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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D346F it is the complementary color #B2CB90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D346F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D346F shade: #52346A, #63467D, #745890, #856AA3 and #967CB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D346F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D346F shade: #4D346F, #3C225C, #2B1049, #1A0036 and #090023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D346F shade: #4D346F, #5D346F, #6D346F, #6F3461 and #6F3451

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D346F shade: #4D346F, #3D346F and #34346F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D346F shade matches the following richer shades: #4D346F, #4B277C, #491A89 and #470D97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D346F shade: #4D346F, #4F4162, #514F55, #535C47 and #55693A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D346F shade: #343B6F, #3D346F, #4D346F, #5C346F and #6C346F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D346F shade: #261A37, #3A2753, #4D346F, #61418B and #744FA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D346F shade: #4D346F, #6F344B and #346F35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D346F shade: #4D346F, #6F4D34 and #346F4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D346F shade: #4D346F, #6F344B, #566F34 and #346F58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D346F shade: #4D346F, #6F3439, #566F34 and #346F6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

Complementary color

CMYK 12 / 0 / 29 / 20

HEX #B2CB90

RGB 178 203 144

HSL 85.42, 0.36%, 0.68%

LAB 78.57, -18.67, 26.73

 

CMYK 23 / 51 / 0 / 58

HEX #52346A

RGB 82 52 106

HSL 273.33, 0.34%, 0.31%

LAB 27.55, 24.92, -26.51

 

CMYK 21 / 44 / 0 / 51

HEX #63467D

RGB 99 70 125

HSL 271.64, 0.28%, 0.38%

LAB 35.03, 23.98, -26.58

 

CMYK 19 / 39 / 0 / 44

HEX #745890

RGB 116 88 144

HSL 270, 0.24%, 0.45%

LAB 42.32, 23.13, -26.65

 

CMYK 18 / 35 / 0 / 36

HEX #856AA3

RGB 133 106 163

HSL 268.42, 0.24%, 0.53%

LAB 49.42, 22.37, -26.75

 

CMYK 18 / 32 / 0 / 29

HEX #967CB6

RGB 150 124 182

HSL 266.9, 0.28%, 0.6%

LAB 56.36, 21.68, -26.87

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 35 / 63 / 0 / 64

HEX #3C225C

RGB 60 34 92

HSL 266.9, 0.46%, 0.25%

LAB 19.55, 25.87, -30.28

 

CMYK 41 / 78 / 0 / 71

HEX #2B1049

RGB 43 16 73

HSL 268.42, 0.64%, 0.17%

LAB 11.72, 26.86, -30.13

 

CMYK 52 / 100 / 0 / 79

HEX #1A0036

RGB 26 0 54

HSL 268.89, 1%, 0.11%

LAB 4.39, 24.93, -28.6

 

CMYK 74 / 100 / 0 / 86

HEX #090023

RGB 9 0 35

HSL 255.43, 1%, 0.07%

LAB 1.62, 10.06, -18.64

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 16 / 53 / 0 / 56

HEX #5D346F

RGB 93 52 111

HSL 281.69, 0.36%, 0.32%

LAB 29.24, 29.58, -26.95

 

CMYK 2 / 53 / 0 / 56

HEX #6D346F

RGB 109 52 111

HSL 297.97, 0.36%, 0.32%

LAB 31.47, 34.55, -23.28

 

CMYK 0 / 53 / 13 / 56

HEX #6F3461

RGB 111 52 97

HSL 314.24, 0.36%, 0.32%

LAB 31.11, 32.52, -14.87

 

CMYK 0 / 53 / 27 / 56

HEX #6F3451

RGB 111 52 81

HSL 330.51, 0.36%, 0.32%

LAB 30.47, 29.84, -5.48

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 45 / 53 / 0 / 56

HEX #3D346F

RGB 61 52 111

HSL 249.15, 0.36%, 0.32%

LAB 25.55, 20.23, -33.03

 

CMYK 53 / 53 / 0 / 56

HEX #34346F

RGB 52 52 111

HSL 240, 0.36%, 0.32%

LAB 24.75, 17.92, -34.37

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 40 / 69 / 0 / 51

HEX #4B277C

RGB 75 39 124

HSL 265.41, 0.52%, 0.32%

LAB 24.96, 35.65, -42.18

 

CMYK 47 / 81 / 0 / 46

HEX #491A89

RGB 73 26 137

HSL 265.41, 0.68%, 0.32%

LAB 23.54, 45.27, -52.68

 

CMYK 53 / 91 / 0 / 41

HEX #470D97

RGB 71 13 151

HSL 265.22, 0.84%, 0.32%

LAB 23.21, 53.08, -61.94

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 19 / 34 / 0 / 62

HEX #4F4162

RGB 79 65 98

HSL 265.45, 0.2%, 0.32%

LAB 30.22, 13.51, -17.23

 

CMYK 5 / 7 / 0 / 67

HEX #514F55

RGB 81 79 85

HSL 260, 0.04%, 0.32%

LAB 33.98, 2.13, -3.23

 

CMYK 10 / 0 / 23 / 64

HEX #535C47

RGB 83 92 71

HSL 85.71, 0.13%, 0.32%

LAB 37.75, -7.8, 10.94

 

CMYK 19 / 0 / 45 / 59

HEX #55693A

RGB 85 105 58

HSL 85.53, 0.29%, 0.32%

LAB 41.75, -16.39, 23.97

 

CMYK 53 / 47 / 0 / 56

HEX #343B6F

RGB 52 59 111

HSL 232.88, 0.36%, 0.32%

LAB 26.75, 13.13, -31.16

 

CMYK 45 / 53 / 0 / 56

HEX #3D346F

RGB 61 52 111

HSL 249.15, 0.36%, 0.32%

LAB 25.55, 20.23, -33.03

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 17 / 53 / 0 / 56

HEX #5C346F

RGB 92 52 111

HSL 280.68, 0.36%, 0.32%

LAB 29.11, 29.27, -27.16

 

CMYK 3 / 53 / 0 / 56

HEX #6C346F

RGB 108 52 111

HSL 296.95, 0.36%, 0.32%

LAB 31.33, 34.24, -23.52

 

CMYK 31 / 53 / 0 / 78

HEX #261A37

RGB 38 26 55

HSL 264.83, 0.36%, 0.16%

LAB 12.13, 13.43, -16.8

 

CMYK 30 / 53 / 0 / 67

HEX #3A2753

RGB 58 39 83

HSL 265.91, 0.36%, 0.24%

LAB 19.94, 19.45, -23.66

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 30 / 53 / 0 / 45

HEX #61418B

RGB 97 65 139

HSL 265.95, 0.36%, 0.4%

LAB 34.37, 30.06, -36.28

 

CMYK 31 / 53 / 0 / 35

HEX #744FA7

RGB 116 79 167

HSL 265.23, 0.36%, 0.48%

LAB 41.37, 34.3, -41.9

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 0 / 53 / 32 / 56

HEX #6F344B

RGB 111 52 75

HSL 336.61, 0.36%, 0.32%

LAB 30.26, 28.94, -1.87

 

CMYK 53 / 0 / 52 / 56

HEX #346F35

RGB 52 111 53

HSL 121.02, 0.36%, 0.32%

LAB 41.78, -32.28, 26.38

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 0 / 31 / 53 / 56

HEX #6F4D34

RGB 111 77 52

HSL 25.42, 0.36%, 0.32%

LAB 35.86, 11.16, 20.49

 

CMYK 53 / 0 / 31 / 56

HEX #346F4D

RGB 52 111 77

HSL 145.42, 0.36%, 0.32%

LAB 42.21, -27.83, 13.19

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 0 / 53 / 32 / 56

HEX #6F344B

RGB 111 52 75

HSL 336.61, 0.36%, 0.32%

LAB 30.26, 28.94, -1.87

 

CMYK 23 / 0 / 53 / 56

HEX #566F34

RGB 86 111 52

HSL 85.42, 0.36%, 0.32%

LAB 43.65, -19.94, 29.64

 

CMYK 53 / 0 / 21 / 56

HEX #346F58

RGB 52 111 88

HSL 156.61, 0.36%, 0.32%

LAB 42.47, -25.28, 6.99

 

CMYK 31 / 53 / 0 / 56

HEX #4D346F

RGB 77 52 111

HSL 265.42, 0.36%, 0.32%

LAB 27.25, 24.74, -30.23

 

CMYK 0 / 53 / 49 / 56

HEX #6F3439

RGB 111 52 57

HSL 354.92, 0.36%, 0.32%

LAB 29.74, 26.63, 9.18

 

CMYK 23 / 0 / 53 / 56

HEX #566F34

RGB 86 111 52

HSL 85.42, 0.36%, 0.32%

LAB 43.65, -19.94, 29.64

 

CMYK 53 / 0 / 5 / 56

HEX #346F6A

RGB 52 111 106

HSL 174.92, 0.36%, 0.32%

LAB 42.97, -20.52, -3.11

 

Description

Color code: HEX #4D346F | qconv.com Color code: HEX #4D346F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 52 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 52 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 53 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 53% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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