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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9C35 it is the complementary color #B263CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9C35 shade: #529C30, #63AE43, #74C056, #85D269 and #96E47C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9C35 shade: #4D9C35, #3C8A22, #2B780F, #1A6600 and #095400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9C35 shade: #4D9C35, #699C35, #849C35, #9C9735 and #9C7C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9C35 shade: #4D9C35, #359C39, #359C55, #359C70 and #359C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9C35 shade matches the following richer shades: #4D9C35, #44AD24, #3BBE13 and #32CF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9C35 shade: #4D9C35, #568B46, #5F7A57, #686968 and #715879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9C35 shade: #849C35, #699C35, #4D9C35, #359C39 and #359C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9C35 shade: #2F5E20, #3E7D2B, #4D9C35, #5CBB40 and #75C75C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9C35 shade: #4D9C35, #359C98 and #9C3576

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9C35 shade: #4D9C35, #354D9C and #9C354D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9C35 shade: #4D9C35, #359C98, #84359C and #9C3539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9C35 shade: #4D9C35, #35809C, #84359C and #9C5135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

Complementary color

CMYK 12 / 51 / 0 / 21

HEX #B263CA

RGB 178 99 202

HSL 286.02, 0.49%, 0.59%

LAB 54.71, 48.33, -40.66

 

CMYK 47 / 0 / 69 / 39

HEX #529C30

RGB 82 156 48

HSL 101.11, 0.53%, 0.4%

LAB 57.83, -42.73, 47.42

 

CMYK 43 / 0 / 61 / 32

HEX #63AE43

RGB 99 174 67

HSL 102.06, 0.44%, 0.47%

LAB 64.43, -42.99, 46.6

 

CMYK 40 / 0 / 55 / 25

HEX #74C056

RGB 116 192 86

HSL 103.02, 0.46%, 0.55%

LAB 70.93, -43.07, 45.53

 

CMYK 37 / 0 / 50 / 18

HEX #85D269

RGB 133 210 105

HSL 104, 0.54%, 0.62%

LAB 77.34, -43.03, 44.36

 

CMYK 34 / 0 / 46 / 11

HEX #96E47C

RGB 150 228 124

HSL 105, 0.66%, 0.69%

LAB 83.67, -42.93, 43.17

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 57 / 0 / 75 / 46

HEX #3C8A22

RGB 60 138 34

HSL 105, 0.6%, 0.34%

LAB 50.98, -43.29, 45.64

 

CMYK 64 / 0 / 88 / 53

HEX #2B780F

RGB 43 120 15

HSL 104, 0.78%, 0.26%

LAB 44.21, -42.24, 45.2

 

CMYK 75 / 0 / 100 / 60

HEX #1A6600

RGB 26 102 0

HSL 104.71, 1%, 0.2%

LAB 37.34, -40.37, 42.94

 

CMYK 89 / 0 / 100 / 67

HEX #095400

RGB 9 84 0

HSL 113.57, 1%, 0.16%

LAB 30.4, -37.15, 37.26

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 33 / 0 / 66 / 39

HEX #699C35

RGB 105 156 53

HSL 89.71, 0.49%, 0.41%

LAB 59.01, -34.3, 46.91

 

CMYK 15 / 0 / 66 / 39

HEX #849C35

RGB 132 156 53

HSL 73.98, 0.49%, 0.41%

LAB 60.73, -23.51, 49.26

 

CMYK 0 / 3 / 66 / 39

HEX #9C9735

RGB 156 151 53

HSL 57.09, 0.49%, 0.41%

LAB 61.18, -10.55, 50.32

 

CMYK 0 / 21 / 66 / 39

HEX #9C7C35

RGB 156 124 53

HSL 41.36, 0.49%, 0.41%

LAB 53.75, 4.29, 42.38

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 66 / 0 / 63 / 39

HEX #359C39

RGB 53 156 57

HSL 122.33, 0.49%, 0.41%

LAB 56.91, -49.61, 42.22

 

CMYK 66 / 0 / 46 / 39

HEX #359C55

RGB 53 156 85

HSL 138.64, 0.49%, 0.41%

LAB 57.26, -45.6, 28.68

 

CMYK 66 / 0 / 28 / 39

HEX #359C70

RGB 53 156 112

HSL 154.37, 0.49%, 0.41%

LAB 57.75, -40.22, 14.56

 

CMYK 66 / 0 / 10 / 39

HEX #359C8C

RGB 53 156 140

HSL 170.68, 0.49%, 0.41%

LAB 58.44, -33.25, -0.27

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 61 / 0 / 79 / 32

HEX #44AD24

RGB 68 173 36

HSL 105.99, 0.66%, 0.41%

LAB 62.71, -54.04, 56.48

 

CMYK 69 / 0 / 90 / 25

HEX #3BBE13

RGB 59 190 19

HSL 105.96, 0.82%, 0.41%

LAB 67.88, -62.49, 65.1

 

CMYK 76 / 0 / 99 / 19

HEX #32CF03

RGB 50 207 3

HSL 106.18, 0.97%, 0.41%

LAB 73.1, -69.57, 71.32

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 38 / 0 / 50 / 45

HEX #568B46

RGB 86 139 70

HSL 106.09, 0.33%, 0.41%

LAB 52.82, -31.5, 31.29

 

CMYK 22 / 0 / 29 / 52

HEX #5F7A57

RGB 95 122 87

HSL 106.29, 0.17%, 0.41%

LAB 48.31, -16.98, 16.07

 

CMYK 1 / 0 / 1 / 59

HEX #686968

RGB 104 105 104

HSL 120, 0%, 0.41%

LAB 44.3, -0.59, 0.42

 

CMYK 7 / 27 / 0 / 53

HEX #715879

RGB 113 88 121

HSL 285.45, 0.16%, 0.41%

LAB 41.01, 16.75, -14.74

 

CMYK 15 / 0 / 66 / 39

HEX #849C35

RGB 132 156 53

HSL 73.98, 0.49%, 0.41%

LAB 60.73, -23.51, 49.26

 

CMYK 33 / 0 / 66 / 39

HEX #699C35

RGB 105 156 53

HSL 89.71, 0.49%, 0.41%

LAB 59.01, -34.3, 46.91

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 66 / 0 / 63 / 39

HEX #359C39

RGB 53 156 57

HSL 122.33, 0.49%, 0.41%

LAB 56.91, -49.61, 42.22

 

CMYK 66 / 0 / 46 / 39

HEX #359C54

RGB 53 156 84

HSL 138.06, 0.49%, 0.41%

LAB 57.24, -45.77, 29.19

 

CMYK 50 / 0 / 66 / 63

HEX #2F5E20

RGB 47 94 32

HSL 105.48, 0.49%, 0.25%

LAB 35.43, -29.03, 29.9

 

CMYK 50 / 0 / 66 / 51

HEX #3E7D2B

RGB 62 125 43

HSL 106.1, 0.49%, 0.33%

LAB 46.8, -36.57, 37.46

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 51 / 0 / 66 / 27

HEX #5CBB40

RGB 92 187 64

HSL 106.34, 0.49%, 0.49%

LAB 68.16, -50.68, 51.94

 

CMYK 41 / 0 / 54 / 22

HEX #75C75C

RGB 117 199 92

HSL 105.98, 0.49%, 0.57%

LAB 73.16, -45.03, 45.34

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 66 / 0 / 3 / 39

HEX #359C98

RGB 53 156 152

HSL 177.67, 0.49%, 0.41%

LAB 58.79, -29.89, -6.57

 

CMYK 0 / 66 / 24 / 39

HEX #9C3576

RGB 156 53 118

HSL 322.14, 0.49%, 0.41%

LAB 39.45, 49.47, -14.74

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 66 / 51 / 0 / 39

HEX #354D9C

RGB 53 77 156

HSL 226.02, 0.49%, 0.41%

LAB 34.93, 17.47, -45.92

 

CMYK 0 / 66 / 51 / 39

HEX #9C354D

RGB 156 53 77

HSL 346.02, 0.49%, 0.41%

LAB 38.11, 44.69, 9.11

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 66 / 0 / 3 / 39

HEX #359C98

RGB 53 156 152

HSL 177.67, 0.49%, 0.41%

LAB 58.79, -29.89, -6.57

 

CMYK 15 / 66 / 0 / 39

HEX #84359C

RGB 132 53 156

HSL 286.02, 0.49%, 0.41%

LAB 37.58, 49.62, -41.25

 

CMYK 0 / 66 / 63 / 39

HEX #9C3539

RGB 156 53 57

HSL 357.67, 0.49%, 0.41%

LAB 37.68, 43.09, 21.15

 

CMYK 51 / 0 / 66 / 39

HEX #4D9C35

RGB 77 156 53

HSL 106.02, 0.49%, 0.41%

LAB 57.67, -43.82, 45.06

 

CMYK 66 / 18 / 0 / 39

HEX #35809C

RGB 53 128 156

HSL 196.31, 0.49%, 0.41%

LAB 50.21, -14.06, -21.85

 

CMYK 15 / 66 / 0 / 39

HEX #84359C

RGB 132 53 156

HSL 286.02, 0.49%, 0.41%

LAB 37.58, 49.62, -41.25

 

CMYK 0 / 48 / 66 / 39

HEX #9C5135

RGB 156 81 53

HSL 16.31, 0.49%, 0.41%

LAB 43.08, 28.69, 30.21

 

Description

Color code: HEX #4D9C35 | qconv.com Color code: HEX #4D9C35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 156 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 156 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 66 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 66% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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