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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA91C it is the complementary color #B256E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA91C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA91C shade: #52A917, #63BB2A, #74CD3D, #85DF50 and #96F163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA91C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA91C shade: #4DA91C, #3C9709, #2B8500, #1A7300 and #096100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA91C shade: #4EAB1C, #74AB1C, #9BAB1C, #AB951C and #AB6E1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA91C shade: #4EAB1C, #27AB1C, #1CAB37, #1CAB5E and #1CAB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA91C shade matches the following richer shades: #4EAB1C and #49BB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA91C shade: #4EAB1C, #539B2C, #578B3C, #5C7B4C and #616B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA91C shade: #9AAB1C, #74AB1C, #4EAB1C, #28AB1C and #1CAB36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA91C shade: #2D6410, #3E8816, #4EAB1C, #5ECF22 and #74DF3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA91C shade: #4DA91C, #1CAB96 and #AB1C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA91C shade: #4DA91C, #1C4EAB and #AB1C4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA91C shade: #4DA91C, #1CAB96, #791CAB and #AB1C31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA91C shade: #4DA91C, #1C96AB, #791CAB and #AB311C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 83 / 34

HEX #4DA91C

RGB 77 169 28

HSL 99.15, 0.72%, 0.39%

LAB 61.69, -50.63, 57.94

 

Complementary color

CMYK 22 / 62 / 0 / 11

HEX #B256E3

RGB 178 86 227

HSL 279.15, 0.72%, 0.61%

LAB 53.67, 59.95, -56.49

 

CMYK 51 / 0 / 86 / 34

HEX #52A917

RGB 82 169 23

HSL 95.75, 0.76%, 0.38%

LAB 61.85, -49.39, 59.38

 

CMYK 47 / 0 / 78 / 27

HEX #63BB2A

RGB 99 187 42

HSL 96.41, 0.63%, 0.45%

LAB 68.29, -50.22, 60.3

 

CMYK 43 / 0 / 70 / 20

HEX #74CD3D

RGB 116 205 61

HSL 97.08, 0.59%, 0.52%

LAB 74.64, -50.74, 60.26

 

CMYK 40 / 0 / 64 / 13

HEX #85DF50

RGB 133 223 80

HSL 97.76, 0.69%, 0.59%

LAB 80.93, -51.05, 59.69

 

CMYK 38 / 0 / 59 / 5

HEX #96F163

RGB 150 241 99

HSL 98.45, 0.84%, 0.67%

LAB 87.14, -51.2, 58.83

 

CMYK 54 / 0 / 83 / 34

HEX #4DA91C

RGB 77 169 28

HSL 99.15, 0.72%, 0.39%

LAB 61.69, -50.63, 57.94

 

CMYK 60 / 0 / 94 / 41

HEX #3C9709

RGB 60 151 9

HSL 98.45, 0.89%, 0.31%

LAB 55.19, -49.37, 56.06

 

CMYK 68 / 0 / 100 / 48

HEX #2B8500

RGB 43 133 0

HSL 100.6, 1%, 0.26%

LAB 48.62, -47.45, 52.09

 

CMYK 77 / 0 / 100 / 55

HEX #1A7300

RGB 26 115 0

HSL 106.43, 1%, 0.23%

LAB 41.97, -44.81, 46.63

 

CMYK 91 / 0 / 100 / 62

HEX #096100

RGB 9 97 0

HSL 114.43, 1%, 0.19%

LAB 35.22, -41.4, 41.12

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1C

RGB 78 171 28

HSL 99.02, 0.72%, 0.39%

LAB 62.36, -51.1, 58.56

 

CMYK 32 / 0 / 84 / 33

HEX #74AB1C

RGB 116 171 28

HSL 83.08, 0.72%, 0.39%

LAB 64.1, -38.37, 60.77

 

CMYK 9 / 0 / 84 / 33

HEX #9BAB1C

RGB 155 171 28

HSL 66.71, 0.72%, 0.39%

LAB 66.66, -22.44, 63.98

 

CMYK 0 / 13 / 84 / 33

HEX #AB951C

RGB 171 149 28

HSL 50.77, 0.72%, 0.39%

LAB 61.86, -3.89, 60.43

 

CMYK 0 / 36 / 84 / 33

HEX #AB6E1C

RGB 171 110 28

HSL 34.41, 0.72%, 0.39%

LAB 51.72, 17.79, 51.69

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1C

RGB 78 171 28

HSL 99.02, 0.72%, 0.39%

LAB 62.36, -51.1, 58.56

 

CMYK 77 / 0 / 84 / 33

HEX #27AB1C

RGB 39 171 28

HSL 115.38, 0.72%, 0.39%

LAB 61.34, -59.56, 57.25

 

CMYK 84 / 0 / 68 / 33

HEX #1CAB37

RGB 28 171 55

HSL 131.33, 0.72%, 0.39%

LAB 61.35, -58.88, 47.86

 

CMYK 84 / 0 / 45 / 33

HEX #1CAB5E

RGB 28 171 94

HSL 147.69, 0.72%, 0.39%

LAB 61.81, -53.33, 29.69

 

CMYK 84 / 0 / 22 / 33

HEX #1CAB85

RGB 28 171 133

HSL 164.06, 0.72%, 0.39%

LAB 62.56, -44.88, 9.54

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1C

RGB 78 171 28

HSL 99.02, 0.72%, 0.39%

LAB 62.36, -51.1, 58.56

 

CMYK 61 / 0 / 94 / 27

HEX #49BB0C

RGB 73 187 12

HSL 99.09, 0.88%, 0.39%

LAB 67.26, -58.64, 65.79

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1C

RGB 78 171 28

HSL 99.02, 0.72%, 0.39%

LAB 62.36, -51.1, 58.56

 

CMYK 46 / 0 / 72 / 39

HEX #539B2C

RGB 83 155 44

HSL 98.92, 0.56%, 0.39%

LAB 57.52, -42.32, 48.73

 

CMYK 37 / 0 / 57 / 45

HEX #578B3C

RGB 87 139 60

HSL 99.49, 0.4%, 0.39%

LAB 52.75, -32.41, 36.34

 

CMYK 25 / 0 / 38 / 52

HEX #5C7B4C

RGB 92 123 76

HSL 99.57, 0.24%, 0.39%

LAB 48.21, -20.49, 22.2

 

CMYK 9 / 0 / 14 / 58

HEX #616B5C

RGB 97 107 92

HSL 100, 0.08%, 0.39%

LAB 43.99, -6.91, 7.12

 

CMYK 10 / 0 / 84 / 33

HEX #9AAB1C

RGB 154 171 28

HSL 67.13, 0.72%, 0.39%

LAB 66.58, -22.87, 63.89

 

CMYK 32 / 0 / 84 / 33

HEX #74AB1C

RGB 116 171 28

HSL 83.08, 0.72%, 0.39%

LAB 64.1, -38.37, 60.77

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1C

RGB 78 171 28

HSL 99.02, 0.72%, 0.39%

LAB 62.36, -51.1, 58.56

 

CMYK 77 / 0 / 84 / 33

HEX #28AB1C

RGB 40 171 28

HSL 114.97, 0.72%, 0.39%

LAB 61.36, -59.41, 57.28

 

CMYK 84 / 0 / 68 / 33

HEX #1CAB36

RGB 28 171 54

HSL 130.91, 0.72%, 0.39%

LAB 61.34, -58.98, 48.26

 

CMYK 55 / 0 / 84 / 61

HEX #2D6410

RGB 45 100 16

HSL 99.29, 0.72%, 0.23%

LAB 37.32, -33.72, 38.61

 

CMYK 54 / 0 / 84 / 47

HEX #3E8816

RGB 62 136 22

HSL 98.95, 0.72%, 0.31%

LAB 50.32, -42.69, 49.05

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1C

RGB 78 171 28

HSL 99.02, 0.72%, 0.39%

LAB 62.36, -51.1, 58.56

 

CMYK 55 / 0 / 84 / 19

HEX #5ECF22

RGB 94 207 34

HSL 99.19, 0.72%, 0.47%

LAB 74.27, -59.52, 67.95

 

CMYK 48 / 0 / 74 / 13

HEX #74DF3A

RGB 116 223 58

HSL 98.91, 0.72%, 0.55%

LAB 80.06, -57.9, 66.76

 

CMYK 54 / 0 / 83 / 34

HEX #4DA91C

RGB 77 169 28

HSL 99.15, 0.72%, 0.39%

LAB 61.69, -50.63, 57.94

 

CMYK 84 / 0 / 12 / 33

HEX #1CAB96

RGB 28 171 150

HSL 171.19, 0.72%, 0.39%

LAB 62.99, -40.39, 0.68

 

CMYK 0 / 84 / 21 / 33

HEX #AB1C87

RGB 171 28 135

HSL 315.1, 0.72%, 0.39%

LAB 39.98, 63.76, -24.22

 

CMYK 54 / 0 / 83 / 34

HEX #4DA91C

RGB 77 169 28

HSL 99.15, 0.72%, 0.39%

LAB 61.69, -50.63, 57.94

 

CMYK 84 / 54 / 0 / 33

HEX #1C4EAB

RGB 28 78 171

HSL 219.02, 0.72%, 0.39%

LAB 35.27, 19.32, -54.4

 

CMYK 0 / 84 / 54 / 33

HEX #AB1C4E

RGB 171 28 78

HSL 339.02, 0.72%, 0.39%

LAB 37.91, 57.83, 8.61

 

CMYK 54 / 0 / 83 / 34

HEX #4DA91C

RGB 77 169 28

HSL 99.15, 0.72%, 0.39%

LAB 61.69, -50.63, 57.94

 

CMYK 84 / 0 / 12 / 33

HEX #1CAB96

RGB 28 171 150

HSL 171.19, 0.72%, 0.39%

LAB 62.99, -40.39, 0.68

 

CMYK 29 / 84 / 0 / 33

HEX #791CAB

RGB 121 28 171

HSL 279.02, 0.72%, 0.39%

LAB 33.64, 60.1, -56.71

 

CMYK 0 / 84 / 71 / 33

HEX #AB1C31

RGB 171 28 49

HSL 351.19, 0.72%, 0.39%

LAB 37.32, 56.06, 26.32

 

CMYK 54 / 0 / 83 / 34

HEX #4DA91C

RGB 77 169 28

HSL 99.15, 0.72%, 0.39%

LAB 61.69, -50.63, 57.94

 

CMYK 84 / 12 / 0 / 33

HEX #1C96AB

RGB 28 150 171

HSL 188.81, 0.72%, 0.39%

LAB 57.08, -23.99, -20.02

 

CMYK 29 / 84 / 0 / 33

HEX #791CAB

RGB 121 28 171

HSL 279.02, 0.72%, 0.39%

LAB 33.64, 60.1, -56.71

 

CMYK 0 / 71 / 84 / 33

HEX #AB311C

RGB 171 49 28

HSL 8.81, 0.72%, 0.39%

LAB 39.48, 48.55, 40.72

 

Description

Color code: HEX #4DA91C | qconv.com Color code: HEX #4DA91C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 169 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 169 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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