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Color name
HEX #4D9CC6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9CC6 it is the complementary color #B26339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9CC6 shade: #529CC1, #63AED4, #74C0E7, #85D2FA and #96E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9CC6 shade: #4D9CC6, #3C8AB3, #2B78A0, #1A668D and #09547A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9CC6 shade: #4E9CC6, #4E7CC6, #4E5BC6, #614EC6 and #814EC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9CC6 shade: #4E9CC6, #4E7CC6, #4E5BC6 and #4E4EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9CC6 shade matches the following richer shades: #4E9CC6, #3BA2D9, #28A8EB and #15ADFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9CC6 shade: #4E9CC6, #6196B3, #7490A0, #878B8D and #9A857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9CC6 shade: #4EC6AE, #4EBEC6, #4E9EC6, #4E7EC6 and #4E5EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9CC6 shade: #2F6F92, #3987B1, #4E9CC6, #6DADD0 and #8CBFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9CC6 shade: #4D9CC6, #8E4EC6 and #C6BE4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9CC6 shade: #4D9CC6, #C64E9E and #9EC64E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9CC6 shade: #4D9CC6, #8E4EC6, #C6764E and #86C64E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9CC6 shade: #4D9CC6, #B24EC6, #C6764E and #62C64E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 21 / 0 / 22

HEX #4D9CC6

RGB 77 156 198

HSL 200.83, 0.51%, 0.54%

LAB 61.16, -11.63, -28.89

 

Complementary color

CMYK 0 / 44 / 68 / 30

HEX #B26339

RGB 178 99 57

HSL 20.83, 0.51%, 0.46%

LAB 50.32, 28.25, 37.25

 

CMYK 58 / 19 / 0 / 24

HEX #529CC1

RGB 82 156 193

HSL 200, 0.47%, 0.54%

LAB 61.15, -12.22, -26.08

 

CMYK 53 / 18 / 0 / 17

HEX #63AED4

RGB 99 174 212

HSL 200.18, 0.57%, 0.61%

LAB 67.78, -12.7, -26.39

 

CMYK 50 / 17 / 0 / 9

HEX #74C0E7

RGB 116 192 231

HSL 200.35, 0.71%, 0.68%

LAB 74.31, -13.08, -26.69

 

CMYK 47 / 16 / 0 / 2

HEX #85D2FA

RGB 133 210 250

HSL 200.51, 0.92%, 0.75%

LAB 80.73, -13.37, -26.98

 

CMYK 41 / 11 / 0 / 0

HEX #96E4FF

RGB 150 228 255

HSL 195.43, 1%, 0.79%

LAB 86.6, -17.23, -20.63

 

CMYK 61 / 21 / 0 / 22

HEX #4D9CC6

RGB 77 156 198

HSL 200.83, 0.51%, 0.54%

LAB 61.16, -11.63, -28.89

 

CMYK 66 / 23 / 0 / 30

HEX #3C8AB3

RGB 60 138 179

HSL 200.67, 0.5%, 0.47%

LAB 54.44, -10.82, -28.58

 

CMYK 73 / 25 / 0 / 37

HEX #2B78A0

RGB 43 120 160

HSL 200.51, 0.58%, 0.4%

LAB 47.6, -9.73, -28.25

 

CMYK 82 / 28 / 0 / 45

HEX #1A668D

RGB 26 102 141

HSL 200.35, 0.69%, 0.33%

LAB 40.65, -8.24, -27.86

 

CMYK 93 / 31 / 0 / 52

HEX #09547A

RGB 9 84 122

HSL 200.18, 0.86%, 0.26%

LAB 33.57, -6.14, -27.38

 

CMYK 61 / 21 / 0 / 22

HEX #4E9CC6

RGB 78 156 198

HSL 201, 0.51%, 0.54%

LAB 61.2, -11.44, -28.83

 

CMYK 61 / 37 / 0 / 22

HEX #4E7CC6

RGB 78 124 198

HSL 217, 0.51%, 0.54%

LAB 51.96, 7.11, -43.28

 

CMYK 61 / 54 / 0 / 22

HEX #4E5BC6

RGB 78 91 198

HSL 233.5, 0.51%, 0.54%

LAB 43.03, 27.68, -57.57

 

CMYK 51 / 61 / 0 / 22

HEX #614EC6

RGB 97 78 198

HSL 249.5, 0.51%, 0.54%

LAB 41.32, 39.24, -60.27

 

CMYK 35 / 61 / 0 / 22

HEX #814EC6

RGB 129 78 198

HSL 265.5, 0.51%, 0.54%

LAB 44.51, 46.05, -54.96

 

CMYK 61 / 21 / 0 / 22

HEX #4E9CC6

RGB 78 156 198

HSL 201, 0.51%, 0.54%

LAB 61.2, -11.44, -28.83

 

CMYK 61 / 37 / 0 / 22

HEX #4E7CC6

RGB 78 124 198

HSL 217, 0.51%, 0.54%

LAB 51.96, 7.11, -43.28

 

CMYK 61 / 54 / 0 / 22

HEX #4E5BC6

RGB 78 91 198

HSL 233.5, 0.51%, 0.54%

LAB 43.03, 27.68, -57.57

 

CMYK 61 / 61 / 0 / 22

HEX #4E4EC6

RGB 78 78 198

HSL 240, 0.51%, 0.54%

LAB 39.82, 35.79, -62.77

 

CMYK 61 / 21 / 0 / 22

HEX #4E9CC6

RGB 78 156 198

HSL 201, 0.51%, 0.54%

LAB 61.2, -11.44, -28.83

 

CMYK 73 / 25 / 0 / 15

HEX #3BA2D9

RGB 59 162 217

HSL 200.89, 0.68%, 0.54%

LAB 63.16, -11.52, -36.41

 

CMYK 83 / 29 / 0 / 8

HEX #28A8EB

RGB 40 168 235

HSL 200.62, 0.83%, 0.54%

LAB 65.32, -10.57, -42.98

 

CMYK 92 / 32 / 0 / 0

HEX #15ADFE

RGB 21 173 254

HSL 200.86, 0.99%, 0.54%

LAB 67.43, -7.68, -50.04

 

CMYK 61 / 21 / 0 / 22

HEX #4E9CC6

RGB 78 156 198

HSL 201, 0.51%, 0.54%

LAB 61.2, -11.44, -28.83

 

CMYK 46 / 16 / 0 / 30

HEX #6196B3

RGB 97 150 179

HSL 201.22, 0.35%, 0.54%

LAB 59.53, -9.67, -20.61

 

CMYK 28 / 10 / 0 / 37

HEX #7490A0

RGB 116 144 160

HSL 201.82, 0.19%, 0.54%

LAB 58.22, -6.02, -11.69

 

CMYK 4 / 1 / 0 / 45

HEX #878B8D

RGB 135 139 141

HSL 200, 0.03%, 0.54%

LAB 57.6, -1.06, -1.58

 

CMYK 0 / 14 / 21 / 40

HEX #9A857A

RGB 154 133 122

HSL 20.63, 0.14%, 0.54%

LAB 57.12, 6.13, 8.86

 

CMYK 61 / 0 / 12 / 22

HEX #4EC6AE

RGB 78 198 174

HSL 168, 0.51%, 0.54%

LAB 72.93, -39.25, 2.07

 

CMYK 61 / 4 / 0 / 22

HEX #4EBEC6

RGB 78 190 198

HSL 184, 0.51%, 0.54%

LAB 71.23, -29.07, -13.54

 

CMYK 61 / 20 / 0 / 22

HEX #4E9EC6

RGB 78 158 198

HSL 200, 0.51%, 0.54%

LAB 61.78, -12.53, -27.92

 

CMYK 61 / 36 / 0 / 22

HEX #4E7EC6

RGB 78 126 198

HSL 216, 0.51%, 0.54%

LAB 52.53, 5.9, -42.38

 

CMYK 61 / 53 / 0 / 22

HEX #4E5EC6

RGB 78 94 198

HSL 232, 0.51%, 0.54%

LAB 43.8, 25.79, -56.32

 

CMYK 68 / 24 / 0 / 43

HEX #2F6F92

RGB 47 111 146

HSL 201.21, 0.51%, 0.38%

LAB 44.3, -8.78, -25.11

 

CMYK 68 / 24 / 0 / 31

HEX #3987B1

RGB 57 135 177

HSL 201, 0.51%, 0.46%

LAB 53.35, -10.29, -29.13

 

CMYK 61 / 21 / 0 / 22

HEX #4E9CC6

RGB 78 156 198

HSL 201, 0.51%, 0.54%

LAB 61.2, -11.44, -28.83

 

CMYK 48 / 17 / 0 / 18

HEX #6DADD0

RGB 109 173 208

HSL 201.21, 0.51%, 0.62%

LAB 67.79, -11.06, -24.13

 

CMYK 36 / 12 / 0 / 15

HEX #8CBFDA

RGB 140 191 218

HSL 200.77, 0.51%, 0.7%

LAB 74.76, -10.07, -18.84

 

CMYK 61 / 21 / 0 / 22

HEX #4D9CC6

RGB 77 156 198

HSL 200.83, 0.51%, 0.54%

LAB 61.16, -11.63, -28.89

 

CMYK 28 / 61 / 0 / 22

HEX #8E4EC6

RGB 142 78 198

HSL 272, 0.51%, 0.54%

LAB 46.01, 49.06, -52.47

 

CMYK 0 / 4 / 61 / 22

HEX #C6BE4E

RGB 198 190 78

HSL 56, 0.51%, 0.54%

LAB 75.69, -11.14, 56.02

 

CMYK 61 / 21 / 0 / 22

HEX #4D9CC6

RGB 77 156 198

HSL 200.83, 0.51%, 0.54%

LAB 61.16, -11.63, -28.89

 

CMYK 0 / 61 / 20 / 22

HEX #C64E9E

RGB 198 78 158

HSL 320, 0.51%, 0.54%

LAB 51.75, 56.48, -19.53

 

CMYK 20 / 0 / 61 / 22

HEX #9EC64E

RGB 158 198 78

HSL 80, 0.51%, 0.54%

LAB 74.96, -31.4, 54.38

 

CMYK 61 / 21 / 0 / 22

HEX #4D9CC6

RGB 77 156 198

HSL 200.83, 0.51%, 0.54%

LAB 61.16, -11.63, -28.89

 

CMYK 28 / 61 / 0 / 22

HEX #8E4EC6

RGB 142 78 198

HSL 272, 0.51%, 0.54%

LAB 46.01, 49.06, -52.47

 

CMYK 0 / 40 / 61 / 22

HEX #C6764E

RGB 198 118 78

HSL 20, 0.51%, 0.54%

LAB 57.57, 27.58, 35.16

 

CMYK 32 / 0 / 61 / 22

HEX #86C64E

RGB 134 198 78

HSL 92, 0.51%, 0.54%

LAB 73.55, -40.34, 52.42

 

CMYK 61 / 21 / 0 / 22

HEX #4D9CC6

RGB 77 156 198

HSL 200.83, 0.51%, 0.54%

LAB 61.16, -11.63, -28.89

 

CMYK 10 / 61 / 0 / 22

HEX #B24EC6

RGB 178 78 198

HSL 290, 0.51%, 0.54%

LAB 50.68, 57.8, -44.75

 

CMYK 0 / 40 / 61 / 22

HEX #C6764E

RGB 198 118 78

HSL 20, 0.51%, 0.54%

LAB 57.57, 27.58, 35.16

 

CMYK 51 / 0 / 61 / 22

HEX #62C64E

RGB 98 198 78

HSL 110, 0.51%, 0.54%

LAB 71.92, -51.87, 50.14

 

Description

Color code: HEX #4D9CC6 | qconv.com Color code: HEX #4D9CC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 156 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 156 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 21 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 21% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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