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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D759B it is the complementary color #B28A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D759B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4D759B: #527596, #6387A9, #7499BC, #85ABCF and #96BDE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D759B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4D759B: #4D759B, #3C6388, #2B5175, #1A3F62 and #092D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

Complementary color

CMYK 0 / 22 / 44 / 30

HEX #B28A64

RGB 178 138 100

HSL 29.23, 0.34%, 0.55%

LAB 60.39, 10.2, 26.17

 

CMYK 45 / 22 / 0 / 41

HEX #527596

RGB 82 117 150

HSL 209.12, 0.29%, 0.45%

LAB 47.9, -3.18, -21.78

 

CMYK 41 / 20 / 0 / 34

HEX #6387A9

RGB 99 135 169

HSL 209.14, 0.29%, 0.53%

LAB 54.91, -3.53, -21.97

 

CMYK 38 / 19 / 0 / 26

HEX #7499BC

RGB 116 153 188

HSL 209.17, 0.35%, 0.6%

LAB 61.76, -3.8, -22.19

 

CMYK 36 / 17 / 0 / 19

HEX #85ABCF

RGB 133 171 207

HSL 209.19, 0.44%, 0.67%

LAB 68.47, -4.03, -22.43

 

CMYK 34 / 16 / 0 / 11

HEX #96BDE2

RGB 150 189 226

HSL 209.21, 0.57%, 0.74%

LAB 75.06, -4.23, -22.68

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 56 / 27 / 0 / 47

HEX #3C6388

RGB 60 99 136

HSL 209.21, 0.39%, 0.38%

LAB 40.67, -2.34, -24.72

 

CMYK 63 / 31 / 0 / 54

HEX #2B5175

RGB 43 81 117

HSL 209.19, 0.46%, 0.31%

LAB 33.31, -1.49, -24.61

 

CMYK 73 / 36 / 0 / 62

HEX #1A3F62

RGB 26 63 98

HSL 209.17, 0.58%, 0.24%

LAB 25.73, -0.24, -24.52

 

CMYK 89 / 43 / 0 / 69

HEX #092D4F

RGB 9 45 79

HSL 209.14, 0.8%, 0.17%

LAB 17.92, 1.76, -24.41

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 51 / 33 / 0 / 40

HEX #4B6799

RGB 75 103 153

HSL 218.46, 0.34%, 0.45%

LAB 43.5, 4.41, -30.42

 

CMYK 51 / 41 / 0 / 40

HEX #4B5A99

RGB 75 90 153

HSL 228.46, 0.34%, 0.45%

LAB 39.76, 12.6, -36.32

 

CMYK 51 / 50 / 0 / 40

HEX #4B4D99

RGB 75 77 153

HSL 238.46, 0.34%, 0.45%

LAB 36.18, 20.97, -42.02

 

CMYK 43 / 51 / 0 / 40

HEX #574B99

RGB 87 75 153

HSL 249.23, 0.34%, 0.45%

LAB 36.67, 25.19, -41.19

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 50 / 25 / 0 / 19

HEX #669BCE

RGB 102 155 206

HSL 209.42, 0.51%, 0.6%

LAB 62.27, -3.35, -31.55

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 51 / 25 / 0 / 79

HEX #1A2835

RGB 26 40 53

HSL 208.89, 0.34%, 0.15%

LAB 15.46, -1.64, -10.29

 

CMYK 50 / 24 / 0 / 59

HEX #344F68

RGB 52 79 104

HSL 208.85, 0.33%, 0.31%

LAB 32.53, -2.52, -17.65

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 16 / 51 / 0 / 40

HEX #814B99

RGB 129 75 153

HSL 281.54, 0.34%, 0.45%

LAB 41.21, 36.85, -33.69

 

CMYK 4 / 0 / 51 / 40

HEX #93994B

RGB 147 153 75

HSL 64.62, 0.34%, 0.45%

LAB 61.21, -13.78, 39.85

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 0 / 51 / 24 / 40

HEX #994B74

RGB 153 75 116

HSL 328.46, 0.34%, 0.45%

LAB 42.86, 37.64, -8.39

 

CMYK 24 / 0 / 51 / 40

HEX #74994B

RGB 116 153 75

HSL 88.46, 0.34%, 0.45%

LAB 58.98, -26.46, 36.63

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 16 / 51 / 0 / 40

HEX #814B99

RGB 129 75 153

HSL 281.54, 0.34%, 0.45%

LAB 41.21, 36.85, -33.69

 

CMYK 0 / 26 / 51 / 40

HEX #99714B

RGB 153 113 75

HSL 29.23, 0.34%, 0.45%

LAB 50.79, 11.03, 27.17

 

CMYK 35 / 0 / 51 / 40

HEX #64994B

RGB 100 153 75

HSL 100.77, 0.34%, 0.45%

LAB 58.04, -32.44, 35.27

 

CMYK 50 / 25 / 0 / 39

HEX #4D759B

RGB 77 117 155

HSL 209.23, 0.34%, 0.45%

LAB 47.84, -2.94, -24.84

 

CMYK 1 / 51 / 0 / 40

HEX #984B99

RGB 152 75 153

HSL 299.23, 0.34%, 0.45%

LAB 44.24, 43.63, -28.72

 

CMYK 0 / 26 / 51 / 40

HEX #99714B

RGB 153 113 75

HSL 29.23, 0.34%, 0.45%

LAB 50.79, 11.03, 27.17

 

CMYK 50 / 0 / 51 / 40

HEX #4D994B

RGB 77 153 75

HSL 118.46, 0.34%, 0.45%

LAB 56.95, -39.96, 33.68

 

Description

Color code: HEX #4D759B | qconv.com Color code: HEX #4D759B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 117 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 117 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 25 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 25% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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