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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D7E2D it is the complementary color #B281D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D7E2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D7E2D shade: #527E28, #63903B, #74A24E, #85B461 and #96C674

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D7E2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D7E2D shade: #4D7E2D, #3C6C1A, #2B5A07, #1A4800 and #093600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D7E2D shade: #4E7F2D, #647F2D, #7A7F2D, #7F6E2D and #7F582D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D7E2D shade: #4E7F2D, #387F2D, #2D7F39, #2D7F4F and #2D7F65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D7E2D shade matches the following richer shades: #4E7F2D, #4B8D1F, #489B11 and #45A903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D7E2D shade: #4E7F2D, #51713B, #54634A, #565558 and #594766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D7E2D shade: #7A7F2D, #647F2D, #4E7F2D, #387F2D and #2D7F38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D7E2D shade: #284218, #3B6123, #4E7F2D, #609D38 and #73BB44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D7E2D shade: #4D7E2D, #2D7F6F and #7F2D6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D7E2D shade: #4D7E2D, #2D4E7F and #7F2D4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D7E2D shade: #4D7E2D, #2D7F6F, #5E2D7F and #7F2D3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D7E2D shade: #4D7E2D, #2D777F, #5E2D7F and #7F362D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 64 / 51

HEX #4D7E2D

RGB 77 126 45

HSL 96.3, 0.47%, 0.34%

LAB 47.87, -31.66, 37.9

 

Complementary color

CMYK 15 / 39 / 0 / 18

HEX #B281D2

RGB 178 129 210

HSL 276.3, 0.47%, 0.66%

LAB 61.5, 33.79, -34.56

 

CMYK 35 / 0 / 68 / 51

HEX #527E28

RGB 82 126 40

HSL 90.7, 0.52%, 0.33%

LAB 48.09, -30.24, 40.52

 

CMYK 31 / 0 / 59 / 44

HEX #63903B

RGB 99 144 59

HSL 91.76, 0.42%, 0.4%

LAB 54.98, -30.42, 39.6

 

CMYK 28 / 0 / 52 / 36

HEX #74A24E

RGB 116 162 78

HSL 92.86, 0.35%, 0.47%

LAB 61.74, -30.46, 38.46

 

CMYK 26 / 0 / 46 / 29

HEX #85B461

RGB 133 180 97

HSL 93.98, 0.36%, 0.54%

LAB 68.38, -30.42, 37.26

 

CMYK 24 / 0 / 41 / 22

HEX #96C674

RGB 150 198 116

HSL 95.12, 0.42%, 0.62%

LAB 74.91, -30.34, 36.06

 

CMYK 39 / 0 / 64 / 51

HEX #4D7E2D

RGB 77 126 45

HSL 96.3, 0.47%, 0.34%

LAB 47.87, -31.66, 37.9

 

CMYK 44 / 0 / 76 / 58

HEX #3C6C1A

RGB 60 108 26

HSL 95.12, 0.61%, 0.26%

LAB 40.83, -31.35, 38.56

 

CMYK 52 / 0 / 92 / 65

HEX #2B5A07

RGB 43 90 7

HSL 93.98, 0.86%, 0.19%

LAB 33.65, -30.61, 38.01

 

CMYK 64 / 0 / 100 / 72

HEX #1A4800

RGB 26 72 0

HSL 98.33, 1%, 0.14%

LAB 26.32, -29.02, 34.04

 

CMYK 83 / 0 / 100 / 79

HEX #093600

RGB 9 54 0

HSL 110, 1%, 0.11%

LAB 18.78, -26.45, 26.02

 

CMYK 39 / 0 / 65 / 50

HEX #4E7F2D

RGB 78 127 45

HSL 95.85, 0.48%, 0.34%

LAB 48.24, -31.75, 38.34

 

CMYK 21 / 0 / 65 / 50

HEX #647F2D

RGB 100 127 45

HSL 79.76, 0.48%, 0.34%

LAB 49.59, -23.01, 40.2

 

CMYK 4 / 0 / 65 / 50

HEX #7A7F2D

RGB 122 127 45

HSL 63.66, 0.48%, 0.34%

LAB 51.27, -13.38, 42.51

 

CMYK 0 / 13 / 65 / 50

HEX #7F6E2D

RGB 127 110 45

HSL 47.56, 0.48%, 0.34%

LAB 46.78, -1.6, 37.78

 

CMYK 0 / 31 / 65 / 50

HEX #7F582D

RGB 127 88 45

HSL 31.46, 0.48%, 0.34%

LAB 40.7, 11.31, 30.91

 

CMYK 39 / 0 / 65 / 50

HEX #4E7F2D

RGB 78 127 45

HSL 95.85, 0.48%, 0.34%

LAB 48.24, -31.75, 38.34

 

CMYK 56 / 0 / 65 / 50

HEX #387F2D

RGB 56 127 45

HSL 111.95, 0.48%, 0.34%

LAB 47.25, -39.01, 36.95

 

CMYK 65 / 0 / 55 / 50

HEX #2D7F39

RGB 45 127 57

HSL 128.78, 0.48%, 0.34%

LAB 47.02, -40.32, 30.61

 

CMYK 65 / 0 / 38 / 50

HEX #2D7F4F

RGB 45 127 79

HSL 144.88, 0.48%, 0.34%

LAB 47.37, -36.44, 18.98

 

CMYK 65 / 0 / 20 / 50

HEX #2D7F65

RGB 45 127 101

HSL 160.98, 0.48%, 0.34%

LAB 47.85, -31.4, 6.91

 

CMYK 39 / 0 / 65 / 50

HEX #4E7F2D

RGB 78 127 45

HSL 95.85, 0.48%, 0.34%

LAB 48.24, -31.75, 38.34

 

CMYK 47 / 0 / 78 / 45

HEX #4B8D1F

RGB 75 141 31

HSL 96, 0.64%, 0.34%

LAB 52.56, -40.07, 48.48

 

CMYK 54 / 0 / 89 / 39

HEX #489B11

RGB 72 155 17

HSL 96.09, 0.8%, 0.34%

LAB 56.94, -47.26, 56.28

 

CMYK 59 / 0 / 98 / 34

HEX #45A903

RGB 69 169 3

HSL 96.14, 0.97%, 0.34%

LAB 61.35, -53.59, 62.07

 

CMYK 39 / 0 / 65 / 50

HEX #4E7F2D

RGB 78 127 45

HSL 95.85, 0.48%, 0.34%

LAB 48.24, -31.75, 38.34

 

CMYK 28 / 0 / 48 / 56

HEX #51713B

RGB 81 113 59

HSL 95.56, 0.31%, 0.34%

LAB 44.05, -22.12, 26.25

 

CMYK 15 / 0 / 25 / 61

HEX #54634A

RGB 84 99 74

HSL 96, 0.14%, 0.34%

LAB 40.09, -10.9, 12.35

 

CMYK 2 / 3 / 0 / 65

HEX #565558

RGB 86 85 88

HSL 260, 0.02%, 0.34%

LAB 36.33, 1.05, -1.6

 

CMYK 13 / 30 / 0 / 60

HEX #594766

RGB 89 71 102

HSL 274.84, 0.18%, 0.34%

LAB 33.11, 14.26, -15.23

 

CMYK 4 / 0 / 65 / 50

HEX #7A7F2D

RGB 122 127 45

HSL 63.66, 0.48%, 0.34%

LAB 51.27, -13.38, 42.51

 

CMYK 21 / 0 / 65 / 50

HEX #647F2D

RGB 100 127 45

HSL 79.76, 0.48%, 0.34%

LAB 49.59, -23.01, 40.2

 

CMYK 39 / 0 / 65 / 50

HEX #4E7F2D

RGB 78 127 45

HSL 95.85, 0.48%, 0.34%

LAB 48.24, -31.75, 38.34

 

CMYK 56 / 0 / 65 / 50

HEX #387F2D

RGB 56 127 45

HSL 111.95, 0.48%, 0.34%

LAB 47.25, -39.01, 36.95

 

CMYK 65 / 0 / 56 / 50

HEX #2D7F38

RGB 45 127 56

HSL 128.05, 0.48%, 0.34%

LAB 47, -40.46, 31.11

 

CMYK 39 / 0 / 64 / 74

HEX #284218

RGB 40 66 24

HSL 97.14, 0.47%, 0.18%

LAB 24.99, -18.89, 22.12

 

CMYK 39 / 0 / 64 / 62

HEX #3B6123

RGB 59 97 35

HSL 96.77, 0.47%, 0.26%

LAB 37.12, -25.73, 30.46

 

CMYK 39 / 0 / 65 / 50

HEX #4E7F2D

RGB 78 127 45

HSL 95.85, 0.48%, 0.34%

LAB 48.24, -31.75, 38.34

 

CMYK 39 / 0 / 64 / 38

HEX #609D38

RGB 96 157 56

HSL 96.24, 0.47%, 0.42%

LAB 58.87, -37.75, 45.3

 

CMYK 39 / 0 / 64 / 27

HEX #73BB44

RGB 115 187 68

HSL 96.3, 0.47%, 0.5%

LAB 69.19, -43.09, 51.66

 

CMYK 39 / 0 / 64 / 51

HEX #4D7E2D

RGB 77 126 45

HSL 96.3, 0.47%, 0.34%

LAB 47.87, -31.66, 37.9

 

CMYK 65 / 0 / 13 / 50

HEX #2D7F6F

RGB 45 127 111

HSL 168.29, 0.48%, 0.34%

LAB 48.11, -28.76, 1.41

 

CMYK 0 / 65 / 13 / 50

HEX #7F2D6F

RGB 127 45 111

HSL 311.71, 0.48%, 0.34%

LAB 33, 43.48, -20.69

 

CMYK 39 / 0 / 64 / 51

HEX #4D7E2D

RGB 77 126 45

HSL 96.3, 0.47%, 0.34%

LAB 47.87, -31.66, 37.9

 

CMYK 65 / 39 / 0 / 50

HEX #2D4E7F

RGB 45 78 127

HSL 215.85, 0.48%, 0.34%

LAB 33, 4.54, -31.3

 

CMYK 0 / 65 / 39 / 50

HEX #7F2D4E

RGB 127 45 78

HSL 335.85, 0.48%, 0.34%

LAB 31.67, 38.69, -1.46

 

CMYK 39 / 0 / 64 / 51

HEX #4D7E2D

RGB 77 126 45

HSL 96.3, 0.47%, 0.34%

LAB 47.87, -31.66, 37.9

 

CMYK 65 / 0 / 13 / 50

HEX #2D7F6F

RGB 45 127 111

HSL 168.29, 0.48%, 0.34%

LAB 48.11, -28.76, 1.41

 

CMYK 26 / 65 / 0 / 50

HEX #5E2D7F

RGB 94 45 127

HSL 275.85, 0.48%, 0.34%

LAB 28.87, 37.68, -37.64

 

CMYK 0 / 65 / 51 / 50

HEX #7F2D3E

RGB 127 45 62

HSL 347.56, 0.48%, 0.34%

LAB 31.2, 36.92, 8.35

 

CMYK 39 / 0 / 64 / 51

HEX #4D7E2D

RGB 77 126 45

HSL 96.3, 0.47%, 0.34%

LAB 47.87, -31.66, 37.9

 

CMYK 65 / 6 / 0 / 50

HEX #2D777F

RGB 45 119 127

HSL 185.85, 0.48%, 0.34%

LAB 46.02, -19.96, -11.17

 

CMYK 26 / 65 / 0 / 50

HEX #5E2D7F

RGB 94 45 127

HSL 275.85, 0.48%, 0.34%

LAB 28.87, 37.68, -37.64

 

CMYK 0 / 57 / 65 / 50

HEX #7F362D

RGB 127 54 45

HSL 6.59, 0.48%, 0.34%

LAB 32.57, 30.91, 21.11

 

Description

Color code: HEX #4D7E2D | qconv.com Color code: HEX #4D7E2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 126 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 126 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 64 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 64% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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