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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9ADC it is the complementary color #B26523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9ADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9ADC shade: #529AD7, #63ACEA, #74BEFD, #85D0FF and #96E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9ADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9ADC shade: #4D9ADC, #3C88C9, #2B76B6, #1A64A3 and #095290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9ADC shade: #4C99DB, #4C72DB, #4C4CDB, #724CDB and #994CDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9ADC shade: #4C99DB, #4C72DB and #4C4CDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9ADC shade matches the following richer shades: #4C99DB, #3A9AEC and #299CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9ADC shade: #4C99DB, #5D98CA, #6E96B8, #8095A7 and #919496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9ADC shade: #4CDBCF, #4CC1DB, #4C9BDB, #4C74DB and #4C4EDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9ADC shade: #2370B2, #2985D4, #4C99DB, #6EACE2 and #91C0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9ADC shade: #4D9ADC, #A94CDB and #D4DB4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9ADC shade: #4D9ADC, #DB4C9B and #9BDB4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9ADC shade: #4D9ADC, #A94CDB, #DB8C4C and #7EDB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9ADC shade: #4D9ADC, #D44CDB, #DB8C4C and #53DB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 30 / 0 / 14

HEX #4D9ADC

RGB 77 154 220

HSL 207.69, 0.67%, 0.58%

LAB 61.53, -3.34, -40.59

 

Complementary color

CMYK 0 / 43 / 80 / 30

HEX #B26523

RGB 178 101 35

HSL 27.69, 0.67%, 0.42%

LAB 50.56, 26.1, 48.23

 

CMYK 62 / 28 / 0 / 16

HEX #529AD7

RGB 82 154 215

HSL 207.52, 0.62%, 0.58%

LAB 61.49, -4.11, -37.85

 

CMYK 58 / 26 / 0 / 8

HEX #63ACEA

RGB 99 172 234

HSL 207.56, 0.76%, 0.65%

LAB 68.09, -4.94, -37.98

 

CMYK 54 / 25 / 0 / 1

HEX #74BEFD

RGB 116 190 253

HSL 207.59, 0.97%, 0.72%

LAB 74.59, -5.62, -38.11

 

CMYK 48 / 18 / 0 / 0

HEX #85D0FF

RGB 133 208 255

HSL 203.11, 1%, 0.76%

LAB 80.36, -10.96, -30.21

 

CMYK 41 / 11 / 0 / 0

HEX #96E2FF

RGB 150 226 255

HSL 196.57, 1%, 0.79%

LAB 86.05, -16.22, -21.45

 

CMYK 65 / 30 / 0 / 14

HEX #4D9ADC

RGB 77 154 220

HSL 207.69, 0.67%, 0.58%

LAB 61.53, -3.34, -40.59

 

CMYK 70 / 32 / 0 / 21

HEX #3C88C9

RGB 60 136 201

HSL 207.66, 0.57%, 0.51%

LAB 54.85, -2.12, -40.47

 

CMYK 76 / 35 / 0 / 29

HEX #2B76B6

RGB 43 118 182

HSL 207.63, 0.62%, 0.44%

LAB 48.07, -0.55, -40.33

 

CMYK 84 / 39 / 0 / 36

HEX #1A64A3

RGB 26 100 163

HSL 207.59, 0.72%, 0.37%

LAB 41.18, 1.5, -40.16

 

CMYK 94 / 43 / 0 / 44

HEX #095290

RGB 9 82 144

HSL 207.56, 0.88%, 0.3%

LAB 34.2, 4.22, -39.89

 

CMYK 65 / 30 / 0 / 14

HEX #4C99DB

RGB 76 153 219

HSL 207.69, 0.67%, 0.58%

LAB 61.16, -3.27, -40.61

 

CMYK 65 / 48 / 0 / 14

HEX #4C72DB

RGB 76 114 219

HSL 224.06, 0.67%, 0.58%

LAB 50.32, 20.14, -57.84

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDB

RGB 76 76 219

HSL 240, 0.67%, 0.58%

LAB 40.93, 43.61, -73.08

 

CMYK 48 / 65 / 0 / 14

HEX #724CDB

RGB 114 76 219

HSL 255.94, 0.67%, 0.58%

LAB 44.03, 49.67, -67.88

 

CMYK 30 / 65 / 0 / 14

HEX #994CDB

RGB 153 76 219

HSL 272.31, 0.67%, 0.58%

LAB 48.33, 57.41, -60.71

 

CMYK 65 / 30 / 0 / 14

HEX #4C99DB

RGB 76 153 219

HSL 207.69, 0.67%, 0.58%

LAB 61.16, -3.27, -40.61

 

CMYK 65 / 48 / 0 / 14

HEX #4C72DB

RGB 76 114 219

HSL 224.06, 0.67%, 0.58%

LAB 50.32, 20.14, -57.84

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDB

RGB 76 76 219

HSL 240, 0.67%, 0.58%

LAB 40.93, 43.61, -73.08

 

CMYK 65 / 30 / 0 / 14

HEX #4C99DB

RGB 76 153 219

HSL 207.69, 0.67%, 0.58%

LAB 61.16, -3.27, -40.61

 

CMYK 75 / 35 / 0 / 7

HEX #3A9AEC

RGB 58 154 236

HSL 207.64, 0.82%, 0.58%

LAB 61.71, -0.54, -49.2

 

CMYK 84 / 39 / 0 / 0

HEX #299CFE

RGB 41 156 254

HSL 207.61, 0.99%, 0.58%

LAB 62.85, 3.17, -57.3

 

CMYK 65 / 30 / 0 / 14

HEX #4C99DB

RGB 76 153 219

HSL 207.69, 0.67%, 0.58%

LAB 61.16, -3.27, -40.61

 

CMYK 54 / 25 / 0 / 21

HEX #5D98CA

RGB 93 152 202

HSL 207.52, 0.51%, 0.58%

LAB 60.82, -4.89, -31.6

 

CMYK 40 / 18 / 0 / 28

HEX #6E96B8

RGB 110 150 184

HSL 207.57, 0.34%, 0.58%

LAB 60.42, -4.85, -22.03

 

CMYK 23 / 11 / 0 / 35

HEX #8095A7

RGB 128 149 167

HSL 207.69, 0.18%, 0.58%

LAB 60.67, -3.32, -11.91

 

CMYK 3 / 1 / 0 / 41

HEX #919496

RGB 145 148 150

HSL 204, 0.02%, 0.58%

LAB 61.13, -0.69, -1.44

 

CMYK 65 / 0 / 5 / 14

HEX #4CDBCF

RGB 76 219 207

HSL 174.97, 0.67%, 0.58%

LAB 80.01, -40.49, -5.32

 

CMYK 65 / 12 / 0 / 14

HEX #4CC1DB

RGB 76 193 219

HSL 190.91, 0.67%, 0.58%

LAB 72.75, -24.74, -22.68

 

CMYK 65 / 29 / 0 / 14

HEX #4C9BDB

RGB 76 155 219

HSL 206.85, 0.67%, 0.58%

LAB 61.73, -4.41, -39.71

 

CMYK 65 / 47 / 0 / 14

HEX #4C74DB

RGB 76 116 219

HSL 223.22, 0.67%, 0.58%

LAB 50.85, 18.89, -56.98

 

CMYK 65 / 64 / 0 / 14

HEX #4C4EDB

RGB 76 78 219

HSL 239.16, 0.67%, 0.58%

LAB 41.37, 42.42, -72.35

 

CMYK 80 / 37 / 0 / 30

HEX #2370B2

RGB 35 112 178

HSL 207.69, 0.67%, 0.42%

LAB 45.85, 0.7, -41.53

 

CMYK 81 / 37 / 0 / 17

HEX #2985D4

RGB 41 133 212

HSL 207.72, 0.68%, 0.5%

LAB 54.03, 1.32, -48.03

 

CMYK 65 / 30 / 0 / 14

HEX #4C99DB

RGB 76 153 219

HSL 207.69, 0.67%, 0.58%

LAB 61.16, -3.27, -40.61

 

CMYK 51 / 24 / 0 / 11

HEX #6EACE2

RGB 110 172 226

HSL 207.93, 0.67%, 0.66%

LAB 68.25, -5.07, -33.32

 

CMYK 38 / 18 / 0 / 9

HEX #91C0E9

RGB 145 192 233

HSL 207.95, 0.67%, 0.74%

LAB 75.82, -5.42, -25.32

 

CMYK 65 / 30 / 0 / 14

HEX #4D9ADC

RGB 77 154 220

HSL 207.69, 0.67%, 0.58%

LAB 61.53, -3.34, -40.59

 

CMYK 23 / 65 / 0 / 14

HEX #A94CDB

RGB 169 76 219

HSL 279.02, 0.67%, 0.58%

LAB 50.36, 60.85, -57.35

 

CMYK 3 / 0 / 65 / 14

HEX #D4DB4C

RGB 212 219 76

HSL 62.94, 0.67%, 0.58%

LAB 84.58, -19.95, 66.6

 

CMYK 65 / 30 / 0 / 14

HEX #4D9ADC

RGB 77 154 220

HSL 207.69, 0.67%, 0.58%

LAB 61.53, -3.34, -40.59

 

CMYK 0 / 65 / 29 / 14

HEX #DB4C9B

RGB 219 76 155

HSL 326.85, 0.67%, 0.58%

LAB 54.65, 62.88, -13.05

 

CMYK 29 / 0 / 65 / 14

HEX #9BDB4C

RGB 155 219 76

HSL 86.85, 0.67%, 0.58%

LAB 80.82, -42.17, 61.52

 

CMYK 65 / 30 / 0 / 14

HEX #4D9ADC

RGB 77 154 220

HSL 207.69, 0.67%, 0.58%

LAB 61.53, -3.34, -40.59

 

CMYK 23 / 65 / 0 / 14

HEX #A94CDB

RGB 169 76 219

HSL 279.02, 0.67%, 0.58%

LAB 50.36, 60.85, -57.35

 

CMYK 0 / 36 / 65 / 14

HEX #DB8C4C

RGB 219 140 76

HSL 26.85, 0.67%, 0.58%

LAB 65.23, 24.24, 45.89

 

CMYK 42 / 0 / 65 / 14

HEX #7EDB4C

RGB 126 219 76

HSL 99.02, 0.67%, 0.58%

LAB 79.4, -52, 59.57

 

CMYK 65 / 30 / 0 / 14

HEX #4D9ADC

RGB 77 154 220

HSL 207.69, 0.67%, 0.58%

LAB 61.53, -3.34, -40.59

 

CMYK 3 / 65 / 0 / 14

HEX #D44CDB

RGB 212 76 219

HSL 297.06, 0.67%, 0.58%

LAB 56.37, 70.48, -47.4

 

CMYK 0 / 36 / 65 / 14

HEX #DB8C4C

RGB 219 140 76

HSL 26.85, 0.67%, 0.58%

LAB 65.23, 24.24, 45.89

 

CMYK 62 / 0 / 65 / 14

HEX #53DB4C

RGB 83 219 76

HSL 117.06, 0.67%, 0.58%

LAB 77.89, -63.49, 57.49

 

Description

Color code: HEX #4D9ADC | qconv.com Color code: HEX #4D9ADC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 154 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 154 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 30 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 30% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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