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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA511 it is the complementary color #B25AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA511 shade: #52A50C, #63B71F, #74C932, #85DB45 and #96ED58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA511 shade: #4DA511, #3C9300, #2B8100, #1A6F00 and #095D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA511 shade: #4EA611, #76A611, #9EA611, #A68611 and #A65E11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA511 shade: #4EA611, #26A611, #11A625, #11A64D and #11A676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA511 shade matches the following richer shades: #4EA611 and #4BB503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA511 shade: #4EA611, #519720, #53882F, #567A3E and #596B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA511 shade: #9FA611, #77A611, #4FA611, #28A611 and #11A623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA511 shade: #2B5B0A, #3C810E, #4EA611, #5FCB15 and #72E822

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA511 shade: #4DA511, #11A686 and #A6118B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA511 shade: #4DA511, #114FA6 and #A6114F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA511 shade: #4DA511, #11A686, #6811A6 and #A61132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA511 shade: #4DA511, #119AA6, #6811A6 and #A61E11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 90 / 35

HEX #4DA511

RGB 77 165 17

HSL 95.68, 0.81%, 0.36%

LAB 60.36, -49.57, 59.28

 

Complementary color

CMYK 25 / 62 / 0 / 7

HEX #B25AEE

RGB 178 90 238

HSL 275.68, 0.81%, 0.64%

LAB 55.02, 60.43, -60.5

 

CMYK 50 / 0 / 93 / 35

HEX #52A50C

RGB 82 165 12

HSL 92.55, 0.86%, 0.35%

LAB 60.54, -48.21, 60.36

 

CMYK 46 / 0 / 83 / 28

HEX #63B71F

RGB 99 183 31

HSL 93.16, 0.71%, 0.42%

LAB 66.99, -49.21, 62.26

 

CMYK 42 / 0 / 75 / 21

HEX #74C932

RGB 116 201 50

HSL 93.77, 0.6%, 0.49%

LAB 73.36, -49.87, 62.85

 

CMYK 39 / 0 / 68 / 14

HEX #85DB45

RGB 133 219 69

HSL 94.4, 0.68%, 0.56%

LAB 79.66, -50.3, 62.67

 

CMYK 37 / 0 / 63 / 7

HEX #96ED58

RGB 150 237 88

HSL 95.03, 0.81%, 0.64%

LAB 85.88, -50.55, 62.05

 

CMYK 53 / 0 / 90 / 35

HEX #4DA511

RGB 77 165 17

HSL 95.68, 0.81%, 0.36%

LAB 60.36, -49.57, 59.28

 

CMYK 59 / 0 / 100 / 42

HEX #3C9300

RGB 60 147 0

HSL 95.51, 1%, 0.29%

LAB 53.84, -48.17, 56.44

 

CMYK 67 / 0 / 100 / 49

HEX #2B8100

RGB 43 129 0

HSL 100, 1%, 0.25%

LAB 47.25, -46.05, 51

 

CMYK 77 / 0 / 100 / 56

HEX #1A6F00

RGB 26 111 0

HSL 105.95, 1%, 0.22%

LAB 40.55, -43.47, 45.5

 

CMYK 90 / 0 / 100 / 64

HEX #095D00

RGB 9 93 0

HSL 114.19, 1%, 0.18%

LAB 33.75, -40.11, 39.94

 

CMYK 53 / 0 / 90 / 35

HEX #4EA611

RGB 78 166 17

HSL 95.44, 0.81%, 0.36%

LAB 60.72, -49.65, 59.6

 

CMYK 29 / 0 / 90 / 35

HEX #76A611

RGB 118 166 17

HSL 79.33, 0.81%, 0.36%

LAB 62.65, -35.72, 61.99

 

CMYK 5 / 0 / 90 / 35

HEX #9EA611

RGB 158 166 17

HSL 63.22, 0.81%, 0.36%

LAB 65.42, -18.91, 65.4

 

CMYK 0 / 19 / 90 / 35

HEX #A68611

RGB 166 134 17

HSL 47.11, 0.81%, 0.36%

LAB 57.27, 1.76, 59.23

 

CMYK 0 / 43 / 90 / 35

HEX #A65E11

RGB 166 94 17

HSL 31.01, 0.81%, 0.36%

LAB 47.17, 24.25, 51.31

 

CMYK 53 / 0 / 90 / 35

HEX #4EA611

RGB 78 166 17

HSL 95.44, 0.81%, 0.36%

LAB 60.72, -49.65, 59.6

 

CMYK 77 / 0 / 90 / 35

HEX #26A611

RGB 38 166 17

HSL 111.54, 0.81%, 0.36%

LAB 59.64, -58.64, 58.25

 

CMYK 90 / 0 / 78 / 35

HEX #11A625

RGB 17 166 37

HSL 128.05, 0.81%, 0.36%

LAB 59.46, -59.93, 52.68

 

CMYK 90 / 0 / 54 / 35

HEX #11A64D

RGB 17 166 77

HSL 144.16, 0.81%, 0.36%

LAB 59.82, -55.39, 35.89

 

CMYK 90 / 0 / 29 / 35

HEX #11A676

RGB 17 166 118

HSL 160.67, 0.81%, 0.36%

LAB 60.52, -47.34, 14.96

 

CMYK 53 / 0 / 90 / 35

HEX #4EA611

RGB 78 166 17

HSL 95.44, 0.81%, 0.36%

LAB 60.72, -49.65, 59.6

 

CMYK 59 / 0 / 98 / 29

HEX #4BB503

RGB 75 181 3

HSL 95.73, 0.97%, 0.36%

LAB 65.4, -56.25, 65.39

 

CMYK 53 / 0 / 90 / 35

HEX #4EA611

RGB 78 166 17

HSL 95.44, 0.81%, 0.36%

LAB 60.72, -49.65, 59.6

 

CMYK 46 / 0 / 79 / 41

HEX #519720

RGB 81 151 32

HSL 95.29, 0.65%, 0.36%

LAB 56.07, -42.15, 51.61

 

CMYK 39 / 0 / 65 / 47

HEX #53882F

RGB 83 136 47

HSL 95.73, 0.49%, 0.36%

LAB 51.44, -33.85, 41.01

 

CMYK 30 / 0 / 49 / 52

HEX #567A3E

RGB 86 122 62

HSL 96, 0.33%, 0.36%

LAB 47.29, -24.33, 28.71

 

CMYK 17 / 0 / 28 / 58

HEX #596B4D

RGB 89 107 77

HSL 96, 0.16%, 0.36%

LAB 43.03, -12.87, 14.65

 

CMYK 4 / 0 / 90 / 35

HEX #9FA611

RGB 159 166 17

HSL 62.82, 0.81%, 0.36%

LAB 65.5, -18.47, 65.5

 

CMYK 28 / 0 / 90 / 35

HEX #77A611

RGB 119 166 17

HSL 78.93, 0.81%, 0.36%

LAB 62.71, -35.33, 62.06

 

CMYK 52 / 0 / 90 / 35

HEX #4FA611

RGB 79 166 17

HSL 95.03, 0.81%, 0.36%

LAB 60.76, -49.36, 59.65

 

CMYK 76 / 0 / 90 / 35

HEX #28A611

RGB 40 166 17

HSL 110.74, 0.81%, 0.36%

LAB 59.67, -58.33, 58.29

 

CMYK 90 / 0 / 79 / 35

HEX #11A623

RGB 17 166 35

HSL 127.25, 0.81%, 0.36%

LAB 59.45, -60.07, 53.33

 

CMYK 53 / 0 / 89 / 64

HEX #2B5B0A

RGB 43 91 10

HSL 95.56, 0.8%, 0.2%

LAB 34.02, -30.89, 37.44

 

CMYK 53 / 0 / 89 / 49

HEX #3C810E

RGB 60 129 14

HSL 96, 0.8%, 0.28%

LAB 47.87, -40.9, 48.91

 

CMYK 53 / 0 / 90 / 35

HEX #4EA611

RGB 78 166 17

HSL 95.44, 0.81%, 0.36%

LAB 60.72, -49.65, 59.6

 

CMYK 53 / 0 / 90 / 20

HEX #5FCB15

RGB 95 203 21

HSL 95.6, 0.81%, 0.44%

LAB 73.02, -58.27, 69.54

 

CMYK 51 / 0 / 85 / 9

HEX #72E822

RGB 114 232 34

HSL 95.76, 0.81%, 0.52%

LAB 82.6, -62.94, 75.55

 

CMYK 53 / 0 / 90 / 35

HEX #4DA511

RGB 77 165 17

HSL 95.68, 0.81%, 0.36%

LAB 60.36, -49.57, 59.28

 

CMYK 90 / 0 / 19 / 35

HEX #11A686

RGB 17 166 134

HSL 167.11, 0.81%, 0.36%

LAB 60.88, -43.35, 6.57

 

CMYK 0 / 90 / 16 / 35

HEX #A6118B

RGB 166 17 139

HSL 310.87, 0.81%, 0.36%

LAB 38.5, 65.35, -29.06

 

CMYK 53 / 0 / 90 / 35

HEX #4DA511

RGB 77 165 17

HSL 95.68, 0.81%, 0.36%

LAB 60.36, -49.57, 59.28

 

CMYK 90 / 52 / 0 / 35

HEX #114FA6

RGB 17 79 166

HSL 215.03, 0.81%, 0.36%

LAB 34.93, 15.8, -51.99

 

CMYK 0 / 90 / 52 / 35

HEX #A6114F

RGB 166 17 79

HSL 335.03, 0.81%, 0.36%

LAB 36.12, 58.9, 5.29

 

CMYK 53 / 0 / 90 / 35

HEX #4DA511

RGB 77 165 17

HSL 95.68, 0.81%, 0.36%

LAB 60.36, -49.57, 59.28

 

CMYK 90 / 0 / 19 / 35

HEX #11A686

RGB 17 166 134

HSL 167.11, 0.81%, 0.36%

LAB 60.88, -43.35, 6.57

 

CMYK 37 / 90 / 0 / 35

HEX #6811A6

RGB 104 17 166

HSL 275.03, 0.81%, 0.36%

LAB 29.66, 59.44, -60.32

 

CMYK 0 / 90 / 70 / 35

HEX #A61132

RGB 166 17 50

HSL 346.71, 0.81%, 0.36%

LAB 35.48, 57.06, 23.19

 

CMYK 53 / 0 / 90 / 35

HEX #4DA511

RGB 77 165 17

HSL 95.68, 0.81%, 0.36%

LAB 60.36, -49.57, 59.28

 

CMYK 90 / 7 / 0 / 35

HEX #119AA6

RGB 17 154 166

HSL 184.83, 0.81%, 0.36%

LAB 58.02, -28.41, -15.74

 

CMYK 37 / 90 / 0 / 35

HEX #6811A6

RGB 104 17 166

HSL 275.03, 0.81%, 0.36%

LAB 29.66, 59.44, -60.32

 

CMYK 0 / 82 / 90 / 35

HEX #A61E11

RGB 166 30 17

HSL 5.23, 0.81%, 0.36%

LAB 36.13, 53.04, 42.76

 

Description

Color code: HEX #4DA511 | qconv.com Color code: HEX #4DA511 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 165 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 165 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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