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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6CE5CE it is the complementary color #B2931ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6CE5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6CE5CE shade: #526CE0CE, #637EF3CE, #7490FFCE, #85A2FFCE and #96B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6CE5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6CE5CE shade: #4D6CE5CE, #3C5AD2CE, #2B48BFCE, #1A36ACCE and #092499CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6CE5CE shade: #4D6CE6, #574DE6, #804DE6, #A94DE6 and #D24DE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6CE5CE shade: #4D6CE6 and #4D4DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6CE5CE shade matches the following richer shades: #4D6CE6 and #3C62F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6CE5CE shade: #4D6CE6, #5D75D5, #6E7FC4, #7E89B4 and #8F93A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6CE5CE shade: #4DBFE6, #4D96E6, #4D6EE6, #544DE6 and #7D4DE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6CE5CE shade: #1C3EC4, #284EE0, #4D6CE6, #718AEB and #95A7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6CE5CE shade: #4D6CE5, #E34DE6 and #ABE64D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6CE5CE shade: #4D6CE5, #E64D6E and #6EE64D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6CE5CE shade: #4D6CE5, #E34DE6, #E6C44D and #4FE64D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6CE5CE shade: #4D6CE5, #E64DBA, #E6C44D and #4DE678

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 43 / 0 / 8

HEX #4D6CE5CE

RGBA 77 108 229 0.81

HSLA 227.76, 0.75%, 0.6%, 0.81

LABA 49.45, 27.5, -64.89, 0.81

 

Complementary color

CMYK 0 / 14 / 69 / 24

HEX #B2931ACE

RGBA 178 147 26 0.81

HSLA 47.76, 0.75%, 0.4%, 0.81

LABA 62, 0.31, 61.38, 0.81

 

CMYK 51 / 42 / 0 / 10

HEX #526CE0CE

RGBA 82 108 224 0.81

HSLA 229.01, 0.7%, 0.6%, 0.81

LABA 49.38, 26.58, -62.17, 0.81

 

CMYK 48 / 39 / 0 / 4

HEX #637EF3CE

RGBA 99 126 243 0.81

HSLA 228.75, 0.86%, 0.67%, 0.81

LABA 56.13, 24.85, -61.87, 0.81

 

CMYK 44 / 35 / 0 / 0

HEX #7490FFCE

RGBA 116 144 255 0.81

HSLA 227.91, 1%, 0.73%, 0.81

LABA 62.41, 21.2, -58.39, 0.81

 

CMYK 39 / 30 / 0 / 0

HEX #85A2FFCE

RGBA 133 162 255 0.81

HSLA 225.74, 1%, 0.76%, 0.81

LABA 68.06, 14.38, -49.36, 0.81

 

CMYK 33 / 24 / 0 / 0

HEX #96B4FFCE

RGBA 150 180 255 0.81

HSLA 222.86, 1%, 0.79%, 0.81

LABA 73.77, 8.31, -40.33, 0.81

 

CMYK 54 / 43 / 0 / 8

HEX #4D6CE5CE

RGBA 77 108 229 0.81

HSLA 227.76, 0.75%, 0.6%, 0.81

LABA 49.45, 27.5, -64.89, 0.81

 

CMYK 58 / 46 / 0 / 14

HEX #3C5AD2CE

RGBA 60 90 210 0.81

HSLA 228, 0.63%, 0.53%, 0.81

LABA 42.65, 29.74, -65.15, 0.81

 

CMYK 63 / 50 / 0 / 20

HEX #2B48BFCE

RGBA 43 72 191 0.81

HSLA 228.24, 0.63%, 0.46%, 0.81

LABA 35.81, 32.42, -65.32, 0.81

 

CMYK 69 / 56 / 0 / 26

HEX #1A36ACCE

RGBA 26 54 172 0.81

HSLA 228.49, 0.74%, 0.39%, 0.81

LABA 29, 35.55, -65.27, 0.81

 

CMYK 76 / 62 / 0 / 32

HEX #092499CE

RGBA 9 36 153 0.81

HSLA 228.75, 0.89%, 0.32%, 0.81

LABA 22.37, 39, -64.69, 0.81

 

CMYK 67 / 53 / 0 / 10

HEX #4D6CE6

RGB 77 108 230

HSL 227.84, 0.75%, 0.6%

LAB 49.52, 27.85, -65.34

 

CMYK 62 / 67 / 0 / 10

HEX #574DE6

RGB 87 77 230

HSL 243.92, 0.75%, 0.6%

LAB 42.83, 48.04, -76.19

 

CMYK 44 / 67 / 0 / 10

HEX #804DE6

RGB 128 77 230

HSL 260, 0.75%, 0.6%

LAB 46.46, 54.68, -70.12

 

CMYK 27 / 67 / 0 / 10

HEX #A94DE6

RGB 169 77 230

HSL 276.08, 0.75%, 0.6%

LAB 51.22, 62.75, -62.19

 

CMYK 9 / 67 / 0 / 10

HEX #D24DE6

RGB 210 77 230

HSL 292.16, 0.75%, 0.6%

LAB 56.8, 71.55, -52.92

 

CMYK 67 / 53 / 0 / 10

HEX #4D6CE6

RGB 77 108 230

HSL 227.84, 0.75%, 0.6%

LAB 49.52, 27.85, -65.34

 

CMYK 67 / 67 / 0 / 10

HEX #4D4DE6

RGB 77 77 230

HSL 240, 0.75%, 0.6%

LAB 42.15, 46.73, -77.34

 

CMYK 67 / 53 / 0 / 10

HEX #4D6CE6

RGB 77 108 230

HSL 227.84, 0.75%, 0.6%

LAB 49.52, 27.85, -65.34

 

CMYK 76 / 60 / 0 / 4

HEX #3C62F6

RGB 60 98 246

HSL 227.74, 0.91%, 0.6%

LAB 47.43, 37.56, -77.73

 

CMYK 67 / 53 / 0 / 10

HEX #4D6CE6

RGB 77 108 230

HSL 227.84, 0.75%, 0.6%

LAB 49.52, 27.85, -65.34

 

CMYK 56 / 45 / 0 / 16

HEX #5D75D5

RGB 93 117 213

HSL 228, 0.59%, 0.6%

LAB 51.67, 19.37, -52.22

 

CMYK 44 / 35 / 0 / 23

HEX #6E7FC4

RGB 110 127 196

HSL 228.14, 0.42%, 0.6%

LAB 54.53, 11.94, -37.96

 

CMYK 30 / 24 / 0 / 29

HEX #7E89B4

RGB 126 137 180

HSL 227.78, 0.26%, 0.6%

LAB 57.68, 6.12, -23.87

 

CMYK 12 / 10 / 0 / 36

HEX #8F93A3

RGB 143 147 163

HSL 228, 0.1%, 0.6%

LAB 61.09, 1.87, -8.9

 

CMYK 67 / 17 / 0 / 10

HEX #4DBFE6

RGB 77 191 230

HSL 195.29, 0.75%, 0.6%

LAB 72.6, -20.2, -28.89

 

CMYK 67 / 35 / 0 / 10

HEX #4D96E6

RGB 77 150 230

HSL 211.37, 0.75%, 0.6%

LAB 60.87, 2.33, -47.17

 

CMYK 67 / 52 / 0 / 10

HEX #4D6EE6

RGB 77 110 230

HSL 227.06, 0.75%, 0.6%

LAB 50.03, 26.61, -64.51

 

CMYK 63 / 67 / 0 / 10

HEX #544DE6

RGB 84 77 230

HSL 242.75, 0.75%, 0.6%

LAB 42.62, 47.63, -76.55

 

CMYK 46 / 67 / 0 / 10

HEX #7D4DE6

RGB 125 77 230

HSL 258.82, 0.75%, 0.6%

LAB 46.15, 54.14, -70.64

 

CMYK 86 / 68 / 0 / 23

HEX #1C3EC4

RGB 28 62 196

HSL 227.86, 0.75%, 0.44%

LAB 33.3, 39.47, -72.39

 

CMYK 82 / 65 / 0 / 12

HEX #284EE0

RGB 40 78 224

HSL 227.61, 0.75%, 0.52%

LAB 40.05, 40.41, -77.44

 

CMYK 67 / 53 / 0 / 10

HEX #4D6CE6

RGB 77 108 230

HSL 227.84, 0.75%, 0.6%

LAB 49.52, 27.85, -65.34

 

CMYK 52 / 41 / 0 / 8

HEX #718AEB

RGB 113 138 235

HSL 227.7, 0.75%, 0.68%

LAB 59.6, 17.9, -51.84

 

CMYK 38 / 30 / 0 / 6

HEX #95A7F0

RGB 149 167 240

HSL 228.13, 0.75%, 0.76%

LAB 69.7, 11.28, -38.55

 

CMYK 66 / 53 / 0 / 10

HEX #4D6CE5

RGB 77 108 229

HSL 227.76, 0.75%, 0.6%

LAB 49.45, 27.5, -64.89

 

CMYK 1 / 67 / 0 / 10

HEX #E34DE6

RGB 227 77 230

HSL 298.82, 0.75%, 0.6%

LAB 59.3, 75.3, -48.81

 

CMYK 26 / 0 / 67 / 10

HEX #ABE64D

RGB 171 230 77

HSL 83.14, 0.75%, 0.6%

LAB 84.89, -41.08, 65.68

 

CMYK 66 / 53 / 0 / 10

HEX #4D6CE5

RGB 77 108 229

HSL 227.76, 0.75%, 0.6%

LAB 49.45, 27.5, -64.89

 

CMYK 0 / 67 / 52 / 10

HEX #E64D6E

RGB 230 77 110

HSL 347.06, 0.75%, 0.6%

LAB 55.34, 61.19, 14.81

 

CMYK 52 / 0 / 67 / 10

HEX #6EE64D

RGB 110 230 77

HSL 107.06, 0.75%, 0.6%

LAB 82.08, -60.77, 61.86

 

CMYK 66 / 53 / 0 / 10

HEX #4D6CE5

RGB 77 108 229

HSL 227.76, 0.75%, 0.6%

LAB 49.45, 27.5, -64.89

 

CMYK 1 / 67 / 0 / 10

HEX #E34DE6

RGB 227 77 230

HSL 298.82, 0.75%, 0.6%

LAB 59.3, 75.3, -48.81

 

CMYK 0 / 15 / 67 / 10

HEX #E6C44D

RGB 230 196 77

HSL 46.67, 0.75%, 0.6%

LAB 80.09, -0.8, 62.01

 

CMYK 66 / 0 / 67 / 10

HEX #4FE64D

RGB 79 230 77

HSL 119.22, 0.75%, 0.6%

LAB 81.18, -67.94, 60.62

 

CMYK 66 / 53 / 0 / 10

HEX #4D6CE5

RGB 77 108 229

HSL 227.76, 0.75%, 0.6%

LAB 49.45, 27.5, -64.89

 

CMYK 0 / 67 / 19 / 10

HEX #E64DBA

RGB 230 77 186

HSL 317.25, 0.75%, 0.6%

LAB 57.73, 69.43, -26.23

 

CMYK 0 / 15 / 67 / 10

HEX #E6C44D

RGB 230 196 77

HSL 46.67, 0.75%, 0.6%

LAB 80.09, -0.8, 62.01

 

CMYK 67 / 0 / 48 / 10

HEX #4DE678

RGB 77 230 120

HSL 136.86, 0.75%, 0.6%

LAB 81.58, -63.09, 41.93

 

Description

Color code: HEX #4D6CE5CE | qconv.com Color code: HEX #4D6CE5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 108 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 108 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 43 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 43% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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