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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D444D it is the complementary color #B2BBB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D444D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D444D shade: #524448, #63565B, #74686E, #857A81 and #968C94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D444D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D444D shade: #4D444D, #3C323A, #2B2027, #1A0E14 and #090001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D444D shade: #4B434B, #4B4349, #4B4347, #4B4344 and #4B4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D444D shade: #4B434B, #49434B, #47434B, #44434B and #43434B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D444D shade matches the following richer shades: #4B434B, #573757, #622C62, #6E206E and #791479

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D444D shade: #4B434B, #404E40, #345A34, #296529 and #1D711D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D444D shade: #47434B, #49434B, #4B434B, #4B4349 and #4B4347

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D444D shade: #1F1C1F, #352F35, #4B434B, #615661 and #776977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D444D shade: #4D444D, #4B4443 and #434B48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D444D shade: #4D444D, #4B4B43 and #434B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D444D shade: #4D444D, #4B4443, #434B43 and #43494B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D444D shade: #4D444D, #4B4743, #434B43 and #43474B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 0 / 70

HEX #4D444D

RGB 77 68 77

HSL 300, 0.06%, 0.28%

LAB 30.03, 5.72, -4.01

 

Complementary color

CMYK 5 / 0 / 5 / 27

HEX #B2BBB2

RGB 178 187 178

HSL 120, 0.06%, 0.72%

LAB 74.96, -4.81, 3.47

 

CMYK 0 / 17 / 12 / 68

HEX #524448

RGB 82 68 72

HSL 342.86, 0.09%, 0.29%

LAB 30.39, 6.76, -0.18

 

CMYK 0 / 13 / 8 / 61

HEX #63565B

RGB 99 86 91

HSL 336.92, 0.07%, 0.36%

LAB 37.96, 6.28, -0.94

 

CMYK 0 / 10 / 5 / 55

HEX #74686E

RGB 116 104 110

HSL 330, 0.05%, 0.43%

LAB 45.28, 5.89, -1.64

 

CMYK 0 / 8 / 3 / 48

HEX #857A81

RGB 133 122 129

HSL 321.82, 0.04%, 0.5%

LAB 52.39, 5.54, -2.29

 

CMYK 0 / 7 / 1 / 41

HEX #968C94

RGB 150 140 148

HSL 312, 0.05%, 0.57%

LAB 59.32, 5.23, -2.91

 

CMYK 0 / 12 / 0 / 70

HEX #4D444D

RGB 77 68 77

HSL 300, 0.06%, 0.28%

LAB 30.03, 5.72, -4.01

 

CMYK 0 / 17 / 3 / 76

HEX #3C323A

RGB 60 50 58

HSL 312, 0.09%, 0.22%

LAB 22.11, 6.2, -3.38

 

CMYK 0 / 26 / 9 / 83

HEX #2B2027

RGB 43 32 39

HSL 321.82, 0.15%, 0.15%

LAB 13.79, 6.81, -2.68

 

CMYK 0 / 46 / 23 / 90

HEX #1A0E14

RGB 26 14 20

HSL 330, 0.3%, 0.08%

LAB 5.28, 6.31, -1.45

 

CMYK 0 / 100 / 89 / 96

HEX #090001

RGB 9 0 1

HSL 353.33, 1%, 0.02%

LAB 0.54, 2.49, 0.45

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 0 / 11 / 3 / 71

HEX #4B4349

RGB 75 67 73

HSL 315, 0.06%, 0.28%

LAB 29.39, 4.66, -2.38

 

CMYK 0 / 11 / 5 / 71

HEX #4B4347

RGB 75 67 71

HSL 330, 0.06%, 0.28%

LAB 29.32, 4.23, -1.18

 

CMYK 0 / 11 / 9 / 71

HEX #4B4344

RGB 75 67 68

HSL 352.5, 0.06%, 0.28%

LAB 29.23, 3.6, 0.63

 

CMYK 0 / 11 / 11 / 71

HEX #4B4343

RGB 75 67 67

HSL 0, 0.06%, 0.28%

LAB 29.2, 3.4, 1.23

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 3 / 11 / 0 / 71

HEX #49434B

RGB 73 67 75

HSL 285, 0.06%, 0.28%

LAB 29.26, 4.28, -3.9

 

CMYK 5 / 11 / 0 / 71

HEX #47434B

RGB 71 67 75

HSL 270, 0.06%, 0.28%

LAB 29.06, 3.47, -4.21

 

CMYK 9 / 11 / 0 / 71

HEX #44434B

RGB 68 67 75

HSL 247.5, 0.06%, 0.28%

LAB 28.78, 2.26, -4.67

 

CMYK 11 / 11 / 0 / 71

HEX #43434B

RGB 67 67 75

HSL 240, 0.06%, 0.28%

LAB 28.68, 1.87, -4.82

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 0 / 37 / 0 / 66

HEX #573757

RGB 87 55 87

HSL 300, 0.23%, 0.28%

LAB 27.97, 20.22, -13.51

 

CMYK 0 / 55 / 0 / 62

HEX #622C62

RGB 98 44 98

HSL 300, 0.38%, 0.28%

LAB 27.52, 32.84, -21.24

 

CMYK 0 / 71 / 0 / 57

HEX #6E206E

RGB 110 32 110

HSL 300, 0.55%, 0.28%

LAB 28.04, 44.3, -28.03

 

CMYK 0 / 83 / 0 / 53

HEX #791479

RGB 121 20 121

HSL 300, 0.72%, 0.28%

LAB 29.28, 52.77, -32.96

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 18 / 0 / 18 / 69

HEX #404E40

RGB 64 78 64

HSL 120, 0.1%, 0.28%

LAB 31.6, -8.72, 6.47

 

CMYK 42 / 0 / 42 / 65

HEX #345A34

RGB 52 90 52

HSL 120, 0.27%, 0.28%

LAB 34.58, -22.4, 17.81

 

CMYK 59 / 0 / 59 / 60

HEX #296529

RGB 41 101 41

HSL 120, 0.42%, 0.28%

LAB 37.73, -32.87, 27.85

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 5 / 11 / 0 / 71

HEX #47434B

RGB 71 67 75

HSL 270, 0.06%, 0.28%

LAB 29.06, 3.47, -4.21

 

CMYK 3 / 11 / 0 / 71

HEX #49434B

RGB 73 67 75

HSL 285, 0.06%, 0.28%

LAB 29.26, 4.28, -3.9

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 0 / 11 / 3 / 71

HEX #4B4349

RGB 75 67 73

HSL 315, 0.06%, 0.28%

LAB 29.39, 4.66, -2.38

 

CMYK 0 / 11 / 5 / 71

HEX #4B4347

RGB 75 67 71

HSL 330, 0.06%, 0.28%

LAB 29.32, 4.23, -1.18

 

CMYK 0 / 10 / 0 / 88

HEX #1F1C1F

RGB 31 28 31

HSL 300, 0.05%, 0.12%

LAB 10.71, 2.19, -1.54

 

CMYK 0 / 11 / 0 / 79

HEX #352F35

RGB 53 47 53

HSL 300, 0.06%, 0.2%

LAB 20.23, 4.05, -2.84

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 0 / 11 / 0 / 62

HEX #615661

RGB 97 86 97

HSL 300, 0.06%, 0.36%

LAB 37.95, 6.72, -4.71

 

CMYK 0 / 12 / 0 / 53

HEX #776977

RGB 119 105 119

HSL 300, 0.06%, 0.44%

LAB 46.12, 8.26, -5.77

 

CMYK 0 / 12 / 0 / 70

HEX #4D444D

RGB 77 68 77

HSL 300, 0.06%, 0.28%

LAB 30.03, 5.72, -4.01

 

CMYK 0 / 9 / 11 / 71

HEX #4B4443

RGB 75 68 67

HSL 7.5, 0.06%, 0.28%

LAB 29.5, 2.76, 1.67

 

CMYK 11 / 0 / 4 / 71

HEX #434B48

RGB 67 75 72

HSL 157.5, 0.06%, 0.28%

LAB 31.1, -3.92, 0.68

 

CMYK 0 / 12 / 0 / 70

HEX #4D444D

RGB 77 68 77

HSL 300, 0.06%, 0.28%

LAB 30.03, 5.72, -4.01

 

CMYK 0 / 0 / 11 / 71

HEX #4B4B43

RGB 75 75 67

HSL 60, 0.06%, 0.28%

LAB 31.65, -1.67, 4.77

 

CMYK 11 / 0 / 0 / 71

HEX #434B4B

RGB 67 75 75

HSL 180, 0.06%, 0.28%

LAB 31.19, -3.22, -1.11

 

CMYK 0 / 12 / 0 / 70

HEX #4D444D

RGB 77 68 77

HSL 300, 0.06%, 0.28%

LAB 30.03, 5.72, -4.01

 

CMYK 0 / 9 / 11 / 71

HEX #4B4443

RGB 75 68 67

HSL 7.5, 0.06%, 0.28%

LAB 29.5, 2.76, 1.67

 

CMYK 11 / 0 / 11 / 71

HEX #434B43

RGB 67 75 67

HSL 120, 0.06%, 0.28%

LAB 30.95, -5.03, 3.67

 

CMYK 11 / 3 / 0 / 71

HEX #43494B

RGB 67 73 75

HSL 195, 0.06%, 0.28%

LAB 30.56, -1.97, -2.04

 

CMYK 0 / 12 / 0 / 70

HEX #4D444D

RGB 77 68 77

HSL 300, 0.06%, 0.28%

LAB 30.03, 5.72, -4.01

 

CMYK 0 / 5 / 11 / 71

HEX #4B4743

RGB 75 71 67

HSL 30, 0.06%, 0.28%

LAB 30.42, 0.85, 3

 

CMYK 11 / 0 / 11 / 71

HEX #434B43

RGB 67 75 67

HSL 120, 0.06%, 0.28%

LAB 30.95, -5.03, 3.67

 

CMYK 11 / 5 / 0 / 71

HEX #43474B

RGB 67 71 75

HSL 210, 0.06%, 0.28%

LAB 29.93, -0.7, -2.96

 

Description

Color code: HEX #4D444D | qconv.com Color code: HEX #4D444D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 68 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 68 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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