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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D7FBA it is the complementary color #B28045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D7FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D7FBA shade: #527FB5, #6391C8, #74A3DB, #85B5EE and #96C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D7FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D7FBA shade: #4D7FBA, #3C6DA7, #2B5B94, #1A4981 and #09376E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D7FBA shade: #4F80BA, #4F63BA, #574FBA, #744FBA and #924FBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D7FBA shade: #4F80BA, #4F63BA and #4F4FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D7FBA shade matches the following richer shades: #4F80BA, #3B7FCE, #277DE2 and #137BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D7FBA shade: #4F80BA, #6382A7, #768393, #8A857F and #9E876B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D7FBA shade: #4FBABA, #4F9EBA, #4F81BA, #4F64BA and #564FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D7FBA shade: #335884, #3F6CA1, #4F80BA, #6C96C6 and #8AABD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D7FBA shade: #4D7FBA, #9E4FBA and #ACBA4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D7FBA shade: #4D7FBA, #BA4F81 and #81BA4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D7FBA shade: #4D7FBA, #9E4FBA, #BA884F and #6BBA4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D7FBA shade: #4D7FBA, #BA4FB7, #BA884F and #4FBA52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 32 / 0 / 27

HEX #4D7FBA

RGB 77 127 186

HSL 212.48, 0.44%, 0.52%

LAB 52.18, 1.1, -36.08

 

Complementary color

CMYK 0 / 28 / 61 / 30

HEX #B28045

RGB 178 128 69

HSL 32.48, 0.44%, 0.48%

LAB 57.4, 12.93, 39.14

 

CMYK 55 / 30 / 0 / 29

HEX #527FB5

RGB 82 127 181

HSL 212.73, 0.4%, 0.52%

LAB 52.18, 0.54, -33.17

 

CMYK 51 / 28 / 0 / 22

HEX #6391C8

RGB 99 145 200

HSL 212.67, 0.48%, 0.59%

LAB 59.04, -0.15, -33.22

 

CMYK 47 / 26 / 0 / 14

HEX #74A3DB

RGB 116 163 219

HSL 212.62, 0.59%, 0.66%

LAB 65.77, -0.71, -33.29

 

CMYK 44 / 24 / 0 / 7

HEX #85B5EE

RGB 133 181 238

HSL 212.57, 0.76%, 0.73%

LAB 72.37, -1.18, -33.39

 

CMYK 41 / 22 / 0 / 0

HEX #96C7FF

RGB 150 199 255

HSL 212, 1%, 0.79%

LAB 78.78, -2.11, -32.56

 

CMYK 59 / 32 / 0 / 27

HEX #4D7FBA

RGB 77 127 186

HSL 212.48, 0.44%, 0.52%

LAB 52.18, 1.1, -36.08

 

CMYK 64 / 35 / 0 / 35

HEX #3C6DA7

RGB 60 109 167

HSL 212.52, 0.47%, 0.45%

LAB 45.2, 2.17, -36.07

 

CMYK 71 / 39 / 0 / 42

HEX #2B5B94

RGB 43 91 148

HSL 212.57, 0.55%, 0.37%

LAB 38.08, 3.58, -36.09

 

CMYK 80 / 43 / 0 / 49

HEX #1A4981

RGB 26 73 129

HSL 212.62, 0.66%, 0.3%

LAB 30.81, 5.52, -36.09

 

CMYK 92 / 50 / 0 / 57

HEX #09376E

RGB 9 55 110

HSL 212.67, 0.85%, 0.23%

LAB 23.39, 8.27, -36.02

 

CMYK 58 / 31 / 0 / 27

HEX #4F80BA

RGB 79 128 186

HSL 212.52, 0.44%, 0.52%

LAB 52.56, 0.92, -35.47

 

CMYK 58 / 47 / 0 / 27

HEX #4F63BA

RGB 79 99 186

HSL 228.79, 0.44%, 0.52%

LAB 44.42, 18.77, -48.37

 

CMYK 53 / 58 / 0 / 27

HEX #574FBA

RGB 87 79 186

HSL 244.49, 0.44%, 0.52%

LAB 39.85, 32.94, -55.69

 

CMYK 38 / 58 / 0 / 27

HEX #744FBA

RGB 116 79 186

HSL 260.75, 0.44%, 0.52%

LAB 42.54, 39.33, -51.23

 

CMYK 22 / 58 / 0 / 27

HEX #924FBA

RGB 146 79 186

HSL 277.57, 0.44%, 0.52%

LAB 45.97, 46.76, -45.53

 

CMYK 58 / 31 / 0 / 27

HEX #4F80BA

RGB 79 128 186

HSL 212.52, 0.44%, 0.52%

LAB 52.56, 0.92, -35.47

 

CMYK 58 / 47 / 0 / 27

HEX #4F63BA

RGB 79 99 186

HSL 228.79, 0.44%, 0.52%

LAB 44.42, 18.77, -48.37

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 58 / 31 / 0 / 27

HEX #4F80BA

RGB 79 128 186

HSL 212.52, 0.44%, 0.52%

LAB 52.56, 0.92, -35.47

 

CMYK 71 / 38 / 0 / 19

HEX #3B7FCE

RGB 59 127 206

HSL 212.24, 0.6%, 0.52%

LAB 52.47, 4.89, -47.07

 

CMYK 83 / 45 / 0 / 11

HEX #277DE2

RGB 39 125 226

HSL 212.41, 0.76%, 0.52%

LAB 52.5, 11.27, -58.35

 

CMYK 92 / 50 / 0 / 4

HEX #137BF6

RGB 19 123 246

HSL 212.51, 0.93%, 0.52%

LAB 52.9, 18.97, -68.88

 

CMYK 58 / 31 / 0 / 27

HEX #4F80BA

RGB 79 128 186

HSL 212.52, 0.44%, 0.52%

LAB 52.56, 0.92, -35.47

 

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

CMYK 20 / 11 / 0 / 42

HEX #768393

RGB 118 131 147

HSL 213.1, 0.12%, 0.52%

LAB 54.23, -1.14, -10.19

 

CMYK 0 / 4 / 8 / 46

HEX #8A857F

RGB 138 133 127

HSL 32.73, 0.04%, 0.52%

LAB 55.8, 0.75, 3.89

 

CMYK 0 / 15 / 32 / 38

HEX #9E876B

RGB 158 135 107

HSL 32.94, 0.21%, 0.52%

LAB 57.71, 4.41, 18.3

 

CMYK 58 / 0 / 0 / 27

HEX #4FBABA

RGB 79 186 186

HSL 180, 0.44%, 0.52%

LAB 69.7, -30.31, -9.25

 

CMYK 58 / 15 / 0 / 27

HEX #4F9EBA

RGB 79 158 186

HSL 195.7, 0.44%, 0.52%

LAB 61.36, -16.05, -21.84

 

CMYK 58 / 31 / 0 / 27

HEX #4F81BA

RGB 79 129 186

HSL 211.96, 0.44%, 0.52%

LAB 52.85, 0.32, -35.02

 

CMYK 58 / 46 / 0 / 27

HEX #4F64BA

RGB 79 100 186

HSL 228.22, 0.44%, 0.52%

LAB 44.69, 18.14, -47.94

 

CMYK 54 / 58 / 0 / 27

HEX #564FBA

RGB 86 79 186

HSL 243.93, 0.44%, 0.52%

LAB 39.77, 32.74, -55.82

 

CMYK 61 / 33 / 0 / 48

HEX #335884

RGB 51 88 132

HSL 212.59, 0.44%, 0.36%

LAB 36.65, 1.13, -28.61

 

CMYK 61 / 33 / 0 / 37

HEX #3F6CA1

RGB 63 108 161

HSL 212.45, 0.44%, 0.44%

LAB 44.74, 1.28, -33.27

 

CMYK 58 / 31 / 0 / 27

HEX #4F80BA

RGB 79 128 186

HSL 212.52, 0.44%, 0.52%

LAB 52.56, 0.92, -35.47

 

CMYK 45 / 24 / 0 / 22

HEX #6C96C6

RGB 108 150 198

HSL 212, 0.44%, 0.6%

LAB 60.85, -1.42, -29.25

 

CMYK 34 / 19 / 0 / 18

HEX #8AABD2

RGB 138 171 210

HSL 212.5, 0.44%, 0.68%

LAB 68.88, -1.86, -23.42

 

CMYK 59 / 32 / 0 / 27

HEX #4D7FBA

RGB 77 127 186

HSL 212.48, 0.44%, 0.52%

LAB 52.18, 1.1, -36.08

 

CMYK 15 / 58 / 0 / 27

HEX #9E4FBA

RGB 158 79 186

HSL 284.3, 0.44%, 0.52%

LAB 47.5, 49.85, -43

 

CMYK 8 / 0 / 58 / 27

HEX #ACBA4F

RGB 172 186 79

HSL 67.85, 0.44%, 0.52%

LAB 72.53, -19.89, 51.5

 

CMYK 59 / 32 / 0 / 27

HEX #4D7FBA

RGB 77 127 186

HSL 212.48, 0.44%, 0.52%

LAB 52.18, 1.1, -36.08

 

CMYK 0 / 58 / 31 / 27

HEX #BA4F81

RGB 186 79 129

HSL 331.96, 0.44%, 0.52%

LAB 49.03, 48.43, -6.55

 

CMYK 31 / 0 / 58 / 27

HEX #81BA4F

RGB 129 186 79

HSL 91.96, 0.44%, 0.52%

LAB 69.72, -36.69, 47.55

 

CMYK 59 / 32 / 0 / 27

HEX #4D7FBA

RGB 77 127 186

HSL 212.48, 0.44%, 0.52%

LAB 52.18, 1.1, -36.08

 

CMYK 15 / 58 / 0 / 27

HEX #9E4FBA

RGB 158 79 186

HSL 284.3, 0.44%, 0.52%

LAB 47.5, 49.85, -43

 

CMYK 0 / 27 / 58 / 27

HEX #BA884F

RGB 186 136 79

HSL 31.96, 0.44%, 0.52%

LAB 60.44, 12.71, 37.76

 

CMYK 42 / 0 / 58 / 27

HEX #6BBA4F

RGB 107 186 79

HSL 104.3, 0.44%, 0.52%

LAB 68.61, -44.2, 45.99

 

CMYK 59 / 32 / 0 / 27

HEX #4D7FBA

RGB 77 127 186

HSL 212.48, 0.44%, 0.52%

LAB 52.18, 1.1, -36.08

 

CMYK 0 / 58 / 2 / 27

HEX #BA4FB7

RGB 186 79 183

HSL 301.68, 0.44%, 0.52%

LAB 51.21, 56.66, -35.15

 

CMYK 0 / 27 / 58 / 27

HEX #BA884F

RGB 186 136 79

HSL 31.96, 0.44%, 0.52%

LAB 60.44, 12.71, 37.76

 

CMYK 58 / 0 / 56 / 27

HEX #4FBA52

RGB 79 186 82

HSL 121.68, 0.44%, 0.52%

LAB 67.57, -51.79, 43.08

 

Description

Color code: HEX #4D7FBA | qconv.com Color code: HEX #4D7FBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 127 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 127 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 32 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 32% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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