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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9AFD it is the complementary color #B26502. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9AFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9AFD shade: #529AF8, #63ACFF, #74BEFF, #85D0FF and #96E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9AFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9AFD shade: #4D9AFD, #3C88EA, #2B76D7, #1A64C4 and #0952B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9AFD shade: #4E9AFD, #4E6BFD, #604EFD, #8F4EFD and #BE4EFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9AFD shade: #4E9AFD, #4E6BFD and #4E4EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9AFD shade matches the following richer shades: #4E9AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9AFD shade: #4E9AFD, #5C9CEE, #6B9EE0, #79A0D1 and #88A2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9AFD shade: #4EFAFD, #4ECBFD, #4E9DFD, #4E6EFD and #5C4EFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9AFD shade: #026DF6, #2583FC, #4E9AFD, #77B1FD and #9FC9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9AFD shade: #4D9AFD, #D14EFD and #E2FD4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9AFD shade: #4D9AFD, #FD4E9D and #9DFD4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9AFD shade: #4D9AFD, #D14EFD, #FDAE4E and #7AFD4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9AFD shade: #4D9AFD, #FD4EF4, #FDAE4E and #4EFD57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 39 / 0 / 1

HEX #4D9AFD

RGB 77 154 253

HSL 213.75, 0.98%, 0.65%

LAB 63.16, 7.87, -56.19

 

Complementary color

CMYK 0 / 43 / 99 / 30

HEX #B26502

RGB 178 101 2

HSL 33.75, 0.98%, 0.35%

LAB 50.42, 25.37, 57.92

 

CMYK 67 / 38 / 0 / 3

HEX #529AF8

RGB 82 154 248

HSL 213.98, 0.92%, 0.65%

LAB 63.08, 6.9, -53.58

 

CMYK 61 / 33 / 0 / 0

HEX #63ACFF

RGB 99 172 255

HSL 211.92, 1%, 0.69%

LAB 69.02, 1.69, -47.95

 

CMYK 55 / 25 / 0 / 0

HEX #74BEFF

RGB 116 190 255

HSL 208.06, 1%, 0.73%

LAB 74.67, -5.02, -39.06

 

CMYK 48 / 18 / 0 / 0

HEX #85D0FF

RGB 133 208 255

HSL 203.11, 1%, 0.76%

LAB 80.36, -10.96, -30.21

 

CMYK 41 / 11 / 0 / 0

HEX #96E2FF

RGB 150 226 255

HSL 196.57, 1%, 0.79%

LAB 86.05, -16.22, -21.45

 

CMYK 70 / 39 / 0 / 1

HEX #4D9AFD

RGB 77 154 253

HSL 213.75, 0.98%, 0.65%

LAB 63.16, 7.87, -56.19

 

CMYK 74 / 42 / 0 / 8

HEX #3C88EA

RGB 60 136 234

HSL 213.79, 0.81%, 0.58%

LAB 56.59, 9.65, -56.23

 

CMYK 80 / 45 / 0 / 16

HEX #2B76D7

RGB 43 118 215

HSL 213.84, 0.68%, 0.51%

LAB 49.95, 11.84, -56.23

 

CMYK 87 / 49 / 0 / 23

HEX #1A64C4

RGB 26 100 196

HSL 213.88, 0.77%, 0.44%

LAB 43.24, 14.53, -56.18

 

CMYK 95 / 54 / 0 / 31

HEX #0952B1

RGB 9 82 177

HSL 213.93, 0.9%, 0.36%

LAB 36.49, 17.88, -56

 

CMYK 69 / 39 / 0 / 1

HEX #4E9AFD

RGB 78 154 253

HSL 213.94, 0.98%, 0.65%

LAB 63.2, 8.01, -56.14

 

CMYK 69 / 58 / 0 / 1

HEX #4E6BFD

RGB 78 107 253

HSL 230.06, 0.98%, 0.65%

LAB 50.95, 36.53, -75.85

 

CMYK 62 / 69 / 0 / 1

HEX #604EFD

RGB 96 78 253

HSL 246.17, 0.98%, 0.65%

LAB 45.67, 55.72, -84.44

 

CMYK 43 / 69 / 0 / 1

HEX #8F4EFD

RGB 143 78 253

HSL 262.29, 0.98%, 0.65%

LAB 49.95, 62.76, -77.26

 

CMYK 25 / 69 / 0 / 1

HEX #BE4EFD

RGB 190 78 253

HSL 278.4, 0.98%, 0.65%

LAB 55.57, 71.4, -67.89

 

CMYK 69 / 39 / 0 / 1

HEX #4E9AFD

RGB 78 154 253

HSL 213.94, 0.98%, 0.65%

LAB 63.2, 8.01, -56.14

 

CMYK 69 / 58 / 0 / 1

HEX #4E6BFD

RGB 78 107 253

HSL 230.06, 0.98%, 0.65%

LAB 50.95, 36.53, -75.85

 

CMYK 69 / 69 / 0 / 1

HEX #4E4EFD

RGB 78 78 253

HSL 240, 0.98%, 0.65%

LAB 44.46, 53.63, -86.47

 

CMYK 69 / 39 / 0 / 1

HEX #4E9AFD

RGB 78 154 253

HSL 213.94, 0.98%, 0.65%

LAB 63.2, 8.01, -56.14

 

CMYK 69 / 39 / 0 / 1

HEX #4E9AFD

RGB 78 154 253

HSL 213.94, 0.98%, 0.65%

LAB 63.2, 8.01, -56.14

 

CMYK 61 / 34 / 0 / 7

HEX #5C9CEE

RGB 92 156 238

HSL 213.7, 0.81%, 0.65%

LAB 63.53, 4.08, -47.35

 

CMYK 52 / 29 / 0 / 12

HEX #6B9EE0

RGB 107 158 224

HSL 213.85, 0.65%, 0.65%

LAB 64.13, 1.52, -38.64

 

CMYK 42 / 23 / 0 / 18

HEX #79A0D1

RGB 121 160 209

HSL 213.41, 0.49%, 0.65%

LAB 64.81, -0.62, -29.21

 

CMYK 30 / 17 / 0 / 24

HEX #88A2C3

RGB 136 162 195

HSL 213.56, 0.33%, 0.65%

LAB 65.76, -1.26, -19.89

 

CMYK 69 / 1 / 0 / 1

HEX #4EFAFD

RGB 78 250 253

HSL 181.03, 0.98%, 0.65%

LAB 90.36, -41.65, -14.16

 

CMYK 69 / 20 / 0 / 1

HEX #4ECBFD

RGB 78 203 253

HSL 197.14, 0.98%, 0.65%

LAB 76.93, -19.06, -34.58

 

CMYK 69 / 38 / 0 / 1

HEX #4E9DFD

RGB 78 157 253

HSL 212.91, 0.98%, 0.65%

LAB 64.02, 6.26, -54.83

 

CMYK 69 / 57 / 0 / 1

HEX #4E6EFD

RGB 78 110 253

HSL 229.03, 0.98%, 0.65%

LAB 51.68, 34.69, -74.66

 

CMYK 64 / 69 / 0 / 1

HEX #5C4EFD

RGB 92 78 253

HSL 244.8, 0.98%, 0.65%

LAB 45.38, 55.22, -84.93

 

CMYK 99 / 56 / 0 / 4

HEX #026DF6

RGB 2 109 246

HSL 213.69, 0.98%, 0.49%

LAB 49.01, 27.37, -75.2

 

CMYK 85 / 48 / 0 / 1

HEX #2583FC

RGB 37 131 252

HSL 213.77, 0.97%, 0.57%

LAB 55.74, 17.21, -67.6

 

CMYK 69 / 39 / 0 / 1

HEX #4E9AFD

RGB 78 154 253

HSL 213.94, 0.98%, 0.65%

LAB 63.2, 8.01, -56.14

 

CMYK 53 / 30 / 0 / 1

HEX #77B1FD

RGB 119 177 253

HSL 214.03, 0.97%, 0.73%

LAB 71.19, 2.17, -43.41

 

CMYK 37 / 21 / 0 / 0

HEX #9FC9FE

RGB 159 201 254

HSL 213.47, 0.98%, 0.81%

LAB 79.78, -1.13, -30.44

 

CMYK 70 / 39 / 0 / 1

HEX #4D9AFD

RGB 77 154 253

HSL 213.75, 0.98%, 0.65%

LAB 63.16, 7.87, -56.19

 

CMYK 17 / 69 / 0 / 1

HEX #D14EFD

RGB 209 78 253

HSL 284.91, 0.98%, 0.65%

LAB 58.13, 75.16, -63.64

 

CMYK 11 / 0 / 69 / 1

HEX #E2FD4E

RGB 226 253 78

HSL 69.26, 0.98%, 0.65%

LAB 94.73, -30.37, 76.43

 

CMYK 70 / 39 / 0 / 1

HEX #4D9AFD

RGB 77 154 253

HSL 213.75, 0.98%, 0.65%

LAB 63.16, 7.87, -56.19

 

CMYK 0 / 69 / 38 / 1

HEX #FD4E9D

RGB 253 78 157

HSL 332.91, 0.98%, 0.65%

LAB 60.57, 71.72, -4.78

 

CMYK 38 / 0 / 69 / 1

HEX #9DFD4E

RGB 157 253 78

HSL 92.91, 0.98%, 0.65%

LAB 90.77, -55.48, 71.15

 

CMYK 70 / 39 / 0 / 1

HEX #4D9AFD

RGB 77 154 253

HSL 213.75, 0.98%, 0.65%

LAB 63.16, 7.87, -56.19

 

CMYK 17 / 69 / 0 / 1

HEX #D14EFD

RGB 209 78 253

HSL 284.91, 0.98%, 0.65%

LAB 58.13, 75.16, -63.64

 

CMYK 0 / 31 / 69 / 1

HEX #FDAE4E

RGB 253 174 78

HSL 32.91, 0.98%, 0.65%

LAB 77.1, 20.38, 59.14

 

CMYK 52 / 0 / 69 / 1

HEX #7AFD4E

RGB 122 253 78

HSL 104.91, 0.98%, 0.65%

LAB 89.36, -65.83, 69.27

 

CMYK 70 / 39 / 0 / 1

HEX #4D9AFD

RGB 77 154 253

HSL 213.75, 0.98%, 0.65%

LAB 63.16, 7.87, -56.19

 

CMYK 0 / 69 / 4 / 1

HEX #FD4EF4

RGB 253 78 244

HSL 303.09, 0.98%, 0.65%

LAB 64.05, 82.83, -48.84

 

CMYK 0 / 31 / 69 / 1

HEX #FDAE4E

RGB 253 174 78

HSL 32.91, 0.98%, 0.65%

LAB 77.1, 20.38, 59.14

 

CMYK 69 / 0 / 66 / 1

HEX #4EFD57

RGB 78 253 87

HSL 123.09, 0.98%, 0.65%

LAB 88.24, -74.64, 64.32

 

Description

Color code: HEX #4D9AFD | qconv.com Color code: HEX #4D9AFD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 154 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 154 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 39 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 39% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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