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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9C2E it is the complementary color #B263D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9C2E shade: #529C29, #63AE3C, #74C04F, #85D262 and #96E475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9C2E shade: #4D9C2E, #3C8A1B, #2B7808, #1A6600 and #095400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9C2E shade: #4D9D2E, #6B9D2E, #899D2E, #9D932E and #9D752E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9C2E shade: #4D9D2E, #309D2E, #2E9D4B, #2E9D68 and #2E9D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9C2E shade matches the following richer shades: #4D9D2E, #46AD1E and #3FBE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9C2E shade: #4D9D2E, #558C3F, #5C7C4F, #636B60 and #6A5B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9C2E shade: #889D2E, #6B9D2E, #4E9D2E, #309D2E and #2E9D4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9C2E shade: #2E5D1B, #3E7D25, #4D9D2E, #5DBC38 and #74CB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9C2E shade: #4D9C2E, #2E9D93 and #9D2E7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9C2E shade: #4D9C2E, #2E4E9D and #9D2E4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9C2E shade: #4D9C2E, #2E9D93, #7D2E9D and #9D2E38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9C2E shade: #4D9C2E, #2E859D, #7D2E9D and #9D462E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 71 / 39

HEX #4D9C2E

RGB 77 156 46

HSL 103.09, 0.54%, 0.4%

LAB 57.61, -44.45, 47.94

 

Complementary color

CMYK 15 / 53 / 0 / 18

HEX #B263D1

RGB 178 99 209

HSL 283.09, 0.54%, 0.6%

LAB 55.06, 49.77, -44.09

 

CMYK 47 / 0 / 74 / 39

HEX #529C29

RGB 82 156 41

HSL 98.61, 0.58%, 0.39%

LAB 57.78, -43.28, 50.13

 

CMYK 43 / 0 / 66 / 32

HEX #63AE3C

RGB 99 174 60

HSL 99.47, 0.49%, 0.46%

LAB 64.36, -43.66, 49.6

 

CMYK 40 / 0 / 59 / 25

HEX #74C04F

RGB 116 192 79

HSL 100.35, 0.47%, 0.53%

LAB 70.85, -43.82, 48.68

 

CMYK 37 / 0 / 53 / 18

HEX #85D262

RGB 133 210 98

HSL 101.25, 0.55%, 0.6%

LAB 77.26, -43.85, 47.59

 

CMYK 34 / 0 / 49 / 11

HEX #96E475

RGB 150 228 117

HSL 102.16, 0.67%, 0.68%

LAB 83.58, -43.8, 46.43

 

CMYK 51 / 0 / 71 / 39

HEX #4D9C2E

RGB 77 156 46

HSL 103.09, 0.54%, 0.4%

LAB 57.61, -44.45, 47.94

 

CMYK 57 / 0 / 80 / 46

HEX #3C8A1B

RGB 60 138 27

HSL 102.16, 0.67%, 0.32%

LAB 50.94, -43.77, 48.06

 

CMYK 64 / 0 / 93 / 53

HEX #2B7808

RGB 43 120 8

HSL 101.25, 0.88%, 0.25%

LAB 44.18, -42.53, 46.79

 

CMYK 75 / 0 / 100 / 60

HEX #1A6600

RGB 26 102 0

HSL 104.71, 1%, 0.2%

LAB 37.34, -40.37, 42.94

 

CMYK 89 / 0 / 100 / 67

HEX #095400

RGB 9 84 0

HSL 113.57, 1%, 0.16%

LAB 30.4, -37.15, 37.26

 

CMYK 51 / 0 / 71 / 38

HEX #4D9D2E

RGB 77 157 46

HSL 103.24, 0.55%, 0.4%

LAB 57.93, -44.85, 48.28

 

CMYK 32 / 0 / 71 / 38

HEX #6B9D2E

RGB 107 157 46

HSL 87.03, 0.55%, 0.4%

LAB 59.38, -34.54, 50.22

 

CMYK 13 / 0 / 71 / 38

HEX #899D2E

RGB 137 157 46

HSL 70.81, 0.55%, 0.4%

LAB 61.33, -22.36, 52.84

 

CMYK 0 / 6 / 71 / 38

HEX #9D932E

RGB 157 147 46

HSL 54.59, 0.55%, 0.4%

LAB 60.1, -8.37, 52.15

 

CMYK 0 / 25 / 71 / 38

HEX #9D752E

RGB 157 117 46

HSL 38.38, 0.55%, 0.4%

LAB 51.94, 8.28, 43.8

 

CMYK 51 / 0 / 71 / 38

HEX #4D9D2E

RGB 77 157 46

HSL 103.24, 0.55%, 0.4%

LAB 57.93, -44.85, 48.28

 

CMYK 69 / 0 / 71 / 38

HEX #309D2E

RGB 48 157 46

HSL 118.92, 0.55%, 0.4%

LAB 57.02, -52.13, 47.04

 

CMYK 71 / 0 / 52 / 38

HEX #2E9D4B

RGB 46 157 75

HSL 135.68, 0.55%, 0.4%

LAB 57.27, -48.95, 33.87

 

CMYK 71 / 0 / 34 / 38

HEX #2E9D68

RGB 46 157 104

HSL 151.35, 0.55%, 0.4%

LAB 57.75, -43.63, 18.97

 

CMYK 71 / 0 / 15 / 38

HEX #2E9D86

RGB 46 157 134

HSL 167.57, 0.55%, 0.4%

LAB 58.43, -36.44, 3.09

 

CMYK 51 / 0 / 71 / 38

HEX #4D9D2E

RGB 77 157 46

HSL 103.24, 0.55%, 0.4%

LAB 57.93, -44.85, 48.28

 

CMYK 60 / 0 / 83 / 32

HEX #46AD1E

RGB 70 173 30

HSL 103.22, 0.7%, 0.4%

LAB 62.75, -53.87, 58.28

 

CMYK 67 / 0 / 93 / 25

HEX #3FBE0D

RGB 63 190 13

HSL 103.05, 0.87%, 0.4%

LAB 67.96, -61.85, 66.12

 

CMYK 51 / 0 / 71 / 38

HEX #4D9D2E

RGB 77 157 46

HSL 103.24, 0.55%, 0.4%

LAB 57.93, -44.85, 48.28

 

CMYK 39 / 0 / 55 / 45

HEX #558C3F

RGB 85 140 63

HSL 102.86, 0.38%, 0.4%

LAB 53, -33.22, 35.11

 

CMYK 26 / 0 / 36 / 51

HEX #5C7C4F

RGB 92 124 79

HSL 102.67, 0.22%, 0.4%

LAB 48.58, -20.53, 20.99

 

CMYK 7 / 0 / 10 / 58

HEX #636B60

RGB 99 107 96

HSL 103.64, 0.05%, 0.4%

LAB 44.25, -5.33, 5.12

 

CMYK 5 / 19 / 0 / 56

HEX #6A5B70

RGB 106 91 112

HSL 282.86, 0.1%, 0.4%

LAB 40.76, 10.35, -9.67

 

CMYK 13 / 0 / 71 / 38

HEX #889D2E

RGB 136 157 46

HSL 71.35, 0.55%, 0.4%

LAB 61.26, -22.78, 52.74

 

CMYK 32 / 0 / 71 / 38

HEX #6B9D2E

RGB 107 157 46

HSL 87.03, 0.55%, 0.4%

LAB 59.38, -34.54, 50.22

 

CMYK 50 / 0 / 71 / 38

HEX #4E9D2E

RGB 78 157 46

HSL 102.7, 0.55%, 0.4%

LAB 57.97, -44.55, 48.33

 

CMYK 69 / 0 / 71 / 38

HEX #309D2E

RGB 48 157 46

HSL 118.92, 0.55%, 0.4%

LAB 57.02, -52.13, 47.04

 

CMYK 71 / 0 / 53 / 38

HEX #2E9D4A

RGB 46 157 74

HSL 135.14, 0.55%, 0.4%

LAB 57.26, -49.1, 34.36

 

CMYK 51 / 0 / 71 / 64

HEX #2E5D1B

RGB 46 93 27

HSL 102.73, 0.55%, 0.24%

LAB 34.98, -29.46, 31.83

 

CMYK 50 / 0 / 70 / 51

HEX #3E7D25

RGB 62 125 37

HSL 102.95, 0.54%, 0.32%

LAB 46.74, -37.16, 40.09

 

CMYK 51 / 0 / 71 / 38

HEX #4D9D2E

RGB 77 157 46

HSL 103.24, 0.55%, 0.4%

LAB 57.93, -44.85, 48.28

 

CMYK 51 / 0 / 70 / 26

HEX #5DBC38

RGB 93 188 56

HSL 103.18, 0.54%, 0.48%

LAB 68.45, -51.46, 55.47

 

CMYK 43 / 0 / 60 / 20

HEX #74CB52

RGB 116 203 82

HSL 103.14, 0.54%, 0.56%

LAB 74.21, -48.1, 51.16

 

CMYK 51 / 0 / 71 / 39

HEX #4D9C2E

RGB 77 156 46

HSL 103.09, 0.54%, 0.4%

LAB 57.61, -44.45, 47.94

 

CMYK 71 / 0 / 6 / 38

HEX #2E9D93

RGB 46 157 147

HSL 174.59, 0.55%, 0.4%

LAB 58.79, -32.87, -3.75

 

CMYK 0 / 71 / 22 / 38

HEX #9D2E7A

RGB 157 46 122

HSL 318.92, 0.55%, 0.4%

LAB 38.77, 53.13, -18.25

 

CMYK 51 / 0 / 71 / 39

HEX #4D9C2E

RGB 77 156 46

HSL 103.09, 0.54%, 0.4%

LAB 57.61, -44.45, 47.94

 

CMYK 71 / 50 / 0 / 38

HEX #2E4E9D

RGB 46 78 157

HSL 222.7, 0.55%, 0.4%

LAB 34.93, 16.02, -46.54

 

CMYK 0 / 71 / 50 / 38

HEX #9D2E4E

RGB 157 46 78

HSL 342.7, 0.55%, 0.4%

LAB 37.25, 48.03, 7.29

 

CMYK 51 / 0 / 71 / 39

HEX #4D9C2E

RGB 77 156 46

HSL 103.09, 0.54%, 0.4%

LAB 57.61, -44.45, 47.94

 

CMYK 71 / 0 / 6 / 38

HEX #2E9D93

RGB 46 157 147

HSL 174.59, 0.55%, 0.4%

LAB 58.79, -32.87, -3.75

 

CMYK 20 / 71 / 0 / 38

HEX #7D2E9D

RGB 125 46 157

HSL 282.7, 0.55%, 0.4%

LAB 35.5, 51.33, -45.24

 

CMYK 0 / 71 / 64 / 38

HEX #9D2E38

RGB 157 46 56

HSL 354.59, 0.55%, 0.4%

LAB 36.76, 46.33, 20.63

 

CMYK 51 / 0 / 71 / 39

HEX #4D9C2E

RGB 77 156 46

HSL 103.09, 0.54%, 0.4%

LAB 57.61, -44.45, 47.94

 

CMYK 71 / 15 / 0 / 38

HEX #2E859D

RGB 46 133 157

HSL 192.97, 0.55%, 0.4%

LAB 51.6, -17.62, -20.32

 

CMYK 20 / 71 / 0 / 38

HEX #7D2E9D

RGB 125 46 157

HSL 282.7, 0.55%, 0.4%

LAB 35.5, 51.33, -45.24

 

CMYK 0 / 55 / 71 / 38

HEX #9D462E

RGB 157 70 46

HSL 12.97, 0.55%, 0.4%

LAB 40.81, 34.55, 31.58

 

Description

Color code: HEX #4D9C2E | qconv.com Color code: HEX #4D9C2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 156 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 156 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 71 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 71% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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