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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D5DA3 it is the complementary color #B2A25C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D5DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D5DA3 shade: #525D9E, #636FB1, #7481C4, #8593D7 and #96A5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D5DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D5DA3 shade: #4D5DA3, #3C4B90, #2B397D, #1A276A and #091557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D5DA3 shade: #4D5DA3, #544DA3, #6B4DA3, #824DA3 and #9A4DA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D5DA3 shade: #4D5DA3 and #4D4DA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D5DA3 shade matches the following richer shades: #4D5DA3, #3951B6, #2644CA and #1338DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D5DA3 shade: #4D5DA3, #606990, #73757C, #878169 and #9A8D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D5DA3 shade: #4D8CA3, #4D75A3, #4D5EA3, #524DA3 and #694DA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D5DA3 shade: #323D6B, #404D87, #4D5DA3, #6373B6 and #7F8CC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D5DA3 shade: #4D5DA3, #A34DA3 and #80A34D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D5DA3 shade: #4D5DA3, #A34D5E and #5EA34D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D5DA3 shade: #4D5DA3, #A34DA3, #A3924D and #4DA34D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D5DA3 shade: #4D5DA3, #A34D89, #A3924D and #4DA367

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

Complementary color

CMYK 0 / 9 / 48 / 30

HEX #B2A25C

RGB 178 162 92

HSL 48.84, 0.36%, 0.53%

LAB 66.58, -3.77, 38.31

 

CMYK 48 / 41 / 0 / 38

HEX #525D9E

RGB 82 93 158

HSL 231.32, 0.32%, 0.47%

LAB 41.36, 14.05, -36.74

 

CMYK 44 / 37 / 0 / 31

HEX #636FB1

RGB 99 111 177

HSL 230.77, 0.33%, 0.54%

LAB 48.51, 13.11, -36.56

 

CMYK 41 / 34 / 0 / 23

HEX #7481C4

RGB 116 129 196

HSL 230.25, 0.4%, 0.61%

LAB 55.48, 12.32, -36.44

 

CMYK 38 / 32 / 0 / 16

HEX #8593D7

RGB 133 147 215

HSL 229.76, 0.51%, 0.68%

LAB 62.3, 11.66, -36.38

 

CMYK 36 / 29 / 0 / 8

HEX #96A5EA

RGB 150 165 234

HSL 229.29, 0.67%, 0.75%

LAB 68.99, 11.09, -36.36

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 58 / 48 / 0 / 44

HEX #3C4B90

RGB 60 75 144

HSL 229.29, 0.41%, 0.4%

LAB 34, 15.83, -40.12

 

CMYK 66 / 54 / 0 / 51

HEX #2B397D

RGB 43 57 125

HSL 229.76, 0.49%, 0.33%

LAB 26.51, 17.63, -40.45

 

CMYK 75 / 63 / 0 / 58

HEX #1A276A

RGB 26 39 106

HSL 230.25, 0.61%, 0.26%

LAB 18.85, 20.05, -40.77

 

CMYK 90 / 76 / 0 / 66

HEX #091557

RGB 9 21 87

HSL 230.77, 0.81%, 0.19%

LAB 11.15, 23.29, -40.8

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 48 / 53 / 0 / 36

HEX #544DA3

RGB 84 77 163

HSL 244.88, 0.36%, 0.47%

LAB 37.55, 26.28, -45.8

 

CMYK 34 / 53 / 0 / 36

HEX #6B4DA3

RGB 107 77 163

HSL 260.93, 0.36%, 0.47%

LAB 39.71, 32.02, -42.22

 

CMYK 20 / 53 / 0 / 36

HEX #824DA3

RGB 130 77 163

HSL 276.98, 0.36%, 0.47%

LAB 42.3, 38.3, -37.93

 

CMYK 6 / 53 / 0 / 36

HEX #9A4DA3

RGB 154 77 163

HSL 293.72, 0.36%, 0.47%

LAB 45.39, 45.11, -32.86

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 53 / 53 / 0 / 36

HEX #4D4DA3

RGB 77 77 163

HSL 240, 0.36%, 0.47%

LAB 36.99, 24.7, -46.74

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 69 / 55 / 0 / 29

HEX #3951B6

RGB 57 81 182

HSL 228.48, 0.52%, 0.47%

LAB 38.08, 25, -56.31

 

CMYK 81 / 66 / 0 / 21

HEX #2644CA

RGB 38 68 202

HSL 229.02, 0.68%, 0.47%

LAB 35.62, 38.56, -72.07

 

CMYK 91 / 75 / 0 / 13

HEX #1338DD

RGB 19 56 221

HSL 229.01, 0.84%, 0.47%

LAB 34.37, 51.48, -85.12

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 33 / 27 / 0 / 44

HEX #606990

RGB 96 105 144

HSL 228.75, 0.2%, 0.47%

LAB 45.09, 6.35, -22.49

 

CMYK 7 / 6 / 0 / 51

HEX #73757C

RGB 115 117 124

HSL 226.67, 0.04%, 0.47%

LAB 49.28, 0.72, -4.11

 

CMYK 0 / 4 / 22 / 47

HEX #878169

RGB 135 129 105

HSL 48, 0.13%, 0.47%

LAB 53.89, -1.93, 13.85

 

CMYK 0 / 8 / 45 / 40

HEX #9A8D55

RGB 154 141 85

HSL 48.7, 0.29%, 0.47%

LAB 58.58, -3.29, 31.56

 

CMYK 53 / 14 / 0 / 36

HEX #4D8CA3

RGB 77 140 163

HSL 196.05, 0.36%, 0.47%

LAB 55.05, -13.64, -18.41

 

CMYK 53 / 28 / 0 / 36

HEX #4D75A3

RGB 77 117 163

HSL 212.09, 0.36%, 0.47%

LAB 48.19, -0.42, -28.99

 

CMYK 53 / 42 / 0 / 36

HEX #4D5EA3

RGB 77 94 163

HSL 228.14, 0.36%, 0.47%

LAB 41.58, 13.82, -39.4

 

CMYK 50 / 53 / 0 / 36

HEX #524DA3

RGB 82 77 163

HSL 243.49, 0.36%, 0.47%

LAB 37.38, 25.82, -46.08

 

CMYK 36 / 53 / 0 / 36

HEX #694DA3

RGB 105 77 163

HSL 259.53, 0.36%, 0.47%

LAB 39.51, 31.5, -42.56

 

CMYK 53 / 43 / 0 / 58

HEX #323D6B

RGB 50 61 107

HSL 228.42, 0.36%, 0.31%

LAB 26.95, 9.85, -28.29

 

CMYK 53 / 43 / 0 / 47

HEX #404D87

RGB 64 77 135

HSL 229.01, 0.36%, 0.39%

LAB 34.29, 12.33, -34.13

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 46 / 37 / 0 / 29

HEX #6373B6

RGB 99 115 182

HSL 228.43, 0.36%, 0.55%

LAB 49.85, 12.17, -37.35

 

CMYK 35 / 28 / 0 / 24

HEX #7F8CC3

RGB 127 140 195

HSL 228.53, 0.36%, 0.63%

LAB 59.17, 8.62, -30.08

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 0 / 53 / 0 / 36

HEX #A34DA3

RGB 163 77 163

HSL 300, 0.36%, 0.47%

LAB 46.63, 47.69, -30.83

 

CMYK 21 / 0 / 53 / 36

HEX #80A34D

RGB 128 163 77

HSL 84.42, 0.36%, 0.47%

LAB 62.78, -26.45, 40.37

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 0 / 53 / 42 / 36

HEX #A34D5E

RGB 163 77 94

HSL 348.14, 0.36%, 0.47%

LAB 44.09, 37.27, 7.11

 

CMYK 42 / 0 / 53 / 36

HEX #5EA34D

RGB 94 163 77

HSL 108.14, 0.36%, 0.47%

LAB 60.88, -38.75, 37.64

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 0 / 53 / 0 / 36

HEX #A34DA3

RGB 163 77 163

HSL 300, 0.36%, 0.47%

LAB 46.63, 47.69, -30.83

 

CMYK 0 / 10 / 53 / 36

HEX #A3924D

RGB 163 146 77

HSL 48.14, 0.36%, 0.47%

LAB 60.68, -2.94, 38.53

 

CMYK 53 / 0 / 53 / 36

HEX #4DA34D

RGB 77 163 77

HSL 120, 0.36%, 0.47%

LAB 60.17, -43.87, 36.61

 

CMYK 53 / 43 / 0 / 36

HEX #4D5DA3

RGB 77 93 163

HSL 228.84, 0.36%, 0.47%

LAB 41.3, 14.46, -39.84

 

CMYK 0 / 53 / 16 / 36

HEX #A34D89

RGB 163 77 137

HSL 318.14, 0.36%, 0.47%

LAB 45.5, 43.19, -17.04

 

CMYK 0 / 10 / 53 / 36

HEX #A3924D

RGB 163 146 77

HSL 48.14, 0.36%, 0.47%

LAB 60.68, -2.94, 38.53

 

CMYK 53 / 0 / 37 / 36

HEX #4DA367

RGB 77 163 103

HSL 138.14, 0.36%, 0.47%

LAB 60.56, -39.69, 23.47

 

Description

Color code: HEX #4D5DA3 | qconv.com Color code: HEX #4D5DA3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 93 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 93 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 43 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 43% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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