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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3E3B it is the complementary color #B2C1C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3E3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3E3B shade: #523E36, #635049, #74625C, #85746F and #968682

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3E3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3E3B shade: #4D3E3B, #3C2C28, #2B1A15, #1A0802 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3E3B shade: #4E3F3C and #4E3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3E3B shade: #4E3F3C, #4E443C, #4E493C, #4E4D3C and #494E3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3E3B shade matches the following richer shades: #4E3F3C, #593731, #643026, #6F291A and #7A210F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3E3B shade: #4E3F3C, #434647, #384E52, #2C555D and #215D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3E3B shade: #4E3C42, #4E3C3E, #4E3F3C, #4E443C and #4E483C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3E3B shade: #1F1918, #362C2A, #4E3F3C, #65524E and #7C6560

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3E3B shade: #4D3E3B, #474E3C and #3C404E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3E3B shade: #4D3E3B, #3C4E3F and #3F3C4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3E3B shade: #4D3E3B, #474E3C, #3C4B4E and #423C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3E3B shade: #4D3E3B, #424E3C, #3C4B4E and #483C4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

Complementary color

CMYK 9 / 2 / 0 / 23

HEX #B2C1C4

RGB 178 193 196

HSL 190, 0.13%, 0.73%

LAB 77.04, -4.53, -3.27

 

CMYK 0 / 24 / 34 / 68

HEX #523E36

RGB 82 62 54

HSL 17.14, 0.21%, 0.27%

LAB 28.13, 7.41, 8.28

 

CMYK 0 / 19 / 26 / 61

HEX #635049

RGB 99 80 73

HSL 16.15, 0.15%, 0.34%

LAB 35.73, 6.72, 7.11

 

CMYK 0 / 16 / 21 / 55

HEX #74625C

RGB 116 98 92

HSL 15, 0.12%, 0.41%

LAB 43.09, 6.17, 6.09

 

CMYK 0 / 13 / 17 / 48

HEX #85746F

RGB 133 116 111

HSL 13.64, 0.09%, 0.48%

LAB 50.25, 5.72, 5.18

 

CMYK 0 / 11 / 13 / 41

HEX #968682

RGB 150 134 130

HSL 12, 0.09%, 0.55%

LAB 57.22, 5.33, 4.35

 

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

CMYK 0 / 27 / 33 / 76

HEX #3C2C28

RGB 60 44 40

HSL 12, 0.2%, 0.2%

LAB 19.7, 6.67, 5.44

 

CMYK 0 / 40 / 51 / 83

HEX #2B1A15

RGB 43 26 21

HSL 13.64, 0.34%, 0.13%

LAB 11.32, 7.68, 6.9

 

CMYK 0 / 69 / 92 / 90

HEX #1A0802

RGB 26 8 2

HSL 15, 0.86%, 0.05%

LAB 3.59, 5.97, 4.67

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 19 / 23 / 69

HEX #4E3F3C

RGB 78 63 60

HSL 10, 0.13%, 0.27%

LAB 28.12, 5.95, 4.28

 

CMYK 0 / 23 / 23 / 69

HEX #4E3C3C

RGB 78 60 60

HSL 0, 0.13%, 0.27%

LAB 27.24, 7.89, 3.02

 

CMYK 0 / 19 / 23 / 69

HEX #4E3F3C

RGB 78 63 60

HSL 10, 0.13%, 0.27%

LAB 28.12, 5.95, 4.28

 

CMYK 0 / 13 / 23 / 69

HEX #4E443C

RGB 78 68 60

HSL 26.67, 0.13%, 0.27%

LAB 29.61, 2.75, 6.4

 

CMYK 0 / 6 / 23 / 69

HEX #4E493C

RGB 78 73 60

HSL 43.33, 0.13%, 0.27%

LAB 31.14, -0.41, 8.55

 

CMYK 0 / 1 / 23 / 69

HEX #4E4D3C

RGB 78 77 60

HSL 56.67, 0.13%, 0.27%

LAB 32.38, -2.89, 10.26

 

CMYK 6 / 0 / 23 / 69

HEX #494E3C

RGB 73 78 60

HSL 76.67, 0.13%, 0.27%

LAB 32.24, -5.71, 10

 

CMYK 0 / 19 / 23 / 69

HEX #4E3F3C

RGB 78 63 60

HSL 10, 0.13%, 0.27%

LAB 28.12, 5.95, 4.28

 

CMYK 0 / 38 / 45 / 65

HEX #593731

RGB 89 55 49

HSL 9, 0.29%, 0.27%

LAB 26.96, 14.38, 10.06

 

CMYK 0 / 52 / 62 / 61

HEX #643026

RGB 100 48 38

HSL 9.68, 0.45%, 0.27%

LAB 26.63, 22.41, 17.11

 

CMYK 0 / 63 / 77 / 56

HEX #6F291A

RGB 111 41 26

HSL 10.59, 0.62%, 0.27%

LAB 26.85, 30.1, 25.37

 

CMYK 0 / 73 / 88 / 52

HEX #7A210F

RGB 122 33 15

HSL 10.09, 0.78%, 0.27%

LAB 27.46, 37.62, 32.9

 

CMYK 0 / 19 / 23 / 69

HEX #4E3F3C

RGB 78 63 60

HSL 10, 0.13%, 0.27%

LAB 28.12, 5.95, 4.28

 

CMYK 6 / 1 / 0 / 72

HEX #434647

RGB 67 70 71

HSL 195, 0.03%, 0.27%

LAB 29.48, -1.01, -1.04

 

CMYK 32 / 5 / 0 / 68

HEX #384E52

RGB 56 78 82

HSL 189.23, 0.19%, 0.27%

LAB 31.58, -7.34, -5.11

 

CMYK 53 / 9 / 0 / 64

HEX #2C555D

RGB 44 85 93

HSL 189.8, 0.36%, 0.27%

LAB 33.61, -11.89, -9.1

 

CMYK 68 / 11 / 0 / 59

HEX #215D68

RGB 33 93 104

HSL 189.3, 0.52%, 0.27%

LAB 36.27, -15.34, -11.99

 

CMYK 0 / 23 / 15 / 69

HEX #4E3C42

RGB 78 60 66

HSL 340, 0.13%, 0.27%

LAB 27.42, 9.02, -0.66

 

CMYK 0 / 23 / 21 / 69

HEX #4E3C3E

RGB 78 60 62

HSL 353.33, 0.13%, 0.27%

LAB 27.29, 8.26, 1.79

 

CMYK 0 / 19 / 23 / 69

HEX #4E3F3C

RGB 78 63 60

HSL 10, 0.13%, 0.27%

LAB 28.12, 5.95, 4.28

 

CMYK 0 / 13 / 23 / 69

HEX #4E443C

RGB 78 68 60

HSL 26.67, 0.13%, 0.27%

LAB 29.61, 2.75, 6.4

 

CMYK 0 / 8 / 23 / 69

HEX #4E483C

RGB 78 72 60

HSL 40, 0.13%, 0.27%

LAB 30.83, 0.22, 8.12

 

CMYK 0 / 19 / 23 / 88

HEX #1F1918

RGB 31 25 24

HSL 8.57, 0.13%, 0.11%

LAB 9.42, 2.75, 1.8

 

CMYK 0 / 19 / 22 / 79

HEX #362C2A

RGB 54 44 42

HSL 10, 0.13%, 0.19%

LAB 19.03, 4.18, 3

 

CMYK 0 / 19 / 23 / 69

HEX #4E3F3C

RGB 78 63 60

HSL 10, 0.13%, 0.27%

LAB 28.12, 5.95, 4.28

 

CMYK 0 / 19 / 23 / 60

HEX #65524E

RGB 101 82 78

HSL 10.43, 0.13%, 0.35%

LAB 36.65, 7.18, 5.31

 

CMYK 0 / 19 / 23 / 51

HEX #7C6560

RGB 124 101 96

HSL 10.71, 0.13%, 0.43%

LAB 44.85, 8.37, 6.29

 

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

CMYK 9 / 0 / 23 / 69

HEX #474E3C

RGB 71 78 60

HSL 83.33, 0.13%, 0.27%

LAB 32.07, -6.58, 9.74

 

CMYK 23 / 18 / 0 / 69

HEX #3C404E

RGB 60 64 78

HSL 226.67, 0.13%, 0.27%

LAB 27.23, 1.89, -9.01

 

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

CMYK 23 / 0 / 19 / 69

HEX #3C4E3F

RGB 60 78 63

HSL 130, 0.13%, 0.27%

LAB 31.27, -10.55, 6.6

 

CMYK 19 / 23 / 0 / 69

HEX #3F3C4E

RGB 63 60 78

HSL 250, 0.13%, 0.27%

LAB 26.27, 5.66, -10.45

 

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

CMYK 9 / 0 / 23 / 69

HEX #474E3C

RGB 71 78 60

HSL 83.33, 0.13%, 0.27%

LAB 32.07, -6.58, 9.74

 

CMYK 23 / 4 / 0 / 69

HEX #3C4B4E

RGB 60 75 78

HSL 190, 0.13%, 0.27%

LAB 30.74, -5.14, -3.76

 

CMYK 15 / 23 / 0 / 69

HEX #423C4E

RGB 66 60 78

HSL 260, 0.13%, 0.27%

LAB 26.56, 6.81, -9.98

 

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

CMYK 15 / 0 / 23 / 69

HEX #424E3C

RGB 66 78 60

HSL 100, 0.13%, 0.27%

LAB 31.65, -8.71, 9.1

 

CMYK 23 / 4 / 0 / 69

HEX #3C4B4E

RGB 60 75 78

HSL 190, 0.13%, 0.27%

LAB 30.74, -5.14, -3.76

 

CMYK 8 / 23 / 0 / 69

HEX #483C4E

RGB 72 60 78

HSL 280, 0.13%, 0.27%

LAB 27.18, 9.15, -8.98

 

Description

Color code: HEX #4D3E3B | qconv.com Color code: HEX #4D3E3B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 62 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 62 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 23 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 23% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Thelma Palma | Web D...
Link: http://thelmapalma.com

61% - Montredo
Link: http://www.montredo.com

53% - Slowave
Link: http://themes.iki-bir.com

24% - 株式会社T-Garden(ティーガーデン...
Link: http://www.t-garden.jp

30% - WPLMS Learning Manag...
Link: http://themes.vibethemes.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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