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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D392100 it is the complementary color #B2C6DE00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D392100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D392100 shade: #52391C00, #634B2F00, #745D4200, #856F5500 and #96816800

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D392100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D392100 shade: #4D392100, #3C270E00, #2B150000, #1A030000 and #09000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D392100 shade: #4F3A22, #4F2E22 and #4F2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D392100 shade: #4F3A22, #4F4622, #4B4F22, #3F4F22 and #334F22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D392100 shade matches the following richer shades: #4F3A22, #583B19, #613C10 and #6A3D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D392100 shade: #4F3A22, #45392B, #3C3834, #33383D and #2A3746

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D392100 shade: #4F2222, #4F2E22, #4F3A22, #4F4622 and #4C4F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D392100 shade: #150F09, #322515, #4F3A22, #6B502E and #88653A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D392100 shade: #4D3921, #2E4F22 and #28224F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D392100 shade: #4D3921, #224F3A and #3A224F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D392100 shade: #4D3921, #2E4F22, #22374F and #43224F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D392100 shade: #4D3921, #224F23, #22374F and #4F224D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4D392100

RGBA 77 57 33 0

HSLA 32.73, 0.4%, 0.22%, 0

LABA 25.6, 5.46, 18.3, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B2C6DE00

RGBA 178 198 222 0

HSLA 212.73, 0.4%, 0.78%, 0

LABA 79.11, -1.72, -14.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #52391C00

RGBA 82 57 28 0

HSLA 32.22, 0.49%, 0.22%, 0

LABA 26.17, 7.47, 22.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #634B2F00

RGBA 99 75 47 0

HSLA 32.31, 0.36%, 0.29%, 0

LABA 33.75, 6.25, 20.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #745D4200

RGBA 116 93 66 0

HSLA 32.4, 0.27%, 0.36%, 0

LABA 41.11, 5.35, 19.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #856F5500

RGBA 133 111 85 0

HSLA 32.5, 0.22%, 0.43%, 0

LABA 48.27, 4.65, 17.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #96816800

RGBA 150 129 104 0

HSLA 32.61, 0.18%, 0.5%, 0

LABA 55.26, 4.08, 16.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4D392100

RGBA 77 57 33 0

HSLA 32.73, 0.4%, 0.22%, 0

LABA 25.6, 5.46, 18.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3C270E00

RGBA 60 39 14 0

HSLA 32.61, 0.62%, 0.15%, 0

LABA 17.66, 6.87, 19.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2B150000

RGBA 43 21 0 0

HSLA 29.3, 1%, 0.08%, 0

LABA 9.4, 8.99, 14.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1A030000

RGBA 26 3 0 0

HSLA 6.92, 1%, 0.05%, 0

LABA 2.57, 7.7, 3.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #09000000

RGBA 9 0 0 0

HSLA 0, 1%, 0.02%, 0

LABA 0.52, 2.35, 0.83, 0

 

CMYK 0 / 27 / 57 / 69

HEX #4F3A22

RGB 79 58 34

HSL 32, 0.4%, 0.22%

LAB 26.17, 5.91, 18.43

 

CMYK 0 / 42 / 57 / 69

HEX #4F2E22

RGB 79 46 34

HSL 16, 0.4%, 0.22%

LAB 22.76, 13.66, 14.09

 

CMYK 0 / 57 / 57 / 69

HEX #4F2222

RGB 79 34 34

HSL 0, 0.4%, 0.22%

LAB 19.73, 21.14, 10.07

 

CMYK 0 / 27 / 57 / 69

HEX #4F3A22

RGB 79 58 34

HSL 32, 0.4%, 0.22%

LAB 26.17, 5.91, 18.43

 

CMYK 0 / 11 / 57 / 69

HEX #4F4622

RGB 79 70 34

HSL 48, 0.4%, 0.22%

LAB 29.81, -1.7, 22.89

 

CMYK 5 / 0 / 57 / 69

HEX #4B4F22

RGB 75 79 34

HSL 65.33, 0.4%, 0.22%

LAB 32.27, -9.11, 25.71

 

CMYK 20 / 0 / 57 / 69

HEX #3F4F22

RGB 63 79 34

HSL 81.33, 0.4%, 0.22%

LAB 31.26, -14.71, 24.28

 

CMYK 35 / 0 / 57 / 69

HEX #334F22

RGB 51 79 34

HSL 97.33, 0.4%, 0.22%

LAB 30.43, -19.91, 23.08

 

CMYK 0 / 27 / 57 / 69

HEX #4F3A22

RGB 79 58 34

HSL 32, 0.4%, 0.22%

LAB 26.17, 5.91, 18.43

 

CMYK 0 / 33 / 72 / 65

HEX #583B19

RGB 88 59 25

HSL 32.38, 0.56%, 0.22%

LAB 27.5, 8.95, 25.67

 

CMYK 0 / 38 / 84 / 62

HEX #613C10

RGB 97 60 16

HSL 32.59, 0.72%, 0.22%

LAB 28.93, 12.26, 32.2

 

CMYK 0 / 42 / 94 / 58

HEX #6A3D06

RGB 106 61 6

HSL 33, 0.89%, 0.22%

LAB 30.44, 15.68, 38.07

 

CMYK 0 / 27 / 57 / 69

HEX #4F3A22

RGB 79 58 34

HSL 32, 0.4%, 0.22%

LAB 26.17, 5.91, 18.43

 

CMYK 0 / 17 / 38 / 73

HEX #45392B

RGB 69 57 43

HSL 32.31, 0.23%, 0.22%

LAB 24.85, 2.84, 10.7

 

CMYK 0 / 7 / 13 / 76

HEX #3C3834

RGB 60 56 52

HSL 30, 0.07%, 0.22%

LAB 23.79, 0.9, 3.12

 

CMYK 16 / 8 / 0 / 76

HEX #33383D

RGB 51 56 61

HSL 210, 0.09%, 0.22%

LAB 23.23, -0.86, -3.84

 

CMYK 40 / 21 / 0 / 73

HEX #2A3746

RGB 42 55 70

HSL 212.14, 0.25%, 0.22%

LAB 22.54, -0.94, -11

 

CMYK 0 / 57 / 57 / 69

HEX #4F2222

RGB 79 34 34

HSL 0, 0.4%, 0.22%

LAB 19.73, 21.14, 10.07

 

CMYK 0 / 42 / 57 / 69

HEX #4F2E22

RGB 79 46 34

HSL 16, 0.4%, 0.22%

LAB 22.76, 13.66, 14.09

 

CMYK 0 / 27 / 57 / 69

HEX #4F3A22

RGB 79 58 34

HSL 32, 0.4%, 0.22%

LAB 26.17, 5.91, 18.43

 

CMYK 0 / 11 / 57 / 69

HEX #4F4622

RGB 79 70 34

HSL 48, 0.4%, 0.22%

LAB 29.81, -1.7, 22.89

 

CMYK 4 / 0 / 57 / 69

HEX #4C4F22

RGB 76 79 34

HSL 64, 0.4%, 0.22%

LAB 32.36, -8.63, 25.84

 

CMYK 0 / 29 / 57 / 92

HEX #150F09

RGB 21 15 9

HSL 30, 0.4%, 0.06%

LAB 4.7, 1.41, 3.38

 

CMYK 0 / 26 / 58 / 80

HEX #322515

RGB 50 37 21

HSL 33.1, 0.41%, 0.14%

LAB 15.78, 3.61, 12.97

 

CMYK 0 / 27 / 57 / 69

HEX #4F3A22

RGB 79 58 34

HSL 32, 0.4%, 0.22%

LAB 26.17, 5.91, 18.43

 

CMYK 0 / 25 / 57 / 58

HEX #6B502E

RGB 107 80 46

HSL 33.44, 0.4%, 0.3%

LAB 36.1, 6.86, 24.26

 

CMYK 0 / 26 / 57 / 47

HEX #88653A

RGB 136 101 58

HSL 33.08, 0.4%, 0.38%

LAB 45.42, 8.83, 29.59

 

CMYK 0 / 26 / 57 / 70

HEX #4D3921

RGB 77 57 33

HSL 32.73, 0.4%, 0.22%

LAB 25.6, 5.46, 18.3

 

CMYK 42 / 0 / 57 / 69

HEX #2E4F22

RGB 46 79 34

HSL 104, 0.4%, 0.22%

LAB 30.13, -21.9, 22.65

 

CMYK 49 / 57 / 0 / 69

HEX #28224F

RGB 40 34 79

HSL 248, 0.4%, 0.22%

LAB 16.3, 16.25, -26.88

 

CMYK 0 / 26 / 57 / 70

HEX #4D3921

RGB 77 57 33

HSL 32.73, 0.4%, 0.22%

LAB 25.6, 5.46, 18.3

 

CMYK 57 / 0 / 27 / 69

HEX #224F3A

RGB 34 79 58

HSL 152, 0.4%, 0.22%

LAB 30, -21.25, 7.77

 

CMYK 27 / 57 / 0 / 69

HEX #3A224F

RGB 58 34 79

HSL 272, 0.4%, 0.22%

LAB 18.4, 21.61, -23.41

 

CMYK 0 / 26 / 57 / 70

HEX #4D3921

RGB 77 57 33

HSL 32.73, 0.4%, 0.22%

LAB 25.6, 5.46, 18.3

 

CMYK 42 / 0 / 57 / 69

HEX #2E4F22

RGB 46 79 34

HSL 104, 0.4%, 0.22%

LAB 30.13, -21.9, 22.65

 

CMYK 57 / 30 / 0 / 69

HEX #22374F

RGB 34 55 79

HSL 212, 0.4%, 0.22%

LAB 22.43, -0.31, -17.22

 

CMYK 15 / 57 / 0 / 69

HEX #43224F

RGB 67 34 79

HSL 284, 0.4%, 0.22%

LAB 19.65, 24.49, -21.36

 

CMYK 0 / 26 / 57 / 70

HEX #4D3921

RGB 77 57 33

HSL 32.73, 0.4%, 0.22%

LAB 25.6, 5.46, 18.3

 

CMYK 57 / 0 / 56 / 69

HEX #224F23

RGB 34 79 35

HSL 121.33, 0.4%, 0.22%

LAB 29.55, -25.97, 21.23

 

CMYK 57 / 30 / 0 / 69

HEX #22374F

RGB 34 55 79

HSL 212, 0.4%, 0.22%

LAB 22.43, -0.31, -17.22

 

CMYK 0 / 57 / 3 / 69

HEX #4F224D

RGB 79 34 77

HSL 302.67, 0.4%, 0.22%

LAB 21.37, 27.97, -17.18

 

Description

Color code: HEX #4D392100 | qconv.com Color code: HEX #4D392100 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 57 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 57 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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