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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D41CB it is the complementary color #B2BE34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D41CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D41CB shade: #5241C6, #6353D9, #7465EC, #8577FF and #9689FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D41CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D41CB shade: #4D41CB, #3C2FB8, #2B1DA5, #1A0B92 and #09007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D41CB shade: #4F43CB, #7443CB, #9843CB, #BD43CB and #CB43B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D41CB shade: #4F43CB and #4343CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D41CB shade matches the following richer shades: #4F43CB, #3F2FDF and #2F1CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D41CB shade: #4F43CB, #5F56B8, #6F6AA5, #7F7D91 and #8F907E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D41CB shade: #4380CB, #435CCB, #4E43CB, #7343CB and #9743CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D41CB shade: #322893, #3D31B4, #4F43CB, #6D63D4 and #8B84DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D41CB shade: #4D41CB, #CB43A5 and #6ECB43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D41CB shade: #4D41CB, #CB4E43 and #43CB4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D41CB shade: #4D41CB, #CB43A5, #C0CB43 and #43CB6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D41CB shade: #4D41CB, #CB437C, #C0CB43 and #43CB93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 68 / 0 / 20

HEX #4D41CB

RGB 77 65 203

HSL 245.22, 0.57%, 0.53%

LAB 37.24, 45.02, -69.89

 

Complementary color

CMYK 6 / 0 / 73 / 25

HEX #B2BE34

RGB 178 190 52

HSL 65.22, 0.57%, 0.47%

LAB 73.89, -21.1, 63.98

 

CMYK 59 / 67 / 0 / 22

HEX #5241C6

RGB 82 65 198

HSL 247.67, 0.54%, 0.52%

LAB 37.21, 44.19, -67.03

 

CMYK 54 / 62 / 0 / 15

HEX #6353D9

RGB 99 83 217

HSL 247.16, 0.64%, 0.59%

LAB 44.02, 42.44, -66.83

 

CMYK 51 / 57 / 0 / 7

HEX #7465EC

RGB 116 101 236

HSL 246.67, 0.78%, 0.66%

LAB 50.78, 40.84, -66.55

 

CMYK 48 / 53 / 0 / 0

HEX #8577FF

RGB 133 119 255

HSL 246.18, 1%, 0.73%

LAB 57.46, 39.39, -66.24

 

CMYK 41 / 46 / 0 / 0

HEX #9689FF

RGB 150 137 255

HSL 246.61, 1%, 0.77%

LAB 63.01, 32.81, -57.29

 

CMYK 62 / 68 / 0 / 20

HEX #4D41CB

RGB 77 65 203

HSL 245.22, 0.57%, 0.53%

LAB 37.24, 45.02, -69.89

 

CMYK 67 / 74 / 0 / 28

HEX #3C2FB8

RGB 60 47 184

HSL 245.69, 0.59%, 0.45%

LAB 30.53, 46.96, -69.83

 

CMYK 74 / 82 / 0 / 35

HEX #2B1DA5

RGB 43 29 165

HSL 246.18, 0.7%, 0.38%

LAB 24.03, 48.64, -69.23

 

CMYK 82 / 92 / 0 / 43

HEX #1A0B92

RGB 26 11 146

HSL 246.67, 0.86%, 0.31%

LAB 18.07, 49.23, -67.49

 

CMYK 93 / 100 / 0 / 50

HEX #09007F

RGB 9 0 127

HSL 244.25, 1%, 0.25%

LAB 13.17, 47.35, -63.73

 

CMYK 61 / 67 / 0 / 20

HEX #4F43CB

RGB 79 67 203

HSL 245.29, 0.57%, 0.53%

LAB 37.82, 44.15, -68.94

 

CMYK 43 / 67 / 0 / 20

HEX #7443CB

RGB 116 67 203

HSL 261.62, 0.57%, 0.53%

LAB 41.28, 50.45, -63.16

 

CMYK 25 / 67 / 0 / 20

HEX #9843CB

RGB 152 67 203

HSL 277.5, 0.57%, 0.53%

LAB 45.64, 57.8, -55.89

 

CMYK 7 / 67 / 0 / 20

HEX #BD43CB

RGB 189 67 203

HSL 293.82, 0.57%, 0.53%

LAB 50.86, 65.97, -47.24

 

CMYK 0 / 67 / 11 / 20

HEX #CB43B5

RGB 203 67 181

HSL 309.71, 0.57%, 0.53%

LAB 51.89, 65.67, -32.74

 

CMYK 61 / 67 / 0 / 20

HEX #4F43CB

RGB 79 67 203

HSL 245.29, 0.57%, 0.53%

LAB 37.82, 44.15, -68.94

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 61 / 67 / 0 / 20

HEX #4F43CB

RGB 79 67 203

HSL 245.29, 0.57%, 0.53%

LAB 37.82, 44.15, -68.94

 

CMYK 72 / 79 / 0 / 13

HEX #3F2FDF

RGB 63 47 223

HSL 245.45, 0.73%, 0.53%

LAB 34.84, 59.15, -85.43

 

CMYK 81 / 88 / 0 / 5

HEX #2F1CF2

RGB 47 28 242

HSL 245.33, 0.89%, 0.53%

LAB 33.66, 71.02, -98.24

 

CMYK 61 / 67 / 0 / 20

HEX #4F43CB

RGB 79 67 203

HSL 245.29, 0.57%, 0.53%

LAB 37.82, 44.15, -68.94

 

CMYK 48 / 53 / 0 / 28

HEX #5F56B8

RGB 95 86 184

HSL 245.51, 0.41%, 0.53%

LAB 42.08, 29.71, -50.9

 

CMYK 33 / 36 / 0 / 35

HEX #6F6AA5

RGB 111 106 165

HSL 245.08, 0.25%, 0.53%

LAB 47.5, 16.06, -31.07

 

CMYK 12 / 14 / 0 / 43

HEX #7F7D91

RGB 127 125 145

HSL 246, 0.08%, 0.53%

LAB 53.19, 4.97, -10.51

 

CMYK 1 / 0 / 13 / 44

HEX #8F907E

RGB 143 144 126

HSL 63.33, 0.08%, 0.53%

LAB 59.24, -3.68, 9.45

 

CMYK 67 / 37 / 0 / 20

HEX #4380CB

RGB 67 128 203

HSL 213.09, 0.57%, 0.53%

LAB 52.89, 4.44, -44.69

 

CMYK 67 / 55 / 0 / 20

HEX #435CCB

RGB 67 92 203

HSL 228.97, 0.57%, 0.53%

LAB 43, 26.96, -60.54

 

CMYK 62 / 67 / 0 / 20

HEX #4E43CB

RGB 78 67 203

HSL 244.85, 0.57%, 0.53%

LAB 37.74, 44.01, -69.07

 

CMYK 43 / 67 / 0 / 20

HEX #7343CB

RGB 115 67 203

HSL 261.18, 0.57%, 0.53%

LAB 41.17, 50.26, -63.34

 

CMYK 26 / 67 / 0 / 20

HEX #9743CB

RGB 151 67 203

HSL 277.06, 0.57%, 0.53%

LAB 45.5, 57.58, -56.11

 

CMYK 66 / 73 / 0 / 42

HEX #322893

RGB 50 40 147

HSL 245.61, 0.57%, 0.37%

LAB 24.65, 37.73, -57.17

 

CMYK 66 / 73 / 0 / 29

HEX #3D31B4

RGB 61 49 180

HSL 245.5, 0.57%, 0.45%

LAB 30.6, 44.7, -67.33

 

CMYK 61 / 67 / 0 / 20

HEX #4F43CB

RGB 79 67 203

HSL 245.29, 0.57%, 0.53%

LAB 37.82, 44.15, -68.94

 

CMYK 49 / 53 / 0 / 17

HEX #6D63D4

RGB 109 99 212

HSL 245.31, 0.57%, 0.61%

LAB 48.17, 33.41, -57.21

 

CMYK 37 / 40 / 0 / 13

HEX #8B84DD

RGB 139 132 221

HSL 244.72, 0.57%, 0.69%

LAB 59.17, 23.65, -44.62

 

CMYK 62 / 68 / 0 / 20

HEX #4D41CB

RGB 77 65 203

HSL 245.22, 0.57%, 0.53%

LAB 37.24, 45.02, -69.89

 

CMYK 0 / 67 / 19 / 20

HEX #CB43A5

RGB 203 67 165

HSL 316.76, 0.57%, 0.53%

LAB 51.18, 63.35, -24.46

 

CMYK 46 / 0 / 67 / 20

HEX #6ECB43

RGB 110 203 67

HSL 101.03, 0.57%, 0.53%

LAB 73.83, -51.35, 57.01

 

CMYK 62 / 68 / 0 / 20

HEX #4D41CB

RGB 77 65 203

HSL 245.22, 0.57%, 0.53%

LAB 37.24, 45.02, -69.89

 

CMYK 0 / 62 / 67 / 20

HEX #CB4E43

RGB 203 78 67

HSL 4.85, 0.57%, 0.53%

LAB 50.16, 48.98, 32.46

 

CMYK 67 / 0 / 62 / 20

HEX #43CB4E

RGB 67 203 78

HSL 124.85, 0.57%, 0.53%

LAB 72.53, -61.05, 50.58

 

CMYK 62 / 68 / 0 / 20

HEX #4D41CB

RGB 77 65 203

HSL 245.22, 0.57%, 0.53%

LAB 37.24, 45.02, -69.89

 

CMYK 0 / 67 / 19 / 20

HEX #CB43A5

RGB 203 67 165

HSL 316.76, 0.57%, 0.53%

LAB 51.18, 63.35, -24.46

 

CMYK 5 / 0 / 67 / 20

HEX #C0CB43

RGB 192 203 67

HSL 64.85, 0.57%, 0.53%

LAB 78.65, -20.87, 63.53

 

CMYK 67 / 0 / 48 / 20

HEX #43CB6A

RGB 67 203 106

HSL 137.21, 0.57%, 0.53%

LAB 72.86, -57.3, 37.78

 

CMYK 62 / 68 / 0 / 20

HEX #4D41CB

RGB 77 65 203

HSL 245.22, 0.57%, 0.53%

LAB 37.24, 45.02, -69.89

 

CMYK 0 / 67 / 39 / 20

HEX #CB437C

RGB 203 67 124

HSL 334.85, 0.57%, 0.53%

LAB 49.7, 58.29, -2.25

 

CMYK 5 / 0 / 67 / 20

HEX #C0CB43

RGB 192 203 67

HSL 64.85, 0.57%, 0.53%

LAB 78.65, -20.87, 63.53

 

CMYK 67 / 0 / 28 / 20

HEX #43CB93

RGB 67 203 147

HSL 155.29, 0.57%, 0.53%

LAB 73.55, -49.64, 17.45

 

Description

Color code: HEX #4D41CB | qconv.com Color code: HEX #4D41CB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 65 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 65 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 68 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 68% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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