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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9C0A it is the complementary color #B263F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9C0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9C0A shade: #529C05, #63AE18, #74C02B, #85D23E and #96E451

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9C0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9C0A shade: #4D9C0A, #3C8A00, #2B7800, #1A6600 and #095400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9C0A shade: #4E9E0A, #759E0A, #9D9E0A, #9E760A and #9E4E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9C0A shade: #4E9E0A, #269E0A, #0A9E16, #0A9E3D and #0A9E65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9C0A shade matches the following richer shades: #4E9E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9C0A shade: #4E9E0A, #4F9017, #508225, #517532 and #526740

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9C0A shade: #9E9E0A, #769E0A, #4F9E0A, #279E0A and #0A9E13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9C0A shade: #275005, #3A7707, #4E9E0A, #61C40C and #74EB0F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9C0A shade: #4D9C0A, #0A9E76 and #9E0A8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9C0A shade: #4D9C0A, #0A4F9E and #9E0A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9C0A shade: #4D9C0A, #0A9E76, #590A9E and #9E0A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9C0A shade: #4D9C0A, #0A999E, #590A9E and #9E0F0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 94 / 39

HEX #4D9C0A

RGB 77 156 10

HSL 92.47, 0.88%, 0.33%

LAB 57.44, -46.33, 58.02

 

Complementary color

CMYK 27 / 60 / 0 / 4

HEX #B263F5

RGB 178 99 245

HSL 272.47, 0.88%, 0.67%

LAB 57.06, 57.61, -61.13

 

CMYK 47 / 0 / 97 / 39

HEX #529C05

RGB 82 156 5

HSL 89.4, 0.94%, 0.32%

LAB 57.64, -44.85, 59.01

 

CMYK 43 / 0 / 86 / 32

HEX #63AE18

RGB 99 174 24

HSL 90, 0.76%, 0.39%

LAB 64.15, -45.9, 61.44

 

CMYK 40 / 0 / 78 / 25

HEX #74C02B

RGB 116 192 43

HSL 90.6, 0.63%, 0.46%

LAB 70.59, -46.62, 62.43

 

CMYK 37 / 0 / 70 / 18

HEX #85D23E

RGB 133 210 62

HSL 91.22, 0.62%, 0.53%

LAB 76.94, -47.09, 62.48

 

CMYK 34 / 0 / 64 / 11

HEX #96E451

RGB 150 228 81

HSL 91.84, 0.73%, 0.61%

LAB 83.21, -47.39, 61.99

 

CMYK 51 / 0 / 94 / 39

HEX #4D9C0A

RGB 77 156 10

HSL 92.47, 0.88%, 0.33%

LAB 57.44, -46.33, 58.02

 

CMYK 57 / 0 / 100 / 46

HEX #3C8A00

RGB 60 138 0

HSL 93.91, 1%, 0.27%

LAB 50.85, -44.83, 54.08

 

CMYK 64 / 0 / 100 / 53

HEX #2B7800

RGB 43 120 0

HSL 98.5, 1%, 0.24%

LAB 44.16, -42.83, 48.55

 

CMYK 75 / 0 / 100 / 60

HEX #1A6600

RGB 26 102 0

HSL 104.71, 1%, 0.2%

LAB 37.34, -40.37, 42.94

 

CMYK 89 / 0 / 100 / 67

HEX #095400

RGB 9 84 0

HSL 113.57, 1%, 0.16%

LAB 30.4, -37.15, 37.26

 

CMYK 51 / 0 / 94 / 38

HEX #4E9E0A

RGB 78 158 10

HSL 92.43, 0.88%, 0.33%

LAB 58.13, -46.79, 58.6

 

CMYK 26 / 0 / 94 / 38

HEX #759E0A

RGB 117 158 10

HSL 76.62, 0.88%, 0.33%

LAB 60.12, -32.62, 61.05

 

CMYK 1 / 0 / 94 / 38

HEX #9D9E0A

RGB 157 158 10

HSL 60.41, 0.88%, 0.33%

LAB 63.05, -15.37, 64.6

 

CMYK 0 / 25 / 94 / 38

HEX #9E760A

RGB 158 118 10

HSL 43.78, 0.88%, 0.33%

LAB 52.12, 6.9, 56.32

 

CMYK 0 / 51 / 94 / 38

HEX #9E4E0A

RGB 158 78 10

HSL 27.57, 0.88%, 0.33%

LAB 42.37, 29.46, 49.16

 

CMYK 51 / 0 / 94 / 38

HEX #4E9E0A

RGB 78 158 10

HSL 92.43, 0.88%, 0.33%

LAB 58.13, -46.79, 58.6

 

CMYK 76 / 0 / 94 / 38

HEX #269E0A

RGB 38 158 10

HSL 108.65, 0.88%, 0.33%

LAB 56.97, -56.36, 57.16

 

CMYK 94 / 0 / 86 / 38

HEX #0A9E16

RGB 10 158 22

HSL 124.86, 0.88%, 0.33%

LAB 56.66, -58.94, 54.41

 

CMYK 94 / 0 / 61 / 38

HEX #0A9E3D

RGB 10 158 61

HSL 140.68, 0.88%, 0.33%

LAB 56.93, -55.48, 40.21

 

CMYK 94 / 0 / 36 / 38

HEX #0A9E65

RGB 10 158 101

HSL 156.89, 0.88%, 0.33%

LAB 57.52, -48.5, 20.23

 

CMYK 51 / 0 / 94 / 38

HEX #4E9E0A

RGB 78 158 10

HSL 92.43, 0.88%, 0.33%

LAB 58.13, -46.79, 58.6

 

CMYK 51 / 0 / 94 / 38

HEX #4E9E0A

RGB 78 158 10

HSL 92.43, 0.88%, 0.33%

LAB 58.13, -46.79, 58.6

 

CMYK 45 / 0 / 84 / 44

HEX #4F9017

RGB 79 144 23

HSL 92.23, 0.72%, 0.33%

LAB 53.68, -40.4, 52.08

 

CMYK 38 / 0 / 72 / 49

HEX #508225

RGB 80 130 37

HSL 92.26, 0.56%, 0.33%

LAB 49.26, -33.09, 42.99

 

CMYK 31 / 0 / 57 / 54

HEX #517532

RGB 81 117 50

HSL 92.24, 0.4%, 0.33%

LAB 45.22, -25.28, 32.48

 

CMYK 20 / 0 / 38 / 60

HEX #526740

RGB 82 103 64

HSL 92.31, 0.23%, 0.33%

LAB 41, -15.66, 19.5

 

CMYK 0 / 0 / 94 / 38

HEX #9E9E0A

RGB 158 158 10

HSL 60, 0.88%, 0.33%

LAB 63.13, -14.93, 64.7

 

CMYK 25 / 0 / 94 / 38

HEX #769E0A

RGB 118 158 10

HSL 76.22, 0.88%, 0.33%

LAB 60.18, -32.21, 61.12

 

CMYK 50 / 0 / 94 / 38

HEX #4F9E0A

RGB 79 158 10

HSL 92.03, 0.88%, 0.33%

LAB 58.17, -46.48, 58.65

 

CMYK 75 / 0 / 94 / 38

HEX #279E0A

RGB 39 158 10

HSL 108.24, 0.88%, 0.33%

LAB 56.98, -56.19, 57.19

 

CMYK 94 / 0 / 88 / 38

HEX #0A9E13

RGB 10 158 19

HSL 123.65, 0.88%, 0.33%

LAB 56.65, -59.08, 55.1

 

CMYK 51 / 0 / 94 / 69

HEX #275005

RGB 39 80 5

HSL 92.8, 0.88%, 0.17%

LAB 29.86, -27.72, 35.32

 

CMYK 51 / 0 / 94 / 53

HEX #3A7707

RGB 58 119 7

HSL 92.68, 0.89%, 0.25%

LAB 44.39, -37.75, 47.41

 

CMYK 51 / 0 / 94 / 38

HEX #4E9E0A

RGB 78 158 10

HSL 92.43, 0.88%, 0.33%

LAB 58.13, -46.79, 58.6

 

CMYK 51 / 0 / 94 / 23

HEX #61C40C

RGB 97 196 12

HSL 92.28, 0.88%, 0.41%

LAB 70.9, -55.36, 69.11

 

CMYK 51 / 0 / 94 / 8

HEX #74EB0F

RGB 116 235 15

HSL 92.45, 0.88%, 0.49%

LAB 83.53, -63.93, 79.33

 

CMYK 51 / 0 / 94 / 39

HEX #4D9C0A

RGB 77 156 10

HSL 92.47, 0.88%, 0.33%

LAB 57.44, -46.33, 58.02

 

CMYK 94 / 0 / 25 / 38

HEX #0A9E76

RGB 10 158 118

HSL 163.78, 0.88%, 0.33%

LAB 57.87, -44.53, 11.26

 

CMYK 0 / 94 / 13 / 38

HEX #9E0A8A

RGB 158 10 138

HSL 308.11, 0.88%, 0.33%

LAB 36.6, 64.6, -31.55

 

CMYK 51 / 0 / 94 / 39

HEX #4D9C0A

RGB 77 156 10

HSL 92.47, 0.88%, 0.33%

LAB 57.44, -46.33, 58.02

 

CMYK 94 / 50 / 0 / 38

HEX #0A4F9E

RGB 10 79 158

HSL 212.03, 0.88%, 0.33%

LAB 34.24, 12.12, -48.31

 

CMYK 0 / 94 / 50 / 38

HEX #9E0A4F

RGB 158 10 79

HSL 332.03, 0.88%, 0.33%

LAB 34.09, 57.98, 2.15

 

CMYK 51 / 0 / 94 / 39

HEX #4D9C0A

RGB 77 156 10

HSL 92.47, 0.88%, 0.33%

LAB 57.44, -46.33, 58.02

 

CMYK 94 / 0 / 25 / 38

HEX #0A9E76

RGB 10 158 118

HSL 163.78, 0.88%, 0.33%

LAB 57.87, -44.53, 11.26

 

CMYK 44 / 94 / 0 / 38

HEX #590A9E

RGB 89 10 158

HSL 272.03, 0.88%, 0.33%

LAB 26.19, 57.32, -61.24

 

CMYK 0 / 94 / 69 / 38

HEX #9E0A31

RGB 158 10 49

HSL 344.19, 0.88%, 0.33%

LAB 33.37, 55.98, 20.83

 

CMYK 51 / 0 / 94 / 39

HEX #4D9C0A

RGB 77 156 10

HSL 92.47, 0.88%, 0.33%

LAB 57.44, -46.33, 58.02

 

CMYK 94 / 3 / 0 / 38

HEX #0A999E

RGB 10 153 158

HSL 182.03, 0.88%, 0.33%

LAB 57.38, -30.84, -12.16

 

CMYK 44 / 94 / 0 / 38

HEX #590A9E

RGB 89 10 158

HSL 272.03, 0.88%, 0.33%

LAB 26.19, 57.32, -61.24

 

CMYK 0 / 91 / 94 / 38

HEX #9E0F0A

RGB 158 15 10

HSL 2.03, 0.88%, 0.33%

LAB 33.21, 54, 42.88

 

Description

Color code: HEX #4D9C0A | qconv.com Color code: HEX #4D9C0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 156 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 156 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 94 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 94% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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