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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DAA5E it is the complementary color #B255A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DAA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DAA5E shade: #52AA59, #63BC6C, #74CE7F, #85E092 and #96F2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DAA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DAA5E shade: #4DAA5E, #3C984B, #2B8638, #1A7425 and #096212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DAA5E shade: #4CA95D, #54A94C, #6DA94C, #86A94C and #9FA94C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DAA5E shade: #4CA95D, #4CA976, #4CA98F, #4CA9A8 and #4C91A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DAA5E shade matches the following richer shades: #4CA95D, #38BD50, #24D144 and #10E437

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DAA5E shade: #4CA95D, #609569, #738176, #876D83 and #9B5A8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DAA5E shade: #6EA94C, #55A94C, #4CA95B, #4CA974 and #4CA98D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DAA5E shade: #32703E, #3F8C4D, #4CA95D, #64BA74 and #81C68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DAA5E shade: #4DAA5E, #4C87A9 and #A94C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DAA5E shade: #4DAA5E, #5B4CA9 and #A95B4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DAA5E shade: #4DAA5E, #4C87A9, #A94C99 and #A96E4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DAA5E shade: #4DAA5E, #4C6BA9, #A94C99 and #A98A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

Complementary color

CMYK 0 / 52 / 10 / 30

HEX #B255A1

RGB 178 85 161

HSL 310.97, 0.38%, 0.52%

LAB 50.14, 47.78, -24.03

 

CMYK 52 / 0 / 48 / 33

HEX #52AA59

RGB 82 170 89

HSL 124.77, 0.35%, 0.49%

LAB 62.73, -43.67, 33.73

 

CMYK 47 / 0 / 43 / 26

HEX #63BC6C

RGB 99 188 108

HSL 126.07, 0.4%, 0.56%

LAB 69.26, -43.6, 32.39

 

CMYK 44 / 0 / 38 / 19

HEX #74CE7F

RGB 116 206 127

HSL 127.33, 0.48%, 0.63%

LAB 75.69, -43.43, 31.11

 

CMYK 41 / 0 / 35 / 12

HEX #85E092

RGB 133 224 146

HSL 128.57, 0.59%, 0.7%

LAB 82.04, -43.22, 29.9

 

CMYK 38 / 0 / 32 / 5

HEX #96F2A5

RGB 150 242 165

HSL 129.78, 0.78%, 0.77%

LAB 88.31, -42.98, 28.76

 

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

CMYK 61 / 0 / 51 / 40

HEX #3C984B

RGB 60 152 75

HSL 129.78, 0.43%, 0.42%

LAB 56.01, -44.09, 32.39

 

CMYK 68 / 0 / 58 / 47

HEX #2B8638

RGB 43 134 56

HSL 128.57, 0.51%, 0.35%

LAB 49.31, -43.64, 33.86

 

CMYK 78 / 0 / 68 / 55

HEX #1A7425

RGB 26 116 37

HSL 127.33, 0.63%, 0.28%

LAB 42.53, -42.64, 35.21

 

CMYK 91 / 0 / 82 / 62

HEX #096212

RGB 9 98 18

HSL 126.07, 0.83%, 0.21%

LAB 35.67, -40.64, 36

 

CMYK 55 / 0 / 45 / 34

HEX #4CA95D

RGB 76 169 93

HSL 130.97, 0.38%, 0.48%

LAB 62.26, -44.22, 31.01

 

CMYK 50 / 0 / 55 / 34

HEX #54A94C

RGB 84 169 76

HSL 114.84, 0.38%, 0.48%

LAB 62.32, -44.49, 39.77

 

CMYK 36 / 0 / 55 / 34

HEX #6DA94C

RGB 109 169 76

HSL 98.71, 0.38%, 0.48%

LAB 63.47, -36.47, 41.4

 

CMYK 21 / 0 / 55 / 34

HEX #86A94C

RGB 134 169 76

HSL 82.58, 0.38%, 0.48%

LAB 64.94, -27.12, 43.5

 

CMYK 6 / 0 / 55 / 34

HEX #9FA94C

RGB 159 169 76

HSL 66.45, 0.38%, 0.48%

LAB 66.72, -16.93, 46.03

 

CMYK 55 / 0 / 45 / 34

HEX #4CA95D

RGB 76 169 93

HSL 130.97, 0.38%, 0.48%

LAB 62.26, -44.22, 31.01

 

CMYK 55 / 0 / 30 / 34

HEX #4CA976

RGB 76 169 118

HSL 147.1, 0.38%, 0.48%

LAB 62.69, -39.64, 18.16

 

CMYK 55 / 0 / 15 / 34

HEX #4CA98F

RGB 76 169 143

HSL 163.23, 0.38%, 0.48%

LAB 63.26, -34.04, 5.11

 

CMYK 55 / 0 / 1 / 34

HEX #4CA9A8

RGB 76 169 168

HSL 179.35, 0.38%, 0.48%

LAB 63.95, -27.55, -7.85

 

CMYK 55 / 14 / 0 / 34

HEX #4C91A9

RGB 76 145 169

HSL 195.48, 0.38%, 0.48%

LAB 56.73, -14.8, -19.28

 

CMYK 55 / 0 / 45 / 34

HEX #4CA95D

RGB 76 169 93

HSL 130.97, 0.38%, 0.48%

LAB 62.26, -44.22, 31.01

 

CMYK 70 / 0 / 58 / 26

HEX #38BD50

RGB 56 189 80

HSL 130.83, 0.54%, 0.48%

LAB 67.88, -57.98, 44.25

 

CMYK 83 / 0 / 67 / 18

HEX #24D144

RGB 36 209 68

HSL 131.1, 0.71%, 0.48%

LAB 73.8, -68.55, 56.02

 

CMYK 93 / 0 / 76 / 11

HEX #10E437

RGB 16 228 55

HSL 131.04, 0.87%, 0.48%

LAB 79.54, -76.58, 66.53

 

CMYK 55 / 0 / 45 / 34

HEX #4CA95D

RGB 76 169 93

HSL 130.97, 0.38%, 0.48%

LAB 62.26, -44.22, 31.01

 

CMYK 36 / 0 / 30 / 42

HEX #609569

RGB 96 149 105

HSL 130.19, 0.22%, 0.48%

LAB 57.08, -27.21, 17.81

 

CMYK 11 / 0 / 9 / 49

HEX #738176

RGB 115 129 118

HSL 132.86, 0.06%, 0.48%

LAB 52.57, -7.41, 4.22

 

CMYK 0 / 19 / 3 / 47

HEX #876D83

RGB 135 109 131

HSL 309.23, 0.11%, 0.48%

LAB 49.16, 14.31, -8.23

 

CMYK 0 / 42 / 8 / 39

HEX #9B5A8F

RGB 155 90 143

HSL 311.08, 0.27%, 0.48%

LAB 47.32, 34.68, -17.95

 

CMYK 35 / 0 / 55 / 34

HEX #6EA94C

RGB 110 169 76

HSL 98.06, 0.38%, 0.48%

LAB 63.52, -36.12, 41.48

 

CMYK 50 / 0 / 55 / 34

HEX #55A94C

RGB 85 169 76

HSL 114.19, 0.38%, 0.48%

LAB 62.36, -44.2, 39.82

 

CMYK 55 / 0 / 46 / 34

HEX #4CA95B

RGB 76 169 91

HSL 129.68, 0.38%, 0.48%

LAB 62.23, -44.54, 32.01

 

CMYK 55 / 0 / 31 / 34

HEX #4CA974

RGB 76 169 116

HSL 145.81, 0.38%, 0.48%

LAB 62.65, -40.05, 19.2

 

CMYK 55 / 0 / 17 / 34

HEX #4CA98D

RGB 76 169 141

HSL 161.94, 0.38%, 0.48%

LAB 63.21, -34.52, 6.15

 

CMYK 55 / 0 / 45 / 56

HEX #32703E

RGB 50 112 62

HSL 131.61, 0.38%, 0.32%

LAB 42.18, -31.83, 21.85

 

CMYK 55 / 0 / 45 / 45

HEX #3F8C4D

RGB 63 140 77

HSL 130.91, 0.38%, 0.4%

LAB 52.23, -38.02, 26.58

 

CMYK 55 / 0 / 45 / 34

HEX #4CA95D

RGB 76 169 93

HSL 130.97, 0.38%, 0.48%

LAB 62.26, -44.22, 31.01

 

CMYK 46 / 0 / 38 / 27

HEX #64BA74

RGB 100 186 116

HSL 131.16, 0.38%, 0.56%

LAB 68.82, -41.15, 27.64

 

CMYK 35 / 0 / 28 / 22

HEX #81C68E

RGB 129 198 142

HSL 131.3, 0.38%, 0.64%

LAB 74.2, -33.38, 21.35

 

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

CMYK 55 / 20 / 0 / 34

HEX #4C87A9

RGB 76 135 169

HSL 201.94, 0.38%, 0.48%

LAB 53.74, -9.24, -23.88

 

CMYK 0 / 55 / 42 / 34

HEX #A94C62

RGB 169 76 98

HSL 345.81, 0.38%, 0.48%

LAB 44.92, 40.4, 5.96

 

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

CMYK 46 / 55 / 0 / 34

HEX #5B4CA9

RGB 91 76 169

HSL 249.68, 0.38%, 0.48%

LAB 38.3, 30.38, -48.14

 

CMYK 0 / 46 / 55 / 34

HEX #A95B4C

RGB 169 91 76

HSL 9.68, 0.38%, 0.48%

LAB 47.55, 30.31, 22.82

 

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

CMYK 55 / 20 / 0 / 34

HEX #4C87A9

RGB 76 135 169

HSL 201.94, 0.38%, 0.48%

LAB 53.74, -9.24, -23.88

 

CMYK 0 / 55 / 9 / 34

HEX #A94C99

RGB 169 76 153

HSL 310.32, 0.38%, 0.48%

LAB 46.85, 48.16, -24.48

 

CMYK 0 / 35 / 55 / 34

HEX #A96E4C

RGB 169 110 76

HSL 21.94, 0.38%, 0.48%

LAB 51.96, 19.74, 28.49

 

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

CMYK 55 / 37 / 0 / 34

HEX #4C6BA9

RGB 76 107 169

HSL 220, 0.38%, 0.48%

LAB 45.52, 7.41, -36.7

 

CMYK 0 / 55 / 9 / 34

HEX #A94C99

RGB 169 76 153

HSL 310.32, 0.38%, 0.48%

LAB 46.85, 48.16, -24.48

 

CMYK 0 / 18 / 55 / 34

HEX #A98A4C

RGB 169 138 76

HSL 40, 0.38%, 0.48%

LAB 59.1, 3.99, 37.29

 

Description

Color code: HEX #4DAA5E | qconv.com Color code: HEX #4DAA5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 170 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 170 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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