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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D2085 it is the complementary color #B2DF7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D2085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D2085 shade: #522080, #633293, #7444A6, #8556B9 and #9668CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D2085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D2085 shade: #4D2085, #3C0E72, #2B005F, #1A004C and #090039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D2085 shade: #4C2083, #672083, #822083, #83206A and #83204F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D2085 shade: #4C2083, #312083 and #202083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D2085 shade matches the following richer shades: #4C2083, #4B1391 and #49059E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D2085 shade: #4C2083, #4E2D76, #4F3A69, #50475C and #52554F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D2085 shade: #202A83, #302083, #4B2083, #662083 and #802083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D2085 shade: #261041, #391862, #4C2083, #5F28A5 and #7330C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D2085 shade: #4D2085, #832044 and #208323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D2085 shade: #4D2085, #834B20 and #20834B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D2085 shade: #4D2085, #832044, #588320 and #20835F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D2085 shade: #4D2085, #832026, #588320 and #20837D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 76 / 0 / 48

HEX #4D2085

RGB 77 32 133

HSL 266.73, 0.61%, 0.32%

LAB 24.65, 42.15, -48.34

 

Complementary color

CMYK 20 / 0 / 45 / 13

HEX #B2DF7A

RGB 178 223 122

HSL 86.73, 0.61%, 0.68%

LAB 83.78, -31.2, 44.62

 

CMYK 36 / 75 / 0 / 50

HEX #522080

RGB 82 32 128

HSL 271.25, 0.6%, 0.31%

LAB 24.91, 41.81, -44.75

 

CMYK 33 / 66 / 0 / 42

HEX #633293

RGB 99 50 147

HSL 270.31, 0.49%, 0.39%

LAB 31.9, 41.22, -45.13

 

CMYK 30 / 59 / 0 / 35

HEX #7444A6

RGB 116 68 166

HSL 269.39, 0.42%, 0.46%

LAB 38.9, 40.32, -45.25

 

CMYK 28 / 54 / 0 / 27

HEX #8556B9

RGB 133 86 185

HSL 268.48, 0.41%, 0.53%

LAB 45.83, 39.35, -45.26

 

CMYK 26 / 49 / 0 / 20

HEX #9668CC

RGB 150 104 204

HSL 267.6, 0.5%, 0.6%

LAB 52.67, 38.39, -45.24

 

CMYK 42 / 76 / 0 / 48

HEX #4D2085

RGB 77 32 133

HSL 266.73, 0.61%, 0.32%

LAB 24.65, 42.15, -48.34

 

CMYK 47 / 88 / 0 / 55

HEX #3C0E72

RGB 60 14 114

HSL 267.6, 0.78%, 0.25%

LAB 17.87, 42.07, -47.43

 

CMYK 55 / 100 / 0 / 63

HEX #2B005F

RGB 43 0 95

HSL 267.16, 1%, 0.19%

LAB 11.55, 40.34, -45.43

 

CMYK 66 / 100 / 0 / 70

HEX #1A004C

RGB 26 0 76

HSL 260.53, 1%, 0.15%

LAB 6.7, 33.7, -40.56

 

CMYK 84 / 100 / 0 / 78

HEX #090039

RGB 9 0 57

HSL 249.47, 1%, 0.11%

LAB 3.19, 21.1, -32.8

 

CMYK 42 / 76 / 0 / 49

HEX #4C2083

RGB 76 32 131

HSL 266.67, 0.61%, 0.32%

LAB 24.35, 41.43, -47.59

 

CMYK 21 / 76 / 0 / 49

HEX #672083

RGB 103 32 131

HSL 283.03, 0.61%, 0.32%

LAB 28.26, 46.88, -41.06

 

CMYK 1 / 76 / 0 / 49

HEX #822083

RGB 130 32 131

HSL 299.39, 0.61%, 0.32%

LAB 32.74, 52.83, -33.64

 

CMYK 0 / 76 / 19 / 49

HEX #83206A

RGB 131 32 106

HSL 315.15, 0.61%, 0.32%

LAB 31.58, 49.05, -19.66

 

CMYK 0 / 76 / 40 / 49

HEX #83204F

RGB 131 32 79

HSL 331.52, 0.61%, 0.32%

LAB 30.46, 45.53, -3.82

 

CMYK 42 / 76 / 0 / 49

HEX #4C2083

RGB 76 32 131

HSL 266.67, 0.61%, 0.32%

LAB 24.35, 41.43, -47.59

 

CMYK 63 / 76 / 0 / 49

HEX #312083

RGB 49 32 131

HSL 250.3, 0.61%, 0.32%

LAB 21.3, 36.97, -52.7

 

CMYK 76 / 76 / 0 / 49

HEX #202083

RGB 32 32 131

HSL 240, 0.61%, 0.32%

LAB 19.96, 34.93, -54.96

 

CMYK 42 / 76 / 0 / 49

HEX #4C2083

RGB 76 32 131

HSL 266.67, 0.61%, 0.32%

LAB 24.35, 41.43, -47.59

 

CMYK 48 / 87 / 0 / 43

HEX #4B1391

RGB 75 19 145

HSL 266.67, 0.77%, 0.32%

LAB 23.69, 50.26, -57.41

 

CMYK 54 / 97 / 0 / 38

HEX #49059E

RGB 73 5 158

HSL 266.67, 0.94%, 0.32%

LAB 23.65, 56.77, -65.5

 

CMYK 42 / 76 / 0 / 49

HEX #4C2083

RGB 76 32 131

HSL 266.67, 0.61%, 0.32%

LAB 24.35, 41.43, -47.59

 

CMYK 34 / 62 / 0 / 54

HEX #4E2D76

RGB 78 45 118

HSL 267.12, 0.45%, 0.32%

LAB 26.17, 31.25, -36.4

 

CMYK 25 / 45 / 0 / 59

HEX #4F3A69

RGB 79 58 105

HSL 266.81, 0.29%, 0.32%

LAB 28.66, 19.89, -24.14

 

CMYK 13 / 23 / 0 / 64

HEX #50475C

RGB 80 71 92

HSL 265.71, 0.13%, 0.32%

LAB 31.77, 8.48, -11

 

CMYK 4 / 0 / 7 / 67

HEX #52554F

RGB 82 85 79

HSL 90, 0.04%, 0.32%

LAB 35.7, -2.47, 3.08

 

CMYK 76 / 68 / 0 / 49

HEX #202A83

RGB 32 42 131

HSL 233.94, 0.61%, 0.32%

LAB 22.31, 28.51, -51.09

 

CMYK 63 / 76 / 0 / 49

HEX #302083

RGB 48 32 131

HSL 249.7, 0.61%, 0.32%

LAB 21.21, 36.83, -52.86

 

CMYK 43 / 76 / 0 / 49

HEX #4B2083

RGB 75 32 131

HSL 266.06, 0.61%, 0.32%

LAB 24.22, 41.25, -47.81

 

CMYK 22 / 76 / 0 / 49

HEX #662083

RGB 102 32 131

HSL 282.42, 0.61%, 0.32%

LAB 28.1, 46.66, -41.32

 

CMYK 2 / 76 / 0 / 49

HEX #802083

RGB 128 32 131

HSL 298.18, 0.61%, 0.32%

LAB 32.39, 52.38, -34.21

 

CMYK 42 / 75 / 0 / 75

HEX #261041

RGB 38 16 65

HSL 266.94, 0.6%, 0.16%

LAB 10.29, 23.29, -26.88

 

CMYK 42 / 76 / 0 / 62

HEX #391862

RGB 57 24 98

HSL 266.76, 0.61%, 0.24%

LAB 17.48, 32.71, -37.62

 

CMYK 42 / 76 / 0 / 49

HEX #4C2083

RGB 76 32 131

HSL 266.67, 0.61%, 0.32%

LAB 24.35, 41.43, -47.59

 

CMYK 42 / 76 / 0 / 35

HEX #5F28A5

RGB 95 40 165

HSL 266.4, 0.61%, 0.4%

LAB 31.04, 49.95, -57.5

 

CMYK 42 / 76 / 0 / 22

HEX #7330C6

RGB 115 48 198

HSL 266.8, 0.61%, 0.48%

LAB 37.55, 58.02, -66.34

 

CMYK 42 / 76 / 0 / 48

HEX #4D2085

RGB 77 32 133

HSL 266.73, 0.61%, 0.32%

LAB 24.65, 42.15, -48.34

 

CMYK 0 / 76 / 48 / 49

HEX #832044

RGB 131 32 68

HSL 338.18, 0.61%, 0.32%

LAB 30.1, 44.37, 2.93

 

CMYK 76 / 0 / 73 / 49

HEX #208323

RGB 32 131 35

HSL 121.82, 0.61%, 0.32%

LAB 47.83, -47.1, 41.78

 

CMYK 42 / 76 / 0 / 48

HEX #4D2085

RGB 77 32 133

HSL 266.73, 0.61%, 0.32%

LAB 24.65, 42.15, -48.34

 

CMYK 0 / 43 / 76 / 49

HEX #834B20

RGB 131 75 32

HSL 26.06, 0.61%, 0.32%

LAB 37.77, 20, 34.76

 

CMYK 76 / 0 / 43 / 49

HEX #20834B

RGB 32 131 75

HSL 146.06, 0.61%, 0.32%

LAB 48.32, -41.34, 22.44

 

CMYK 42 / 76 / 0 / 48

HEX #4D2085

RGB 77 32 133

HSL 266.73, 0.61%, 0.32%

LAB 24.65, 42.15, -48.34

 

CMYK 0 / 76 / 48 / 49

HEX #832044

RGB 131 32 68

HSL 338.18, 0.61%, 0.32%

LAB 30.1, 44.37, 2.93

 

CMYK 33 / 0 / 76 / 49

HEX #588320

RGB 88 131 32

HSL 86.06, 0.61%, 0.32%

LAB 49.99, -30.85, 45.85

 

CMYK 76 / 0 / 27 / 49

HEX #20835F

RGB 32 131 95

HSL 158.18, 0.61%, 0.32%

LAB 48.72, -36.95, 11.58

 

CMYK 42 / 76 / 0 / 48

HEX #4D2085

RGB 77 32 133

HSL 266.73, 0.61%, 0.32%

LAB 24.65, 42.15, -48.34

 

CMYK 0 / 76 / 71 / 49

HEX #832026

RGB 131 32 38

HSL 356.36, 0.61%, 0.32%

LAB 29.41, 42.09, 21.81

 

CMYK 33 / 0 / 76 / 49

HEX #588320

RGB 88 131 32

HSL 86.06, 0.61%, 0.32%

LAB 49.99, -30.85, 45.85

 

CMYK 76 / 0 / 5 / 49

HEX #20837D

RGB 32 131 125

HSL 176.36, 0.61%, 0.32%

LAB 49.52, -28.73, -4.79

 

Description

Color code: HEX #4D2085 | qconv.com Color code: HEX #4D2085 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 32 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 32 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 76 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 76% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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