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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9A04 it is the complementary color #B265FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9A04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9A04 shade: #529A00, #63AC12, #74BE25, #85D038 and #96E24B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9A04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9A04 shade: #4D9A04, #3C8800, #2B7600, #1A6400 and #095200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9A04 shade: #4D9A04, #769A04, #9A9604, #9A6E04 and #9A4504

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9A04 shade: #4D9A04, #259A04, #049A0C, #049A34 and #049A5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9A04 shade matches the following richer shades: #4D9A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9A04 shade: #4D9A04, #4D8D11, #4E811E, #4E742A and #4E6737

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9A04 shade: #9A9504, #779A04, #4F9A04, #279A04 and #049A09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9A04 shade: #254A02, #397203, #4D9A04, #61C205 and #75EB06

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9A04 shade: #4D9A04, #049A6D and #9A048B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9A04 shade: #4D9A04, #044F9A and #9A044F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9A04 shade: #4D9A04, #049A6D, #4F049A and #9A0431

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9A04 shade: #4D9A04, #049A9A, #4F049A and #9A0404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

Complementary color

CMYK 29 / 60 / 0 / 2

HEX #B265FB

RGB 178 101 251

HSL 270.8, 0.95%, 0.69%

LAB 57.79, 57.97, -63.29

 

CMYK 47 / 0 / 100 / 40

HEX #529A00

RGB 82 154 0

HSL 88.05, 1%, 0.3%

LAB 56.98, -44.17, 59.26

 

CMYK 42 / 0 / 90 / 33

HEX #63AC12

RGB 99 172 18

HSL 88.44, 0.81%, 0.37%

LAB 63.51, -45.28, 62.12

 

CMYK 39 / 0 / 81 / 25

HEX #74BE25

RGB 116 190 37

HSL 89.02, 0.67%, 0.45%

LAB 69.95, -46.09, 63.61

 

CMYK 36 / 0 / 73 / 18

HEX #85D038

RGB 133 208 56

HSL 89.61, 0.62%, 0.52%

LAB 76.3, -46.65, 63.98

 

CMYK 34 / 0 / 67 / 11

HEX #96E24B

RGB 150 226 75

HSL 90.2, 0.72%, 0.59%

LAB 82.59, -47.01, 63.69

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 56 / 0 / 100 / 47

HEX #3C8800

RGB 60 136 0

HSL 93.53, 1%, 0.27%

LAB 50.18, -44.07, 53.55

 

CMYK 64 / 0 / 100 / 54

HEX #2B7600

RGB 43 118 0

HSL 98.14, 1%, 0.23%

LAB 43.46, -42.09, 48

 

CMYK 74 / 0 / 100 / 61

HEX #1A6400

RGB 26 100 0

HSL 104.4, 1%, 0.2%

LAB 36.62, -39.67, 42.37

 

CMYK 89 / 0 / 100 / 68

HEX #095200

RGB 9 82 0

HSL 113.41, 1%, 0.16%

LAB 29.65, -36.48, 36.66

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 23 / 0 / 97 / 40

HEX #769A04

RGB 118 154 4

HSL 74.4, 0.95%, 0.31%

LAB 58.95, -30.45, 61.02

 

CMYK 0 / 3 / 97 / 40

HEX #9A9604

RGB 154 150 4

HSL 58.4, 0.95%, 0.31%

LAB 60.51, -12.63, 63.41

 

CMYK 0 / 29 / 97 / 40

HEX #9A6E04

RGB 154 110 4

HSL 42.4, 0.95%, 0.31%

LAB 49.53, 9.49, 55.41

 

CMYK 0 / 55 / 97 / 40

HEX #9A4504

RGB 154 69 4

HSL 26, 0.95%, 0.31%

LAB 39.81, 32.49, 48.83

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 76 / 0 / 97 / 40

HEX #259A04

RGB 37 154 4

HSL 106.8, 0.95%, 0.31%

LAB 55.6, -55.43, 56.94

 

CMYK 97 / 0 / 92 / 40

HEX #049A0C

RGB 4 154 12

HSL 123.2, 0.95%, 0.31%

LAB 55.24, -58.54, 55.23

 

CMYK 97 / 0 / 66 / 40

HEX #049A34

RGB 4 154 52

HSL 139.2, 0.95%, 0.31%

LAB 55.47, -55.65, 42.65

 

CMYK 97 / 0 / 40 / 40

HEX #049A5D

RGB 4 154 93

HSL 155.6, 0.95%, 0.31%

LAB 56.01, -49.01, 22.6

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 45 / 0 / 88 / 45

HEX #4D8D11

RGB 77 141 17

HSL 90.97, 0.78%, 0.31%

LAB 52.58, -40.09, 52.6

 

CMYK 40 / 0 / 77 / 49

HEX #4E811E

RGB 78 129 30

HSL 90.91, 0.62%, 0.31%

LAB 48.78, -33.89, 45.21

 

CMYK 33 / 0 / 64 / 55

HEX #4E742A

RGB 78 116 42

HSL 90.81, 0.47%, 0.31%

LAB 44.63, -26.83, 35.75

 

CMYK 24 / 0 / 47 / 60

HEX #4E6737

RGB 78 103 55

HSL 91.25, 0.3%, 0.31%

LAB 40.57, -18.64, 24.07

 

CMYK 0 / 3 / 97 / 40

HEX #9A9504

RGB 154 149 4

HSL 58, 0.95%, 0.31%

LAB 60.22, -12.11, 63.2

 

CMYK 23 / 0 / 97 / 40

HEX #779A04

RGB 119 154 4

HSL 74, 0.95%, 0.31%

LAB 59.01, -30.03, 61.1

 

CMYK 49 / 0 / 97 / 40

HEX #4F9A04

RGB 79 154 4

HSL 90, 0.95%, 0.31%

LAB 56.86, -45.06, 58.49

 

CMYK 75 / 0 / 97 / 40

HEX #279A04

RGB 39 154 4

HSL 106, 0.95%, 0.31%

LAB 55.64, -55.09, 56.99

 

CMYK 97 / 0 / 94 / 40

HEX #049A09

RGB 4 154 9

HSL 122, 0.95%, 0.31%

LAB 55.23, -58.64, 55.71

 

CMYK 50 / 0 / 97 / 71

HEX #254A02

RGB 37 74 2

HSL 90.83, 0.95%, 0.15%

LAB 27.56, -25.93, 34.51

 

CMYK 50 / 0 / 97 / 55

HEX #397203

RGB 57 114 3

HSL 90.81, 0.95%, 0.23%

LAB 42.63, -36.16, 46.85

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 50 / 0 / 97 / 24

HEX #61C205

RGB 97 194 5

HSL 90.79, 0.95%, 0.39%

LAB 70.27, -54.74, 69.37

 

CMYK 50 / 0 / 97 / 8

HEX #75EB06

RGB 117 235 6

HSL 90.92, 0.95%, 0.47%

LAB 83.55, -63.77, 80.17

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 97 / 0 / 29 / 40

HEX #049A6D

RGB 4 154 109

HSL 162, 0.95%, 0.31%

LAB 56.33, -45.42, 14.15

 

CMYK 0 / 97 / 10 / 40

HEX #9A048B

RGB 154 4 139

HSL 306, 0.95%, 0.31%

LAB 35.64, 64.72, -33.73

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 97 / 49 / 0 / 40

HEX #044F9A

RGB 4 79 154

HSL 210, 0.95%, 0.31%

LAB 33.88, 10.15, -46.48

 

CMYK 0 / 97 / 49 / 40

HEX #9A044F

RGB 154 4 79

HSL 330, 0.95%, 0.31%

LAB 32.97, 57.82, 0.41

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 97 / 0 / 29 / 40

HEX #049A6D

RGB 4 154 109

HSL 162, 0.95%, 0.31%

LAB 56.33, -45.42, 14.15

 

CMYK 49 / 97 / 0 / 40

HEX #4F049A

RGB 79 4 154

HSL 270, 0.95%, 0.31%

LAB 23.94, 56.58, -62.54

 

CMYK 0 / 97 / 68 / 40

HEX #9A0431

RGB 154 4 49

HSL 342, 0.95%, 0.31%

LAB 32.21, 55.78, 19.18

 

CMYK 50 / 0 / 97 / 40

HEX #4D9A04

RGB 77 154 4

HSL 90.8, 0.95%, 0.31%

LAB 56.78, -45.7, 58.39

 

CMYK 97 / 0 / 0 / 40

HEX #049A9A

RGB 4 154 154

HSL 180, 0.95%, 0.31%

LAB 57.53, -32.83, -9.66

 

CMYK 49 / 97 / 0 / 40

HEX #4F049A

RGB 79 4 154

HSL 270, 0.95%, 0.31%

LAB 23.94, 56.58, -62.54

 

CMYK 0 / 97 / 97 / 40

HEX #9A0404

RGB 154 4 4

HSL 0, 0.95%, 0.31%

LAB 31.73, 54.45, 43.93

 

Description

Color code: HEX #4D9A04 | qconv.com Color code: HEX #4D9A04 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 154 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 154 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 97 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 97% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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