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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA565 it is the complementary color #B25A9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA565 shade: #52A560, #63B773, #74C986, #85DB99 and #96EDAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA565 shade: #4DA565, #3C9352, #2B813F, #1A6F2C and #095D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA565 shade: #4DA364, #4DA34D, #64A34D, #7BA34D and #92A34D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA565 shade: #4DA364, #4DA37C, #4DA393, #4D9CA3 and #4D85A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA565 shade matches the following richer shades: #4DA364, #39B65B, #26CA53 and #13DD4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA565 shade: #4DA364, #60906D, #737C76, #87697F and #9A5588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA565 shade: #64A34D, #4DA34D, #4DA364, #4DA37B and #4DA392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA565 shade: #326B42, #408753, #4DA364, #63B67A and #7FC392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA565 shade: #4DA565, #4D7BA3 and #A34D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA565 shade: #4DA565, #644DA3 and #A3644D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA565 shade: #4DA565, #4D7BA3, #A34D8C and #A3754D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA565 shade: #4DA565, #4D61A3, #A34D8C and #A38F4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 39 / 35

HEX #4DA565

RGB 77 165 101

HSL 136.36, 0.36%, 0.47%

LAB 61.16, -40.92, 25.34

 

Complementary color

CMYK 0 / 49 / 13 / 30

HEX #B25A9A

RGB 178 90 154

HSL 316.36, 0.36%, 0.53%

LAB 50.82, 44.09, -18.86

 

CMYK 50 / 0 / 42 / 35

HEX #52A560

RGB 82 165 96

HSL 130.12, 0.34%, 0.48%

LAB 61.26, -40.44, 28.19

 

CMYK 46 / 0 / 37 / 28

HEX #63B773

RGB 99 183 115

HSL 131.43, 0.37%, 0.55%

LAB 67.84, -40.29, 26.87

 

CMYK 42 / 0 / 33 / 21

HEX #74C986

RGB 116 201 134

HSL 132.71, 0.44%, 0.62%

LAB 74.32, -40.07, 25.65

 

CMYK 39 / 0 / 30 / 14

HEX #85DB99

RGB 133 219 153

HSL 133.95, 0.54%, 0.69%

LAB 80.71, -39.82, 24.5

 

CMYK 37 / 0 / 27 / 7

HEX #96EDAC

RGB 150 237 172

HSL 135.17, 0.71%, 0.76%

LAB 87.01, -39.56, 23.41

 

CMYK 53 / 0 / 39 / 35

HEX #4DA565

RGB 77 165 101

HSL 136.36, 0.36%, 0.47%

LAB 61.16, -40.92, 25.34

 

CMYK 59 / 0 / 44 / 42

HEX #3C9352

RGB 60 147 82

HSL 135.17, 0.42%, 0.41%

LAB 54.49, -40.9, 26.76

 

CMYK 67 / 0 / 51 / 49

HEX #2B813F

RGB 43 129 63

HSL 133.95, 0.5%, 0.34%

LAB 47.72, -40.64, 28.28

 

CMYK 77 / 0 / 60 / 56

HEX #1A6F2C

RGB 26 111 44

HSL 132.71, 0.62%, 0.27%

LAB 40.85, -39.89, 29.86

 

CMYK 90 / 0 / 73 / 64

HEX #095D19

RGB 9 93 25

HSL 131.43, 0.82%, 0.2%

LAB 33.89, -38.25, 31.27

 

CMYK 53 / 0 / 39 / 36

HEX #4DA364

RGB 77 163 100

HSL 136.05, 0.36%, 0.47%

LAB 60.51, -40.23, 25.02

 

CMYK 53 / 0 / 53 / 36

HEX #4DA34D

RGB 77 163 77

HSL 120, 0.36%, 0.47%

LAB 60.17, -43.87, 36.61

 

CMYK 39 / 0 / 53 / 36

HEX #64A34D

RGB 100 163 77

HSL 103.95, 0.36%, 0.47%

LAB 61.17, -36.76, 38.06

 

CMYK 25 / 0 / 53 / 36

HEX #7BA34D

RGB 123 163 77

HSL 87.91, 0.36%, 0.47%

LAB 62.46, -28.4, 39.91

 

CMYK 10 / 0 / 53 / 36

HEX #92A34D

RGB 146 163 77

HSL 71.86, 0.36%, 0.47%

LAB 64.03, -19.19, 42.17

 

CMYK 53 / 0 / 39 / 36

HEX #4DA364

RGB 77 163 100

HSL 136.05, 0.36%, 0.47%

LAB 60.51, -40.23, 25.02

 

CMYK 53 / 0 / 24 / 36

HEX #4DA37C

RGB 77 163 124

HSL 152.79, 0.36%, 0.47%

LAB 60.98, -35.44, 12.48

 

CMYK 53 / 0 / 10 / 36

HEX #4DA393

RGB 77 163 147

HSL 168.84, 0.36%, 0.47%

LAB 61.55, -29.97, 0.4

 

CMYK 53 / 4 / 0 / 36

HEX #4D9CA3

RGB 77 156 163

HSL 184.88, 0.36%, 0.47%

LAB 59.89, -22.17, -11.1

 

CMYK 53 / 18 / 0 / 36

HEX #4D85A3

RGB 77 133 163

HSL 200.93, 0.36%, 0.47%

LAB 52.95, -9.74, -21.63

 

CMYK 53 / 0 / 39 / 36

HEX #4DA364

RGB 77 163 100

HSL 136.05, 0.36%, 0.47%

LAB 60.51, -40.23, 25.02

 

CMYK 69 / 0 / 50 / 29

HEX #39B65B

RGB 57 182 91

HSL 136.32, 0.52%, 0.47%

LAB 65.81, -53.74, 36.4

 

CMYK 81 / 0 / 59 / 21

HEX #26CA53

RGB 38 202 83

HSL 136.46, 0.68%, 0.47%

LAB 71.74, -64.47, 47.3

 

CMYK 91 / 0 / 67 / 13

HEX #13DD4A

RGB 19 221 74

HSL 136.34, 0.84%, 0.47%

LAB 77.49, -72.82, 57.57

 

CMYK 53 / 0 / 39 / 36

HEX #4DA364

RGB 77 163 100

HSL 136.05, 0.36%, 0.47%

LAB 60.51, -40.23, 25.02

 

CMYK 33 / 0 / 24 / 44

HEX #60906D

RGB 96 144 109

HSL 136.25, 0.2%, 0.47%

LAB 55.62, -23.95, 13.55

 

CMYK 7 / 0 / 5 / 51

HEX #737C76

RGB 115 124 118

HSL 140, 0.04%, 0.47%

LAB 51.12, -4.58, 2.12

 

CMYK 0 / 22 / 6 / 47

HEX #87697F

RGB 135 105 127

HSL 316, 0.13%, 0.47%

LAB 47.99, 15.89, -7.61

 

CMYK 0 / 45 / 12 / 40

HEX #9A5588

RGB 154 85 136

HSL 315.65, 0.29%, 0.47%

LAB 45.83, 35.85, -16.04

 

CMYK 39 / 0 / 53 / 36

HEX #64A34D

RGB 100 163 77

HSL 103.95, 0.36%, 0.47%

LAB 61.17, -36.76, 38.06

 

CMYK 53 / 0 / 53 / 36

HEX #4DA34D

RGB 77 163 77

HSL 120, 0.36%, 0.47%

LAB 60.17, -43.87, 36.61

 

CMYK 53 / 0 / 39 / 36

HEX #4DA364

RGB 77 163 100

HSL 136.05, 0.36%, 0.47%

LAB 60.51, -40.23, 25.02

 

CMYK 53 / 0 / 25 / 36

HEX #4DA37B

RGB 77 163 123

HSL 152.09, 0.36%, 0.47%

LAB 60.96, -35.66, 13

 

CMYK 53 / 0 / 10 / 36

HEX #4DA392

RGB 77 163 146

HSL 168.14, 0.36%, 0.47%

LAB 61.52, -30.23, 0.92

 

CMYK 53 / 0 / 38 / 58

HEX #326B42

RGB 50 107 66

HSL 136.84, 0.36%, 0.31%

LAB 40.55, -28.76, 17.41

 

CMYK 53 / 0 / 39 / 47

HEX #408753

RGB 64 135 83

HSL 136.06, 0.36%, 0.39%

LAB 50.74, -34.48, 21.33

 

CMYK 53 / 0 / 39 / 36

HEX #4DA364

RGB 77 163 100

HSL 136.05, 0.36%, 0.47%

LAB 60.51, -40.23, 25.02

 

CMYK 46 / 0 / 33 / 29

HEX #63B67A

RGB 99 182 122

HSL 136.63, 0.36%, 0.55%

LAB 67.66, -38.61, 22.9

 

CMYK 35 / 0 / 25 / 24

HEX #7FC392

RGB 127 195 146

HSL 136.76, 0.36%, 0.63%

LAB 73.3, -31.87, 17.96

 

CMYK 53 / 0 / 39 / 35

HEX #4DA565

RGB 77 165 101

HSL 136.36, 0.36%, 0.47%

LAB 61.16, -40.92, 25.34

 

CMYK 53 / 25 / 0 / 36

HEX #4D7BA3

RGB 77 123 163

HSL 207.91, 0.36%, 0.47%

LAB 49.96, -3.98, -26.23

 

CMYK 0 / 53 / 46 / 36

HEX #A34D58

RGB 163 77 88

HSL 352.33, 0.36%, 0.47%

LAB 43.94, 36.62, 10.58

 

CMYK 53 / 0 / 39 / 35

HEX #4DA565

RGB 77 165 101

HSL 136.36, 0.36%, 0.47%

LAB 61.16, -40.92, 25.34

 

CMYK 39 / 53 / 0 / 36

HEX #644DA3

RGB 100 77 163

HSL 256.05, 0.36%, 0.47%

LAB 39, 30.2, -43.39

 

CMYK 0 / 39 / 53 / 36

HEX #A3644D

RGB 163 100 77

HSL 16.05, 0.36%, 0.47%

LAB 48.81, 22.94, 23.72

 

CMYK 53 / 0 / 39 / 35

HEX #4DA565

RGB 77 165 101

HSL 136.36, 0.36%, 0.47%

LAB 61.16, -40.92, 25.34

 

CMYK 53 / 25 / 0 / 36

HEX #4D7BA3

RGB 77 123 163

HSL 207.91, 0.36%, 0.47%

LAB 49.96, -3.98, -26.23

 

CMYK 0 / 53 / 14 / 36

HEX #A34D8C

RGB 163 77 140

HSL 316.05, 0.36%, 0.47%

LAB 45.62, 43.67, -18.66

 

CMYK 0 / 28 / 53 / 36

HEX #A3754D

RGB 163 117 77

HSL 27.91, 0.36%, 0.47%

LAB 53, 13.29, 29.09

 

CMYK 53 / 0 / 39 / 35

HEX #4DA565

RGB 77 165 101

HSL 136.36, 0.36%, 0.47%

LAB 61.16, -40.92, 25.34

 

CMYK 53 / 40 / 0 / 36

HEX #4D61A3

RGB 77 97 163

HSL 226.05, 0.36%, 0.47%

LAB 42.42, 11.92, -38.06

 

CMYK 0 / 53 / 14 / 36

HEX #A34D8C

RGB 163 77 140

HSL 316.05, 0.36%, 0.47%

LAB 45.62, 43.67, -18.66

 

CMYK 0 / 12 / 53 / 36

HEX #A38F4D

RGB 163 143 77

HSL 46.05, 0.36%, 0.47%

LAB 59.86, -1.3, 37.54

 

Description

Color code: HEX #4DA565 | qconv.com Color code: HEX #4DA565 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 165 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 165 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 39 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 39% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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