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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9FF0 it is the complementary color #B2600F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9FF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9FF0 shade: #529FEB, #63B1FE, #74C3FF, #85D5FF and #96E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9FF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9FF0 shade: #4D9FF0, #3C8DDD, #2B7BCA, #1A69B7 and #0957A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9FF0 shade: #4D9FEF, #4D73EF, #534DEF, #7F4DEF and #AA4DEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9FF0 shade: #4D9FEF, #4D73EF and #4D4DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9FF0 shade matches the following richer shades: #4D9FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9FF0 shade: #4D9FEF, #5C9EE0, #6C9ED0, #7C9EC0 and #8B9EB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9FF0 shade: #4DEFE7, #4DCCEF, #4DA1EF, #4D75EF and #4F4DEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9FF0 shade: #1375D7, #278AEC, #4D9FEF, #73B3F3 and #99C8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9FF0 shade: #4D9FF0, #BC4DEF and #E2EF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9FF0 shade: #4D9FF0, #EF4DA1 and #A1EF4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9FF0 shade: #4D9FF0, #BC4DEF, #EF9B4D and #80EF4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9FF0 shade: #4D9FF0, #ED4DEF, #EF9B4D and #4FEF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 34 / 0 / 6

HEX #4D9FF0

RGB 77 159 240

HSL 209.82, 0.84%, 0.62%

LAB 63.89, 0.51, -47.92

 

Complementary color

CMYK 0 / 46 / 92 / 30

HEX #B2600F

RGB 178 96 15

HSL 29.82, 0.84%, 0.38%

LAB 49.33, 28.29, 54.27

 

CMYK 65 / 32 / 0 / 8

HEX #529FEB

RGB 82 159 235

HSL 209.8, 0.79%, 0.62%

LAB 63.83, -0.37, -45.26

 

CMYK 61 / 30 / 0 / 0

HEX #63B1FE

RGB 99 177 254

HSL 209.81, 0.99%, 0.69%

LAB 70.35, -1.44, -45.32

 

CMYK 55 / 24 / 0 / 0

HEX #74C3FF

RGB 116 195 255

HSL 205.9, 1%, 0.73%

LAB 76.05, -7.73, -36.92

 

CMYK 48 / 16 / 0 / 0

HEX #85D5FF

RGB 133 213 255

HSL 200.66, 1%, 0.76%

LAB 81.73, -13.57, -28.11

 

CMYK 41 / 9 / 0 / 0

HEX #96E7FF

RGB 150 231 255

HSL 193.71, 1%, 0.79%

LAB 87.41, -18.74, -19.39

 

CMYK 68 / 34 / 0 / 6

HEX #4D9FF0

RGB 77 159 240

HSL 209.82, 0.84%, 0.62%

LAB 63.89, 0.51, -47.92

 

CMYK 73 / 36 / 0 / 13

HEX #3C8DDD

RGB 60 141 221

HSL 209.81, 0.7%, 0.55%

LAB 57.3, 2, -47.85

 

CMYK 79 / 39 / 0 / 21

HEX #2B7BCA

RGB 43 123 202

HSL 209.81, 0.65%, 0.48%

LAB 50.62, 3.85, -47.77

 

CMYK 86 / 43 / 0 / 28

HEX #1A69B7

RGB 26 105 183

HSL 209.81, 0.75%, 0.41%

LAB 43.86, 6.2, -47.63

 

CMYK 95 / 47 / 0 / 36

HEX #0957A4

RGB 9 87 164

HSL 209.81, 0.9%, 0.34%

LAB 37.03, 9.19, -47.41

 

CMYK 68 / 33 / 0 / 6

HEX #4D9FEF

RGB 77 159 239

HSL 209.63, 0.84%, 0.62%

LAB 63.84, 0.18, -47.45

 

CMYK 68 / 52 / 0 / 6

HEX #4D73EF

RGB 77 115 239

HSL 225.93, 0.84%, 0.62%

LAB 51.92, 26.63, -66.5

 

CMYK 65 / 68 / 0 / 6

HEX #534DEF

RGB 83 77 239

HSL 242.22, 0.84%, 0.62%

LAB 43.33, 50.34, -80.48

 

CMYK 47 / 68 / 0 / 6

HEX #7F4DEF

RGB 127 77 239

HSL 258.52, 0.84%, 0.62%

LAB 47.04, 56.89, -74.25

 

CMYK 29 / 68 / 0 / 6

HEX #AA4DEF

RGB 170 77 239

HSL 274.44, 0.84%, 0.62%

LAB 51.93, 64.92, -66.09

 

CMYK 68 / 33 / 0 / 6

HEX #4D9FEF

RGB 77 159 239

HSL 209.63, 0.84%, 0.62%

LAB 63.84, 0.18, -47.45

 

CMYK 68 / 52 / 0 / 6

HEX #4D73EF

RGB 77 115 239

HSL 225.93, 0.84%, 0.62%

LAB 51.92, 26.63, -66.5

 

CMYK 68 / 68 / 0 / 6

HEX #4D4DEF

RGB 77 77 239

HSL 240, 0.84%, 0.62%

LAB 42.94, 49.63, -81.13

 

CMYK 68 / 33 / 0 / 6

HEX #4D9FEF

RGB 77 159 239

HSL 209.63, 0.84%, 0.62%

LAB 63.84, 0.18, -47.45

 

CMYK 68 / 33 / 0 / 6

HEX #4D9FEF

RGB 77 159 239

HSL 209.63, 0.84%, 0.62%

LAB 63.84, 0.18, -47.45

 

CMYK 59 / 29 / 0 / 12

HEX #5C9EE0

RGB 92 158 224

HSL 210, 0.68%, 0.62%

LAB 63.43, -1.6, -39.78

 

CMYK 48 / 24 / 0 / 18

HEX #6C9ED0

RGB 108 158 208

HSL 210, 0.52%, 0.62%

LAB 63.5, -3.03, -30.73

 

CMYK 35 / 18 / 0 / 25

HEX #7C9EC0

RGB 124 158 192

HSL 210, 0.35%, 0.62%

LAB 63.79, -3.29, -21.29

 

CMYK 21 / 11 / 0 / 31

HEX #8B9EB1

RGB 139 158 177

HSL 210, 0.2%, 0.62%

LAB 64.26, -2.46, -12.09

 

CMYK 68 / 0 / 3 / 6

HEX #4DEFE7

RGB 77 239 231

HSL 177.04, 0.84%, 0.62%

LAB 86.54, -42.86, -8.35

 

CMYK 68 / 15 / 0 / 6

HEX #4DCCEF

RGB 77 204 239

HSL 192.96, 0.84%, 0.62%

LAB 76.68, -24.04, -27.48

 

CMYK 68 / 33 / 0 / 6

HEX #4DA1EF

RGB 77 161 239

HSL 208.89, 0.84%, 0.62%

LAB 64.4, -0.97, -46.56

 

CMYK 68 / 51 / 0 / 6

HEX #4D75EF

RGB 77 117 239

HSL 225.19, 0.84%, 0.62%

LAB 52.43, 25.39, -65.66

 

CMYK 67 / 68 / 0 / 6

HEX #4F4DEF

RGB 79 77 239

HSL 240.74, 0.84%, 0.62%

LAB 43.07, 49.86, -80.92

 

CMYK 91 / 46 / 0 / 16

HEX #1375D7

RGB 19 117 215

HSL 210, 0.84%, 0.46%

LAB 49.21, 10.73, -57.44

 

CMYK 83 / 42 / 0 / 7

HEX #278AEC

RGB 39 138 236

HSL 209.85, 0.84%, 0.54%

LAB 56.75, 7.07, -57.12

 

CMYK 68 / 33 / 0 / 6

HEX #4D9FEF

RGB 77 159 239

HSL 209.63, 0.84%, 0.62%

LAB 63.84, 0.18, -47.45

 

CMYK 53 / 26 / 0 / 5

HEX #73B3F3

RGB 115 179 243

HSL 210, 0.84%, 0.7%

LAB 71.12, -2.79, -38.12

 

CMYK 38 / 19 / 0 / 4

HEX #99C8F6

RGB 153 200 246

HSL 209.68, 0.84%, 0.78%

LAB 78.89, -4.23, -27.57

 

CMYK 68 / 34 / 0 / 6

HEX #4D9FF0

RGB 77 159 240

HSL 209.82, 0.84%, 0.62%

LAB 63.89, 0.51, -47.92

 

CMYK 21 / 68 / 0 / 6

HEX #BC4DEF

RGB 188 77 239

HSL 281.11, 0.84%, 0.62%

LAB 54.27, 68.57, -62.2

 

CMYK 5 / 0 / 68 / 6

HEX #E2EF4D

RGB 226 239 77

HSL 64.81, 0.84%, 0.62%

LAB 90.98, -23.86, 73.06

 

CMYK 68 / 34 / 0 / 6

HEX #4D9FF0

RGB 77 159 240

HSL 209.82, 0.84%, 0.62%

LAB 63.89, 0.51, -47.92

 

CMYK 0 / 68 / 33 / 6

HEX #EF4DA1

RGB 239 77 161

HSL 328.89, 0.84%, 0.62%

LAB 58.26, 68.71, -10.81

 

CMYK 33 / 0 / 68 / 6

HEX #A1EF4D

RGB 161 239 77

HSL 88.89, 0.84%, 0.62%

LAB 86.92, -48.51, 67.62

 

CMYK 68 / 34 / 0 / 6

HEX #4D9FF0

RGB 77 159 240

HSL 209.82, 0.84%, 0.62%

LAB 63.89, 0.51, -47.92

 

CMYK 21 / 68 / 0 / 6

HEX #BC4DEF

RGB 188 77 239

HSL 281.11, 0.84%, 0.62%

LAB 54.27, 68.57, -62.2

 

CMYK 0 / 35 / 68 / 6

HEX #EF9B4D

RGB 239 155 77

HSL 28.89, 0.84%, 0.62%

LAB 71.1, 24.56, 52.64

 

CMYK 46 / 0 / 68 / 6

HEX #80EF4D

RGB 128 239 77

HSL 101.11, 0.84%, 0.62%

LAB 85.43, -59.08, 65.61

 

CMYK 68 / 34 / 0 / 6

HEX #4D9FF0

RGB 77 159 240

HSL 209.82, 0.84%, 0.62%

LAB 63.89, 0.51, -47.92

 

CMYK 1 / 68 / 0 / 6

HEX #ED4DEF

RGB 237 77 239

HSL 299.26, 0.84%, 0.62%

LAB 61.26, 78.94, -50.63

 

CMYK 0 / 35 / 68 / 6

HEX #EF9B4D

RGB 239 155 77

HSL 28.89, 0.84%, 0.62%

LAB 71.1, 24.56, 52.64

 

CMYK 67 / 0 / 68 / 6

HEX #4FEF4D

RGB 79 239 77

HSL 119.26, 0.84%, 0.62%

LAB 83.93, -70.89, 63.57

 

Description

Color code: HEX #4D9FF0 | qconv.com Color code: HEX #4D9FF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 159 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 159 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 34 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 34% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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