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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6918 it is the complementary color #B296E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6918 shade: #526913, #637B26, #748D39, #859F4C and #96B15F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6918 shade: #4D6918, #3C5705, #2B4500, #1A3300 and #092100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6918 shade: #4C6818, #626818, #685818, #684318 and #682D18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6918 shade: #4C6818, #366818, #216818, #186824 and #18683A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6918 shade matches the following richer shades: #4C6818, #4F720D and #537D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6918 shade: #4C6818, #495E22, #46532C, #434937 and #3F3F41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6918 shade: #685818, #636818, #4D6818, #386818 and #226818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6918 shade: #1B2508, #344610, #4C6818, #658A1F and #7DAB27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6918 shade: #4D6918, #186842 and #631868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6918 shade: #4D6918, #184D68 and #68184D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6918 shade: #4D6918, #186842, #321868 and #68183D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6918 shade: #4D6918, #18685B, #321868 and #681825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 77 / 59

HEX #4D6918

RGB 77 105 24

HSL 80.74, 0.63%, 0.25%

LAB 40.81, -23.25, 39.66

 

Complementary color

CMYK 23 / 35 / 0 / 9

HEX #B296E7

RGB 178 150 231

HSL 260.74, 0.63%, 0.75%

LAB 67.31, 26.77, -37.17

 

CMYK 22 / 0 / 82 / 59

HEX #526913

RGB 82 105 19

HSL 76.05, 0.69%, 0.24%

LAB 41.13, -21.34, 41.91

 

CMYK 20 / 0 / 69 / 52

HEX #637B26

RGB 99 123 38

HSL 76.94, 0.53%, 0.32%

LAB 48.21, -21.96, 41.84

 

CMYK 18 / 0 / 60 / 45

HEX #748D39

RGB 116 141 57

HSL 77.86, 0.42%, 0.39%

LAB 55.13, -22.34, 41.02

 

CMYK 16 / 0 / 52 / 38

HEX #859F4C

RGB 133 159 76

HSL 78.8, 0.35%, 0.46%

LAB 61.92, -22.58, 39.92

 

CMYK 15 / 0 / 46 / 31

HEX #96B15F

RGB 150 177 95

HSL 79.76, 0.34%, 0.53%

LAB 68.57, -22.73, 38.74

 

CMYK 27 / 0 / 77 / 59

HEX #4D6918

RGB 77 105 24

HSL 80.74, 0.63%, 0.25%

LAB 40.81, -23.25, 39.66

 

CMYK 31 / 0 / 94 / 66

HEX #3C5705

RGB 60 87 5

HSL 79.76, 0.89%, 0.18%

LAB 33.54, -22.51, 38.92

 

CMYK 38 / 0 / 100 / 73

HEX #2B4500

RGB 43 69 0

HSL 82.61, 1%, 0.14%

LAB 26.07, -21.16, 34.13

 

CMYK 49 / 0 / 100 / 80

HEX #1A3300

RGB 26 51 0

HSL 89.41, 1%, 0.1%

LAB 18.31, -19.48, 25.64

 

CMYK 73 / 0 / 100 / 87

HEX #092100

RGB 9 33 0

HSL 103.64, 1%, 0.06%

LAB 10.15, -16.86, 14.83

 

CMYK 27 / 0 / 77 / 59

HEX #4C6818

RGB 76 104 24

HSL 81, 0.63%, 0.25%

LAB 40.42, -23.18, 39.25

 

CMYK 6 / 0 / 77 / 59

HEX #626818

RGB 98 104 24

HSL 64.5, 0.63%, 0.25%

LAB 42.1, -13.19, 41.46

 

CMYK 0 / 15 / 77 / 59

HEX #685818

RGB 104 88 24

HSL 48, 0.63%, 0.25%

LAB 37.82, -1.07, 37.52

 

CMYK 0 / 36 / 77 / 59

HEX #684318

RGB 104 67 24

HSL 32.25, 0.63%, 0.25%

LAB 31.86, 11.74, 31.53

 

CMYK 0 / 57 / 77 / 59

HEX #682D18

RGB 104 45 24

HSL 15.75, 0.63%, 0.25%

LAB 26.41, 24.9, 25.73

 

CMYK 27 / 0 / 77 / 59

HEX #4C6818

RGB 76 104 24

HSL 81, 0.63%, 0.25%

LAB 40.42, -23.18, 39.25

 

CMYK 48 / 0 / 77 / 59

HEX #366818

RGB 54 104 24

HSL 97.5, 0.63%, 0.25%

LAB 39.16, -31.86, 37.58

 

CMYK 68 / 0 / 77 / 59

HEX #216818

RGB 33 104 24

HSL 113.25, 0.63%, 0.25%

LAB 38.36, -38.11, 36.52

 

CMYK 77 / 0 / 65 / 59

HEX #186824

RGB 24 104 36

HSL 129, 0.63%, 0.25%

LAB 38.24, -38.7, 30.88

 

CMYK 77 / 0 / 44 / 59

HEX #18683A

RGB 24 104 58

HSL 145.5, 0.63%, 0.25%

LAB 38.55, -35.05, 19.28

 

CMYK 27 / 0 / 77 / 59

HEX #4C6818

RGB 76 104 24

HSL 81, 0.63%, 0.25%

LAB 40.42, -23.18, 39.25

 

CMYK 31 / 0 / 89 / 55

HEX #4F720D

RGB 79 114 13

HSL 80.79, 0.8%, 0.25%

LAB 43.84, -27.4, 46.03

 

CMYK 34 / 0 / 98 / 51

HEX #537D03

RGB 83 125 3

HSL 80.66, 0.95%, 0.25%

LAB 47.64, -31.26, 51.42

 

CMYK 27 / 0 / 77 / 59

HEX #4C6818

RGB 76 104 24

HSL 81, 0.63%, 0.25%

LAB 40.42, -23.18, 39.25

 

CMYK 22 / 0 / 64 / 63

HEX #495E22

RGB 73 94 34

HSL 81, 0.47%, 0.25%

LAB 37, -18.47, 31.08

 

CMYK 16 / 0 / 47 / 67

HEX #46532C

RGB 70 83 44

HSL 80, 0.31%, 0.25%

LAB 33.29, -12.55, 21.12

 

CMYK 8 / 0 / 25 / 71

HEX #434937

RGB 67 73 55

HSL 80, 0.14%, 0.25%

LAB 30, -6.2, 9.98

 

CMYK 3 / 3 / 0 / 75

HEX #3F3F41

RGB 63 63 65

HSL 240, 0.02%, 0.25%

LAB 26.72, 0.46, -1.23

 

CMYK 0 / 15 / 77 / 59

HEX #685818

RGB 104 88 24

HSL 48, 0.63%, 0.25%

LAB 37.82, -1.07, 37.52

 

CMYK 5 / 0 / 77 / 59

HEX #636818

RGB 99 104 24

HSL 63.75, 0.63%, 0.25%

LAB 42.18, -12.72, 41.57

 

CMYK 26 / 0 / 77 / 59

HEX #4D6818

RGB 77 104 24

HSL 80.25, 0.63%, 0.25%

LAB 40.48, -22.74, 39.34

 

CMYK 46 / 0 / 77 / 59

HEX #386818

RGB 56 104 24

HSL 96, 0.63%, 0.25%

LAB 39.25, -31.15, 37.71

 

CMYK 67 / 0 / 77 / 59

HEX #226818

RGB 34 104 24

HSL 112.5, 0.63%, 0.25%

LAB 38.39, -37.86, 36.56

 

CMYK 27 / 0 / 78 / 85

HEX #1B2508

RGB 27 37 8

HSL 80.69, 0.64%, 0.09%

LAB 13.07, -10.27, 15.77

 

CMYK 26 / 0 / 77 / 73

HEX #344610

RGB 52 70 16

HSL 80, 0.63%, 0.17%

LAB 27.15, -16.54, 28.82

 

CMYK 27 / 0 / 77 / 59

HEX #4C6818

RGB 76 104 24

HSL 81, 0.63%, 0.25%

LAB 40.42, -23.18, 39.25

 

CMYK 27 / 0 / 78 / 46

HEX #658A1F

RGB 101 138 31

HSL 80.75, 0.63%, 0.33%

LAB 53, -28.99, 49.39

 

CMYK 27 / 0 / 77 / 33

HEX #7DAB27

RGB 125 171 39

HSL 80.91, 0.63%, 0.41%

LAB 64.67, -34.4, 58.29

 

CMYK 27 / 0 / 77 / 59

HEX #4D6918

RGB 77 105 24

HSL 80.74, 0.63%, 0.25%

LAB 40.81, -23.25, 39.66

 

CMYK 77 / 0 / 37 / 59

HEX #186842

RGB 24 104 66

HSL 151.5, 0.63%, 0.25%

LAB 38.7, -33.33, 14.79

 

CMYK 5 / 77 / 0 / 59

HEX #631868

RGB 99 24 104

HSL 296.25, 0.63%, 0.25%

LAB 24.66, 43.61, -29.65

 

CMYK 27 / 0 / 77 / 59

HEX #4D6918

RGB 77 105 24

HSL 80.74, 0.63%, 0.25%

LAB 40.81, -23.25, 39.66

 

CMYK 77 / 26 / 0 / 59

HEX #184D68

RGB 24 77 104

HSL 200.25, 0.63%, 0.25%

LAB 30.64, -7.31, -20.67

 

CMYK 0 / 77 / 26 / 59

HEX #68184D

RGB 104 24 77

HSL 320.25, 0.63%, 0.25%

LAB 24.1, 40.4, -12.58

 

CMYK 27 / 0 / 77 / 59

HEX #4D6918

RGB 77 105 24

HSL 80.74, 0.63%, 0.25%

LAB 40.81, -23.25, 39.66

 

CMYK 77 / 0 / 37 / 59

HEX #186842

RGB 24 104 66

HSL 151.5, 0.63%, 0.25%

LAB 38.7, -33.33, 14.79

 

CMYK 52 / 77 / 0 / 59

HEX #321868

RGB 50 24 104

HSL 259.5, 0.63%, 0.25%

LAB 17.14, 33.11, -42.17

 

CMYK 0 / 77 / 41 / 59

HEX #68183D

RGB 104 24 61

HSL 332.25, 0.63%, 0.25%

LAB 23.45, 38.32, -2.69

 

CMYK 27 / 0 / 77 / 59

HEX #4D6918

RGB 77 105 24

HSL 80.74, 0.63%, 0.25%

LAB 40.81, -23.25, 39.66

 

CMYK 77 / 0 / 13 / 59

HEX #18685B

RGB 24 104 91

HSL 170.25, 0.63%, 0.25%

LAB 39.33, -26.77, 0.55

 

CMYK 52 / 77 / 0 / 59

HEX #321868

RGB 50 24 104

HSL 259.5, 0.63%, 0.25%

LAB 17.14, 33.11, -42.17

 

CMYK 0 / 77 / 64 / 59

HEX #681825

RGB 104 24 37

HSL 350.25, 0.63%, 0.25%

LAB 22.76, 36.03, 12.9

 

Description

Color code: HEX #4D6918 | qconv.com Color code: HEX #4D6918 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 105 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 105 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 77 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 77% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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