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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D61BE it is the complementary color #B29E41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D61BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D61BE shade: #5261B9, #6373CC, #7485DF, #8597F2 and #96A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D61BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D61BE shade: #4D61BE, #3C4FAB, #2B3D98, #1A2B85 and #091972

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D61BE shade: #4B5FBE, #564BBE, #754BBE, #944BBE and #B34BBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D61BE shade: #4B5FBE and #4B4BBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D61BE shade matches the following richer shades: #4B5FBE, #3753D2, #2346E6 and #1039FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D61BE shade: #4B5FBE, #5F6CAA, #737997, #868683 and #9A936F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D61BE shade: #4B9EBE, #4B7FBE, #4B60BE, #554BBE and #734BBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D61BE shade: #304086, #3B4EA5, #4B5FBE, #697AC9 and #8895D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D61BE shade: #4D61BE, #BE4BBC and #8EBE4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D61BE shade: #4D61BE, #BE4B60 and #60BE4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D61BE shade: #4D61BE, #BE4BBC, #BEA94B and #4BBE4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D61BE shade: #4D61BE, #BE4B9A, #BEA94B and #4BBE70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 49 / 0 / 25

HEX #4D61BE

RGB 77 97 190

HSL 229.38, 0.47%, 0.52%

LAB 44.01, 20.99, -51.36

 

Complementary color

CMYK 0 / 11 / 63 / 30

HEX #B29E41

RGB 178 158 65

HSL 49.38, 0.47%, 0.48%

LAB 65.2, -3.84, 49.89

 

CMYK 56 / 48 / 0 / 27

HEX #5261B9

RGB 82 97 185

HSL 231.26, 0.42%, 0.52%

LAB 44.01, 20.32, -48.43

 

CMYK 51 / 44 / 0 / 20

HEX #6373CC

RGB 99 115 204

HSL 230.86, 0.51%, 0.59%

LAB 51.01, 18.99, -48.15

 

CMYK 48 / 40 / 0 / 13

HEX #7485DF

RGB 116 133 223

HSL 230.47, 0.63%, 0.66%

LAB 57.86, 17.89, -47.91

 

CMYK 45 / 38 / 0 / 5

HEX #8597F2

RGB 133 151 242

HSL 230.09, 0.81%, 0.74%

LAB 64.59, 16.95, -47.73

 

CMYK 41 / 34 / 0 / 0

HEX #96A9FF

RGB 150 169 255

HSL 229.14, 1%, 0.79%

LAB 70.93, 14.48, -44.77

 

CMYK 59 / 49 / 0 / 25

HEX #4D61BE

RGB 77 97 190

HSL 229.38, 0.47%, 0.52%

LAB 44.01, 20.99, -51.36

 

CMYK 65 / 54 / 0 / 33

HEX #3C4FAB

RGB 60 79 171

HSL 229.73, 0.48%, 0.45%

LAB 36.92, 22.82, -51.68

 

CMYK 72 / 60 / 0 / 40

HEX #2B3D98

RGB 43 61 152

HSL 230.09, 0.56%, 0.38%

LAB 29.71, 25.1, -51.98

 

CMYK 80 / 68 / 0 / 48

HEX #1A2B85

RGB 26 43 133

HSL 230.47, 0.67%, 0.31%

LAB 22.45, 27.95, -52.13

 

CMYK 92 / 78 / 0 / 55

HEX #091972

RGB 9 25 114

HSL 230.86, 0.85%, 0.24%

LAB 15.32, 31.31, -51.79

 

CMYK 61 / 50 / 0 / 25

HEX #4B5FBE

RGB 75 95 190

HSL 229.57, 0.47%, 0.52%

LAB 43.36, 21.88, -52.41

 

CMYK 55 / 61 / 0 / 25

HEX #564BBE

RGB 86 75 190

HSL 245.74, 0.47%, 0.52%

LAB 39.12, 36.46, -59.23

 

CMYK 38 / 61 / 0 / 25

HEX #754BBE

RGB 117 75 190

HSL 261.91, 0.47%, 0.52%

LAB 42.05, 42.89, -54.34

 

CMYK 22 / 61 / 0 / 25

HEX #944BBE

RGB 148 75 190

HSL 278.09, 0.47%, 0.52%

LAB 45.7, 50.2, -48.29

 

CMYK 6 / 61 / 0 / 25

HEX #B34BBE

RGB 179 75 190

HSL 294.26, 0.47%, 0.52%

LAB 49.9, 57.9, -41.35

 

CMYK 61 / 50 / 0 / 25

HEX #4B5FBE

RGB 75 95 190

HSL 229.57, 0.47%, 0.52%

LAB 43.36, 21.88, -52.41

 

CMYK 61 / 61 / 0 / 25

HEX #4B4BBE

RGB 75 75 190

HSL 240, 0.47%, 0.52%

LAB 38.28, 34.5, -60.63

 

CMYK 61 / 50 / 0 / 25

HEX #4B5FBE

RGB 75 95 190

HSL 229.57, 0.47%, 0.52%

LAB 43.36, 21.88, -52.41

 

CMYK 74 / 60 / 0 / 18

HEX #3753D2

RGB 55 83 210

HSL 229.16, 0.63%, 0.52%

LAB 40.66, 33.59, -68.41

 

CMYK 85 / 70 / 0 / 10

HEX #2346E6

RGB 35 70 230

HSL 229.23, 0.8%, 0.52%

LAB 38.64, 47.11, -83.19

 

CMYK 94 / 77 / 0 / 2

HEX #1039FA

RGB 16 57 250

HSL 229.49, 0.96%, 0.52%

LAB 37.73, 60.4, -96

 

CMYK 61 / 50 / 0 / 25

HEX #4B5FBE

RGB 75 95 190

HSL 229.57, 0.47%, 0.52%

LAB 43.36, 21.88, -52.41

 

CMYK 44 / 36 / 0 / 33

HEX #5F6CAA

RGB 95 108 170

HSL 229.6, 0.31%, 0.52%

LAB 47.05, 11.78, -34.78

 

CMYK 24 / 20 / 0 / 41

HEX #737997

RGB 115 121 151

HSL 230, 0.15%, 0.52%

LAB 51.33, 4.65, -16.92

 

CMYK 0 / 0 / 2 / 47

HEX #868683

RGB 134 134 131

HSL 60, 0.01%, 0.52%

LAB 55.84, -0.58, 1.61

 

CMYK 0 / 5 / 28 / 40

HEX #9A936F

RGB 154 147 111

HSL 50.23, 0.18%, 0.52%

LAB 60.68, -3.34, 20.03

 

CMYK 61 / 17 / 0 / 25

HEX #4B9EBE

RGB 75 158 190

HSL 196.7, 0.47%, 0.52%

LAB 61.37, -15.6, -24.09

 

CMYK 61 / 33 / 0 / 25

HEX #4B7FBE

RGB 75 127 190

HSL 212.87, 0.47%, 0.52%

LAB 52.28, 2.03, -38.22

 

CMYK 61 / 49 / 0 / 25

HEX #4B60BE

RGB 75 96 190

HSL 229.04, 0.47%, 0.52%

LAB 43.62, 21.24, -51.99

 

CMYK 55 / 61 / 0 / 25

HEX #554BBE

RGB 85 75 190

HSL 245.22, 0.47%, 0.52%

LAB 39.04, 36.27, -59.36

 

CMYK 39 / 61 / 0 / 25

HEX #734BBE

RGB 115 75 190

HSL 260.87, 0.47%, 0.52%

LAB 41.84, 42.44, -54.7

 

CMYK 64 / 52 / 0 / 47

HEX #304086

RGB 48 64 134

HSL 228.84, 0.47%, 0.36%

LAB 29.45, 17.15, -41.31

 

CMYK 64 / 53 / 0 / 35

HEX #3B4EA5

RGB 59 78 165

HSL 229.25, 0.47%, 0.44%

LAB 36.17, 21.14, -49.32

 

CMYK 61 / 50 / 0 / 25

HEX #4B5FBE

RGB 75 95 190

HSL 229.57, 0.47%, 0.52%

LAB 43.36, 21.88, -52.41

 

CMYK 48 / 39 / 0 / 21

HEX #697AC9

RGB 105 122 201

HSL 229.38, 0.47%, 0.6%

LAB 53.1, 15.2, -43.09

 

CMYK 36 / 30 / 0 / 17

HEX #8895D4

RGB 136 149 212

HSL 229.74, 0.47%, 0.68%

LAB 62.91, 10.51, -33.75

 

CMYK 59 / 49 / 0 / 25

HEX #4D61BE

RGB 77 97 190

HSL 229.38, 0.47%, 0.52%

LAB 44.01, 20.99, -51.36

 

CMYK 0 / 61 / 1 / 25

HEX #BE4BBC

RGB 190 75 188

HSL 301.04, 0.47%, 0.52%

LAB 51.39, 60.32, -37.72

 

CMYK 25 / 0 / 61 / 25

HEX #8EBE4B

RGB 142 190 75

HSL 85.04, 0.47%, 0.52%

LAB 71.61, -34.07, 51.7

 

CMYK 59 / 49 / 0 / 25

HEX #4D61BE

RGB 77 97 190

HSL 229.38, 0.47%, 0.52%

LAB 44.01, 20.99, -51.36

 

CMYK 0 / 61 / 49 / 25

HEX #BE4B60

RGB 190 75 96

HSL 349.04, 0.47%, 0.52%

LAB 48.04, 47.98, 12.05

 

CMYK 49 / 0 / 61 / 25

HEX #60BE4B

RGB 96 190 75

HSL 109.04, 0.47%, 0.52%

LAB 69.34, -49.61, 48.53

 

CMYK 59 / 49 / 0 / 25

HEX #4D61BE

RGB 77 97 190

HSL 229.38, 0.47%, 0.52%

LAB 44.01, 20.99, -51.36

 

CMYK 0 / 61 / 1 / 25

HEX #BE4BBC

RGB 190 75 188

HSL 301.04, 0.47%, 0.52%

LAB 51.39, 60.32, -37.72

 

CMYK 0 / 11 / 61 / 25

HEX #BEA94B

RGB 190 169 75

HSL 49.04, 0.47%, 0.52%

LAB 69.35, -3.81, 50.18

 

CMYK 61 / 0 / 59 / 25

HEX #4BBE4D

RGB 75 190 77

HSL 121.04, 0.47%, 0.52%

LAB 68.65, -54.85, 46.64

 

CMYK 59 / 49 / 0 / 25

HEX #4D61BE

RGB 77 97 190

HSL 229.38, 0.47%, 0.52%

LAB 44.01, 20.99, -51.36

 

CMYK 0 / 61 / 19 / 25

HEX #BE4B9A

RGB 190 75 154

HSL 318.78, 0.47%, 0.52%

LAB 49.87, 54.92, -20.15

 

CMYK 0 / 11 / 61 / 25

HEX #BEA94B

RGB 190 169 75

HSL 49.04, 0.47%, 0.52%

LAB 69.35, -3.81, 50.18

 

CMYK 61 / 0 / 41 / 25

HEX #4BBE70

RGB 75 190 112

HSL 139.3, 0.47%, 0.52%

LAB 69.11, -49.76, 29.96

 

Description

Color code: HEX #4D61BE | qconv.com Color code: HEX #4D61BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 97 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 97 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 49 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 49% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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