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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3618CE it is the complementary color #B2C9E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3618CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3618CE shade: #523613CE, #634826CE, #745A39CE, #856C4CCE and #967E5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3618CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3618CE shade: #4D3618CE, #3C2405CE, #2B1200CE, #1A0000CE and #090000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3618CE shade: #4E3718, #4E2818, #4E1A18 and #4E1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3618CE shade: #4E3718, #4E4518, #484E18, #3A4E18 and #2B4E18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3618CE shade matches the following richer shades: #4E3718, #563810 and #5E3908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3618CE shade: #4E3718, #453521, #3D3429, #353331 and #2D3239

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3618CE shade: #4E1918, #4E2818, #4E3618, #4E4418 and #494E18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3618CE shade: #0F0A05, #2E200F, #4E3718, #6D4D22 and #8C632C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3618CE shade: #4D3618, #264E18 and #20184E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3618CE shade: #4D3618, #184E36 and #36184E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3618CE shade: #4D3618, #264E18, #18304E and #40184E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3618CE shade: #4D3618, #184E1B, #18304E and #4E184B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 56 / 57

HEX #4D3618CE

RGBA 77 54 24 0.81

HSLA 33.96, 0.52%, 0.2%, 0.81

LABA 24.58, 6.55, 22.55, 0.81

 

Complementary color

CMYK 19 / 11 / 0 / 8

HEX #B2C9E7CE

RGBA 178 201 231 0.81

HSLA 213.96, 0.52%, 0.8%, 0.81

LABA 80.18, -1.31, -17.43, 0.81

 

CMYK 0 / 28 / 62 / 55

HEX #523613CE

RGBA 82 54 19 0.81

HSLA 33.33, 0.62%, 0.2%, 0.81

LABA 25.2, 8.73, 26.26, 0.81

 

CMYK 0 / 22 / 50 / 50

HEX #634826CE

RGBA 99 72 38 0.81

HSLA 33.44, 0.45%, 0.27%, 0.81

LABA 32.76, 7.23, 24.65, 0.81

 

CMYK 0 / 18 / 41 / 44

HEX #745A39CE

RGBA 116 90 57 0.81

HSLA 33.56, 0.34%, 0.34%, 0.81

LABA 40.12, 6.12, 23.07, 0.81

 

CMYK 0 / 15 / 35 / 39

HEX #856C4CCE

RGBA 133 108 76 0.81

HSLA 33.68, 0.27%, 0.41%, 0.81

LABA 47.28, 5.26, 21.63, 0.81

 

CMYK 0 / 13 / 30 / 33

HEX #967E5FCE

RGBA 150 126 95 0.81

HSLA 33.82, 0.22%, 0.48%, 0.81

LABA 54.27, 4.58, 20.33, 0.81

 

CMYK 0 / 24 / 56 / 57

HEX #4D3618CE

RGBA 77 54 24 0.81

HSLA 33.96, 0.52%, 0.2%, 0.81

LABA 24.58, 6.55, 22.55, 0.81

 

CMYK 0 / 32 / 74 / 62

HEX #3C2405CE

RGBA 60 36 5 0.81

HSLA 33.82, 0.85%, 0.13%, 0.81

LABA 16.67, 8.32, 22.42, 0.81

 

CMYK 0 / 47 / 81 / 67

HEX #2B1200CE

RGBA 43 18 0 0.81

HSLA 25.12, 1%, 0.08%, 0.81

LABA 8.54, 11.08, 13.02, 0.81

 

CMYK 0 / 81 / 81 / 73

HEX #1A0000CE

RGBA 26 0 0 0.81

HSLA 0, 1%, 0.05%, 0.81

LABA 1.98, 8.9, 3.14, 0.81

 

CMYK 0 / 81 / 81 / 78

HEX #090000CE

RGBA 9 0 0 0.81

HSLA 0, 1%, 0.02%, 0.81

LABA 0.52, 2.35, 0.83, 0.81

 

CMYK 0 / 29 / 69 / 69

HEX #4E3718

RGB 78 55 24

HSL 34.44, 0.53%, 0.2%

LAB 25.01, 6.41, 23.07

 

CMYK 0 / 49 / 69 / 69

HEX #4E2818

RGB 78 40 24

HSL 17.78, 0.53%, 0.2%

LAB 20.84, 16.07, 18.18

 

CMYK 0 / 67 / 69 / 69

HEX #4E1A18

RGB 78 26 24

HSL 2.22, 0.53%, 0.2%

LAB 17.57, 24.38, 14.15

 

CMYK 0 / 69 / 69 / 69

HEX #4E1818

RGB 78 24 24

HSL 0, 0.53%, 0.2%

LAB 17.17, 25.44, 13.65

 

CMYK 0 / 29 / 69 / 69

HEX #4E3718

RGB 78 55 24

HSL 34.44, 0.53%, 0.2%

LAB 25.01, 6.41, 23.07

 

CMYK 0 / 12 / 69 / 69

HEX #4E4518

RGB 78 69 24

HSL 50, 0.53%, 0.2%

LAB 29.27, -2.48, 27.82

 

CMYK 8 / 0 / 69 / 69

HEX #484E18

RGB 72 78 24

HSL 66.67, 0.53%, 0.2%

LAB 31.56, -10.89, 30.11

 

CMYK 26 / 0 / 69 / 69

HEX #3A4E18

RGB 58 78 24

HSL 82.22, 0.53%, 0.2%

LAB 30.43, -17.49, 28.57

 

CMYK 45 / 0 / 69 / 69

HEX #2B4E18

RGB 43 78 24

HSL 98.89, 0.53%, 0.2%

LAB 29.48, -23.81, 27.26

 

CMYK 0 / 29 / 69 / 69

HEX #4E3718

RGB 78 55 24

HSL 34.44, 0.53%, 0.2%

LAB 25.01, 6.41, 23.07

 

CMYK 0 / 35 / 81 / 66

HEX #563810

RGB 86 56 16

HSL 34.29, 0.69%, 0.2%

LAB 26.29, 9.3, 29.11

 

CMYK 0 / 39 / 91 / 63

HEX #5E3908

RGB 94 57 8

HSL 34.19, 0.84%, 0.2%

LAB 27.64, 12.35, 34.28

 

CMYK 0 / 29 / 69 / 69

HEX #4E3718

RGB 78 55 24

HSL 34.44, 0.53%, 0.2%

LAB 25.01, 6.41, 23.07

 

CMYK 0 / 23 / 52 / 73

HEX #453521

RGB 69 53 33

HSL 33.33, 0.35%, 0.2%

LAB 23.41, 4.08, 15.31

 

CMYK 0 / 15 / 33 / 76

HEX #3D3429

RGB 61 52 41

HSL 33, 0.2%, 0.2%

LAB 22.33, 1.96, 8.44

 

CMYK 0 / 4 / 8 / 79

HEX #353331

RGB 53 51 49

HSL 30, 0.04%, 0.2%

LAB 21.38, 0.44, 1.58

 

CMYK 21 / 12 / 0 / 78

HEX #2D3239

RGB 45 50 57

HSL 215, 0.12%, 0.2%

LAB 20.57, -0.32, -5.15

 

CMYK 0 / 68 / 69 / 69

HEX #4E1918

RGB 78 25 24

HSL 1.11, 0.53%, 0.2%

LAB 17.37, 24.92, 13.9

 

CMYK 0 / 49 / 69 / 69

HEX #4E2818

RGB 78 40 24

HSL 17.78, 0.53%, 0.2%

LAB 20.84, 16.07, 18.18

 

CMYK 0 / 31 / 69 / 69

HEX #4E3618

RGB 78 54 24

HSL 33.33, 0.53%, 0.2%

LAB 24.71, 7.06, 22.74

 

CMYK 0 / 13 / 69 / 69

HEX #4E4418

RGB 78 68 24

HSL 48.89, 0.53%, 0.2%

LAB 28.95, -1.86, 27.48

 

CMYK 6 / 0 / 69 / 69

HEX #494E18

RGB 73 78 24

HSL 65.56, 0.53%, 0.2%

LAB 31.65, -10.4, 30.23

 

CMYK 0 / 33 / 67 / 94

HEX #0F0A05

RGB 15 10 5

HSL 30, 0.5%, 0.04%

LAB 2.98, 0.81, 2.42

 

CMYK 0 / 30 / 67 / 82

HEX #2E200F

RGB 46 32 15

HSL 32.9, 0.51%, 0.12%

LAB 13.52, 4.26, 13.6

 

CMYK 0 / 29 / 69 / 69

HEX #4E3718

RGB 78 55 24

HSL 34.44, 0.53%, 0.2%

LAB 25.01, 6.41, 23.07

 

CMYK 0 / 29 / 69 / 57

HEX #6D4D22

RGB 109 77 34

HSL 34.4, 0.52%, 0.28%

LAB 35.35, 8.65, 30.21

 

CMYK 0 / 29 / 69 / 45

HEX #8C632C

RGB 140 99 44

HSL 34.38, 0.52%, 0.36%

LAB 45.19, 10.76, 36.94

 

CMYK 0 / 30 / 69 / 70

HEX #4D3618

RGB 77 54 24

HSL 33.96, 0.52%, 0.2%

LAB 24.58, 6.55, 22.55

 

CMYK 51 / 0 / 69 / 69

HEX #264E18

RGB 38 78 24

HSL 104.44, 0.53%, 0.2%

LAB 29.23, -25.66, 26.9

 

CMYK 59 / 69 / 0 / 69

HEX #20184E

RGB 32 24 78

HSL 248.89, 0.53%, 0.2%

LAB 12.67, 20.97, -32.1

 

CMYK 0 / 30 / 69 / 70

HEX #4D3618

RGB 77 54 24

HSL 33.96, 0.52%, 0.2%

LAB 24.58, 6.55, 22.55

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 31 / 69 / 0 / 69

HEX #36184E

RGB 54 24 78

HSL 273.33, 0.53%, 0.2%

LAB 15.42, 26.4, -27.52

 

CMYK 0 / 30 / 69 / 70

HEX #4D3618

RGB 77 54 24

HSL 33.96, 0.52%, 0.2%

LAB 24.58, 6.55, 22.55

 

CMYK 51 / 0 / 69 / 69

HEX #264E18

RGB 38 78 24

HSL 104.44, 0.53%, 0.2%

LAB 29.23, -25.66, 26.9

 

CMYK 69 / 38 / 0 / 69

HEX #18304E

RGB 24 48 78

HSL 213.33, 0.53%, 0.2%

LAB 19.47, 1.71, -21.24

 

CMYK 18 / 69 / 0 / 69

HEX #40184E

RGB 64 24 78

HSL 284.44, 0.53%, 0.2%

LAB 16.96, 29.16, -24.98

 

CMYK 0 / 30 / 69 / 70

HEX #4D3618

RGB 77 54 24

HSL 33.96, 0.52%, 0.2%

LAB 24.58, 6.55, 22.55

 

CMYK 69 / 0 / 65 / 69

HEX #184E1B

RGB 24 78 27

HSL 123.33, 0.53%, 0.2%

LAB 28.7, -29.58, 24.59

 

CMYK 69 / 38 / 0 / 69

HEX #18304E

RGB 24 48 78

HSL 213.33, 0.53%, 0.2%

LAB 19.47, 1.71, -21.24

 

CMYK 0 / 69 / 4 / 69

HEX #4E184B

RGB 78 24 75

HSL 303.33, 0.53%, 0.2%

LAB 19.14, 32.54, -19.31

 

Description

Color code: HEX #4D3618CE | qconv.com Color code: HEX #4D3618CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 54 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 54 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 56 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 56% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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