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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D44C5 it is the complementary color #B2BB3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D44C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D44C5 shade: #5244C0, #6356D3, #7468E6, #857AF9 and #968CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D44C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D44C5 shade: #4D44C5, #3C32B2, #2B209F, #1A0E8C and #090079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D44C5 shade: #4D44C5, #7044C5, #9344C5, #B644C5 and #C544B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D44C5 shade: #4D44C5 and #4444C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D44C5 shade matches the following richer shades: #4D44C5, #3C30D9 and #2B1CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D44C5 shade: #4D44C5, #5E58B2, #6F6B9E, #807F8A and #919376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D44C5 shade: #4480C5, #445EC5, #4C44C5, #6F44C5 and #9244C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D44C5 shade: #322B8C, #3D35AB, #4D44C5, #6B63CF and #8983D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D44C5 shade: #4D44C5, #C544A3 and #6FC544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D44C5 shade: #4D44C5, #C54C44 and #44C54C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D44C5 shade: #4D44C5, #C544A3, #BDC544 and #44C566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D44C5 shade: #4D44C5, #C5447C, #BDC544 and #44C58D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

Complementary color

CMYK 5 / 0 / 69 / 27

HEX #B2BB3A

RGB 178 187 58

HSL 64.19, 0.53%, 0.48%

LAB 73.1, -19.3, 61.02

 

CMYK 57 / 65 / 0 / 25

HEX #5244C0

RGB 82 68 192

HSL 246.77, 0.5%, 0.51%

LAB 37.36, 40.57, -63.27

 

CMYK 53 / 59 / 0 / 17

HEX #6356D3

RGB 99 86 211

HSL 246.24, 0.59%, 0.58%

LAB 44.25, 38.84, -63.01

 

CMYK 50 / 55 / 0 / 10

HEX #7468E6

RGB 116 104 230

HSL 245.71, 0.72%, 0.65%

LAB 51.07, 37.29, -62.71

 

CMYK 47 / 51 / 0 / 2

HEX #857AF9

RGB 133 122 249

HSL 245.2, 0.91%, 0.73%

LAB 57.79, 35.92, -62.4

 

CMYK 41 / 45 / 0 / 0

HEX #968CFF

RGB 150 140 255

HSL 245.22, 1%, 0.77%

LAB 63.72, 31.09, -56.15

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 66 / 72 / 0 / 30

HEX #3C32B2

RGB 60 50 178

HSL 244.69, 0.56%, 0.45%

LAB 30.54, 43.37, -66.25

 

CMYK 73 / 80 / 0 / 38

HEX #2B209F

RGB 43 32 159

HSL 245.2, 0.66%, 0.37%

LAB 23.84, 45.3, -65.9

 

CMYK 81 / 90 / 0 / 45

HEX #1A0E8C

RGB 26 14 140

HSL 245.71, 0.82%, 0.3%

LAB 17.59, 46.46, -64.56

 

CMYK 93 / 100 / 0 / 53

HEX #090079

RGB 9 0 121

HSL 244.46, 1%, 0.24%

LAB 12.21, 45.75, -61.49

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 43 / 65 / 0 / 23

HEX #7044C5

RGB 112 68 197

HSL 260.47, 0.53%, 0.52%

LAB 40.59, 47.54, -60.81

 

CMYK 25 / 65 / 0 / 23

HEX #9344C5

RGB 147 68 197

HSL 276.74, 0.53%, 0.52%

LAB 44.76, 54.92, -53.87

 

CMYK 8 / 65 / 0 / 23

HEX #B644C5

RGB 182 68 197

HSL 293.02, 0.53%, 0.52%

LAB 49.63, 62.89, -45.8

 

CMYK 0 / 65 / 10 / 23

HEX #C544B2

RGB 197 68 178

HSL 308.84, 0.53%, 0.52%

LAB 50.94, 63.33, -32.54

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 65 / 65 / 0 / 23

HEX #4444C5

RGB 68 68 197

HSL 240, 0.53%, 0.52%

LAB 36.73, 40.05, -67.26

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 72 / 78 / 0 / 15

HEX #3C30D9

RGB 60 48 217

HSL 244.26, 0.69%, 0.52%

LAB 34.16, 56.65, -83.12

 

CMYK 82 / 88 / 0 / 7

HEX #2B1CED

RGB 43 28 237

HSL 244.31, 0.85%, 0.52%

LAB 32.83, 69.56, -96.79

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 47 / 51 / 0 / 30

HEX #5E58B2

RGB 94 88 178

HSL 244, 0.37%, 0.52%

LAB 42.11, 26.4, -47.33

 

CMYK 30 / 32 / 0 / 38

HEX #6F6B9E

RGB 111 107 158

HSL 244.71, 0.21%, 0.52%

LAB 47.45, 13.57, -27.03

 

CMYK 7 / 8 / 0 / 46

HEX #807F8A

RGB 128 127 138

HSL 245.45, 0.04%, 0.52%

LAB 53.6, 2.64, -5.81

 

CMYK 1 / 0 / 20 / 42

HEX #919376

RGB 145 147 118

HSL 64.14, 0.12%, 0.52%

LAB 60.06, -5.89, 15.15

 

CMYK 65 / 35 / 0 / 23

HEX #4480C5

RGB 68 128 197

HSL 212.09, 0.53%, 0.52%

LAB 52.62, 2.52, -41.7

 

CMYK 65 / 52 / 0 / 23

HEX #445EC5

RGB 68 94 197

HSL 227.91, 0.53%, 0.52%

LAB 43.16, 23.72, -56.81

 

CMYK 61 / 65 / 0 / 23

HEX #4C44C5

RGB 76 68 197

HSL 243.72, 0.53%, 0.52%

LAB 37.3, 41.2, -66.31

 

CMYK 44 / 65 / 0 / 23

HEX #6F44C5

RGB 111 68 197

HSL 260, 0.53%, 0.52%

LAB 40.48, 47.35, -60.99

 

CMYK 26 / 65 / 0 / 23

HEX #9244C5

RGB 146 68 197

HSL 276.28, 0.53%, 0.52%

LAB 44.63, 54.7, -54.09

 

CMYK 64 / 69 / 0 / 45

HEX #322B8C

RGB 50 43 140

HSL 244.33, 0.53%, 0.36%

LAB 24.64, 33.55, -52.85

 

CMYK 64 / 69 / 0 / 33

HEX #3D35AB

RGB 61 53 171

HSL 244.07, 0.53%, 0.44%

LAB 30.59, 39.46, -61.98

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 48 / 52 / 0 / 19

HEX #6B63CF

RGB 107 99 207

HSL 244.44, 0.53%, 0.6%

LAB 47.69, 31.46, -55.13

 

CMYK 37 / 40 / 0 / 15

HEX #8983D9

RGB 137 131 217

HSL 244.19, 0.53%, 0.68%

LAB 58.57, 22.61, -43.34

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 0 / 65 / 17 / 23

HEX #C544A3

RGB 197 68 163

HSL 315.81, 0.53%, 0.52%

LAB 50.27, 61.1, -24.77

 

CMYK 44 / 0 / 65 / 23

HEX #6FC544

RGB 111 197 68

HSL 100, 0.53%, 0.52%

LAB 72.05, -48.55, 54.72

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 0 / 61 / 65 / 23

HEX #C54C44

RGB 197 76 68

HSL 3.72, 0.53%, 0.52%

LAB 48.83, 47.83, 30.04

 

CMYK 65 / 0 / 61 / 23

HEX #44C54C

RGB 68 197 76

HSL 123.72, 0.53%, 0.52%

LAB 70.65, -58.99, 49.34

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 0 / 65 / 17 / 23

HEX #C544A3

RGB 197 68 163

HSL 315.81, 0.53%, 0.52%

LAB 50.27, 61.1, -24.77

 

CMYK 4 / 0 / 65 / 23

HEX #BDC544

RGB 189 197 68

HSL 63.72, 0.53%, 0.52%

LAB 76.78, -19.09, 61.15

 

CMYK 65 / 0 / 48 / 23

HEX #44C566

RGB 68 197 102

HSL 135.81, 0.53%, 0.52%

LAB 70.95, -55.52, 37.39

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C5

RGB 77 68 197

HSL 244.19, 0.53%, 0.52%

LAB 37.38, 41.36, -66.18

 

CMYK 0 / 65 / 37 / 23

HEX #C5447C

RGB 197 68 124

HSL 333.95, 0.53%, 0.52%

LAB 48.83, 56.11, -3.63

 

CMYK 4 / 0 / 65 / 23

HEX #BDC544

RGB 189 197 68

HSL 63.72, 0.53%, 0.52%

LAB 76.78, -19.09, 61.15

 

CMYK 65 / 0 / 28 / 23

HEX #44C58D

RGB 68 197 141

HSL 153.95, 0.53%, 0.52%

LAB 71.61, -48.32, 17.97

 

Description

Color code: HEX #4D44C5 | qconv.com Color code: HEX #4D44C5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 68 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 68 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 65 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 65% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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