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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA141 it is the complementary color #B25EBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA141 shade: #52A13C, #63B34F, #74C562, #85D775 and #96E988

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA141 shade: #4DA141, #3C8F2E, #2B7D1B, #1A6B08 and #095900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA141 shade: #4D9F41, #669F41, #809F41, #999F41 and #9F8C41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA141 shade: #4D9F41, #419F4F, #419F68, #419F82 and #419F9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA141 shade matches the following richer shades: #4D9F41, #3FB12F, #32C41D and #24D60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA141 shade: #4D9F41, #5A8D53, #687B65, #766978 and #83578A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA141 shade: #809F41, #679F41, #4E9F41, #419F4E and #419F67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA141 shade: #316529, #3F8235, #4D9F41, #5EB852 and #79C46F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA141 shade: #4DA141, #41999F and #9F4173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA141 shade: #4DA141, #414E9F and #9F414E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA141 shade: #4DA141, #41999F, #93419F and #9F4741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA141 shade: #4DA141, #417D9F, #93419F and #9F6441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 60 / 37

HEX #4DA141

RGB 77 161 65

HSL 112.5, 0.42%, 0.44%

LAB 59.39, -44.57, 41.54

 

Complementary color

CMYK 6 / 51 / 0 / 25

HEX #B25EBE

RGB 178 94 190

HSL 292.5, 0.42%, 0.56%

LAB 53.15, 48.51, -36.23

 

CMYK 49 / 0 / 63 / 37

HEX #52A13C

RGB 82 161 60

HSL 106.93, 0.46%, 0.43%

LAB 59.53, -43.65, 44.07

 

CMYK 45 / 0 / 56 / 30

HEX #63B34F

RGB 99 179 79

HSL 108, 0.4%, 0.51%

LAB 66.1, -43.78, 42.96

 

CMYK 41 / 0 / 50 / 23

HEX #74C562

RGB 116 197 98

HSL 109.09, 0.46%, 0.58%

LAB 72.58, -43.76, 41.75

 

CMYK 38 / 0 / 46 / 16

HEX #85D775

RGB 133 215 117

HSL 110.2, 0.55%, 0.65%

LAB 78.97, -43.65, 40.52

 

CMYK 36 / 0 / 42 / 9

HEX #96E988

RGB 150 233 136

HSL 111.34, 0.69%, 0.72%

LAB 85.27, -43.49, 39.31

 

CMYK 52 / 0 / 60 / 37

HEX #4DA141

RGB 77 161 65

HSL 112.5, 0.42%, 0.44%

LAB 59.39, -44.57, 41.54

 

CMYK 58 / 0 / 68 / 44

HEX #3C8F2E

RGB 60 143 46

HSL 111.34, 0.51%, 0.37%

LAB 52.73, -44.19, 42.57

 

CMYK 66 / 0 / 78 / 51

HEX #2B7D1B

RGB 43 125 27

HSL 110.2, 0.64%, 0.3%

LAB 45.99, -43.35, 43.09

 

CMYK 76 / 0 / 93 / 58

HEX #1A6B08

RGB 26 107 8

HSL 109.09, 0.86%, 0.23%

LAB 39.16, -41.74, 42.31

 

CMYK 90 / 0 / 100 / 65

HEX #095900

RGB 9 89 0

HSL 113.93, 1%, 0.17%

LAB 32.26, -38.81, 38.76

 

CMYK 52 / 0 / 59 / 38

HEX #4D9F41

RGB 77 159 65

HSL 112.34, 0.42%, 0.44%

LAB 58.75, -43.76, 40.8

 

CMYK 36 / 0 / 59 / 38

HEX #669F41

RGB 102 159 65

HSL 96.38, 0.42%, 0.44%

LAB 59.89, -35.63, 42.41

 

CMYK 19 / 0 / 59 / 38

HEX #809F41

RGB 128 159 65

HSL 79.79, 0.42%, 0.44%

LAB 61.45, -25.67, 44.6

 

CMYK 4 / 0 / 59 / 38

HEX #999F41

RGB 153 159 65

HSL 63.83, 0.42%, 0.44%

LAB 63.3, -15.22, 47.18

 

CMYK 0 / 12 / 59 / 38

HEX #9F8C41

RGB 159 140 65

HSL 47.87, 0.42%, 0.44%

LAB 58.52, -2.42, 41.94

 

CMYK 52 / 0 / 59 / 38

HEX #4D9F41

RGB 77 159 65

HSL 112.34, 0.42%, 0.44%

LAB 58.75, -43.76, 40.8

 

CMYK 59 / 0 / 50 / 38

HEX #419F4F

RGB 65 159 79

HSL 128.94, 0.42%, 0.44%

LAB 58.49, -45.08, 33.45

 

CMYK 59 / 0 / 35 / 38

HEX #419F68

RGB 65 159 104

HSL 144.89, 0.42%, 0.44%

LAB 58.9, -40.71, 20.62

 

CMYK 59 / 0 / 18 / 38

HEX #419F82

RGB 65 159 130

HSL 161.49, 0.42%, 0.44%

LAB 59.46, -34.95, 6.91

 

CMYK 59 / 0 / 3 / 38

HEX #419F9B

RGB 65 159 155

HSL 177.45, 0.42%, 0.44%

LAB 60.15, -28.39, -6.22

 

CMYK 52 / 0 / 59 / 38

HEX #4D9F41

RGB 77 159 65

HSL 112.34, 0.42%, 0.44%

LAB 58.75, -43.76, 40.8

 

CMYK 64 / 0 / 73 / 31

HEX #3FB12F

RGB 63 177 47

HSL 112.62, 0.58%, 0.44%

LAB 63.92, -55.85, 53.9

 

CMYK 74 / 0 / 85 / 23

HEX #32C41D

RGB 50 196 29

HSL 112.46, 0.74%, 0.44%

LAB 69.64, -65.56, 64.57

 

CMYK 83 / 0 / 95 / 16

HEX #24D60B

RGB 36 214 11

HSL 112.61, 0.9%, 0.44%

LAB 75.13, -73.17, 72.1

 

CMYK 52 / 0 / 59 / 38

HEX #4D9F41

RGB 77 159 65

HSL 112.34, 0.42%, 0.44%

LAB 58.75, -43.76, 40.8

 

CMYK 36 / 0 / 41 / 45

HEX #5A8D53

RGB 90 141 83

HSL 112.76, 0.26%, 0.44%

LAB 53.87, -29.14, 25.66

 

CMYK 15 / 0 / 18 / 52

HEX #687B65

RGB 104 123 101

HSL 111.82, 0.1%, 0.44%

LAB 49.55, -11.52, 9.74

 

CMYK 2 / 13 / 0 / 53

HEX #766978

RGB 118 105 120

HSL 292, 0.07%, 0.44%

LAB 46.06, 8.09, -6.48

 

CMYK 5 / 37 / 0 / 46

HEX #83578A

RGB 131 87 138

HSL 291.76, 0.23%, 0.44%

LAB 43.47, 27.32, -21.11

 

CMYK 19 / 0 / 59 / 38

HEX #809F41

RGB 128 159 65

HSL 79.79, 0.42%, 0.44%

LAB 61.45, -25.67, 44.6

 

CMYK 35 / 0 / 59 / 38

HEX #679F41

RGB 103 159 65

HSL 95.74, 0.42%, 0.44%

LAB 59.94, -35.27, 42.49

 

CMYK 51 / 0 / 59 / 38

HEX #4E9F41

RGB 78 159 65

HSL 111.7, 0.42%, 0.44%

LAB 58.79, -43.47, 40.85

 

CMYK 59 / 0 / 51 / 38

HEX #419F4E

RGB 65 159 78

HSL 128.3, 0.42%, 0.44%

LAB 58.48, -45.23, 33.94

 

CMYK 59 / 0 / 35 / 38

HEX #419F67

RGB 65 159 103

HSL 144.26, 0.42%, 0.44%

LAB 58.88, -40.91, 21.14

 

CMYK 51 / 0 / 59 / 60

HEX #316529

RGB 49 101 41

HSL 112, 0.42%, 0.28%

LAB 38.06, -30.44, 28.32

 

CMYK 52 / 0 / 59 / 49

HEX #3F8235

RGB 63 130 53

HSL 112.21, 0.42%, 0.36%

LAB 48.61, -37.25, 34.7

 

CMYK 52 / 0 / 59 / 38

HEX #4D9F41

RGB 77 159 65

HSL 112.34, 0.42%, 0.44%

LAB 58.75, -43.76, 40.8

 

CMYK 49 / 0 / 55 / 28

HEX #5EB852

RGB 94 184 82

HSL 112.94, 0.42%, 0.52%

LAB 67.48, -46.99, 43.11

 

CMYK 38 / 0 / 43 / 23

HEX #79C46F

RGB 121 196 111

HSL 112.94, 0.42%, 0.6%

LAB 72.69, -39.99, 35.45

 

CMYK 52 / 0 / 60 / 37

HEX #4DA141

RGB 77 161 65

HSL 112.5, 0.42%, 0.44%

LAB 59.39, -44.57, 41.54

 

CMYK 59 / 4 / 0 / 38

HEX #41999F

RGB 65 153 159

HSL 183.83, 0.42%, 0.44%

LAB 58.42, -24.25, -11.06

 

CMYK 0 / 59 / 28 / 38

HEX #9F4173

RGB 159 65 115

HSL 328.09, 0.42%, 0.44%

LAB 41.83, 44.54, -9.23

 

CMYK 52 / 0 / 60 / 37

HEX #4DA141

RGB 77 161 65

HSL 112.5, 0.42%, 0.44%

LAB 59.39, -44.57, 41.54

 

CMYK 59 / 51 / 0 / 38

HEX #414E9F

RGB 65 78 159

HSL 231.7, 0.42%, 0.44%

LAB 36.13, 20.16, -45.76

 

CMYK 0 / 59 / 51 / 38

HEX #9F414E

RGB 159 65 78

HSL 351.7, 0.42%, 0.44%

LAB 40.74, 40.23, 12.21

 

CMYK 52 / 0 / 60 / 37

HEX #4DA141

RGB 77 161 65

HSL 112.5, 0.42%, 0.44%

LAB 59.39, -44.57, 41.54

 

CMYK 59 / 4 / 0 / 38

HEX #41999F

RGB 65 153 159

HSL 183.83, 0.42%, 0.44%

LAB 58.42, -24.25, -11.06

 

CMYK 8 / 59 / 0 / 38

HEX #93419F

RGB 147 65 159

HSL 292.34, 0.42%, 0.44%

LAB 41.98, 48.38, -35.92

 

CMYK 0 / 55 / 59 / 38

HEX #9F4741

RGB 159 71 65

HSL 3.83, 0.42%, 0.44%

LAB 41.62, 36.09, 21.41

 

CMYK 52 / 0 / 60 / 37

HEX #4DA141

RGB 77 161 65

HSL 112.5, 0.42%, 0.44%

LAB 59.39, -44.57, 41.54

 

CMYK 59 / 21 / 0 / 38

HEX #417D9F

RGB 65 125 159

HSL 201.7, 0.42%, 0.44%

LAB 49.85, -9.08, -24.12

 

CMYK 8 / 59 / 0 / 38

HEX #93419F

RGB 147 65 159

HSL 292.34, 0.42%, 0.44%

LAB 41.98, 48.38, -35.92

 

CMYK 0 / 37 / 59 / 38

HEX #9F6441

RGB 159 100 65

HSL 22.34, 0.42%, 0.44%

LAB 48.09, 20.19, 29.58

 

Description

Color code: HEX #4DA141 | qconv.com Color code: HEX #4DA141 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 161 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 161 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 60 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 60% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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