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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D24E7 it is the complementary color #B2DB18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D24E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D24E7 shade: #5224E2, #6336F5, #7448FF, #855AFF and #966CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D24E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D24E7 shade: #4D24E7, #3C12D4, #2B00C1, #1A00AE and #09009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D24E7 shade: #4B22E6, #8022E6, #B522E6, #E622E2 and #E622AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D24E7 shade: #4B22E6 and #2222E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D24E7 shade matches the following richer shades: #4B22E6 and #400EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D24E7 shade: #4B22E6, #5736D2, #624ABE, #6E5EAB and #797197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D24E7 shade: #2263E6, #222FE6, #4922E6, #7E22E6 and #B222E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D24E7 shade: #3112A4, #3C16C9, #4B22E6, #6A47EA and #886CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D24E7 shade: #4D24E7, #E62298 and #49E622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D24E7 shade: #4D24E7, #E64922 and #22E649

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D24E7 shade: #4D24E7, #E62298, #BFE622 and #22E671

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D24E7 shade: #4D24E7, #E6225D, #BFE622 and #22E6AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 84 / 0 / 9

HEX #4D24E7

RGB 77 36 231

HSL 252.62, 0.8%, 0.52%

LAB 35.22, 66.97, -89.34

 

Complementary color

CMYK 19 / 0 / 89 / 14

HEX #B2DB18

RGB 178 219 24

HSL 72.62, 0.8%, 0.48%

LAB 81.94, -35.8, 78.12

 

CMYK 64 / 84 / 0 / 11

HEX #5224E2

RGB 82 36 226

HSL 254.53, 0.77%, 0.51%

LAB 35.1, 66.03, -86.68

 

CMYK 60 / 78 / 0 / 4

HEX #6336F5

RGB 99 54 245

HSL 254.14, 0.91%, 0.59%

LAB 41.03, 65.51, -87.59

 

CMYK 55 / 72 / 0 / 0

HEX #7448FF

RGB 116 72 255

HSL 254.43, 1%, 0.64%

LAB 46.4, 62.01, -84.29

 

CMYK 48 / 65 / 0 / 0

HEX #855AFF

RGB 133 90 255

HSL 255.64, 1%, 0.68%

LAB 51.29, 55.53, -76.24

 

CMYK 41 / 58 / 0 / 0

HEX #966CFF

RGB 150 108 255

HSL 257.14, 1%, 0.71%

LAB 56.51, 49.17, -67.7

 

CMYK 67 / 84 / 0 / 9

HEX #4D24E7

RGB 77 36 231

HSL 252.62, 0.8%, 0.52%

LAB 35.22, 66.97, -89.34

 

CMYK 72 / 92 / 0 / 17

HEX #3C12D4

RGB 60 18 212

HSL 252.99, 0.84%, 0.45%

LAB 29.78, 66.5, -87.49

 

CMYK 78 / 100 / 0 / 24

HEX #2B00C1

RGB 43 0 193

HSL 253.37, 1%, 0.38%

LAB 24.84, 64.81, -84.64

 

CMYK 85 / 100 / 0 / 32

HEX #1A00AE

RGB 26 0 174

HSL 248.97, 1%, 0.34%

LAB 21.12, 59.74, -79.55

 

CMYK 94 / 100 / 0 / 39

HEX #09009B

RGB 9 0 155

HSL 243.48, 1%, 0.3%

LAB 17.57, 54.69, -73.91

 

CMYK 67 / 85 / 0 / 10

HEX #4B22E6

RGB 75 34 230

HSL 252.55, 0.8%, 0.52%

LAB 34.71, 67.26, -89.63

 

CMYK 44 / 85 / 0 / 10

HEX #8022E6

RGB 128 34 230

HSL 268.78, 0.8%, 0.52%

LAB 40.32, 72.19, -80.16

 

CMYK 21 / 85 / 0 / 10

HEX #B522E6

RGB 181 34 230

HSL 285, 0.8%, 0.52%

LAB 47.86, 79.39, -67.55

 

CMYK 0 / 85 / 2 / 10

HEX #E622E2

RGB 230 34 226

HSL 301.22, 0.8%, 0.52%

LAB 55.54, 86.83, -52.5

 

CMYK 0 / 85 / 25 / 10

HEX #E622AD

RGB 230 34 173

HSL 317.45, 0.8%, 0.52%

LAB 52.93, 79.89, -26.09

 

CMYK 67 / 85 / 0 / 10

HEX #4B22E6

RGB 75 34 230

HSL 252.55, 0.8%, 0.52%

LAB 34.71, 67.26, -89.63

 

CMYK 85 / 85 / 0 / 10

HEX #2222E6

RGB 34 34 230

HSL 240, 0.8%, 0.52%

LAB 32.25, 65.27, -93.78

 

CMYK 67 / 85 / 0 / 10

HEX #4B22E6

RGB 75 34 230

HSL 252.55, 0.8%, 0.52%

LAB 34.71, 67.26, -89.63

 

CMYK 74 / 94 / 0 / 2

HEX #400EFA

RGB 64 14 250

HSL 252.71, 0.96%, 0.52%

LAB 34.61, 76.87, -101.14

 

CMYK 67 / 85 / 0 / 10

HEX #4B22E6

RGB 75 34 230

HSL 252.55, 0.8%, 0.52%

LAB 34.71, 67.26, -89.63

 

CMYK 59 / 74 / 0 / 18

HEX #5736D2

RGB 87 54 210

HSL 252.69, 0.63%, 0.52%

LAB 36.59, 54.39, -74.99

 

CMYK 48 / 61 / 0 / 25

HEX #624ABE

RGB 98 74 190

HSL 252.41, 0.47%, 0.52%

LAB 39.94, 39.39, -57.86

 

CMYK 36 / 45 / 0 / 33

HEX #6E5EAB

RGB 110 94 171

HSL 252.47, 0.31%, 0.52%

LAB 44.6, 24.75, -39.16

 

CMYK 20 / 25 / 0 / 41

HEX #797197

RGB 121 113 151

HSL 252.63, 0.15%, 0.52%

LAB 49.63, 11.39, -19.48

 

CMYK 85 / 57 / 0 / 10

HEX #2263E6

RGB 34 99 230

HSL 220.1, 0.8%, 0.52%

LAB 45.6, 28.89, -71.77

 

CMYK 85 / 80 / 0 / 10

HEX #222FE6

RGB 34 47 230

HSL 236.02, 0.8%, 0.52%

LAB 34.16, 59.63, -90.6

 

CMYK 68 / 85 / 0 / 10

HEX #4922E6

RGB 73 34 230

HSL 251.94, 0.8%, 0.52%

LAB 34.55, 67.13, -89.9

 

CMYK 45 / 85 / 0 / 10

HEX #7E22E6

RGB 126 34 230

HSL 268.16, 0.8%, 0.52%

LAB 40.07, 71.96, -80.59

 

CMYK 23 / 85 / 0 / 10

HEX #B222E6

RGB 178 34 230

HSL 284.08, 0.8%, 0.52%

LAB 47.39, 78.93, -68.31

 

CMYK 70 / 89 / 0 / 36

HEX #3112A4

RGB 49 18 164

HSL 252.74, 0.8%, 0.36%

LAB 22.88, 53.19, -70.51

 

CMYK 70 / 89 / 0 / 21

HEX #3C16C9

RGB 60 22 201

HSL 252.74, 0.8%, 0.44%

LAB 28.78, 62.57, -82.75

 

CMYK 67 / 85 / 0 / 10

HEX #4B22E6

RGB 75 34 230

HSL 252.55, 0.8%, 0.52%

LAB 34.71, 67.26, -89.63

 

CMYK 55 / 70 / 0 / 8

HEX #6A47EA

RGB 106 71 234

HSL 252.88, 0.8%, 0.6%

LAB 43.52, 55.23, -77.27

 

CMYK 43 / 55 / 0 / 7

HEX #886CEE

RGB 136 108 238

HSL 252.92, 0.79%, 0.68%

LAB 54.17, 41.54, -62.11

 

CMYK 67 / 84 / 0 / 9

HEX #4D24E7

RGB 77 36 231

HSL 252.62, 0.8%, 0.52%

LAB 35.22, 66.97, -89.34

 

CMYK 0 / 85 / 34 / 10

HEX #E62298

RGB 230 34 152

HSL 323.88, 0.8%, 0.52%

LAB 52.1, 77.6, -14.95

 

CMYK 68 / 0 / 85 / 10

HEX #49E622

RGB 73 230 34

HSL 108.06, 0.8%, 0.52%

LAB 80.81, -71.88, 73.53

 

CMYK 67 / 84 / 0 / 9

HEX #4D24E7

RGB 77 36 231

HSL 252.62, 0.8%, 0.52%

LAB 35.22, 66.97, -89.34

 

CMYK 0 / 68 / 85 / 10

HEX #E64922

RGB 230 73 34

HSL 11.94, 0.8%, 0.52%

LAB 53.71, 58.94, 54.59

 

CMYK 85 / 0 / 68 / 10

HEX #22E649

RGB 34 230 73

HSL 131.94, 0.8%, 0.52%

LAB 80.41, -74.54, 61.14

 

CMYK 67 / 84 / 0 / 9

HEX #4D24E7

RGB 77 36 231

HSL 252.62, 0.8%, 0.52%

LAB 35.22, 66.97, -89.34

 

CMYK 0 / 85 / 34 / 10

HEX #E62298

RGB 230 34 152

HSL 323.88, 0.8%, 0.52%

LAB 52.1, 77.6, -14.95

 

CMYK 17 / 0 / 85 / 10

HEX #BFE622

RGB 191 230 34

HSL 71.94, 0.8%, 0.52%

LAB 85.9, -35.4, 79.91

 

CMYK 85 / 0 / 51 / 10

HEX #22E671

RGB 34 230 113

HSL 144.18, 0.8%, 0.52%

LAB 80.81, -69.67, 44.18

 

CMYK 67 / 84 / 0 / 9

HEX #4D24E7

RGB 77 36 231

HSL 252.62, 0.8%, 0.52%

LAB 35.22, 66.97, -89.34

 

CMYK 0 / 85 / 60 / 10

HEX #E6225D

RGB 230 34 93

HSL 341.94, 0.8%, 0.52%

LAB 50.4, 72.78, 18.27

 

CMYK 17 / 0 / 85 / 10

HEX #BFE622

RGB 191 230 34

HSL 71.94, 0.8%, 0.52%

LAB 85.9, -35.4, 79.91

 

CMYK 85 / 0 / 26 / 10

HEX #22E6AB

RGB 34 230 171

HSL 161.94, 0.8%, 0.52%

LAB 81.77, -58.63, 16.17

 

Description

Color code: HEX #4D24E7 | qconv.com Color code: HEX #4D24E7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 36 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 36 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 84 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 84% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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