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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D152F it is the complementary color #B2EAD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D152F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D152F shade: #52152A, #63273D, #743950, #854B63 and #965D76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D152F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D152F shade: #4D152F, #3C031C, #2B0009, #1A0000 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D152F shade: #4C152E, #4C1520 and #4C1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D152F shade: #4C152E, #4C153D, #4C154C, #3D154C and #2E154C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D152F shade matches the following richer shades: #4C152E, #540D2E and #5C052D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D152F shade: #4C152E, #441D2F, #3C2530, #352C30 and #2D3431

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D152F shade: #4C154C, #4C153D, #4C152F, #4C1520 and #4C1915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D152F shade: #0B0307, #2C0C1B, #4C152E, #6C1E42 and #8D2756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D152F shade: #4D152F, #4C3D15 and #15454C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D152F shade: #4D152F, #2F4C15 and #152F4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D152F shade: #4D152F, #4C3D15, #154C32 and #15244C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D152F shade: #4D152F, #4A4C15, #154C32 and #17154C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 39 / 70

HEX #4D152F

RGB 77 21 47

HSL 332.14, 0.57%, 0.19%

LAB 17.08, 29, -2.93

 

Complementary color

CMYK 24 / 0 / 11 / 8

HEX #B2EAD0

RGB 178 234 208

HSL 152.14, 0.57%, 0.81%

LAB 88.38, -23, 6.85

 

CMYK 0 / 74 / 49 / 68

HEX #52152A

RGB 82 21 42

HSL 339.34, 0.59%, 0.2%

LAB 17.91, 30.14, 1.97

 

CMYK 0 / 61 / 38 / 61

HEX #63273D

RGB 99 39 61

HSL 338, 0.43%, 0.27%

LAB 25.08, 29.62, -0.4

 

CMYK 0 / 51 / 31 / 55

HEX #743950

RGB 116 57 80

HSL 336.61, 0.34%, 0.34%

LAB 32.3, 28.75, -2.03

 

CMYK 0 / 44 / 26 / 48

HEX #854B63

RGB 133 75 99

HSL 335.17, 0.28%, 0.41%

LAB 39.44, 27.82, -3.27

 

CMYK 0 / 38 / 21 / 41

HEX #965D76

RGB 150 93 118

HSL 333.68, 0.23%, 0.48%

LAB 46.47, 26.93, -4.27

 

CMYK 0 / 73 / 39 / 70

HEX #4D152F

RGB 77 21 47

HSL 332.14, 0.57%, 0.19%

LAB 17.08, 29, -2.93

 

CMYK 0 / 95 / 53 / 76

HEX #3C031C

RGB 60 3 28

HSL 333.68, 0.9%, 0.12%

LAB 9.87, 28.91, 0.08

 

CMYK 0 / 100 / 79 / 83

HEX #2B0009

RGB 43 0 9

HSL 347.44, 1%, 0.08%

LAB 4.82, 21.47, 3.93

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 72 / 39 / 70

HEX #4C152E

RGB 76 21 46

HSL 332.73, 0.57%, 0.19%

LAB 16.85, 28.52, -2.58

 

CMYK 0 / 72 / 58 / 70

HEX #4C1520

RGB 76 21 32

HSL 348, 0.57%, 0.19%

LAB 16.39, 26.88, 6.84

 

CMYK 0 / 72 / 72 / 70

HEX #4C1515

RGB 76 21 21

HSL 0, 0.57%, 0.19%

LAB 16.14, 25.95, 14.36

 

CMYK 0 / 72 / 39 / 70

HEX #4C152E

RGB 76 21 46

HSL 332.73, 0.57%, 0.19%

LAB 16.85, 28.52, -2.58

 

CMYK 0 / 72 / 20 / 70

HEX #4C153D

RGB 76 21 61

HSL 316.36, 0.57%, 0.19%

LAB 17.51, 30.81, -12.21

 

CMYK 0 / 72 / 0 / 70

HEX #4C154C

RGB 76 21 76

HSL 300, 0.57%, 0.19%

LAB 18.34, 33.57, -21.28

 

CMYK 20 / 72 / 0 / 70

HEX #3D154C

RGB 61 21 76

HSL 283.64, 0.57%, 0.19%

LAB 15.75, 29.45, -25.57

 

CMYK 39 / 72 / 0 / 70

HEX #2E154C

RGB 46 21 76

HSL 267.27, 0.57%, 0.19%

LAB 13.47, 25.54, -29.36

 

CMYK 0 / 72 / 39 / 70

HEX #4C152E

RGB 76 21 46

HSL 332.73, 0.57%, 0.19%

LAB 16.85, 28.52, -2.58

 

CMYK 0 / 85 / 45 / 67

HEX #540D2E

RGB 84 13 46

HSL 332.11, 0.73%, 0.19%

LAB 17.32, 34.45, -1.7

 

CMYK 0 / 95 / 51 / 64

HEX #5C052D

RGB 92 5 45

HSL 332.41, 0.9%, 0.19%

LAB 18.25, 39, 0.59

 

CMYK 0 / 72 / 39 / 70

HEX #4C152E

RGB 76 21 46

HSL 332.73, 0.57%, 0.19%

LAB 16.85, 28.52, -2.58

 

CMYK 0 / 57 / 31 / 73

HEX #441D2F

RGB 68 29 47

HSL 332.31, 0.4%, 0.19%

LAB 17.05, 21.25, -3.15

 

CMYK 0 / 38 / 20 / 76

HEX #3C2530

RGB 60 37 48

HSL 331.3, 0.24%, 0.19%

LAB 17.91, 12.89, -2.72

 

CMYK 0 / 17 / 9 / 79

HEX #352C30

RGB 53 44 48

HSL 333.33, 0.09%, 0.19%

LAB 19.11, 4.97, -1.05

 

CMYK 13 / 0 / 6 / 80

HEX #2D3431

RGB 45 52 49

HSL 154.29, 0.07%, 0.19%

LAB 20.96, -3.73, 0.88

 

CMYK 0 / 72 / 0 / 70

HEX #4C154C

RGB 76 21 76

HSL 300, 0.57%, 0.19%

LAB 18.34, 33.57, -21.28

 

CMYK 0 / 72 / 20 / 70

HEX #4C153D

RGB 76 21 61

HSL 316.36, 0.57%, 0.19%

LAB 17.51, 30.81, -12.21

 

CMYK 0 / 72 / 38 / 70

HEX #4C152F

RGB 76 21 47

HSL 331.64, 0.57%, 0.19%

LAB 16.88, 28.65, -3.24

 

CMYK 0 / 72 / 58 / 70

HEX #4C1520

RGB 76 21 32

HSL 348, 0.57%, 0.19%

LAB 16.39, 26.88, 6.84

 

CMYK 0 / 67 / 72 / 70

HEX #4C1915

RGB 76 25 21

HSL 4.36, 0.57%, 0.19%

LAB 16.92, 23.86, 15.33

 

CMYK 0 / 73 / 36 / 96

HEX #0B0307

RGB 11 3 7

HSL 330, 0.57%, 0.03%

LAB 1.37, 2.66, -0.78

 

CMYK 0 / 73 / 39 / 83

HEX #2C0C1B

RGB 44 12 27

HSL 331.88, 0.57%, 0.11%

LAB 7.93, 18.49, -2.43

 

CMYK 0 / 72 / 39 / 70

HEX #4C152E

RGB 76 21 46

HSL 332.73, 0.57%, 0.19%

LAB 16.85, 28.52, -2.58

 

CMYK 0 / 72 / 39 / 58

HEX #6C1E42

RGB 108 30 66

HSL 332.31, 0.57%, 0.27%

LAB 25.29, 37.73, -3.29

 

CMYK 0 / 72 / 39 / 45

HEX #8D2756

RGB 141 39 86

HSL 332.35, 0.57%, 0.35%

LAB 33.53, 46.66, -3.62

 

CMYK 0 / 73 / 39 / 70

HEX #4D152F

RGB 77 21 47

HSL 332.14, 0.57%, 0.19%

LAB 17.08, 29, -2.93

 

CMYK 0 / 20 / 72 / 70

HEX #4C3D15

RGB 76 61 21

HSL 43.64, 0.57%, 0.19%

LAB 26.53, 1.3, 26.38

 

CMYK 72 / 9 / 0 / 70

HEX #15454C

RGB 21 69 76

HSL 187.64, 0.57%, 0.19%

LAB 26.56, -13.34, -8.95

 

CMYK 0 / 73 / 39 / 70

HEX #4D152F

RGB 77 21 47

HSL 332.14, 0.57%, 0.19%

LAB 17.08, 29, -2.93

 

CMYK 38 / 0 / 72 / 70

HEX #2F4C15

RGB 47 76 21

HSL 91.64, 0.57%, 0.19%

LAB 28.97, -21.51, 28.26

 

CMYK 72 / 38 / 0 / 70

HEX #152F4C

RGB 21 47 76

HSL 211.64, 0.57%, 0.19%

LAB 18.86, 0.97, -20.86

 

CMYK 0 / 73 / 39 / 70

HEX #4D152F

RGB 77 21 47

HSL 332.14, 0.57%, 0.19%

LAB 17.08, 29, -2.93

 

CMYK 0 / 20 / 72 / 70

HEX #4C3D15

RGB 76 61 21

HSL 43.64, 0.57%, 0.19%

LAB 26.53, 1.3, 26.38

 

CMYK 72 / 0 / 34 / 70

HEX #154C32

RGB 21 76 50

HSL 151.64, 0.57%, 0.19%

LAB 28.27, -24.96, 10.36

 

CMYK 72 / 53 / 0 / 70

HEX #15244C

RGB 21 36 76

HSL 223.64, 0.57%, 0.19%

LAB 15.19, 9.03, -26.71

 

CMYK 0 / 73 / 39 / 70

HEX #4D152F

RGB 77 21 47

HSL 332.14, 0.57%, 0.19%

LAB 17.08, 29, -2.93

 

CMYK 3 / 0 / 72 / 70

HEX #4A4C15

RGB 74 76 21

HSL 62.18, 0.57%, 0.19%

LAB 31.06, -8.96, 31.1

 

CMYK 72 / 0 / 34 / 70

HEX #154C32

RGB 21 76 50

HSL 151.64, 0.57%, 0.19%

LAB 28.27, -24.96, 10.36

 

CMYK 70 / 72 / 0 / 70

HEX #17154C

RGB 23 21 76

HSL 242.18, 0.57%, 0.19%

LAB 10.85, 20.58, -33.73

 

Description

Color code: HEX #4D152F | qconv.com Color code: HEX #4D152F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 21 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 21 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 39 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 39% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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