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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D4DBABF it is the complementary color #B2B245BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D4DBABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D4DBABF shade: #524DB5BF, #635FC8BF, #7471DBBF, #8583EEBF and #9695FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D4DBABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D4DBABF shade: #4D4DBABF, #3C3BA7BF, #2B2994BF, #1A1781BF and #09056EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D4DBABF shade: #4F4FBA, #6C4FBA, #894FBA, #A64FBA and #BA4FB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D4DBABF shade: #4F4FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D4DBABF shade matches the following richer shades: #4F4FBA, #3B3BCE, #2727E2 and #1313F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D4DBABF shade: #4F4FBA, #6363A7, #767693, #8A8A7F and #9E9E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D4DBABF shade: #4F88BA, #4F6BBA, #4F4FBA, #6B4FBA and #884FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D4DBABF shade: #333384, #3F3FA1, #4F4FBA, #6C6CC6 and #8A8AD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D4DBABF shade: #4D4DBA, #BA4FA5 and #7ABA4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D4DBABF shade: #4D4DBA, #BA4F4F and #4FBA4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D4DBABF shade: #4D4DBA, #BA4FA5, #BABA4F and #4FBA64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D4DBABF shade: #4D4DBA, #BA4F85, #BABA4F and #4FBA85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 44 / 0 / 20

HEX #4D4DBABF

RGBA 77 77 186 0.75

HSLA 240, 0.44%, 0.52%, 0.75

LABA 38.6, 32.27, -57.75, 0.75

 

Complementary color

CMYK 0 / 0 / 46 / 23

HEX #B2B245BF

RGBA 178 178 69 0.75

HSLA 60, 0.44%, 0.48%, 0.75

LABA 70.69, -14.07, 54.05, 0.75

 

CMYK 41 / 43 / 0 / 22

HEX #524DB5BF

RGBA 82 77 181 0.75

HSLA 242.88, 0.41%, 0.51%, 0.75

LABA 38.62, 31.59, -54.77, 0.75

 

CMYK 38 / 39 / 0 / 16

HEX #635FC8BF

RGBA 99 95 200 0.75

HSLA 242.29, 0.49%, 0.58%, 0.75

LABA 45.64, 30.01, -54.44, 0.75

 

CMYK 35 / 36 / 0 / 11

HEX #7471DBBF

RGBA 116 113 219 0.75

HSLA 241.7, 0.6%, 0.65%, 0.75

LABA 52.55, 28.66, -54.12, 0.75

 

CMYK 33 / 34 / 0 / 5

HEX #8583EEBF

RGBA 133 131 238 0.75

HSLA 241.12, 0.76%, 0.72%, 0.75

LABA 59.34, 27.48, -53.85, 0.75

 

CMYK 31 / 31 / 0 / 0

HEX #9695FFBF

RGBA 150 149 255 0.75

HSLA 240.57, 1%, 0.79%, 0.75

LABA 65.9, 25.91, -52.69, 0.75

 

CMYK 44 / 44 / 0 / 20

HEX #4D4DBABF

RGBA 77 77 186 0.75

HSLA 240, 0.44%, 0.52%, 0.75

LABA 38.6, 32.27, -57.75, 0.75

 

CMYK 48 / 49 / 0 / 26

HEX #3C3BA7BF

RGBA 60 59 167 0.75

HSLA 240.56, 0.48%, 0.44%, 0.75

LABA 31.53, 34.3, -58.04, 0.75

 

CMYK 53 / 54 / 0 / 31

HEX #2B2994BF

RGBA 43 41 148 0.75

HSLA 241.12, 0.57%, 0.37%, 0.75

LABA 24.44, 36.6, -58.15, 0.75

 

CMYK 60 / 62 / 0 / 37

HEX #1A1781BF

RGBA 26 23 129 0.75

HSLA 241.7, 0.7%, 0.3%, 0.75

LABA 17.54, 38.88, -57.7, 0.75

 

CMYK 69 / 72 / 0 / 43

HEX #09056EBF

RGBA 9 5 110 0.75

HSLA 242.29, 0.91%, 0.23%, 0.75

LABA 11.22, 40.35, -56, 0.75

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 42 / 58 / 0 / 27

HEX #6C4FBA

RGB 108 79 186

HSL 256.26, 0.44%, 0.52%

LAB 41.73, 37.47, -52.57

 

CMYK 26 / 58 / 0 / 27

HEX #894FBA

RGB 137 79 186

HSL 272.52, 0.44%, 0.52%

LAB 44.88, 44.47, -47.34

 

CMYK 11 / 58 / 0 / 27

HEX #A64FBA

RGB 166 79 186

HSL 288.79, 0.44%, 0.52%

LAB 48.57, 51.94, -41.25

 

CMYK 0 / 58 / 4 / 27

HEX #BA4FB2

RGB 186 79 178

HSL 304.49, 0.44%, 0.52%

LAB 50.97, 55.8, -32.61

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 71 / 71 / 0 / 19

HEX #3B3BCE

RGB 59 59 206

HSL 240, 0.6%, 0.52%

LAB 35.03, 47.25, -75.32

 

CMYK 83 / 83 / 0 / 11

HEX #2727E2

RGB 39 39 226

HSL 240, 0.76%, 0.52%

LAB 32.64, 62.27, -90.83

 

CMYK 92 / 92 / 0 / 4

HEX #1313F6

RGB 19 19 246

HSL 240, 0.93%, 0.52%

LAB 32.39, 73.9, -102.65

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 41 / 41 / 0 / 35

HEX #6363A7

RGB 99 99 167

HSL 240, 0.28%, 0.52%

LAB 44.75, 17.52, -36.63

 

CMYK 20 / 20 / 0 / 42

HEX #767693

RGB 118 118 147

HSL 240, 0.12%, 0.52%

LAB 50.59, 6.44, -15.68

 

CMYK 0 / 0 / 8 / 46

HEX #8A8A7F

RGB 138 138 127

HSL 60, 0.04%, 0.52%

LAB 57.18, -2.08, 5.89

 

CMYK 0 / 0 / 32 / 38

HEX #9E9E6B

RGB 158 158 107

HSL 60, 0.21%, 0.52%

LAB 63.99, -8.23, 26.72

 

CMYK 58 / 27 / 0 / 27

HEX #4F88BA

RGB 79 136 186

HSL 208.04, 0.44%, 0.52%

LAB 54.88, -3.78, -31.84

 

CMYK 58 / 42 / 0 / 27

HEX #4F6BBA

RGB 79 107 186

HSL 224.3, 0.44%, 0.52%

LAB 46.61, 13.74, -44.87

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 42 / 58 / 0 / 27

HEX #6B4FBA

RGB 107 79 186

HSL 255.7, 0.44%, 0.52%

LAB 41.63, 37.24, -52.73

 

CMYK 27 / 58 / 0 / 27

HEX #884FBA

RGB 136 79 186

HSL 271.96, 0.44%, 0.52%

LAB 44.76, 44.22, -47.54

 

CMYK 61 / 61 / 0 / 48

HEX #333384

RGB 51 51 132

HSL 240, 0.44%, 0.36%

LAB 25.97, 25.77, -45.68

 

CMYK 61 / 61 / 0 / 37

HEX #3F3FA1

RGB 63 63 161

HSL 240, 0.44%, 0.44%

LAB 32.22, 30.21, -53.29

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 45 / 45 / 0 / 22

HEX #6C6CC6

RGB 108 108 198

HSL 240, 0.44%, 0.6%

LAB 49.48, 23.52, -47.1

 

CMYK 34 / 34 / 0 / 18

HEX #8A8AD2

RGB 138 138 210

HSL 240, 0.44%, 0.68%

LAB 60.1, 16.91, -37

 

Description

Color code: HEX #4D4DBABF | qconv.com Color code: HEX #4D4DBABF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 77 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 77 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 44 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 44% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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