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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3E5D it is the complementary color #B2C1A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3E5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3E5D shade: #523E58, #63506B, #74627E, #857491 and #9686A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3E5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3E5D shade: #4D3E5D, #3C2C4A, #2B1A37, #1A0824 and #090011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3E5D shade: #4C3D5C, #543D5C, #5C3D5B, #5C3D53 and #5C3D4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3E5D shade: #4C3D5C, #443D5C and #3D3D5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3E5D shade matches the following richer shades: #4C3D5C, #4C3168, #4B2475, #4B1881 and #4A0C8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3E5D shade: #4C3D5C, #4C4A4F, #4D5643, #4D6237 and #4E6F2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3E5D shade: #3D3F5C, #443D5C, #4C3D5C, #543D5C and #5C3D5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3E5D shade: #231C2A, #382D43, #4C3D5C, #614E75 and #755E8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3E5D shade: #4D3E5D, #5C3D47 and #3D5C40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3E5D shade: #4D3E5D, #5C4C3D and #3D5C4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3E5D shade: #4D3E5D, #5C3D47, #4D5C3D and #3D5C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3E5D shade: #4D3E5D, #5C3D3E, #4D5C3D and #3D5C5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 33 / 0 / 64

HEX #4D3E5D

RGB 77 62 93

HSL 269.03, 0.2%, 0.3%

LAB 28.94, 13.46, -16.01

 

Complementary color

CMYK 8 / 0 / 16 / 24

HEX #B2C1A2

RGB 178 193 162

HSL 89.03, 0.2%, 0.7%

LAB 76.2, -10.77, 13.89

 

CMYK 7 / 30 / 0 / 65

HEX #523E58

RGB 82 62 88

HSL 286.15, 0.17%, 0.29%

LAB 29.27, 14.09, -12.22

 

CMYK 7 / 25 / 0 / 58

HEX #63506B

RGB 99 80 107

HSL 282.22, 0.14%, 0.37%

LAB 36.84, 13.43, -12.58

 

CMYK 8 / 22 / 0 / 51

HEX #74627E

RGB 116 98 126

HSL 278.57, 0.13%, 0.44%

LAB 44.17, 12.86, -12.95

 

CMYK 8 / 20 / 0 / 43

HEX #857491

RGB 133 116 145

HSL 275.17, 0.12%, 0.51%

LAB 51.29, 12.36, -13.32

 

CMYK 9 / 18 / 0 / 36

HEX #9686A4

RGB 150 134 164

HSL 272, 0.14%, 0.58%

LAB 58.24, 11.91, -13.69

 

CMYK 17 / 33 / 0 / 64

HEX #4D3E5D

RGB 77 62 93

HSL 269.03, 0.2%, 0.3%

LAB 28.94, 13.46, -16.01

 

CMYK 19 / 41 / 0 / 71

HEX #3C2C4A

RGB 60 44 74

HSL 272, 0.25%, 0.23%

LAB 21.04, 14.25, -15.86

 

CMYK 22 / 53 / 0 / 78

HEX #2B1A37

RGB 43 26 55

HSL 275.17, 0.36%, 0.16%

LAB 12.79, 15.22, -15.73

 

CMYK 28 / 78 / 0 / 86

HEX #1A0824

RGB 26 8 36

HSL 278.57, 0.64%, 0.09%

LAB 4.7, 13.78, -14.54

 

CMYK 47 / 100 / 0 / 93

HEX #090011

RGB 9 0 17

HSL 271.76, 1%, 0.03%

LAB 0.89, 4.92, -6.16

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 9 / 34 / 0 / 64

HEX #543D5C

RGB 84 61 92

HSL 284.52, 0.2%, 0.3%

LAB 29.4, 16.43, -14.59

 

CMYK 0 / 34 / 1 / 64

HEX #5C3D5B

RGB 92 61 91

HSL 301.94, 0.2%, 0.3%

LAB 30.32, 19.19, -12.45

 

CMYK 0 / 34 / 10 / 64

HEX #5C3D53

RGB 92 61 83

HSL 317.42, 0.2%, 0.3%

LAB 30, 17.53, -7.76

 

CMYK 0 / 34 / 18 / 64

HEX #5C3D4B

RGB 92 61 75

HSL 332.9, 0.2%, 0.3%

LAB 29.72, 15.99, -2.98

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 26 / 34 / 0 / 64

HEX #443D5C

RGB 68 61 92

HSL 253.55, 0.2%, 0.3%

LAB 27.68, 10.64, -17.39

 

CMYK 34 / 34 / 0 / 64

HEX #3D3D5C

RGB 61 61 92

HSL 240, 0.2%, 0.3%

LAB 27.02, 8.24, -18.45

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 27 / 53 / 0 / 59

HEX #4C3168

RGB 76 49 104

HSL 269.45, 0.36%, 0.3%

LAB 25.96, 24.42, -27.79

 

CMYK 36 / 69 / 0 / 54

HEX #4B2475

RGB 75 36 117

HSL 268.89, 0.53%, 0.3%

LAB 23.81, 35.4, -39.59

 

CMYK 42 / 81 / 0 / 49

HEX #4B1881

RGB 75 24 129

HSL 269.14, 0.69%, 0.3%

LAB 22.77, 44.35, -48.91

 

CMYK 48 / 91 / 0 / 45

HEX #4A0C8D

RGB 74 12 141

HSL 268.84, 0.84%, 0.3%

LAB 22.45, 51.21, -56.97

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 4 / 6 / 0 / 69

HEX #4C4A4F

RGB 76 74 79

HSL 264, 0.03%, 0.3%

LAB 31.8, 1.93, -2.68

 

CMYK 10 / 0 / 22 / 66

HEX #4D5643

RGB 77 86 67

HSL 88.42, 0.12%, 0.3%

LAB 35.28, -7.51, 9.9

 

CMYK 21 / 0 / 44 / 62

HEX #4D6237

RGB 77 98 55

HSL 89.3, 0.28%, 0.3%

LAB 38.88, -16.36, 21.92

 

CMYK 30 / 0 / 62 / 56

HEX #4E6F2A

RGB 78 111 42

HSL 88.7, 0.45%, 0.3%

LAB 43, -24.36, 33.92

 

CMYK 34 / 32 / 0 / 64

HEX #3D3F5C

RGB 61 63 92

HSL 236.13, 0.2%, 0.3%

LAB 27.63, 6.9, -17.52

 

CMYK 26 / 34 / 0 / 64

HEX #443D5C

RGB 68 61 92

HSL 253.55, 0.2%, 0.3%

LAB 27.68, 10.64, -17.39

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 9 / 34 / 0 / 64

HEX #543D5C

RGB 84 61 92

HSL 284.52, 0.2%, 0.3%

LAB 29.4, 16.43, -14.59

 

CMYK 0 / 34 / 1 / 64

HEX #5C3D5B

RGB 92 61 91

HSL 301.94, 0.2%, 0.3%

LAB 30.32, 19.19, -12.45

 

CMYK 17 / 33 / 0 / 84

HEX #231C2A

RGB 35 28 42

HSL 270, 0.2%, 0.14%

LAB 11.65, 6.94, -8.17

 

CMYK 16 / 33 / 0 / 74

HEX #382D43

RGB 56 45 67

HSL 270, 0.2%, 0.22%

LAB 20.53, 10.19, -11.94

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 17 / 33 / 0 / 54

HEX #614E75

RGB 97 78 117

HSL 269.23, 0.2%, 0.38%

LAB 36.51, 16.34, -19.33

 

CMYK 17 / 33 / 0 / 45

HEX #755E8D

RGB 117 94 141

HSL 269.36, 0.2%, 0.46%

LAB 43.81, 19.1, -22.51

 

CMYK 17 / 33 / 0 / 64

HEX #4D3E5D

RGB 77 62 93

HSL 269.03, 0.2%, 0.3%

LAB 28.94, 13.46, -16.01

 

CMYK 0 / 34 / 23 / 64

HEX #5C3D47

RGB 92 61 71

HSL 340.65, 0.2%, 0.3%

LAB 29.58, 15.28, -0.57

 

CMYK 34 / 0 / 30 / 64

HEX #3D5C40

RGB 61 92 64

HSL 125.81, 0.2%, 0.3%

LAB 36.02, -17.9, 12.58

 

CMYK 17 / 33 / 0 / 64

HEX #4D3E5D

RGB 77 62 93

HSL 269.03, 0.2%, 0.3%

LAB 28.94, 13.46, -16.01

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 34 / 0 / 17 / 64

HEX #3D5C4C

RGB 61 92 76

HSL 149.03, 0.2%, 0.3%

LAB 36.31, -15.32, 5.6

 

CMYK 17 / 33 / 0 / 64

HEX #4D3E5D

RGB 77 62 93

HSL 269.03, 0.2%, 0.3%

LAB 28.94, 13.46, -16.01

 

CMYK 0 / 34 / 23 / 64

HEX #5C3D47

RGB 92 61 71

HSL 340.65, 0.2%, 0.3%

LAB 29.58, 15.28, -0.57

 

CMYK 16 / 0 / 34 / 64

HEX #4D5C3D

RGB 77 92 61

HSL 89.03, 0.2%, 0.3%

LAB 37.06, -12.07, 15.99

 

CMYK 34 / 0 / 11 / 64

HEX #3D5C52

RGB 61 92 82

HSL 160.65, 0.2%, 0.3%

LAB 36.47, -13.88, 2.12

 

CMYK 17 / 33 / 0 / 64

HEX #4D3E5D

RGB 77 62 93

HSL 269.03, 0.2%, 0.3%

LAB 28.94, 13.46, -16.01

 

CMYK 0 / 34 / 33 / 64

HEX #5C3D3E

RGB 92 61 62

HSL 358.06, 0.2%, 0.3%

LAB 29.31, 13.79, 4.91

 

CMYK 16 / 0 / 34 / 64

HEX #4D5C3D

RGB 77 92 61

HSL 89.03, 0.2%, 0.3%

LAB 37.06, -12.07, 15.99

 

CMYK 34 / 0 / 1 / 64

HEX #3D5C5B

RGB 61 92 91

HSL 178.06, 0.2%, 0.3%

LAB 36.75, -11.57, -3.07

 

Description

Color code: HEX #4D3E5D | qconv.com Color code: HEX #4D3E5D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 62 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 62 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 33 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 33% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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