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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA149 it is the complementary color #B25EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA149 shade: #52A144, #63B357, #74C56A, #85D77D and #96E990

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA149 shade: #4DA149, #3C8F36, #2B7D23, #1A6B10 and #095900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA149 shade: #4DA249, #65A249, #7DA249, #95A249 and #A29749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA149 shade: #4DA249, #49A25D, #49A275, #49A28D and #499FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA149 shade matches the following richer shades: #4DA249, #3CB536, #2AC823 and #19DB10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA149 shade: #4DA249, #5E8F5C, #6F7C6F, #816982 and #925695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA149 shade: #7DA249, #65A249, #4DA249, #49A25C and #49A274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA149 shade: #32692F, #3F853C, #4DA249, #61B65D and #7DC37A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA149 shade: #4DA149, #4995A2 and #A24971

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA149 shade: #4DA149, #494DA2 and #A2494D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA149 shade: #4DA149, #4995A2, #9D49A2 and #A25649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA149 shade: #4DA149, #497AA2, #9D49A2 and #A27149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 55 / 37

HEX #4DA149

RGB 77 161 73

HSL 117.27, 0.38%, 0.46%

LAB 59.48, -43.58, 37.77

 

Complementary color

CMYK 2 / 48 / 0 / 29

HEX #B25EB6

RGB 178 94 182

HSL 297.27, 0.38%, 0.54%

LAB 52.78, 46.98, -32.19

 

CMYK 49 / 0 / 58 / 37

HEX #52A144

RGB 82 161 68

HSL 110.97, 0.41%, 0.45%

LAB 59.62, -42.75, 40.42

 

CMYK 45 / 0 / 51 / 30

HEX #63B357

RGB 99 179 87

HSL 112.17, 0.38%, 0.52%

LAB 66.2, -42.79, 39.18

 

CMYK 41 / 0 / 46 / 23

HEX #74C56A

RGB 116 197 106

HSL 113.41, 0.44%, 0.59%

LAB 72.68, -42.7, 37.92

 

CMYK 38 / 0 / 42 / 16

HEX #85D77D

RGB 133 215 125

HSL 114.67, 0.53%, 0.67%

LAB 79.08, -42.54, 36.68

 

CMYK 36 / 0 / 38 / 9

HEX #96E990

RGB 150 233 144

HSL 115.96, 0.67%, 0.74%

LAB 85.39, -42.34, 35.48

 

CMYK 52 / 0 / 55 / 37

HEX #4DA149

RGB 77 161 73

HSL 117.27, 0.38%, 0.46%

LAB 59.48, -43.58, 37.77

 

CMYK 58 / 0 / 62 / 44

HEX #3C8F36

RGB 60 143 54

HSL 115.96, 0.45%, 0.39%

LAB 52.81, -43.33, 39.02

 

CMYK 66 / 0 / 72 / 51

HEX #2B7D23

RGB 43 125 35

HSL 114.67, 0.56%, 0.31%

LAB 46.05, -42.68, 40

 

CMYK 76 / 0 / 85 / 58

HEX #1A6B10

RGB 26 107 16

HSL 113.41, 0.74%, 0.24%

LAB 39.19, -41.32, 40.16

 

CMYK 90 / 0 / 100 / 65

HEX #095900

RGB 9 89 0

HSL 113.93, 1%, 0.17%

LAB 32.26, -38.81, 38.76

 

CMYK 52 / 0 / 55 / 36

HEX #4DA249

RGB 77 162 73

HSL 117.3, 0.38%, 0.46%

LAB 59.8, -43.99, 38.15

 

CMYK 38 / 0 / 55 / 36

HEX #65A249

RGB 101 162 73

HSL 101.12, 0.38%, 0.46%

LAB 60.86, -36.45, 39.68

 

CMYK 23 / 0 / 55 / 36

HEX #7DA249

RGB 125 162 73

HSL 84.94, 0.38%, 0.46%

LAB 62.24, -27.56, 41.65

 

CMYK 8 / 0 / 55 / 36

HEX #95A249

RGB 149 162 73

HSL 68.76, 0.38%, 0.46%

LAB 63.93, -17.8, 44.04

 

CMYK 0 / 7 / 55 / 36

HEX #A29749

RGB 162 151 73

HSL 52.58, 0.38%, 0.46%

LAB 61.91, -6.44, 41.98

 

CMYK 52 / 0 / 55 / 36

HEX #4DA249

RGB 77 162 73

HSL 117.3, 0.38%, 0.46%

LAB 59.8, -43.99, 38.15

 

CMYK 55 / 0 / 43 / 36

HEX #49A25D

RGB 73 162 93

HSL 133.48, 0.38%, 0.46%

LAB 59.93, -42.07, 27.99

 

CMYK 55 / 0 / 28 / 36

HEX #49A275

RGB 73 162 117

HSL 149.66, 0.38%, 0.46%

LAB 60.37, -37.47, 15.5

 

CMYK 55 / 0 / 13 / 36

HEX #49A28D

RGB 73 162 141

HSL 165.84, 0.38%, 0.46%

LAB 60.94, -31.9, 2.87

 

CMYK 55 / 2 / 0 / 36

HEX #499FA2

RGB 73 159 162

HSL 182.02, 0.38%, 0.46%

LAB 60.62, -24.83, -9.44

 

CMYK 52 / 0 / 55 / 36

HEX #4DA249

RGB 77 162 73

HSL 117.3, 0.38%, 0.46%

LAB 59.8, -43.99, 38.15

 

CMYK 67 / 0 / 70 / 29

HEX #3CB536

RGB 60 181 54

HSL 117.17, 0.54%, 0.46%

LAB 65.18, -57.29, 52.52

 

CMYK 79 / 0 / 83 / 22

HEX #2AC823

RGB 42 200 35

HSL 117.45, 0.7%, 0.46%

LAB 70.82, -67.62, 64.12

 

CMYK 89 / 0 / 93 / 14

HEX #19DB10

RGB 25 219 16

HSL 117.34, 0.86%, 0.46%

LAB 76.62, -75.39, 72.72

 

CMYK 52 / 0 / 55 / 36

HEX #4DA249

RGB 77 162 73

HSL 117.3, 0.38%, 0.46%

LAB 59.8, -43.99, 38.15

 

CMYK 34 / 0 / 36 / 44

HEX #5E8F5C

RGB 94 143 92

HSL 117.65, 0.22%, 0.46%

LAB 54.86, -27.25, 22.05

 

CMYK 10 / 0 / 10 / 51

HEX #6F7C6F

RGB 111 124 111

HSL 120, 0.06%, 0.46%

LAB 50.62, -7.49, 5.47

 

CMYK 1 / 19 / 0 / 49

HEX #816982

RGB 129 105 130

HSL 297.6, 0.11%, 0.46%

LAB 47.47, 14.26, -10.24

 

CMYK 2 / 42 / 0 / 42

HEX #925695

RGB 146 86 149

HSL 297.14, 0.27%, 0.46%

LAB 45.55, 35.08, -24.36

 

CMYK 23 / 0 / 55 / 36

HEX #7DA249

RGB 125 162 73

HSL 84.94, 0.38%, 0.46%

LAB 62.24, -27.56, 41.65

 

CMYK 38 / 0 / 55 / 36

HEX #65A249

RGB 101 162 73

HSL 101.12, 0.38%, 0.46%

LAB 60.86, -36.45, 39.68

 

CMYK 52 / 0 / 55 / 36

HEX #4DA249

RGB 77 162 73

HSL 117.3, 0.38%, 0.46%

LAB 59.8, -43.99, 38.15

 

CMYK 55 / 0 / 43 / 36

HEX #49A25C

RGB 73 162 92

HSL 132.81, 0.38%, 0.46%

LAB 59.92, -42.24, 28.5

 

CMYK 55 / 0 / 28 / 36

HEX #49A274

RGB 73 162 116

HSL 148.99, 0.38%, 0.46%

LAB 60.35, -37.68, 16.03

 

CMYK 52 / 0 / 55 / 59

HEX #32692F

RGB 50 105 47

HSL 116.9, 0.38%, 0.3%

LAB 39.56, -31.09, 26.91

 

CMYK 53 / 0 / 55 / 48

HEX #3F853C

RGB 63 133 60

HSL 117.53, 0.38%, 0.38%

LAB 49.69, -37.62, 32.43

 

CMYK 52 / 0 / 55 / 36

HEX #4DA249

RGB 77 162 73

HSL 117.3, 0.38%, 0.46%

LAB 59.8, -43.99, 38.15

 

CMYK 47 / 0 / 49 / 29

HEX #61B65D

RGB 97 182 93

HSL 117.3, 0.38%, 0.54%

LAB 67.12, -43.85, 37.3

 

CMYK 36 / 0 / 37 / 24

HEX #7DC37A

RGB 125 195 122

HSL 117.53, 0.38%, 0.62%

LAB 72.76, -36.61, 29.91

 

CMYK 52 / 0 / 55 / 37

HEX #4DA149

RGB 77 161 73

HSL 117.27, 0.38%, 0.46%

LAB 59.48, -43.58, 37.77

 

CMYK 55 / 8 / 0 / 36

HEX #4995A2

RGB 73 149 162

HSL 188.76, 0.38%, 0.46%

LAB 57.58, -19.67, -14.02

 

CMYK 0 / 55 / 30 / 36

HEX #A24971

RGB 162 73 113

HSL 333.03, 0.38%, 0.46%

LAB 43.71, 41.32, -5.14

 

CMYK 52 / 0 / 55 / 37

HEX #4DA149

RGB 77 161 73

HSL 117.27, 0.38%, 0.46%

LAB 59.48, -43.58, 37.77

 

CMYK 55 / 52 / 0 / 36

HEX #494DA2

RGB 73 77 162

HSL 237.3, 0.38%, 0.46%

LAB 36.62, 23.5, -46.75

 

CMYK 0 / 55 / 52 / 36

HEX #A2494D

RGB 162 73 77

HSL 357.3, 0.38%, 0.46%

LAB 42.74, 37.23, 15.64

 

CMYK 52 / 0 / 55 / 37

HEX #4DA149

RGB 77 161 73

HSL 117.27, 0.38%, 0.46%

LAB 59.48, -43.58, 37.77

 

CMYK 55 / 8 / 0 / 36

HEX #4995A2

RGB 73 149 162

HSL 188.76, 0.38%, 0.46%

LAB 57.58, -19.67, -14.02

 

CMYK 3 / 55 / 0 / 36

HEX #9D49A2

RGB 157 73 162

HSL 296.63, 0.38%, 0.46%

LAB 45, 47.78, -32.85

 

CMYK 0 / 47 / 55 / 36

HEX #A25649

RGB 162 86 73

HSL 8.76, 0.38%, 0.46%

LAB 45.38, 29.96, 21.58

 

CMYK 52 / 0 / 55 / 37

HEX #4DA149

RGB 77 161 73

HSL 117.27, 0.38%, 0.46%

LAB 59.48, -43.58, 37.77

 

CMYK 55 / 25 / 0 / 36

HEX #497AA2

RGB 73 122 162

HSL 206.97, 0.38%, 0.46%

LAB 49.43, -4.63, -26.49

 

CMYK 3 / 55 / 0 / 36

HEX #9D49A2

RGB 157 73 162

HSL 296.63, 0.38%, 0.46%

LAB 45, 47.78, -32.85

 

CMYK 0 / 30 / 55 / 36

HEX #A27149

RGB 162 113 73

HSL 26.97, 0.38%, 0.46%

LAB 51.81, 14.76, 29.79

 

Description

Color code: HEX #4DA149 | qconv.com Color code: HEX #4DA149 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 161 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 161 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 55 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 55% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

55% - R25
Link: http://light-the-way.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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