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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3159 it is the complementary color #B2CEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3159 shade: #523154, #634367, #74557A, #85678D and #9679A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3159 shade: #4D3159, #3C1F46, #2B0D33, #1A0020 and #09000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3159 shade: #4D3159, #583159, #59314F, #593144 and #59313A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3159 shade: #4D3159, #423159, #373159 and #313159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3159 shade matches the following richer shades: #4D3159, #512664, #561B6F, #5A0F7A and #5F0485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3159 shade: #4D3159, #483C4E, #444743, #3F5237 and #3B5D2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3159 shade: #383159, #423159, #4D3159, #573159 and #59314F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3159 shade: #1F1424, #36223E, #4D3159, #644073 and #7B4E8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3159 shade: #4D3159, #593135 and #31593D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3159 shade: #4D3159, #594D31 and #31594D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3159 shade: #4D3159, #593135, #3D5931 and #315955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3159 shade: #4D3159, #593931, #3D5931 and #315159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

Complementary color

CMYK 14 / 0 / 19 / 19

HEX #B2CEA6

RGB 178 206 166

HSL 102, 0.29%, 0.73%

LAB 79.82, -16.74, 16.83

 

CMYK 2 / 42 / 0 / 67

HEX #523154

RGB 82 49 84

HSL 296.57, 0.26%, 0.26%

LAB 25.66, 21.49, -15.16

 

CMYK 4 / 35 / 0 / 60

HEX #634367

RGB 99 67 103

HSL 293.33, 0.21%, 0.33%

LAB 33.23, 20.64, -15.58

 

CMYK 5 / 30 / 0 / 52

HEX #74557A

RGB 116 85 122

HSL 290.27, 0.18%, 0.41%

LAB 40.6, 19.87, -15.95

 

CMYK 6 / 27 / 0 / 45

HEX #85678D

RGB 133 103 141

HSL 287.37, 0.16%, 0.48%

LAB 47.76, 19.19, -16.31

 

CMYK 6 / 24 / 0 / 37

HEX #9679A0

RGB 150 121 160

HSL 284.62, 0.17%, 0.55%

LAB 54.76, 18.58, -16.66

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 14 / 56 / 0 / 73

HEX #3C1F46

RGB 60 31 70

HSL 284.62, 0.39%, 0.2%

LAB 17.38, 21.81, -18.86

 

CMYK 16 / 75 / 0 / 80

HEX #2B0D33

RGB 43 13 51

HSL 287.37, 0.59%, 0.13%

LAB 9.32, 22.56, -18.32

 

CMYK 19 / 100 / 0 / 87

HEX #1A0020

RGB 26 0 32

HSL 288.75, 1%, 0.06%

LAB 2.93, 15.52, -14.14

 

CMYK 31 / 100 / 0 / 95

HEX #09000D

RGB 9 0 13

HSL 281.54, 1%, 0.03%

LAB 0.79, 4.2, -4.19

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 1 / 45 / 0 / 65

HEX #583159

RGB 88 49 89

HSL 298.5, 0.29%, 0.27%

LAB 26.71, 24.73, -16.74

 

CMYK 0 / 45 / 11 / 65

HEX #59314F

RGB 89 49 79

HSL 315, 0.29%, 0.27%

LAB 26.4, 23.04, -10.62

 

CMYK 0 / 45 / 24 / 65

HEX #593144

RGB 89 49 68

HSL 331.5, 0.29%, 0.27%

LAB 25.97, 21.01, -3.96

 

CMYK 0 / 45 / 35 / 65

HEX #59313A

RGB 89 49 58

HSL 346.5, 0.29%, 0.27%

LAB 25.64, 19.4, 2.24

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 26 / 45 / 0 / 65

HEX #423159

RGB 66 49 89

HSL 265.5, 0.29%, 0.27%

LAB 23.92, 17.1, -21.3

 

CMYK 38 / 45 / 0 / 65

HEX #373159

RGB 55 49 89

HSL 249, 0.29%, 0.27%

LAB 22.76, 13.51, -23.22

 

CMYK 45 / 45 / 0 / 65

HEX #313159

RGB 49 49 89

HSL 240, 0.29%, 0.27%

LAB 22.2, 11.67, -24.14

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 19 / 62 / 0 / 61

HEX #512664

RGB 81 38 100

HSL 281.61, 0.45%, 0.27%

LAB 23.85, 31.49, -28.5

 

CMYK 23 / 76 / 0 / 56

HEX #561B6F

RGB 86 27 111

HSL 282.14, 0.61%, 0.27%

LAB 23.37, 40.86, -36.37

 

CMYK 26 / 88 / 0 / 52

HEX #5A0F7A

RGB 90 15 122

HSL 282.06, 0.78%, 0.27%

LAB 23.41, 48.35, -43.33

 

CMYK 29 / 97 / 0 / 48

HEX #5F0485

RGB 95 4 133

HSL 282.33, 0.94%, 0.27%

LAB 24.36, 53.88, -48.7

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 8 / 23 / 0 / 69

HEX #483C4E

RGB 72 60 78

HSL 280, 0.13%, 0.27%

LAB 27.18, 9.15, -8.98

 

CMYK 4 / 0 / 6 / 72

HEX #444743

RGB 68 71 67

HSL 105, 0.03%, 0.27%

LAB 29.76, -2.12, 1.97

 

CMYK 23 / 0 / 33 / 68

HEX #3F5237

RGB 63 82 55

HSL 102.22, 0.2%, 0.27%

LAB 32.63, -13.25, 13.52

 

CMYK 37 / 0 / 53 / 64

HEX #3B5D2C

RGB 59 93 44

HSL 101.63, 0.36%, 0.27%

LAB 35.87, -22.6, 24.17

 

CMYK 37 / 45 / 0 / 65

HEX #383159

RGB 56 49 89

HSL 250.5, 0.29%, 0.27%

LAB 22.86, 13.83, -23.05

 

CMYK 26 / 45 / 0 / 65

HEX #423159

RGB 66 49 89

HSL 265.5, 0.29%, 0.27%

LAB 23.92, 17.1, -21.3

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 2 / 45 / 0 / 65

HEX #573159

RGB 87 49 89

HSL 297, 0.29%, 0.27%

LAB 26.57, 24.38, -16.97

 

CMYK 0 / 45 / 11 / 65

HEX #59314F

RGB 89 49 79

HSL 315, 0.29%, 0.27%

LAB 26.4, 23.04, -10.62

 

CMYK 14 / 44 / 0 / 86

HEX #1F1424

RGB 31 20 36

HSL 281.25, 0.29%, 0.11%

LAB 8.3, 9.51, -8.93

 

CMYK 13 / 45 / 0 / 76

HEX #36223E

RGB 54 34 62

HSL 282.86, 0.29%, 0.19%

LAB 16.87, 15.66, -14.17

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 13 / 44 / 0 / 55

HEX #644073

RGB 100 64 115

HSL 282.35, 0.28%, 0.35%

LAB 33.17, 25.56, -23.25

 

CMYK 13 / 45 / 0 / 44

HEX #7B4E8E

RGB 123 78 142

HSL 282.19, 0.29%, 0.43%

LAB 40.59, 30.84, -28.08

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 0 / 45 / 40 / 65

HEX #593135

RGB 89 49 53

HSL 354, 0.29%, 0.27%

LAB 25.5, 18.67, 5.38

 

CMYK 45 / 0 / 31 / 65

HEX #31593D

RGB 49 89 61

HSL 138, 0.29%, 0.27%

LAB 34.26, -21.15, 11.9

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 0 / 13 / 45 / 65

HEX #594D31

RGB 89 77 49

HSL 42, 0.29%, 0.27%

LAB 33.25, 0.52, 18.45

 

CMYK 45 / 0 / 13 / 65

HEX #31594D

RGB 49 89 77

HSL 162, 0.29%, 0.27%

LAB 34.67, -17.36, 2.54

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 0 / 45 / 40 / 65

HEX #593135

RGB 89 49 53

HSL 354, 0.29%, 0.27%

LAB 25.5, 18.67, 5.38

 

CMYK 31 / 0 / 45 / 65

HEX #3D5931

RGB 61 89 49

HSL 102, 0.29%, 0.27%

LAB 34.72, -18.96, 19.87

 

CMYK 45 / 0 / 4 / 65

HEX #315955

RGB 49 89 85

HSL 174, 0.29%, 0.27%

LAB 34.91, -15.2, -2.11

 

CMYK 13 / 45 / 0 / 65

HEX #4D3159

RGB 77 49 89

HSL 282, 0.29%, 0.27%

LAB 25.25, 20.88, -19.13

 

CMYK 0 / 36 / 45 / 65

HEX #593931

RGB 89 57 49

HSL 12, 0.29%, 0.27%

LAB 27.5, 13.11, 10.8

 

CMYK 31 / 0 / 45 / 65

HEX #3D5931

RGB 61 89 49

HSL 102, 0.29%, 0.27%

LAB 34.72, -18.96, 19.87

 

CMYK 45 / 9 / 0 / 65

HEX #315159

RGB 49 81 89

HSL 192, 0.29%, 0.27%

LAB 32.39, -9.35, -8.39

 

Description

Color code: HEX #4D3159 | qconv.com Color code: HEX #4D3159 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 49 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 49 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 45 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 45% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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