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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9C0F it is the complementary color #B263F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9C0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9C0F shade: #529C0A, #63AE1D, #74C030, #85D243 and #96E456

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9C0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9C0F shade: #4D9C0F, #3C8A00, #2B7800, #1A6600 and #095400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9C0F shade: #4E9D0F, #749D0F, #9A9D0F, #9D7A0F and #9D540F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9C0F shade: #4E9D0F, #279D0F, #0F9D1D, #0F9D44 and #0F9D6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9C0F shade matches the following richer shades: #4E9D0F and #4CAB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9C0F shade: #4E9D0F, #4F8F1D, #51812B, #537339 and #546547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9C0F shade: #9B9D0F, #759D0F, #4F9D0F, #299D0F and #0F9D1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9C0F shade: #285208, #3B780B, #4E9D0F, #60C313 and #73E817

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9C0F shade: #4D9C0F, #0F9D7A and #9D0F88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9C0F shade: #4D9C0F, #0F4F9D and #9D0F4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9C0F shade: #4D9C0F, #0F9D7A, #5D0F9D and #9D0F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9C0F shade: #4D9C0F, #0F969D, #5D0F9D and #9D160F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 90 / 39

HEX #4D9C0F

RGB 77 156 15

HSL 93.62, 0.82%, 0.34%

LAB 57.45, -46.19, 57.19

 

Complementary color

CMYK 26 / 59 / 0 / 6

HEX #B263F0

RGB 178 99 240

HSL 273.62, 0.82%, 0.66%

LAB 56.76, 56.48, -58.83

 

CMYK 47 / 0 / 94 / 39

HEX #529C0A

RGB 82 156 10

HSL 90.41, 0.88%, 0.33%

LAB 57.65, -44.73, 58.27

 

CMYK 43 / 0 / 83 / 32

HEX #63AE1D

RGB 99 174 29

HSL 91.03, 0.71%, 0.4%

LAB 64.17, -45.7, 60.25

 

CMYK 40 / 0 / 75 / 25

HEX #74C030

RGB 116 192 48

HSL 91.67, 0.6%, 0.47%

LAB 70.61, -46.33, 60.85

 

CMYK 37 / 0 / 68 / 18

HEX #85D243

RGB 133 210 67

HSL 92.31, 0.61%, 0.54%

LAB 76.97, -46.74, 60.64

 

CMYK 34 / 0 / 62 / 11

HEX #96E456

RGB 150 228 86

HSL 92.96, 0.72%, 0.62%

LAB 83.25, -46.98, 59.99

 

CMYK 51 / 0 / 90 / 39

HEX #4D9C0F

RGB 77 156 15

HSL 93.62, 0.82%, 0.34%

LAB 57.45, -46.19, 57.19

 

CMYK 57 / 0 / 100 / 46

HEX #3C8A00

RGB 60 138 0

HSL 93.91, 1%, 0.27%

LAB 50.85, -44.83, 54.08

 

CMYK 64 / 0 / 100 / 53

HEX #2B7800

RGB 43 120 0

HSL 98.5, 1%, 0.24%

LAB 44.16, -42.83, 48.55

 

CMYK 75 / 0 / 100 / 60

HEX #1A6600

RGB 26 102 0

HSL 104.71, 1%, 0.2%

LAB 37.34, -40.37, 42.94

 

CMYK 89 / 0 / 100 / 67

HEX #095400

RGB 9 84 0

HSL 113.57, 1%, 0.16%

LAB 30.4, -37.15, 37.26

 

CMYK 50 / 0 / 90 / 38

HEX #4E9D0F

RGB 78 157 15

HSL 93.38, 0.83%, 0.34%

LAB 57.82, -46.27, 57.51

 

CMYK 26 / 0 / 90 / 38

HEX #749D0F

RGB 116 157 15

HSL 77.32, 0.83%, 0.34%

LAB 59.76, -32.45, 59.93

 

CMYK 2 / 0 / 90 / 38

HEX #9A9D0F

RGB 154 157 15

HSL 61.27, 0.83%, 0.34%

LAB 62.52, -16.11, 63.31

 

CMYK 0 / 22 / 90 / 38

HEX #9D7A0F

RGB 157 122 15

HSL 45.21, 0.83%, 0.34%

LAB 53.08, 4.26, 55.98

 

CMYK 0 / 46 / 90 / 38

HEX #9D540F

RGB 157 84 15

HSL 29.15, 0.83%, 0.34%

LAB 43.57, 25.83, 48.55

 

CMYK 50 / 0 / 90 / 38

HEX #4E9D0F

RGB 78 157 15

HSL 93.38, 0.83%, 0.34%

LAB 57.82, -46.27, 57.51

 

CMYK 75 / 0 / 90 / 38

HEX #279D0F

RGB 39 157 15

HSL 109.86, 0.83%, 0.34%

LAB 56.66, -55.72, 56.07

 

CMYK 90 / 0 / 82 / 38

HEX #0F9D1D

RGB 15 157 29

HSL 125.92, 0.83%, 0.34%

LAB 56.39, -57.93, 52.27

 

CMYK 90 / 0 / 57 / 38

HEX #0F9D44

RGB 15 157 68

HSL 142.39, 0.83%, 0.34%

LAB 56.72, -53.87, 36.6

 

CMYK 90 / 0 / 32 / 38

HEX #0F9D6A

RGB 15 157 106

HSL 158.45, 0.83%, 0.34%

LAB 57.32, -46.72, 17.21

 

CMYK 50 / 0 / 90 / 38

HEX #4E9D0F

RGB 78 157 15

HSL 93.38, 0.83%, 0.34%

LAB 57.82, -46.27, 57.51

 

CMYK 56 / 0 / 99 / 33

HEX #4CAB01

RGB 76 171 1

HSL 93.53, 0.99%, 0.34%

LAB 62.22, -52.46, 63.14

 

CMYK 50 / 0 / 90 / 38

HEX #4E9D0F

RGB 78 157 15

HSL 93.38, 0.83%, 0.34%

LAB 57.82, -46.27, 57.51

 

CMYK 45 / 0 / 80 / 44

HEX #4F8F1D

RGB 79 143 29

HSL 93.68, 0.66%, 0.34%

LAB 53.38, -39.67, 50

 

CMYK 37 / 0 / 67 / 49

HEX #51812B

RGB 81 129 43

HSL 93.49, 0.5%, 0.34%

LAB 49.04, -31.75, 40.17

 

CMYK 28 / 0 / 50 / 55

HEX #537339

RGB 83 115 57

HSL 93.1, 0.34%, 0.34%

LAB 44.8, -22.62, 28.29

 

CMYK 17 / 0 / 30 / 60

HEX #546547

RGB 84 101 71

HSL 94, 0.17%, 0.34%

LAB 40.65, -12.57, 14.92

 

CMYK 1 / 0 / 90 / 38

HEX #9B9D0F

RGB 155 157 15

HSL 60.85, 0.83%, 0.34%

LAB 62.61, -15.66, 63.41

 

CMYK 25 / 0 / 90 / 38

HEX #759D0F

RGB 117 157 15

HSL 76.9, 0.83%, 0.34%

LAB 59.83, -32.04, 60

 

CMYK 50 / 0 / 90 / 38

HEX #4F9D0F

RGB 79 157 15

HSL 92.96, 0.83%, 0.34%

LAB 57.86, -45.96, 57.56

 

CMYK 74 / 0 / 90 / 38

HEX #299D0F

RGB 41 157 15

HSL 109.01, 0.83%, 0.34%

LAB 56.7, -55.38, 56.12

 

CMYK 90 / 0 / 83 / 38

HEX #0F9D1B

RGB 15 157 27

HSL 125.07, 0.83%, 0.34%

LAB 56.38, -58.05, 52.84

 

CMYK 51 / 0 / 90 / 68

HEX #285208

RGB 40 82 8

HSL 94.05, 0.82%, 0.18%

LAB 30.65, -28.08, 34.98

 

CMYK 51 / 0 / 91 / 53

HEX #3B780B

RGB 59 120 11

HSL 93.58, 0.83%, 0.26%

LAB 44.78, -37.7, 46.9

 

CMYK 50 / 0 / 90 / 38

HEX #4E9D0F

RGB 78 157 15

HSL 93.38, 0.83%, 0.34%

LAB 57.82, -46.27, 57.51

 

CMYK 51 / 0 / 90 / 24

HEX #60C313

RGB 96 195 19

HSL 93.75, 0.82%, 0.42%

LAB 70.57, -55.12, 67.82

 

CMYK 50 / 0 / 90 / 9

HEX #73E817

RGB 115 232 23

HSL 93.59, 0.82%, 0.5%

LAB 82.6, -62.98, 77.53

 

CMYK 51 / 0 / 90 / 39

HEX #4D9C0F

RGB 77 156 15

HSL 93.62, 0.82%, 0.34%

LAB 57.45, -46.19, 57.19

 

CMYK 90 / 0 / 22 / 38

HEX #0F9D7A

RGB 15 157 122

HSL 165.21, 0.83%, 0.34%

LAB 57.68, -42.84, 8.74

 

CMYK 0 / 90 / 13 / 38

HEX #9D0F88

RGB 157 15 136

HSL 308.87, 0.83%, 0.34%

LAB 36.53, 63.44, -30.42

 

CMYK 51 / 0 / 90 / 39

HEX #4D9C0F

RGB 77 156 15

HSL 93.62, 0.82%, 0.34%

LAB 57.45, -46.19, 57.19

 

CMYK 90 / 50 / 0 / 38

HEX #0F4F9D

RGB 15 79 157

HSL 212.96, 0.83%, 0.34%

LAB 34.25, 11.97, -47.69

 

CMYK 0 / 90 / 50 / 38

HEX #9D0F4F

RGB 157 15 79

HSL 332.96, 0.83%, 0.34%

LAB 34.14, 56.98, 2.19

 

CMYK 51 / 0 / 90 / 39

HEX #4D9C0F

RGB 77 156 15

HSL 93.62, 0.82%, 0.34%

LAB 57.45, -46.19, 57.19

 

CMYK 90 / 0 / 22 / 38

HEX #0F9D7A

RGB 15 157 122

HSL 165.21, 0.83%, 0.34%

LAB 57.68, -42.84, 8.74

 

CMYK 41 / 90 / 0 / 38

HEX #5D0F9D

RGB 93 15 157

HSL 272.96, 0.83%, 0.34%

LAB 27.03, 56.5, -59.22

 

CMYK 0 / 90 / 68 / 38

HEX #9D0F33

RGB 157 15 51

HSL 344.79, 0.83%, 0.34%

LAB 33.45, 55.06, 19.6

 

CMYK 51 / 0 / 90 / 39

HEX #4D9C0F

RGB 77 156 15

HSL 93.62, 0.82%, 0.34%

LAB 57.45, -46.19, 57.19

 

CMYK 90 / 4 / 0 / 38

HEX #0F969D

RGB 15 150 157

HSL 182.96, 0.83%, 0.34%

LAB 56.44, -29.47, -13.01

 

CMYK 41 / 90 / 0 / 38

HEX #5D0F9D

RGB 93 15 157

HSL 272.96, 0.83%, 0.34%

LAB 27.03, 56.5, -59.22

 

CMYK 0 / 86 / 90 / 38

HEX #9D160F

RGB 157 22 15

HSL 2.96, 0.83%, 0.34%

LAB 33.51, 52.38, 40.85

 

Description

Color code: HEX #4D9C0F | qconv.com Color code: HEX #4D9C0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 156 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 156 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 90 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 90% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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