / 6

HEX #95CEF0

RGB 149 206 240

HSL 202.42, 0.75%, 0.76%

LAB 80.08, -9.99, -22.57

 

CMYK 66 / 24 / 0 / 10

HEX #4DADE5

RGB 77 173 229

HSL 202.11, 0.75%, 0.6%

LAB 67.37, -10.98, -36.43

 

CMYK 29 / 67 / 0 / 10

HEX #A34DE6

RGB 163 77 230

HSL 273.73, 0.75%, 0.6%

LAB 50.46, 61.51, -63.45

 

CMYK 0 / 3 / 67 / 10

HEX #E6E04D

RGB 230 224 77

HSL 57.65, 0.75%, 0.6%

LAB 87.32, -14.95, 69.48

 

CMYK 66 / 24 / 0 / 10

HEX #4DADE5

RGB 77 173 229

HSL 202.11, 0.75%, 0.6%

LAB 67.37, -10.98, -36.43

 

CMYK 0 / 67 / 25 / 10

HEX #E64DAD

RGB 230 77 173

HSL 322.35, 0.75%, 0.6%

LAB 57.22, 67.73, -19.5

 

CMYK 25 / 0 / 67 / 10

HEX #ADE64D

RGB 173 230 77

HSL 82.35, 0.75%, 0.6%

LAB 85, -40.34, 65.83

 

CMYK 66 / 24 / 0 / 10

HEX #4DADE5

RGB 77 173 229

HSL 202.11, 0.75%, 0.6%

LAB 67.37, -10.98, -36.43

 

CMYK 29 / 67 / 0 / 10

HEX #A34DE6

RGB 163 77 230

HSL 273.73, 0.75%, 0.6%

LAB 50.46, 61.51, -63.45

 

CMYK 0 / 42 / 67 / 10

HEX #E6854D

RGB 230 133 77

HSL 21.96, 0.75%, 0.6%

LAB 65.07, 32.49, 45.57

 

CMYK 38 / 0 / 67 / 10

HEX #8FE64D

RGB 143 230 77

HSL 94.12, 0.75%, 0.6%

LAB 83.43, -50.88, 63.7

 

CMYK 66 / 24 / 0 / 10

HEX #4DADE5

RGB 77 173 229

HSL 202.11, 0.75%, 0.6%

LAB 67.37, -10.98, -36.43

 

CMYK 9 / 67 / 0 / 10

HEX #D14DE6

RGB 209 77 230

HSL 291.76, 0.75%, 0.6%

LAB 56.66, 71.33, -53.16

 

CMYK 0 / 42 / 67 / 10

HEX #E6854D

RGB 230 133 77

HSL 21.96, 0.75%, 0.6%

LAB 65.07, 32.49, 45.57

 

CMYK 58 / 0 / 67 / 10

HEX #61E64D

RGB 97 230 77

HSL 112.16, 0.75%, 0.6%

LAB 81.66, -64.05, 61.28

 

Description

Color code: HEX #4DADE5 | qconv.com Color code: HEX #4DADE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 173 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 173 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 24 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 24% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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