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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D323B it is the complementary color #B2CDC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D323B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D323B shade: #523236, #634449, #74565C, #85686F and #967A82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D323B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D323B shade: #4D323B, #3C2028, #2B0E15, #1A0002 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D323B shade: #4D323B, #4D3234 and #4D3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D323B shade: #4D323B, #4D3242, #4D3249, #49324D and #42324D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D323B shade matches the following richer shades: #4D323B, #572837, #611D34, #6C1330 and #76092D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D323B shade: #4D323B, #423C3E, #384642, #2E5145 and #235B49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D323B shade: #4D3249, #4D3242, #4D323B, #4D3234 and #4D3732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D323B shade: #1B1114, #342228, #4D323B, #66424E and #7F5261

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D323B shade: #4D323B, #4D4932 and #32454D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D323B shade: #4D323B, #3B4D32 and #323B4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D323B shade: #4D323B, #4D4932, #324D44 and #32354D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D323B shade: #4D323B, #484D32, #324D44 and #36324D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

Complementary color

CMYK 13 / 0 / 4 / 20

HEX #B2CDC4

RGB 178 205 196

HSL 160, 0.21%, 0.75%

LAB 80.24, -10.8, 1.42

 

CMYK 0 / 39 / 34 / 68

HEX #523236

RGB 82 50 54

HSL 352.5, 0.24%, 0.26%

LAB 24.77, 15.12, 3.53

 

CMYK 0 / 31 / 26 / 61

HEX #634449

RGB 99 68 73

HSL 350.32, 0.19%, 0.33%

LAB 32.41, 14.19, 2.35

 

CMYK 0 / 26 / 21 / 55

HEX #74565C

RGB 116 86 92

HSL 348, 0.15%, 0.4%

LAB 39.82, 13.42, 1.37

 

CMYK 0 / 22 / 17 / 48

HEX #85686F

RGB 133 104 111

HSL 345.52, 0.12%, 0.46%

LAB 47.02, 12.77, 0.52

 

CMYK 0 / 19 / 13 / 41

HEX #967A82

RGB 150 122 130

HSL 342.86, 0.12%, 0.53%

LAB 54.04, 12.21, -0.26

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 47 / 33 / 76

HEX #3C2028

RGB 60 32 40

HSL 342.86, 0.3%, 0.18%

LAB 16.24, 14.77, 0.49

 

CMYK 0 / 67 / 51 / 83

HEX #2B0E15

RGB 43 14 21

HSL 345.52, 0.51%, 0.11%

LAB 7.97, 15.93, 2.12

 

CMYK 0 / 100 / 92 / 90

HEX #1A0002

RGB 26 0 2

HSL 355.38, 1%, 0.05%

LAB 2.02, 9.18, 2.38

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 35 / 32 / 70

HEX #4D3234

RGB 77 50 52

HSL 355.56, 0.21%, 0.25%

LAB 24.02, 12.58, 3.72

 

CMYK 0 / 35 / 35 / 70

HEX #4D3232

RGB 77 50 50

HSL 0, 0.21%, 0.25%

LAB 23.96, 12.26, 4.98

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 35 / 14 / 70

HEX #4D3242

RGB 77 50 66

HSL 324.44, 0.21%, 0.25%

LAB 24.49, 15.1, -5.02

 

CMYK 0 / 35 / 5 / 70

HEX #4D3249

RGB 77 50 73

HSL 308.89, 0.21%, 0.25%

LAB 24.77, 16.55, -9.28

 

CMYK 5 / 35 / 0 / 70

HEX #49324D

RGB 73 50 77

HSL 291.11, 0.21%, 0.25%

LAB 24.43, 15.89, -12.51

 

CMYK 14 / 35 / 0 / 70

HEX #42324D

RGB 66 50 77

HSL 275.56, 0.21%, 0.25%

LAB 23.59, 13.23, -13.87

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 54 / 37 / 66

HEX #572837

RGB 87 40 55

HSL 340.85, 0.37%, 0.25%

LAB 23.07, 23.58, 0.49

 

CMYK 0 / 70 / 46 / 62

HEX #611D34

RGB 97 29 52

HSL 339.71, 0.54%, 0.25%

LAB 22.54, 32.83, 2.02

 

CMYK 0 / 82 / 56 / 58

HEX #6C1330

RGB 108 19 48

HSL 340.45, 0.7%, 0.25%

LAB 23.23, 40.01, 6.07

 

CMYK 0 / 92 / 62 / 54

HEX #76092D

RGB 118 9 45

HSL 340.18, 0.86%, 0.25%

LAB 24.44, 45.21, 10.16

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 9 / 6 / 74

HEX #423C3E

RGB 66 60 62

HSL 340, 0.05%, 0.25%

LAB 25.97, 3.02, -0.3

 

CMYK 20 / 0 / 6 / 73

HEX #384642

RGB 56 70 66

HSL 162.86, 0.11%, 0.25%

LAB 28.42, -6.59, 0.54

 

CMYK 43 / 0 / 15 / 68

HEX #2E5145

RGB 46 81 69

HSL 159.43, 0.28%, 0.25%

LAB 31.57, -15.91, 3.09

 

CMYK 62 / 0 / 20 / 64

HEX #235B49

RGB 35 91 73

HSL 160.71, 0.44%, 0.25%

LAB 34.64, -23.3, 4.92

 

CMYK 0 / 35 / 5 / 70

HEX #4D3249

RGB 77 50 73

HSL 308.89, 0.21%, 0.25%

LAB 24.77, 16.55, -9.28

 

CMYK 0 / 35 / 14 / 70

HEX #4D3242

RGB 77 50 66

HSL 324.44, 0.21%, 0.25%

LAB 24.49, 15.1, -5.02

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 35 / 32 / 70

HEX #4D3234

RGB 77 50 52

HSL 355.56, 0.21%, 0.25%

LAB 24.02, 12.58, 3.72

 

CMYK 0 / 29 / 35 / 70

HEX #4D3732

RGB 77 55 50

HSL 11.11, 0.21%, 0.25%

LAB 25.38, 9, 6.98

 

CMYK 0 / 37 / 26 / 89

HEX #1B1114

RGB 27 17 20

HSL 342, 0.23%, 0.09%

LAB 6.18, 5.25, -0.11

 

CMYK 0 / 35 / 23 / 80

HEX #342228

RGB 52 34 40

HSL 340, 0.21%, 0.17%

LAB 15.63, 9.76, -0.54

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 35 / 24 / 60

HEX #66424E

RGB 102 66 78

HSL 340, 0.21%, 0.33%

LAB 32.42, 17.53, -0.8

 

CMYK 0 / 35 / 24 / 50

HEX #7F5261

RGB 127 82 97

HSL 340, 0.22%, 0.41%

LAB 40.26, 21.09, -0.91

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 5 / 35 / 70

HEX #4D4932

RGB 77 73 50

HSL 51.11, 0.21%, 0.25%

LAB 30.81, -2.49, 14.4

 

CMYK 35 / 10 / 0 / 70

HEX #32454D

RGB 50 69 77

HSL 197.78, 0.21%, 0.25%

LAB 28.03, -5.21, -7.23

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 23 / 0 / 35 / 70

HEX #3B4D32

RGB 59 77 50

HSL 100, 0.21%, 0.25%

LAB 30.56, -12.94, 13.79

 

CMYK 35 / 23 / 0 / 70

HEX #323B4D

RGB 50 59 77

HSL 220, 0.21%, 0.25%

LAB 24.77, 1.3, -12.19

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 0 / 5 / 35 / 70

HEX #4D4932

RGB 77 73 50

HSL 51.11, 0.21%, 0.25%

LAB 30.81, -2.49, 14.4

 

CMYK 35 / 0 / 12 / 70

HEX #324D44

RGB 50 77 68

HSL 160, 0.21%, 0.25%

LAB 30.41, -12.53, 2.09

 

CMYK 35 / 31 / 0 / 70

HEX #32354D

RGB 50 53 77

HSL 233.33, 0.21%, 0.25%

LAB 22.86, 5.36, -15.13

 

CMYK 0 / 35 / 23 / 70

HEX #4D323B

RGB 77 50 59

HSL 340, 0.21%, 0.25%

LAB 24.24, 13.78, -0.68

 

CMYK 6 / 0 / 35 / 70

HEX #484D32

RGB 72 77 50

HSL 71.11, 0.21%, 0.25%

LAB 31.61, -7.24, 15.38

 

CMYK 35 / 0 / 12 / 70

HEX #324D44

RGB 50 77 68

HSL 160, 0.21%, 0.25%

LAB 30.41, -12.53, 2.09

 

CMYK 30 / 35 / 0 / 70

HEX #36324D

RGB 54 50 77

HSL 248.89, 0.21%, 0.25%

LAB 22.31, 8.82, -15.96

 

Description

Color code: HEX #4D323B | qconv.com Color code: HEX #4D323B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 50 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 50 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 23 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 23% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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