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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D44DC it is the complementary color #B2BB23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D44DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D44DC shade: #5244D7, #6356EA, #7468FD, #857AFF and #968CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D44DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D44DC shade: #4D44DC, #3C32C9, #2B20B6, #1A0EA3 and #090090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D44DC shade: #4C43DB, #7543DB, #9E43DB, #C743DB and #DB43C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D44DC shade: #4C43DB and #4343DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D44DC shade matches the following richer shades: #4C43DB and #3C30ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D44DC shade: #4C43DB, #5C55C9, #6C67B7, #7C79A5 and #8C8B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D44DC shade: #438CDB, #4364DB, #4A43DB, #7343DB and #9C43DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D44DC shade: #2920AB, #3127CD, #4C43DB, #6D65E2 and #8E88E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D44DC shade: #4D44DC, #DB43B5 and #78DB43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D44DC shade: #4D44DC, #DB4A43 and #43DB4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D44DC shade: #4D44DC, #DB43B5, #D3DB43 and #43DB69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D44DC shade: #4D44DC, #DB4387, #D3DB43 and #43DB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 69 / 0 / 14

HEX #4D44DC

RGB 77 68 220

HSL 243.55, 0.68%, 0.56%

LAB 39.38, 48.68, -76.19

 

Complementary color

CMYK 5 / 0 / 81 / 27

HEX #B2BB23

RGB 178 187 35

HSL 63.55, 0.68%, 0.44%

LAB 72.98, -20.3, 68.33

 

CMYK 62 / 68 / 0 / 16

HEX #5244D7

RGB 82 68 215

HSL 245.71, 0.65%, 0.55%

LAB 39.3, 47.77, -73.44

 

CMYK 58 / 63 / 0 / 8

HEX #6356EA

RGB 99 86 234

HSL 245.27, 0.78%, 0.63%

LAB 45.97, 45.91, -73.29

 

CMYK 54 / 59 / 0 / 1

HEX #7468FD

RGB 116 104 253

HSL 244.83, 0.97%, 0.7%

LAB 52.63, 44.19, -73.02

 

CMYK 48 / 52 / 0 / 0

HEX #857AFF

RGB 133 122 255

HSL 244.96, 1%, 0.74%

LAB 58.16, 37.66, -65.13

 

CMYK 41 / 45 / 0 / 0

HEX #968CFF

RGB 150 140 255

HSL 245.22, 1%, 0.77%

LAB 63.72, 31.09, -56.15

 

CMYK 65 / 69 / 0 / 14

HEX #4D44DC

RGB 77 68 220

HSL 243.55, 0.68%, 0.56%

LAB 39.38, 48.68, -76.19

 

CMYK 70 / 75 / 0 / 21

HEX #3C32C9

RGB 60 50 201

HSL 243.97, 0.6%, 0.49%

LAB 32.83, 50.7, -76.04

 

CMYK 76 / 82 / 0 / 29

HEX #2B20B6

RGB 43 32 182

HSL 244.4, 0.7%, 0.42%

LAB 26.52, 52.43, -75.32

 

CMYK 84 / 91 / 0 / 36

HEX #1A0EA3

RGB 26 14 163

HSL 244.83, 0.84%, 0.35%

LAB 20.74, 53.12, -73.5

 

CMYK 94 / 100 / 0 / 44

HEX #090090

RGB 9 0 144

HSL 243.75, 1%, 0.28%

LAB 15.86, 51.84, -69.96

 

CMYK 65 / 69 / 0 / 14

HEX #4C43DB

RGB 76 67 219

HSL 243.55, 0.68%, 0.56%

LAB 39.01, 48.81, -76.22

 

CMYK 47 / 69 / 0 / 14

HEX #7543DB

RGB 117 67 219

HSL 259.74, 0.68%, 0.56%

LAB 42.63, 54.89, -70.16

 

CMYK 28 / 69 / 0 / 14

HEX #9E43DB

RGB 158 67 219

HSL 275.92, 0.68%, 0.56%

LAB 47.49, 62.52, -62.04

 

CMYK 9 / 69 / 0 / 14

HEX #C743DB

RGB 199 67 219

HSL 292.11, 0.68%, 0.56%

LAB 53.24, 70.99, -52.49

 

CMYK 0 / 69 / 10 / 14

HEX #DB43C6

RGB 219 67 198

HSL 308.29, 0.68%, 0.56%

LAB 55.23, 72.04, -37.16

 

CMYK 65 / 69 / 0 / 14

HEX #4C43DB

RGB 76 67 219

HSL 243.55, 0.68%, 0.56%

LAB 39.01, 48.81, -76.22

 

CMYK 69 / 69 / 0 / 14

HEX #4343DB

RGB 67 67 219

HSL 240, 0.68%, 0.56%

LAB 38.41, 47.76, -77.23

 

CMYK 65 / 69 / 0 / 14

HEX #4C43DB

RGB 76 67 219

HSL 243.55, 0.68%, 0.56%

LAB 39.01, 48.81, -76.22

 

CMYK 75 / 80 / 0 / 7

HEX #3C30ED

RGB 60 48 237

HSL 243.81, 0.84%, 0.56%

LAB 36.35, 62.6, -90.92

 

CMYK 65 / 69 / 0 / 14

HEX #4C43DB

RGB 76 67 219

HSL 243.55, 0.68%, 0.56%

LAB 39.01, 48.81, -76.22

 

CMYK 54 / 58 / 0 / 21

HEX #5C55C9

RGB 92 85 201

HSL 243.62, 0.52%, 0.56%

LAB 42.75, 35, -59.72

 

CMYK 41 / 44 / 0 / 28

HEX #6C67B7

RGB 108 103 183

HSL 243.75, 0.36%, 0.56%

LAB 47.38, 22.14, -41.79

 

CMYK 25 / 27 / 0 / 35

HEX #7C79A5

RGB 124 121 165

HSL 244.09, 0.2%, 0.56%

LAB 52.59, 11.06, -23.08

 

CMYK 4 / 5 / 0 / 43

HEX #8C8B92

RGB 140 139 146

HSL 248.57, 0.03%, 0.56%

LAB 58.15, 1.77, -3.6

 

CMYK 69 / 36 / 0 / 14

HEX #438CDB

RGB 67 140 219

HSL 211.18, 0.68%, 0.56%

LAB 57.14, 2.87, -46.98

 

CMYK 69 / 54 / 0 / 14

HEX #4364DB

RGB 67 100 219

HSL 226.97, 0.68%, 0.56%

LAB 46.21, 27.56, -64.5

 

CMYK 66 / 69 / 0 / 14

HEX #4A43DB

RGB 74 67 219

HSL 242.76, 0.68%, 0.56%

LAB 38.87, 48.57, -76.46

 

CMYK 47 / 69 / 0 / 14

HEX #7343DB

RGB 115 67 219

HSL 258.95, 0.68%, 0.56%

LAB 42.42, 54.55, -70.51

 

CMYK 29 / 69 / 0 / 14

HEX #9C43DB

RGB 156 67 219

HSL 275.13, 0.68%, 0.56%

LAB 47.23, 62.13, -62.47

 

CMYK 76 / 81 / 0 / 33

HEX #2920AB

RGB 41 32 171

HSL 243.88, 0.68%, 0.4%

LAB 25.09, 48.93, -71.1

 

CMYK 76 / 81 / 0 / 20

HEX #3127CD

RGB 49 39 205

HSL 243.61, 0.68%, 0.48%

LAB 30.67, 56.53, -81.97

 

CMYK 65 / 69 / 0 / 14

HEX #4C43DB

RGB 76 67 219

HSL 243.55, 0.68%, 0.56%

LAB 39.01, 48.81, -76.22

 

CMYK 52 / 55 / 0 / 11

HEX #6D65E2

RGB 109 101 226

HSL 243.84, 0.68%, 0.64%

LAB 49.56, 36.45, -62.92

 

CMYK 39 / 41 / 0 / 9

HEX #8E88E8

RGB 142 136 232

HSL 243.75, 0.68%, 0.72%

LAB 60.94, 25.09, -47.93

 

CMYK 65 / 69 / 0 / 14

HEX #4D44DC

RGB 77 68 220

HSL 243.55, 0.68%, 0.56%

LAB 39.38, 48.68, -76.19

 

CMYK 0 / 69 / 17 / 14

HEX #DB43B5

RGB 219 67 181

HSL 315, 0.68%, 0.56%

LAB 54.46, 69.61, -28.54

 

CMYK 45 / 0 / 69 / 14

HEX #78DB43

RGB 120 219 67

HSL 99.08, 0.68%, 0.56%

LAB 79.08, -54.56, 62.64

 

CMYK 65 / 69 / 0 / 14

HEX #4D44DC

RGB 77 68 220

HSL 243.55, 0.68%, 0.56%

LAB 39.38, 48.68, -76.19

 

CMYK 0 / 66 / 69 / 14

HEX #DB4A43

RGB 219 74 67

HSL 2.76, 0.68%, 0.56%

LAB 52.25, 56.11, 35.61

 

CMYK 69 / 0 / 66 / 14

HEX #43DB4A

RGB 67 219 74

HSL 122.76, 0.68%, 0.56%

LAB 77.49, -66.82, 57.76

 

CMYK 65 / 69 / 0 / 14

HEX #4D44DC

RGB 77 68 220

HSL 243.55, 0.68%, 0.56%

LAB 39.38, 48.68, -76.19

 

CMYK 0 / 69 / 17 / 14

HEX #DB43B5

RGB 219 67 181

HSL 315, 0.68%, 0.56%

LAB 54.46, 69.61, -28.54

 

CMYK 4 / 0 / 69 / 14

HEX #D3DB43

RGB 211 219 67

HSL 63.16, 0.68%, 0.56%

LAB 84.44, -20.85, 69.8

 

CMYK 69 / 0 / 52 / 14

HEX #43DB69

RGB 67 219 105

HSL 135, 0.68%, 0.56%

LAB 77.8, -63.15, 44.4

 

CMYK 65 / 69 / 0 / 14

HEX #4D44DC

RGB 77 68 220

HSL 243.55, 0.68%, 0.56%

LAB 39.38, 48.68, -76.19

 

CMYK 0 / 69 / 38 / 14

HEX #DB4387

RGB 219 67 135

HSL 333.16, 0.68%, 0.56%

LAB 52.76, 64.04, -4.03

 

CMYK 4 / 0 / 69 / 14

HEX #D3DB43

RGB 211 219 67

HSL 63.16, 0.68%, 0.56%

LAB 84.44, -20.85, 69.8

 

CMYK 69 / 0 / 32 / 14

HEX #43DB96

RGB 67 219 150

HSL 152.76, 0.68%, 0.56%

LAB 78.5, -55.35, 22.68

 

Description

Color code: HEX #4D44DC | qconv.com Color code: HEX #4D44DC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 68 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 68 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 69 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 69% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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