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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9534 it is the complementary color #B26ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9534 shade: #52952F, #63A742, #74B955, #85CB68 and #96DD7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9534 shade: #4D9534, #3C8321, #2B710E, #1A5F00 and #094D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9534 shade: #4C9334, #669334, #809334, #938D34 and #937334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9534 shade: #4C9334, #349335, #34934F, #349368 and #349382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9534 shade matches the following richer shades: #4C9334, #45A324, #3DB314 and #35C303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9534 shade: #4C9334, #548344, #5C7354, #646364 and #6C5374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9534 shade: #809334, #679334, #4D9334, #349334 and #34934D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9534 shade: #2D561E, #3C7529, #4C9334, #5CB23E and #72C456

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9534 shade: #4D9534, #34938D and #933473

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9534 shade: #4D9534, #344D93 and #93344D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9534 shade: #4D9534, #34938D, #7A3493 and #93343A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9534 shade: #4D9534, #347D93, #7A3493 and #934A34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 65 / 42

HEX #4D9534

RGB 77 149 52

HSL 104.54, 0.48%, 0.39%

LAB 55.4, -41.04, 43.02

 

Complementary color

CMYK 12 / 48 / 0 / 20

HEX #B26ACB

RGB 178 106 203

HSL 284.54, 0.48%, 0.61%

LAB 56.17, 44.87, -38.93

 

CMYK 45 / 0 / 68 / 42

HEX #52952F

RGB 82 149 47

HSL 99.41, 0.52%, 0.38%

LAB 55.58, -39.89, 45.46

 

CMYK 41 / 0 / 60 / 35

HEX #63A742

RGB 99 167 66

HSL 100.4, 0.43%, 0.46%

LAB 62.24, -40.1, 44.58

 

CMYK 37 / 0 / 54 / 27

HEX #74B955

RGB 116 185 85

HSL 101.4, 0.42%, 0.53%

LAB 68.8, -40.15, 43.48

 

CMYK 34 / 0 / 49 / 20

HEX #85CB68

RGB 133 203 104

HSL 102.42, 0.49%, 0.6%

LAB 75.26, -40.09, 42.3

 

CMYK 32 / 0 / 44 / 13

HEX #96DD7B

RGB 150 221 123

HSL 103.47, 0.59%, 0.67%

LAB 81.64, -39.97, 41.1

 

CMYK 48 / 0 / 65 / 42

HEX #4D9534

RGB 77 149 52

HSL 104.54, 0.48%, 0.39%

LAB 55.4, -41.04, 43.02

 

CMYK 54 / 0 / 75 / 49

HEX #3C8321

RGB 60 131 33

HSL 103.47, 0.6%, 0.32%

LAB 48.64, -40.59, 43.67

 

CMYK 62 / 0 / 88 / 56

HEX #2B710E

RGB 43 113 14

HSL 102.42, 0.78%, 0.25%

LAB 41.78, -39.64, 43.29

 

CMYK 73 / 0 / 100 / 63

HEX #1A5F00

RGB 26 95 0

HSL 103.58, 1%, 0.19%

LAB 34.81, -37.89, 40.93

 

CMYK 88 / 0 / 100 / 70

HEX #094D00

RGB 9 77 0

HSL 112.99, 1%, 0.15%

LAB 27.75, -34.78, 35.12

 

CMYK 48 / 0 / 65 / 42

HEX #4C9334

RGB 76 147 52

HSL 104.84, 0.48%, 0.39%

LAB 54.71, -40.52, 42.25

 

CMYK 31 / 0 / 65 / 42

HEX #669334

RGB 102 147 52

HSL 88.42, 0.48%, 0.39%

LAB 56.03, -31.36, 44.07

 

CMYK 13 / 0 / 65 / 42

HEX #809334

RGB 128 147 52

HSL 72, 0.48%, 0.39%

LAB 57.76, -20.74, 46.44

 

CMYK 0 / 4 / 65 / 42

HEX #938D34

RGB 147 141 52

HSL 56.21, 0.48%, 0.39%

LAB 57.56, -9.25, 46.7

 

CMYK 0 / 22 / 65 / 42

HEX #937334

RGB 147 115 52

HSL 39.79, 0.48%, 0.39%

LAB 50.35, 5.25, 38.84

 

CMYK 48 / 0 / 65 / 42

HEX #4C9334

RGB 76 147 52

HSL 104.84, 0.48%, 0.39%

LAB 54.71, -40.52, 42.25

 

CMYK 65 / 0 / 64 / 42

HEX #349335

RGB 52 147 53

HSL 120.63, 0.48%, 0.39%

LAB 53.87, -46.96, 40.62

 

CMYK 65 / 0 / 46 / 42

HEX #34934F

RGB 52 147 79

HSL 137.05, 0.48%, 0.39%

LAB 54.2, -43.25, 27.95

 

CMYK 65 / 0 / 29 / 42

HEX #349368

RGB 52 147 104

HSL 152.84, 0.48%, 0.39%

LAB 54.65, -38.31, 14.76

 

CMYK 65 / 0 / 12 / 42

HEX #349382

RGB 52 147 130

HSL 169.26, 0.48%, 0.39%

LAB 55.29, -31.89, 0.83

 

CMYK 48 / 0 / 65 / 42

HEX #4C9334

RGB 76 147 52

HSL 104.84, 0.48%, 0.39%

LAB 54.71, -40.52, 42.25

 

CMYK 58 / 0 / 78 / 36

HEX #45A324

RGB 69 163 36

HSL 104.41, 0.64%, 0.39%

LAB 59.51, -50.16, 53.43

 

CMYK 66 / 0 / 89 / 30

HEX #3DB314

RGB 61 179 20

HSL 104.53, 0.8%, 0.39%

LAB 64.39, -58.47, 61.96

 

CMYK 73 / 0 / 98 / 24

HEX #35C303

RGB 53 195 3

HSL 104.38, 0.97%, 0.39%

LAB 69.32, -65.5, 68.3

 

CMYK 48 / 0 / 65 / 42

HEX #4C9334

RGB 76 147 52

HSL 104.84, 0.48%, 0.39%

LAB 54.71, -40.52, 42.25

 

CMYK 36 / 0 / 48 / 49

HEX #548344

RGB 84 131 68

HSL 104.76, 0.32%, 0.39%

LAB 50.14, -28.69, 28.99

 

CMYK 20 / 0 / 27 / 55

HEX #5C7354

RGB 92 115 84

HSL 104.52, 0.16%, 0.39%

LAB 45.88, -14.87, 14.45

 

CMYK 0 / 1 / 0 / 61

HEX #646364

RGB 100 99 100

HSL 300, 0.01%, 0.39%

LAB 42.08, 0.6, -0.43

 

CMYK 7 / 28 / 0 / 55

HEX #6C5374

RGB 108 83 116

HSL 285.45, 0.17%, 0.39%

LAB 38.96, 16.9, -14.85

 

CMYK 13 / 0 / 65 / 42

HEX #809334

RGB 128 147 52

HSL 72, 0.48%, 0.39%

LAB 57.76, -20.74, 46.44

 

CMYK 30 / 0 / 65 / 42

HEX #679334

RGB 103 147 52

HSL 87.79, 0.48%, 0.39%

LAB 56.09, -30.97, 44.15

 

CMYK 48 / 0 / 65 / 42

HEX #4D9334

RGB 77 147 52

HSL 104.21, 0.48%, 0.39%

LAB 54.75, -40.2, 42.31

 

CMYK 65 / 0 / 65 / 42

HEX #349334

RGB 52 147 52

HSL 120, 0.48%, 0.39%

LAB 53.86, -47.07, 41.07

 

CMYK 65 / 0 / 48 / 42

HEX #34934D

RGB 52 147 77

HSL 135.79, 0.48%, 0.39%

LAB 54.17, -43.59, 28.98

 

CMYK 48 / 0 / 65 / 66

HEX #2D561E

RGB 45 86 30

HSL 103.93, 0.48%, 0.23%

LAB 32.5, -26.24, 27.59

 

CMYK 49 / 0 / 65 / 54

HEX #3C7529

RGB 60 117 41

HSL 105, 0.48%, 0.31%

LAB 44.01, -33.97, 35.27

 

CMYK 48 / 0 / 65 / 42

HEX #4C9334

RGB 76 147 52

HSL 104.84, 0.48%, 0.39%

LAB 54.71, -40.52, 42.25

 

CMYK 48 / 0 / 65 / 30

HEX #5CB23E

RGB 92 178 62

HSL 104.48, 0.48%, 0.47%

LAB 65.33, -47.31, 49.71

 

CMYK 42 / 0 / 56 / 23

HEX #72C456

RGB 114 196 86

HSL 104.73, 0.48%, 0.55%

LAB 72.05, -45.4, 46.82

 

CMYK 48 / 0 / 65 / 42

HEX #4D9534

RGB 77 149 52

HSL 104.54, 0.48%, 0.39%

LAB 55.4, -41.04, 43.02

 

CMYK 65 / 0 / 4 / 42

HEX #34938D

RGB 52 147 141

HSL 176.21, 0.48%, 0.39%

LAB 55.6, -28.83, -5.02

 

CMYK 0 / 65 / 22 / 42

HEX #933473

RGB 147 52 115

HSL 320.21, 0.48%, 0.39%

LAB 37.66, 46.83, -15.75

 

CMYK 48 / 0 / 65 / 42

HEX #4D9534

RGB 77 149 52

HSL 104.54, 0.48%, 0.39%

LAB 55.4, -41.04, 43.02

 

CMYK 65 / 48 / 0 / 42

HEX #344D93

RGB 52 77 147

HSL 224.21, 0.48%, 0.39%

LAB 34.28, 13.97, -41.52

 

CMYK 0 / 65 / 48 / 42

HEX #93344D

RGB 147 52 77

HSL 344.21, 0.48%, 0.39%

LAB 36.36, 42.1, 6.41

 

CMYK 48 / 0 / 65 / 42

HEX #4D9534

RGB 77 149 52

HSL 104.54, 0.48%, 0.39%

LAB 55.4, -41.04, 43.02

 

CMYK 65 / 0 / 4 / 42

HEX #34938D

RGB 52 147 141

HSL 176.21, 0.48%, 0.39%

LAB 55.6, -28.83, -5.02

 

CMYK 17 / 65 / 0 / 42

HEX #7A3493

RGB 122 52 147

HSL 284.21, 0.48%, 0.39%

LAB 35.4, 45.74, -39.34

 

CMYK 0 / 65 / 61 / 42

HEX #93343A

RGB 147 52 58

HSL 356.21, 0.48%, 0.39%

LAB 35.92, 40.44, 17.92

 

CMYK 48 / 0 / 65 / 42

HEX #4D9534

RGB 77 149 52

HSL 104.54, 0.48%, 0.39%

LAB 55.4, -41.04, 43.02

 

CMYK 65 / 15 / 0 / 42

HEX #347D93

RGB 52 125 147

HSL 193.89, 0.48%, 0.39%

LAB 48.89, -15.53, -18.62

 

CMYK 17 / 65 / 0 / 42

HEX #7A3493

RGB 122 52 147

HSL 284.21, 0.48%, 0.39%

LAB 35.4, 45.74, -39.34

 

CMYK 0 / 50 / 65 / 42

HEX #934A34

RGB 147 74 52

HSL 13.89, 0.48%, 0.39%

LAB 40.16, 28.73, 26.96

 

Description

Color code: HEX #4D9534 | qconv.com Color code: HEX #4D9534 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 149 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 149 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 65 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 65% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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