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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D2D35 it is the complementary color #B2D2CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D2D35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D2D35 shade: #522D30, #633F43, #745156, #856369 and #96757C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D2D35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D2D35 shade: #4D2D35, #3C1B22, #2B090F, #1A0000 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D2D35 shade: #4D2D35 and #4D2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D2D35 shade: #4D2D35, #4D2D3D, #4D2D46, #4B2D4D and #422D4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D2D35 shade matches the following richer shades: #4D2D35, #572330, #60192B, #6A0F26 and #740521

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D2D35 shade: #4D2D35, #43373A, #39413F, #2F4A44 and #255449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D2D35 shade: #4D2D46, #4D2D3D, #4D2D35, #4D2D2D and #4D362D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D2D35 shade: #190E11, #331E23, #4D2D35, #673C47 and #814B59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D2D35 shade: #4D2D35, #4D4B2D and #2D414D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D2D35 shade: #4D2D35, #354D2D and #2D354D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D2D35 shade: #4D2D35, #4D4B2D, #2D4D45 and #2D2E4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D2D35 shade: #4D2D35, #454D2D, #2D4D45 and #352D4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

Complementary color

CMYK 15 / 0 / 4 / 18

HEX #B2D2CA

RGB 178 210 202

HSL 165, 0.26%, 0.76%

LAB 81.74, -12.18, 0.39

 

CMYK 0 / 45 / 41 / 68

HEX #522D30

RGB 82 45 48

HSL 355.14, 0.29%, 0.25%

LAB 23.28, 17.41, 5.47

 

CMYK 0 / 36 / 32 / 61

HEX #633F43

RGB 99 63 67

HSL 353.33, 0.22%, 0.32%

LAB 30.91, 16.35, 4.06

 

CMYK 0 / 30 / 26 / 55

HEX #745156

RGB 116 81 86

HSL 351.43, 0.18%, 0.39%

LAB 38.32, 15.46, 2.94

 

CMYK 0 / 26 / 21 / 48

HEX #856369

RGB 133 99 105

HSL 349.41, 0.15%, 0.45%

LAB 45.54, 14.71, 1.97

 

CMYK 0 / 22 / 17 / 41

HEX #96757C

RGB 150 117 124

HSL 347.27, 0.14%, 0.52%

LAB 52.58, 14.06, 1.11

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 55 / 43 / 76

HEX #3C1B22

RGB 60 27 34

HSL 347.27, 0.38%, 0.17%

LAB 14.73, 17.09, 2.63

 

CMYK 0 / 79 / 65 / 83

HEX #2B090F

RGB 43 9 15

HSL 349.41, 0.65%, 0.1%

LAB 6.72, 17.87, 3.95

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 42 / 42 / 70

HEX #4D2D2D

RGB 77 45 45

HSL 0, 0.26%, 0.24%

LAB 22.46, 14.75, 6.24

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 42 / 21 / 70

HEX #4D2D3D

RGB 77 45 61

HSL 330, 0.26%, 0.24%

LAB 22.97, 17.37, -3.91

 

CMYK 0 / 42 / 9 / 70

HEX #4D2D46

RGB 77 45 70

HSL 313.13, 0.26%, 0.24%

LAB 23.33, 19.13, -9.46

 

CMYK 3 / 42 / 0 / 70

HEX #4B2D4D

RGB 75 45 77

HSL 296.25, 0.26%, 0.24%

LAB 23.37, 19.88, -14.12

 

CMYK 14 / 42 / 0 / 70

HEX #422D4D

RGB 66 45 77

HSL 279.38, 0.26%, 0.24%

LAB 22.2, 16.56, -16.02

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 60 / 45 / 66

HEX #572330

RGB 87 35 48

HSL 345, 0.43%, 0.24%

LAB 21.73, 25.52, 3.38

 

CMYK 0 / 74 / 55 / 62

HEX #60192B

RGB 96 25 43

HSL 344.79, 0.59%, 0.24%

LAB 21.42, 33.36, 6.64

 

CMYK 0 / 86 / 64 / 58

HEX #6A0F26

RGB 106 15 38

HSL 344.84, 0.75%, 0.24%

LAB 22.11, 39.83, 11.42

 

CMYK 0 / 96 / 72 / 55

HEX #740521

RGB 116 5 33

HSL 344.86, 0.92%, 0.24%

LAB 23.44, 44.74, 17.05

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 18 / 13 / 74

HEX #43373A

RGB 67 55 58

HSL 345, 0.1%, 0.24%

LAB 24.42, 5.91, 0.11

 

CMYK 12 / 0 / 3 / 75

HEX #39413F

RGB 57 65 63

HSL 165, 0.07%, 0.24%

LAB 26.76, -3.77, 0.09

 

CMYK 36 / 0 / 8 / 71

HEX #2F4A44

RGB 47 74 68

HSL 166.67, 0.22%, 0.24%

LAB 29.21, -11.8, 0.32

 

CMYK 56 / 0 / 13 / 67

HEX #255449

RGB 37 84 73

HSL 165.96, 0.39%, 0.24%

LAB 32.29, -19.12, 1.55

 

CMYK 0 / 42 / 9 / 70

HEX #4D2D46

RGB 77 45 70

HSL 313.13, 0.26%, 0.24%

LAB 23.33, 19.13, -9.46

 

CMYK 0 / 42 / 21 / 70

HEX #4D2D3D

RGB 77 45 61

HSL 330, 0.26%, 0.24%

LAB 22.97, 17.37, -3.91

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 42 / 42 / 70

HEX #4D2D2D

RGB 77 45 45

HSL 0, 0.26%, 0.24%

LAB 22.46, 14.75, 6.24

 

CMYK 0 / 30 / 42 / 70

HEX #4D362D

RGB 77 54 45

HSL 16.88, 0.26%, 0.24%

LAB 24.97, 8.91, 9.72

 

CMYK 0 / 44 / 32 / 90

HEX #190E11

RGB 25 14 17

HSL 343.64, 0.28%, 0.08%

LAB 5.07, 5.15, 0.1

 

CMYK 0 / 41 / 31 / 80

HEX #331E23

RGB 51 30 35

HSL 345.71, 0.26%, 0.16%

LAB 14.14, 11.13, 0.86

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 42 / 31 / 60

HEX #673C47

RGB 103 60 71

HSL 344.65, 0.26%, 0.32%

LAB 30.81, 20.49, 1.39

 

CMYK 0 / 42 / 31 / 49

HEX #814B59

RGB 129 75 89

HSL 344.44, 0.26%, 0.4%

LAB 38.59, 24.76, 1.66

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 3 / 42 / 70

HEX #4D4B2D

RGB 77 75 45

HSL 56.25, 0.26%, 0.24%

LAB 31.35, -4.44, 18.18

 

CMYK 42 / 16 / 0 / 70

HEX #2D414D

RGB 45 65 77

HSL 202.5, 0.26%, 0.24%

LAB 26.37, -4.32, -9.77

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 31 / 0 / 42 / 70

HEX #354D2D

RGB 53 77 45

HSL 105, 0.26%, 0.24%

LAB 30.04, -16.31, 16.12

 

CMYK 42 / 31 / 0 / 70

HEX #2D354D

RGB 45 53 77

HSL 225, 0.26%, 0.24%

LAB 22.44, 3.67, -15.81

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 0 / 3 / 42 / 70

HEX #4D4B2D

RGB 77 75 45

HSL 56.25, 0.26%, 0.24%

LAB 31.35, -4.44, 18.18

 

CMYK 42 / 0 / 10 / 70

HEX #2D4D45

RGB 45 77 69

HSL 165, 0.26%, 0.24%

LAB 30.15, -13.96, 1.03

 

CMYK 42 / 40 / 0 / 70

HEX #2D2E4D

RGB 45 46 77

HSL 238.13, 0.26%, 0.24%

LAB 20.23, 8.55, -19.26

 

CMYK 0 / 42 / 31 / 70

HEX #4D2D35

RGB 77 45 53

HSL 345, 0.26%, 0.24%

LAB 22.69, 15.97, 1.13

 

CMYK 10 / 0 / 42 / 70

HEX #454D2D

RGB 69 77 45

HSL 75, 0.26%, 0.24%

LAB 31.26, -9.36, 17.93

 

CMYK 42 / 0 / 10 / 70

HEX #2D4D45

RGB 45 77 69

HSL 165, 0.26%, 0.24%

LAB 30.15, -13.96, 1.03

 

CMYK 31 / 42 / 0 / 70

HEX #352D4D

RGB 53 45 77

HSL 255, 0.26%, 0.24%

LAB 20.71, 11.92, -18.46

 

Description

Color code: HEX #4D2D35 | qconv.com Color code: HEX #4D2D35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 45 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 45 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 31 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 31% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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