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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D4017 it is the complementary color #B2BFE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D4017. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D4017 shade: #524012, #635225, #746438, #85764B and #96885E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D4017. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D4017 shade: #4D4017, #3C2E04, #2B1C00, #1A0A00 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D4017 shade: #4E4117, #4E3217, #4E2317 and #4E1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D4017 shade: #4E4117, #4C4E17, #3E4E17, #2F4E17 and #204E17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D4017 shade matches the following richer shades: #4E4117, #56450F and #5F4906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D4017 shade: #4E4117, #463D1F, #3E3827, #353430 and #2D3038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D4017 shade: #4E2317, #4E3217, #4E4017, #4D4E17 and #3E4E17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D4017 shade: #0F0C04, #2E260D, #4E4117, #6E5B20 and #8E762A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D4017 shade: #4D4017, #1A4E17 and #2A174E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D4017 shade: #4D4017, #174E40 and #40174E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D4017 shade: #4D4017, #1A4E17, #17254E and #4B174E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D4017 shade: #4D4017, #174E25, #17254E and #4E1740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 70 / 70

HEX #4D4017

RGB 77 64 23

HSL 45.56, 0.54%, 0.2%

LAB 27.59, 0.06, 26.49

 

Complementary color

CMYK 23 / 18 / 0 / 9

HEX #B2BFE8

RGB 178 191 232

HSL 225.56, 0.54%, 0.8%

LAB 77.61, 4.28, -21.87

 

CMYK 0 / 22 / 78 / 68

HEX #524012

RGB 82 64 18

HSL 43.13, 0.64%, 0.2%

LAB 28.13, 2.28, 29.8

 

CMYK 0 / 17 / 63 / 61

HEX #635225

RGB 99 82 37

HSL 43.55, 0.46%, 0.27%

LAB 35.64, 0.99, 28.59

 

CMYK 0 / 14 / 52 / 55

HEX #746438

RGB 116 100 56

HSL 44, 0.35%, 0.34%

LAB 42.93, 0.07, 27.16

 

CMYK 0 / 11 / 44 / 48

HEX #85764B

RGB 133 118 75

HSL 44.48, 0.28%, 0.41%

LAB 50.04, -0.63, 25.78

 

CMYK 0 / 9 / 37 / 41

HEX #96885E

RGB 150 136 94

HSL 45, 0.23%, 0.48%

LAB 56.98, -1.18, 24.49

 

CMYK 0 / 17 / 70 / 70

HEX #4D4017

RGB 77 64 23

HSL 45.56, 0.54%, 0.2%

LAB 27.59, 0.06, 26.49

 

CMYK 0 / 23 / 93 / 76

HEX #3C2E04

RGB 60 46 4

HSL 45, 0.88%, 0.13%

LAB 19.73, 1.53, 26.47

 

CMYK 0 / 35 / 100 / 83

HEX #2B1C00

RGB 43 28 0

HSL 39.07, 1%, 0.08%

LAB 11.58, 4.02, 17.32

 

CMYK 0 / 62 / 100 / 90

HEX #1A0A00

RGB 26 10 0

HSL 23.08, 1%, 0.05%

LAB 3.94, 4.89, 6

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 17 / 71 / 69

HEX #4E4117

RGB 78 65 23

HSL 45.82, 0.54%, 0.2%

LAB 28.01, -0.06, 26.98

 

CMYK 0 / 36 / 71 / 69

HEX #4E3217

RGB 78 50 23

HSL 29.45, 0.54%, 0.2%

LAB 23.55, 9.57, 21.99

 

CMYK 0 / 55 / 71 / 69

HEX #4E2317

RGB 78 35 23

HSL 13.09, 0.54%, 0.2%

LAB 19.57, 19.09, 17.3

 

CMYK 0 / 71 / 71 / 69

HEX #4E1717

RGB 78 23 23

HSL 0, 0.54%, 0.2%

LAB 16.96, 25.88, 14.08

 

CMYK 0 / 17 / 71 / 69

HEX #4E4117

RGB 78 65 23

HSL 45.82, 0.54%, 0.2%

LAB 28.01, -0.06, 26.98

 

CMYK 3 / 0 / 71 / 69

HEX #4C4E17

RGB 76 78 23

HSL 62.18, 0.54%, 0.2%

LAB 31.91, -9.01, 31.08

 

CMYK 21 / 0 / 71 / 69

HEX #3E4E17

RGB 62 78 23

HSL 77.45, 0.54%, 0.2%

LAB 30.72, -15.74, 29.46

 

CMYK 40 / 0 / 71 / 69

HEX #2F4E17

RGB 47 78 23

HSL 93.82, 0.54%, 0.2%

LAB 29.7, -22.33, 28.06

 

CMYK 59 / 0 / 71 / 69

HEX #204E17

RGB 32 78 23

HSL 110.18, 0.54%, 0.2%

LAB 28.95, -27.8, 27.02

 

CMYK 0 / 17 / 71 / 69

HEX #4E4117

RGB 78 65 23

HSL 45.82, 0.54%, 0.2%

LAB 28.01, -0.06, 26.98

 

CMYK 0 / 20 / 83 / 66

HEX #56450F

RGB 86 69 15

HSL 45.63, 0.7%, 0.2%

LAB 30.08, 1.03, 33.24

 

CMYK 0 / 23 / 94 / 63

HEX #5F4906

RGB 95 73 6

HSL 45.17, 0.88%, 0.2%

LAB 32.28, 2.8, 38.89

 

CMYK 0 / 17 / 71 / 69

HEX #4E4117

RGB 78 65 23

HSL 45.82, 0.54%, 0.2%

LAB 28.01, -0.06, 26.98

 

CMYK 0 / 13 / 56 / 73

HEX #463D1F

RGB 70 61 31

HSL 46.15, 0.39%, 0.2%

LAB 25.98, -0.83, 19.81

 

CMYK 0 / 10 / 37 / 76

HEX #3E3827

RGB 62 56 39

HSL 44.35, 0.23%, 0.2%

LAB 23.67, -0.51, 11.6

 

CMYK 0 / 2 / 9 / 79

HEX #353430

RGB 53 52 48

HSL 48, 0.05%, 0.2%

LAB 21.68, -0.45, 2.68

 

CMYK 20 / 14 / 0 / 78

HEX #2D3038

RGB 45 48 56

HSL 223.64, 0.11%, 0.2%

LAB 19.87, 0.77, -5.52

 

CMYK 0 / 55 / 71 / 69

HEX #4E2317

RGB 78 35 23

HSL 13.09, 0.54%, 0.2%

LAB 19.57, 19.09, 17.3

 

CMYK 0 / 36 / 71 / 69

HEX #4E3217

RGB 78 50 23

HSL 29.45, 0.54%, 0.2%

LAB 23.55, 9.57, 21.99

 

CMYK 0 / 18 / 71 / 69

HEX #4E4017

RGB 78 64 23

HSL 44.73, 0.54%, 0.2%

LAB 27.71, 0.57, 26.65

 

CMYK 1 / 0 / 71 / 69

HEX #4D4E17

RGB 77 78 23

HSL 61.09, 0.54%, 0.2%

LAB 32.01, -8.51, 31.21

 

CMYK 21 / 0 / 71 / 69

HEX #3E4E17

RGB 62 78 23

HSL 77.45, 0.54%, 0.2%

LAB 30.72, -15.74, 29.46

 

CMYK 0 / 20 / 73 / 94

HEX #0F0C04

RGB 15 12 4

HSL 43.64, 0.58%, 0.04%

LAB 3.37, -0.18, 3.4

 

CMYK 0 / 17 / 72 / 82

HEX #2E260D

RGB 46 38 13

HSL 45.45, 0.56%, 0.12%

LAB 15.47, -0.11, 17.14

 

CMYK 0 / 17 / 71 / 69

HEX #4E4117

RGB 78 65 23

HSL 45.82, 0.54%, 0.2%

LAB 28.01, -0.06, 26.98

 

CMYK 0 / 17 / 71 / 57

HEX #6E5B20

RGB 110 91 32

HSL 45.38, 0.55%, 0.28%

LAB 39.41, 0.54, 35.67

 

CMYK 0 / 17 / 70 / 44

HEX #8E762A

RGB 142 118 42

HSL 45.6, 0.54%, 0.36%

LAB 50.54, 0.59, 43.67

 

CMYK 0 / 17 / 70 / 70

HEX #4D4017

RGB 77 64 23

HSL 45.56, 0.54%, 0.2%

LAB 27.59, 0.06, 26.49

 

CMYK 67 / 0 / 71 / 69

HEX #1A4E17

RGB 26 78 23

HSL 116.73, 0.54%, 0.2%

LAB 28.72, -29.57, 26.71

 

CMYK 46 / 71 / 0 / 69

HEX #2A174E

RGB 42 23 78

HSL 260.73, 0.54%, 0.2%

LAB 13.56, 23.93, -30.61

 

CMYK 0 / 17 / 70 / 70

HEX #4D4017

RGB 77 64 23

HSL 45.56, 0.54%, 0.2%

LAB 27.59, 0.06, 26.49

 

CMYK 71 / 0 / 18 / 69

HEX #174E40

RGB 23 78 64

HSL 164.73, 0.54%, 0.2%

LAB 29.42, -21.79, 3.06

 

CMYK 18 / 71 / 0 / 69

HEX #40174E

RGB 64 23 78

HSL 284.73, 0.54%, 0.2%

LAB 16.76, 29.69, -25.29

 

CMYK 0 / 17 / 70 / 70

HEX #4D4017

RGB 77 64 23

HSL 45.56, 0.54%, 0.2%

LAB 27.59, 0.06, 26.49

 

CMYK 67 / 0 / 71 / 69

HEX #1A4E17

RGB 26 78 23

HSL 116.73, 0.54%, 0.2%

LAB 28.72, -29.57, 26.71

 

CMYK 71 / 53 / 0 / 69

HEX #17254E

RGB 23 37 78

HSL 224.73, 0.54%, 0.2%

LAB 15.78, 9.52, -27.12

 

CMYK 4 / 71 / 0 / 69

HEX #4B174E

RGB 75 23 78

HSL 296.73, 0.54%, 0.2%

LAB 18.62, 32.76, -22.22

 

CMYK 0 / 17 / 70 / 70

HEX #4D4017

RGB 77 64 23

HSL 45.56, 0.54%, 0.2%

LAB 27.59, 0.06, 26.49

 

CMYK 71 / 0 / 53 / 69

HEX #174E25

RGB 23 78 37

HSL 135.27, 0.54%, 0.2%

LAB 28.81, -28.21, 19.06

 

CMYK 71 / 53 / 0 / 69

HEX #17254E

RGB 23 37 78

HSL 224.73, 0.54%, 0.2%

LAB 15.78, 9.52, -27.12

 

CMYK 0 / 71 / 18 / 69

HEX #4E1740

RGB 78 23 64

HSL 315.27, 0.54%, 0.2%

LAB 18.38, 31, -12.93

 

Description

Color code: HEX #4D4017 | qconv.com Color code: HEX #4D4017 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 64 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 64 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 70 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 70% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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