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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D4AE4 it is the complementary color #B2B51B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D4AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D4AE4 shade: #524ADF, #635CF2, #746EFF, #8580FF and #9692FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D4AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D4AE4 shade: #4D4AE4, #3C38D1, #2B26BE, #1A14AB and #090298

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D4AE4 shade: #4C49E3, #7549E3, #9F49E3, #C949E3 and #E349D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D4AE4 shade: #4C49E3 and #4949E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D4AE4 shade matches the following richer shades: #4C49E3 and #3B38F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D4AE4 shade: #4C49E3, #5C59D2, #6C6AC1, #7C7BB1 and #8D8CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D4AE4 shade: #4999E3, #496FE3, #4B49E3, #7449E3 and #9E49E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D4AE4 shade: #1F1CBD, #2825DE, #4C49E3, #6F6CE9 and #9290EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D4AE4 shade: #4D4AE4, #E349C2 and #84E349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D4AE4 shade: #4D4AE4, #E34B49 and #49E34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D4AE4 shade: #4D4AE4, #E349C2, #E1E349 and #49E36A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D4AE4 shade: #4D4AE4, #E34993, #E1E349 and #49E399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 68 / 0 / 11

HEX #4D4AE4

RGB 77 74 228

HSL 241.17, 0.74%, 0.59%

LAB 41.34, 47.82, -77.54

 

Complementary color

CMYK 2 / 0 / 85 / 29

HEX #B2B51B

RGB 178 181 27

HSL 61.17, 0.74%, 0.41%

LAB 71.28, -17.53, 68.83

 

CMYK 63 / 67 / 0 / 13

HEX #524ADF

RGB 82 74 223

HSL 243.22, 0.7%, 0.58%

LAB 41.25, 46.87, -74.83

 

CMYK 59 / 62 / 0 / 5

HEX #635CF2

RGB 99 92 242

HSL 242.8, 0.85%, 0.65%

LAB 47.9, 44.92, -74.64

 

CMYK 55 / 57 / 0 / 0

HEX #746EFF

RGB 116 110 255

HSL 242.48, 1%, 0.72%

LAB 54.12, 41.31, -71.71

 

CMYK 48 / 50 / 0 / 0

HEX #8580FF

RGB 133 128 255

HSL 242.36, 1%, 0.75%

LAB 59.57, 34.17, -62.86

 

CMYK 41 / 43 / 0 / 0

HEX #9692FF

RGB 150 146 255

HSL 242.2, 1%, 0.79%

LAB 65.17, 27.63, -53.85

 

CMYK 66 / 68 / 0 / 11

HEX #4D4AE4

RGB 77 74 228

HSL 241.17, 0.74%, 0.59%

LAB 41.34, 47.82, -77.54

 

CMYK 71 / 73 / 0 / 18

HEX #3C38D1

RGB 60 56 209

HSL 241.57, 0.62%, 0.52%

LAB 34.79, 50, -77.46

 

CMYK 77 / 80 / 0 / 25

HEX #2B26BE

RGB 43 38 190

HSL 241.97, 0.67%, 0.45%

LAB 28.43, 52.05, -76.9

 

CMYK 85 / 88 / 0 / 33

HEX #1A14AB

RGB 26 20 171

HSL 242.38, 0.79%, 0.37%

LAB 22.51, 53.36, -75.4

 

CMYK 94 / 99 / 0 / 40

HEX #090298

RGB 9 2 152

HSL 242.8, 0.97%, 0.3%

LAB 17.31, 53.28, -72.5

 

CMYK 67 / 68 / 0 / 11

HEX #4C49E3

RGB 76 73 227

HSL 241.17, 0.73%, 0.59%

LAB 40.97, 47.95, -77.57

 

CMYK 48 / 68 / 0 / 11

HEX #7549E3

RGB 117 73 227

HSL 257.14, 0.73%, 0.59%

LAB 44.37, 53.99, -71.88

 

CMYK 30 / 68 / 0 / 11

HEX #9F49E3

RGB 159 73 227

HSL 273.51, 0.73%, 0.59%

LAB 49.11, 61.85, -63.96

 

CMYK 11 / 68 / 0 / 11

HEX #C949E3

RGB 201 73 227

HSL 289.87, 0.73%, 0.59%

LAB 54.79, 70.6, -54.52

 

CMYK 0 / 68 / 7 / 11

HEX #E349D4

RGB 227 73 212

HSL 305.84, 0.73%, 0.59%

LAB 57.89, 73.9, -40.87

 

CMYK 67 / 68 / 0 / 11

HEX #4C49E3

RGB 76 73 227

HSL 241.17, 0.73%, 0.59%

LAB 40.97, 47.95, -77.57

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 67 / 68 / 0 / 11

HEX #4C49E3

RGB 76 73 227

HSL 241.17, 0.73%, 0.59%

LAB 40.97, 47.95, -77.57

 

CMYK 76 / 77 / 0 / 4

HEX #3B38F4

RGB 59 56 244

HSL 240.96, 0.9%, 0.59%

LAB 38.36, 60.83, -91.54

 

CMYK 67 / 68 / 0 / 11

HEX #4C49E3

RGB 76 73 227

HSL 241.17, 0.73%, 0.59%

LAB 40.97, 47.95, -77.57

 

CMYK 56 / 58 / 0 / 18

HEX #5C59D2

RGB 92 89 210

HSL 241.49, 0.57%, 0.59%

LAB 44.34, 35.42, -62.32

 

CMYK 44 / 45 / 0 / 24

HEX #6C6AC1

RGB 108 106 193

HSL 241.38, 0.41%, 0.59%

LAB 48.69, 23.25, -45.48

 

CMYK 30 / 31 / 0 / 31

HEX #7C7BB1

RGB 124 123 177

HSL 241.11, 0.26%, 0.59%

LAB 53.63, 12.95, -28.42

 

CMYK 12 / 13 / 0 / 37

HEX #8D8CA0

RGB 141 140 160

HSL 243, 0.1%, 0.59%

LAB 58.93, 4.5, -10.43

 

CMYK 68 / 33 / 0 / 11

HEX #4999E3

RGB 73 153 227

HSL 208.83, 0.73%, 0.59%

LAB 61.43, -1.06, -44.63

 

CMYK 68 / 51 / 0 / 11

HEX #496FE3

RGB 73 111 227

HSL 225.19, 0.73%, 0.59%

LAB 49.9, 24.34, -63.04

 

CMYK 67 / 68 / 0 / 11

HEX #4B49E3

RGB 75 73 227

HSL 240.78, 0.73%, 0.59%

LAB 40.91, 47.83, -77.68

 

CMYK 49 / 68 / 0 / 11

HEX #7449E3

RGB 116 73 227

HSL 256.75, 0.73%, 0.59%

LAB 44.27, 53.82, -72.05

 

CMYK 30 / 68 / 0 / 11

HEX #9E49E3

RGB 158 73 227

HSL 273.12, 0.73%, 0.59%

LAB 48.98, 61.65, -64.17

 

CMYK 84 / 85 / 0 / 26

HEX #1F1CBD

RGB 31 28 189

HSL 241.12, 0.74%, 0.43%

LAB 26.15, 55.68, -80.11

 

CMYK 82 / 83 / 0 / 13

HEX #2825DE

RGB 40 37 222

HSL 240.97, 0.74%, 0.51%

LAB 31.92, 61.98, -89.75

 

CMYK 67 / 68 / 0 / 11

HEX #4C49E3

RGB 76 73 227

HSL 241.17, 0.73%, 0.59%

LAB 40.97, 47.95, -77.57

 

CMYK 52 / 54 / 0 / 9

HEX #6F6CE9

RGB 111 108 233

HSL 241.44, 0.74%, 0.67%

LAB 51.82, 34.82, -63.19

 

CMYK 39 / 39 / 0 / 7

HEX #9290EE

RGB 146 144 238

HSL 241.28, 0.73%, 0.75%

LAB 63.53, 23.12, -47.13

 

CMYK 66 / 68 / 0 / 11

HEX #4D4AE4

RGB 77 74 228

HSL 241.17, 0.74%, 0.59%

LAB 41.34, 47.82, -77.54

 

CMYK 0 / 68 / 15 / 11

HEX #E349C2

RGB 227 73 194

HSL 312.86, 0.73%, 0.59%

LAB 57.07, 71.26, -31.9

 

CMYK 42 / 0 / 68 / 11

HEX #84E349

RGB 132 227 73

HSL 97.01, 0.73%, 0.59%

LAB 82.01, -53.53, 63.59

 

CMYK 66 / 68 / 0 / 11

HEX #4D4AE4

RGB 77 74 228

HSL 241.17, 0.74%, 0.59%

LAB 41.34, 47.82, -77.54

 

CMYK 0 / 67 / 68 / 11

HEX #E34B49

RGB 227 75 73

HSL 0.78, 0.73%, 0.59%

LAB 53.86, 58.61, 34.46

 

CMYK 68 / 0 / 67 / 11

HEX #49E34B

RGB 73 227 75

HSL 120.78, 0.73%, 0.59%

LAB 80.1, -68.27, 60.21

 

CMYK 66 / 68 / 0 / 11

HEX #4D4AE4

RGB 77 74 228

HSL 241.17, 0.74%, 0.59%

LAB 41.34, 47.82, -77.54

 

CMYK 0 / 68 / 15 / 11

HEX #E349C2

RGB 227 73 194

HSL 312.86, 0.73%, 0.59%

LAB 57.07, 71.26, -31.9

 

CMYK 1 / 0 / 68 / 11

HEX #E1E349

RGB 225 227 73

HSL 60.78, 0.73%, 0.59%

LAB 87.69, -18.69, 71.21

 

CMYK 68 / 0 / 53 / 11

HEX #49E36A

RGB 73 227 106

HSL 132.86, 0.73%, 0.59%

LAB 80.4, -64.75, 47.13

 

CMYK 66 / 68 / 0 / 11

HEX #4D4AE4

RGB 77 74 228

HSL 241.17, 0.74%, 0.59%

LAB 41.34, 47.82, -77.54

 

CMYK 0 / 68 / 35 / 11

HEX #E34993

RGB 227 73 147

HSL 331.17, 0.73%, 0.59%

LAB 55.28, 65.34, -7.26

 

CMYK 1 / 0 / 68 / 11

HEX #E1E349

RGB 225 227 73

HSL 60.78, 0.73%, 0.59%

LAB 87.69, -18.69, 71.21

 

CMYK 68 / 0 / 33 / 11

HEX #49E399

RGB 73 227 153

HSL 151.17, 0.73%, 0.59%

LAB 81.1, -56.89, 24.7

 

Description

Color code: HEX #4D4AE4 | qconv.com Color code: HEX #4D4AE4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 74 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 74 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 68 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 68% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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