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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3210 it is the complementary color #B2CDEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3210 shade: #52320B, #63441E, #745631, #856844 and #967A57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3210 shade: #4D3210, #3C2000, #2B0E00, #1A0000 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3210 shade: #4C3110, #4C2110, #4C1110 and #4C1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3210 shade: #4C3110, #4C4210, #464C10, #364C10 and #264C10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3210 shade matches the following richer shades: #4C3110, #543208 and #5B3301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3210 shade: #4C3110, #453117, #3D301E, #362F26 and #2E2E2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3210 shade: #4C1110, #4C2110, #4C3110, #4C4110 and #474C10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3210 shade: #080502, #2A1B09, #4C3110, #6E4817 and #915E1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3210 shade: #4D3210, #1F4C10 and #19104C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3210 shade: #4D3210, #104C31 and #31104C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3210 shade: #4D3210, #1F4C10, #102B4C and #3D104C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3210 shade: #4D3210, #104C13, #102B4C and #4C1049

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 79 / 70

HEX #4D3210

RGB 77 50 16

HSL 33.44, 0.66%, 0.18%

LAB 23.33, 8.58, 25.7

 

Complementary color

CMYK 26 / 14 / 0 / 6

HEX #B2CDEF

RGB 178 205 239

HSL 213.44, 0.66%, 0.82%

LAB 81.49, -1.62, -19.74

 

CMYK 0 / 39 / 87 / 68

HEX #52320B

RGB 82 50 11

HSL 32.96, 0.76%, 0.18%

LAB 24, 10.87, 29.06

 

CMYK 0 / 31 / 70 / 61

HEX #63441E

RGB 99 68 30

HSL 33.04, 0.53%, 0.25%

LAB 31.53, 9.07, 27.78

 

CMYK 0 / 26 / 58 / 55

HEX #745631

RGB 116 86 49

HSL 33.13, 0.41%, 0.32%

LAB 38.88, 7.73, 26.17

 

CMYK 0 / 22 / 49 / 48

HEX #856844

RGB 133 104 68

HSL 33.23, 0.32%, 0.39%

LAB 46.05, 6.7, 24.64

 

CMYK 0 / 19 / 42 / 41

HEX #967A57

RGB 150 122 87

HSL 33.33, 0.27%, 0.46%

LAB 53.05, 5.88, 23.25

 

CMYK 0 / 35 / 79 / 70

HEX #4D3210

RGB 77 50 16

HSL 33.44, 0.66%, 0.18%

LAB 23.33, 8.58, 25.7

 

CMYK 0 / 47 / 100 / 76

HEX #3C2000

RGB 60 32 0

HSL 32, 1%, 0.12%

LAB 15.45, 10.7, 22.93

 

CMYK 0 / 67 / 100 / 83

HEX #2B0E00

RGB 43 14 0

HSL 19.53, 1%, 0.08%

LAB 7.48, 13.71, 11.47

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 36 / 79 / 70

HEX #4C3110

RGB 76 49 16

HSL 33, 0.65%, 0.18%

LAB 22.9, 8.72, 25.21

 

CMYK 0 / 57 / 79 / 70

HEX #4C2110

RGB 76 33 16

HSL 17, 0.65%, 0.18%

LAB 18.63, 18.91, 20.5

 

CMYK 0 / 78 / 79 / 70

HEX #4C1110

RGB 76 17 16

HSL 1, 0.65%, 0.18%

LAB 15.35, 27.55, 16.48

 

CMYK 0 / 79 / 79 / 70

HEX #4C1010

RGB 76 16 16

HSL 0, 0.65%, 0.18%

LAB 15.19, 27.99, 16.27

 

CMYK 0 / 36 / 79 / 70

HEX #4C3110

RGB 76 49 16

HSL 33, 0.65%, 0.18%

LAB 22.9, 8.72, 25.21

 

CMYK 0 / 13 / 79 / 70

HEX #4C4210

RGB 76 66 16

HSL 50, 0.65%, 0.18%

LAB 28.03, -2.18, 30.43

 

CMYK 8 / 0 / 79 / 70

HEX #464C10

RGB 70 76 16

HSL 66, 0.65%, 0.18%

LAB 30.66, -11.26, 32.8

 

CMYK 29 / 0 / 79 / 70

HEX #364C10

RGB 54 76 16

HSL 82, 0.65%, 0.18%

LAB 29.39, -18.88, 31.12

 

CMYK 50 / 0 / 79 / 70

HEX #264C10

RGB 38 76 16

HSL 98, 0.65%, 0.18%

LAB 28.43, -25.52, 29.84

 

CMYK 0 / 36 / 79 / 70

HEX #4C3110

RGB 76 49 16

HSL 33, 0.65%, 0.18%

LAB 22.9, 8.72, 25.21

 

CMYK 0 / 40 / 90 / 67

HEX #543208

RGB 84 50 8

HSL 33.16, 0.83%, 0.18%

LAB 24.27, 11.76, 30.66

 

CMYK 0 / 44 / 99 / 64

HEX #5B3301

RGB 91 51 1

HSL 33.33, 0.98%, 0.18%

LAB 25.55, 14.36, 35.1

 

CMYK 0 / 36 / 79 / 70

HEX #4C3110

RGB 76 49 16

HSL 33, 0.65%, 0.18%

LAB 22.9, 8.72, 25.21

 

CMYK 0 / 29 / 67 / 73

HEX #453117

RGB 69 49 23

HSL 33.91, 0.5%, 0.18%

LAB 22.03, 5.64, 19.91

 

CMYK 0 / 21 / 51 / 76

HEX #3D301E

RGB 61 48 30

HSL 34.84, 0.34%, 0.18%

LAB 20.83, 2.98, 13.74

 

CMYK 0 / 13 / 30 / 79

HEX #362F26

RGB 54 47 38

HSL 33.75, 0.17%, 0.18%

LAB 19.87, 1.4, 6.95

 

CMYK 0 / 0 / 2 / 82

HEX #2E2E2D

RGB 46 46 45

HSL 60, 0.01%, 0.18%

LAB 18.9, -0.23, 0.64

 

CMYK 0 / 78 / 79 / 70

HEX #4C1110

RGB 76 17 16

HSL 1, 0.65%, 0.18%

LAB 15.35, 27.55, 16.48

 

CMYK 0 / 57 / 79 / 70

HEX #4C2110

RGB 76 33 16

HSL 17, 0.65%, 0.18%

LAB 18.63, 18.91, 20.5

 

CMYK 0 / 36 / 79 / 70

HEX #4C3110

RGB 76 49 16

HSL 33, 0.65%, 0.18%

LAB 22.9, 8.72, 25.21

 

CMYK 0 / 14 / 79 / 70

HEX #4C4110

RGB 76 65 16

HSL 49, 0.65%, 0.18%

LAB 27.72, -1.56, 30.12

 

CMYK 7 / 0 / 79 / 70

HEX #474C10

RGB 71 76 16

HSL 65, 0.65%, 0.18%

LAB 30.75, -10.77, 32.92

 

CMYK 0 / 37 / 75 / 97

HEX #080502

RGB 8 5 2

HSL 30, 0.6%, 0.02%

LAB 1.49, 0.37, 1.41

 

CMYK 0 / 36 / 79 / 84

HEX #2A1B09

RGB 42 27 9

HSL 32.73, 0.65%, 0.1%

LAB 11.25, 5.01, 13.17

 

CMYK 0 / 36 / 79 / 70

HEX #4C3110

RGB 76 49 16

HSL 33, 0.65%, 0.18%

LAB 22.9, 8.72, 25.21

 

CMYK 0 / 35 / 79 / 57

HEX #6E4817

RGB 110 72 23

HSL 33.79, 0.65%, 0.26%

LAB 34.01, 11.52, 34.45

 

CMYK 0 / 35 / 79 / 43

HEX #915E1E

RGB 145 94 30

HSL 33.39, 0.66%, 0.34%

LAB 44.4, 15.22, 42.98

 

CMYK 0 / 35 / 79 / 70

HEX #4D3210

RGB 77 50 16

HSL 33.44, 0.66%, 0.18%

LAB 23.33, 8.58, 25.7

 

CMYK 59 / 0 / 79 / 70

HEX #1F4C10

RGB 31 76 16

HSL 105, 0.65%, 0.18%

LAB 28.11, -27.95, 29.41

 

CMYK 67 / 79 / 0 / 70

HEX #19104C

RGB 25 16 76

HSL 249, 0.65%, 0.18%

LAB 9.79, 24.31, -35.46

 

CMYK 0 / 35 / 79 / 70

HEX #4D3210

RGB 77 50 16

HSL 33.44, 0.66%, 0.18%

LAB 23.33, 8.58, 25.7

 

CMYK 79 / 0 / 36 / 70

HEX #104C31

RGB 16 76 49

HSL 153, 0.65%, 0.18%

LAB 28.12, -26.18, 10.76

 

CMYK 36 / 79 / 0 / 70

HEX #31104C

RGB 49 16 76

HSL 273, 0.65%, 0.18%

LAB 12.89, 29.08, -30.27

 

CMYK 0 / 35 / 79 / 70

HEX #4D3210

RGB 77 50 16

HSL 33.44, 0.66%, 0.18%

LAB 23.33, 8.58, 25.7

 

CMYK 59 / 0 / 79 / 70

HEX #1F4C10

RGB 31 76 16

HSL 105, 0.65%, 0.18%

LAB 28.11, -27.95, 29.41

 

CMYK 79 / 43 / 0 / 70

HEX #102B4C

RGB 16 43 76

HSL 213, 0.65%, 0.18%

LAB 17.27, 2.91, -23.39

 

CMYK 20 / 79 / 0 / 70

HEX #3D104C

RGB 61 16 76

HSL 285, 0.65%, 0.18%

LAB 14.87, 31.92, -26.98

 

CMYK 0 / 35 / 79 / 70

HEX #4D3210

RGB 77 50 16

HSL 33.44, 0.66%, 0.18%

LAB 23.33, 8.58, 25.7

 

CMYK 79 / 0 / 75 / 70

HEX #104C13

RGB 16 76 19

HSL 123, 0.65%, 0.18%

LAB 27.64, -31.6, 27.41

 

CMYK 79 / 43 / 0 / 70

HEX #102B4C

RGB 16 43 76

HSL 213, 0.65%, 0.18%

LAB 17.27, 2.91, -23.39

 

CMYK 0 / 79 / 4 / 70

HEX #4C1049

RGB 76 16 73

HSL 303, 0.65%, 0.18%

LAB 17.4, 35.11, -20.71

 

Description

Color code: HEX #4D3210 | qconv.com Color code: HEX #4D3210 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 50 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 50 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 79 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 79% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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