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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6281 it is the complementary color #B29D7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6281 shade: #52627C, #63748F, #7486A2, #8598B5 and #96AAC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6281 shade: #4D6281, #3C506E, #2B3E5B, #1A2C48 and #091A35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6281 shade: #4D6180, #4D5380, #534D80, #614D80 and #6F4D80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6281 shade: #4D6180, #4D5380 and #4D4D80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6281 shade matches the following richer shades: #4D6180, #3C5E90, #2B5BA1, #1B58B1 and #0A54C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6281 shade: #4D6180, #5D646F, #6E675E, #7E6B4E and #8F6E3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6281 shade: #4D7D80, #4D6F80, #4D6280, #4D5480 and #524D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6281 shade: #2E3A4C, #3D4D66, #4D6180, #5C7599 and #738AAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6281 shade: #4D6281, #744D80 and #76804D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6281 shade: #4D6281, #804D62 and #62804D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6281 shade: #4D6281, #744D80, #806A4D and #58804D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6281 shade: #4D6281, #804D7B, #806A4D and #4D8051

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 24 / 0 / 49

HEX #4D6281

RGB 77 98 129

HSL 215.77, 0.25%, 0.4%

LAB 41.05, 0.59, -19.81

 

Complementary color

CMYK 0 / 12 / 29 / 30

HEX #B29D7E

RGB 178 157 126

HSL 35.77, 0.25%, 0.6%

LAB 65.82, 2.92, 19.07

 

CMYK 34 / 21 / 0 / 51

HEX #52627C

RGB 82 98 124

HSL 217.14, 0.2%, 0.4%

LAB 41.19, 0.68, -16.54

 

CMYK 31 / 19 / 0 / 44

HEX #63748F

RGB 99 116 143

HSL 216.82, 0.18%, 0.47%

LAB 48.42, 0.4, -16.76

 

CMYK 28 / 17 / 0 / 36

HEX #7486A2

RGB 116 134 162

HSL 216.52, 0.2%, 0.55%

LAB 55.45, 0.16, -17.02

 

CMYK 27 / 16 / 0 / 29

HEX #8598B5

RGB 133 152 181

HSL 216.25, 0.24%, 0.62%

LAB 62.32, -0.05, -17.3

 

CMYK 25 / 15 / 0 / 22

HEX #96AAC8

RGB 150 170 200

HSL 216, 0.31%, 0.69%

LAB 69.04, -0.24, -17.6

 

CMYK 40 / 24 / 0 / 49

HEX #4D6281

RGB 77 98 129

HSL 215.77, 0.25%, 0.4%

LAB 41.05, 0.59, -19.81

 

CMYK 45 / 27 / 0 / 57

HEX #3C506E

RGB 60 80 110

HSL 216, 0.29%, 0.33%

LAB 33.61, 1.05, -19.7

 

CMYK 53 / 32 / 0 / 64

HEX #2B3E5B

RGB 43 62 91

HSL 216.25, 0.36%, 0.26%

LAB 25.9, 1.68, -19.65

 

CMYK 64 / 39 / 0 / 72

HEX #1A2C48

RGB 26 44 72

HSL 216.52, 0.47%, 0.19%

LAB 17.87, 2.64, -19.69

 

CMYK 83 / 51 / 0 / 79

HEX #091A35

RGB 9 26 53

HSL 216.82, 0.71%, 0.12%

LAB 9.43, 4.31, -19.82

 

CMYK 40 / 24 / 0 / 50

HEX #4D6180

RGB 77 97 128

HSL 216.47, 0.25%, 0.4%

LAB 40.71, 0.91, -19.73

 

CMYK 40 / 35 / 0 / 50

HEX #4D5380

RGB 77 83 128

HSL 232.94, 0.25%, 0.4%

LAB 36.6, 9.72, -26.12

 

CMYK 35 / 40 / 0 / 50

HEX #534D80

RGB 83 77 128

HSL 247.06, 0.25%, 0.4%

LAB 35.41, 15.37, -27.95

 

CMYK 24 / 40 / 0 / 50

HEX #614D80

RGB 97 77 128

HSL 263.53, 0.25%, 0.4%

LAB 36.76, 19.75, -25.74

 

CMYK 13 / 40 / 0 / 50

HEX #6F4D80

RGB 111 77 128

HSL 280, 0.25%, 0.4%

LAB 38.28, 24.35, -23.25

 

CMYK 40 / 24 / 0 / 50

HEX #4D6180

RGB 77 97 128

HSL 216.47, 0.25%, 0.4%

LAB 40.71, 0.91, -19.73

 

CMYK 40 / 35 / 0 / 50

HEX #4D5380

RGB 77 83 128

HSL 232.94, 0.25%, 0.4%

LAB 36.6, 9.72, -26.12

 

CMYK 40 / 40 / 0 / 50

HEX #4D4D80

RGB 77 77 128

HSL 240, 0.25%, 0.4%

LAB 34.89, 13.58, -28.8

 

CMYK 40 / 24 / 0 / 50

HEX #4D6180

RGB 77 97 128

HSL 216.47, 0.25%, 0.4%

LAB 40.71, 0.91, -19.73

 

CMYK 58 / 35 / 0 / 44

HEX #3C5E90

RGB 60 94 144

HSL 215.71, 0.41%, 0.4%

LAB 39.55, 3.5, -31.31

 

CMYK 73 / 43 / 0 / 37

HEX #2B5BA1

RGB 43 91 161

HSL 215.59, 0.58%, 0.4%

LAB 38.84, 8.51, -42.66

 

CMYK 85 / 50 / 0 / 31

HEX #1B58B1

RGB 27 88 177

HSL 215.6, 0.74%, 0.4%

LAB 38.53, 14.94, -52.69

 

CMYK 95 / 57 / 0 / 24

HEX #0A54C2

RGB 10 84 194

HSL 215.87, 0.9%, 0.4%

LAB 38.38, 23.45, -62.92

 

CMYK 40 / 24 / 0 / 50

HEX #4D6180

RGB 77 97 128

HSL 216.47, 0.25%, 0.4%

LAB 40.71, 0.91, -19.73

 

CMYK 16 / 10 / 0 / 56

HEX #5D646F

RGB 93 100 111

HSL 216.67, 0.09%, 0.4%

LAB 42.14, -0.17, -7.12

 

CMYK 0 / 6 / 15 / 57

HEX #6E675E

RGB 110 103 94

HSL 33.75, 0.08%, 0.4%

LAB 43.98, 1.06, 6.06

 

CMYK 0 / 15 / 38 / 51

HEX #7E6B4E

RGB 126 107 78

HSL 36.25, 0.24%, 0.4%

LAB 46.31, 3.03, 19.05

 

CMYK 0 / 23 / 57 / 44

HEX #8F6E3D

RGB 143 110 61

HSL 35.85, 0.4%, 0.4%

LAB 48.67, 7.02, 32.06

 

CMYK 40 / 2 / 0 / 50

HEX #4D7D80

RGB 77 125 128

HSL 183.53, 0.25%, 0.4%

LAB 49.26, -15.41, -6.78

 

CMYK 40 / 13 / 0 / 50

HEX #4D6F80

RGB 77 111 128

HSL 200, 0.25%, 0.4%

LAB 44.95, -7.49, -13.25

 

CMYK 40 / 23 / 0 / 50

HEX #4D6280

RGB 77 98 128

HSL 215.29, 0.25%, 0.4%

LAB 41.01, 0.3, -19.27

 

CMYK 40 / 34 / 0 / 50

HEX #4D5480

RGB 77 84 128

HSL 231.76, 0.25%, 0.4%

LAB 36.89, 9.08, -25.67

 

CMYK 36 / 40 / 0 / 50

HEX #524D80

RGB 82 77 128

HSL 245.88, 0.25%, 0.4%

LAB 35.32, 15.06, -28.1

 

CMYK 39 / 24 / 0 / 70

HEX #2E3A4C

RGB 46 58 76

HSL 216, 0.25%, 0.24%

LAB 24.09, 0.29, -12.59

 

CMYK 40 / 25 / 0 / 60

HEX #3D4D66

RGB 61 77 102

HSL 216.59, 0.25%, 0.32%

LAB 32.39, 0.77, -16.55

 

CMYK 40 / 24 / 0 / 50

HEX #4D6180

RGB 77 97 128

HSL 216.47, 0.25%, 0.4%

LAB 40.71, 0.91, -19.73

 

CMYK 40 / 24 / 0 / 40

HEX #5C7599

RGB 92 117 153

HSL 215.41, 0.25%, 0.48%

LAB 48.63, 0.47, -22.37

 

CMYK 33 / 19 / 0 / 33

HEX #738AAB

RGB 115 138 171

HSL 215.36, 0.25%, 0.56%

LAB 56.84, -0.12, -20.08

 

CMYK 40 / 24 / 0 / 49

HEX #4D6281

RGB 77 98 129

HSL 215.77, 0.25%, 0.4%

LAB 41.05, 0.59, -19.81

 

CMYK 9 / 40 / 0 / 50

HEX #744D80

RGB 116 77 128

HSL 285.88, 0.25%, 0.4%

LAB 38.86, 26.02, -22.3

 

CMYK 8 / 0 / 40 / 50

HEX #76804D

RGB 118 128 77

HSL 71.76, 0.25%, 0.4%

LAB 51.64, -12.46, 26.45

 

CMYK 40 / 24 / 0 / 49

HEX #4D6281

RGB 77 98 129

HSL 215.77, 0.25%, 0.4%

LAB 41.05, 0.59, -19.81

 

CMYK 0 / 40 / 23 / 50

HEX #804D62

RGB 128 77 98

HSL 335.29, 0.25%, 0.4%

LAB 39.21, 24.59, -3.07

 

CMYK 23 / 0 / 40 / 50

HEX #62804D

RGB 98 128 77

HSL 95.29, 0.25%, 0.4%

LAB 50.18, -20.61, 24.28

 

CMYK 40 / 24 / 0 / 49

HEX #4D6281

RGB 77 98 129

HSL 215.77, 0.25%, 0.4%

LAB 41.05, 0.59, -19.81

 

CMYK 9 / 40 / 0 / 50

HEX #744D80

RGB 116 77 128

HSL 285.88, 0.25%, 0.4%

LAB 38.86, 26.02, -22.3

 

CMYK 0 / 17 / 40 / 50

HEX #806A4D

RGB 128 106 77

HSL 34.12, 0.25%, 0.4%

LAB 46.22, 4.36, 19.55

 

CMYK 31 / 0 / 40 / 50

HEX #58804D

RGB 88 128 77

HSL 107.06, 0.25%, 0.4%

LAB 49.56, -24.4, 23.35

 

CMYK 40 / 24 / 0 / 49

HEX #4D6281

RGB 77 98 129

HSL 215.77, 0.25%, 0.4%

LAB 41.05, 0.59, -19.81

 

CMYK 0 / 40 / 4 / 50

HEX #804D7B

RGB 128 77 123

HSL 305.88, 0.25%, 0.4%

LAB 40.13, 29.06, -17.16

 

CMYK 0 / 17 / 40 / 50

HEX #806A4D

RGB 128 106 77

HSL 34.12, 0.25%, 0.4%

LAB 46.22, 4.36, 19.55

 

CMYK 40 / 0 / 37 / 50

HEX #4D8051

RGB 77 128 81

HSL 124.71, 0.25%, 0.4%

LAB 49.02, -27.59, 20.28

 

Description

Color code: HEX #4D6281 | qconv.com Color code: HEX #4D6281 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 98 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 98 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 24 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 24% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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