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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D0671 it is the complementary color #B2F98E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D0671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D0671 shade: #52066C, #63187F, #742A92, #853CA5 and #964EB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D0671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D0671 shade: #4D0671, #3C005E, #2B004B, #1A0038 and #090025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D0671 shade: #4C066F, #68066F, #6F065A, #6F063E and #6F0621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D0671 shade: #4C066F, #2F066F, #13066F and #06066F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D0671 shade matches the following richer shades: #4C066F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D0671 shade: #4C066F, #490F66, #46195C, #432253 and #3F2C49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D0671 shade: #12066F, #2E066F, #4A066F, #67066F and #6F065C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D0671 shade: #170221, #310448, #4C066F, #670897 and #810ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D0671 shade: #4D0671, #6F0616 and #066F20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D0671 shade: #4D0671, #6F4A06 and #066F4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D0671 shade: #4D0671, #6F0616, #2B6F06 and #066F60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D0671 shade: #4D0671, #6F1606, #2B6F06 and #06606F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 95 / 0 / 56

HEX #4D0671

RGB 77 6 113

HSL 279.81, 0.9%, 0.23%

LAB 19.64, 46.63, -43.78

 

Complementary color

CMYK 29 / 0 / 43 / 2

HEX #B2F98E

RGB 178 249 142

HSL 99.81, 0.9%, 0.77%

LAB 91.31, -40.61, 44.38

 

CMYK 24 / 94 / 0 / 58

HEX #52066C

RGB 82 6 108

HSL 284.71, 0.89%, 0.22%

LAB 20.07, 46.35, -39.8

 

CMYK 22 / 81 / 0 / 50

HEX #63187F

RGB 99 24 127

HSL 283.69, 0.68%, 0.3%

LAB 26.27, 48.23, -41.79

 

CMYK 21 / 71 / 0 / 43

HEX #742A92

RGB 116 42 146

HSL 282.69, 0.55%, 0.37%

LAB 32.8, 48.72, -42.95

 

CMYK 19 / 64 / 0 / 35

HEX #853CA5

RGB 133 60 165

HSL 281.71, 0.47%, 0.44%

LAB 39.47, 48.46, -43.62

 

CMYK 18 / 58 / 0 / 28

HEX #964EB8

RGB 150 78 184

HSL 280.75, 0.43%, 0.51%

LAB 46.17, 47.86, -44.02

 

CMYK 32 / 95 / 0 / 56

HEX #4D0671

RGB 77 6 113

HSL 279.81, 0.9%, 0.23%

LAB 19.64, 46.63, -43.78

 

CMYK 36 / 100 / 0 / 63

HEX #3C005E

RGB 60 0 94

HSL 278.3, 1%, 0.18%

LAB 14.22, 41.94, -40.26

 

CMYK 43 / 100 / 0 / 71

HEX #2B004B

RGB 43 0 75

HSL 274.4, 1%, 0.15%

LAB 9.17, 35.42, -35.7

 

CMYK 54 / 100 / 0 / 78

HEX #1A0038

RGB 26 0 56

HSL 267.86, 1%, 0.11%

LAB 4.56, 25.81, -29.78

 

CMYK 76 / 100 / 0 / 85

HEX #090025

RGB 9 0 37

HSL 254.59, 1%, 0.07%

LAB 1.73, 10.83, -20.03

 

CMYK 32 / 95 / 0 / 56

HEX #4C066F

RGB 76 6 111

HSL 280, 0.9%, 0.23%

LAB 19.28, 46.05, -43.07

 

CMYK 6 / 95 / 0 / 56

HEX #68066F

RGB 104 6 111

HSL 296, 0.9%, 0.23%

LAB 24.39, 50.75, -34.56

 

CMYK 0 / 95 / 19 / 56

HEX #6F065A

RGB 111 6 90

HSL 312, 0.9%, 0.23%

LAB 24.47, 48.84, -20.59

 

CMYK 0 / 95 / 44 / 56

HEX #6F063E

RGB 111 6 62

HSL 328, 0.9%, 0.23%

LAB 23.19, 45.42, -3.6

 

CMYK 0 / 95 / 70 / 56

HEX #6F0621

RGB 111 6 33

HSL 344.57, 0.9%, 0.23%

LAB 22.37, 43.14, 15.45

 

CMYK 32 / 95 / 0 / 56

HEX #4C066F

RGB 76 6 111

HSL 280, 0.9%, 0.23%

LAB 19.28, 46.05, -43.07

 

CMYK 58 / 95 / 0 / 56

HEX #2F066F

RGB 47 6 111

HSL 263.43, 0.9%, 0.23%

LAB 14.86, 42.45, -50.52

 

CMYK 83 / 95 / 0 / 56

HEX #13066F

RGB 19 6 111

HSL 247.43, 0.9%, 0.23%

LAB 12.07, 40.52, -55.23

 

CMYK 95 / 95 / 0 / 56

HEX #06066F

RGB 6 6 111

HSL 240, 0.9%, 0.23%

LAB 11.39, 40.11, -56.37

 

CMYK 32 / 95 / 0 / 56

HEX #4C066F

RGB 76 6 111

HSL 280, 0.9%, 0.23%

LAB 19.28, 46.05, -43.07

 

CMYK 32 / 95 / 0 / 56

HEX #4C066F

RGB 76 6 111

HSL 280, 0.9%, 0.23%

LAB 19.28, 46.05, -43.07

 

CMYK 28 / 85 / 0 / 60

HEX #490F66

RGB 73 15 102

HSL 280, 0.74%, 0.23%

LAB 18.87, 40.9, -37.88

 

CMYK 24 / 73 / 0 / 64

HEX #46195C

RGB 70 25 92

HSL 280.3, 0.57%, 0.23%

LAB 19.1, 33.6, -30.93

 

CMYK 19 / 59 / 0 / 67

HEX #432253

RGB 67 34 83

HSL 280.41, 0.42%, 0.23%

LAB 19.89, 25.48, -23.67

 

CMYK 14 / 40 / 0 / 71

HEX #3F2C49

RGB 63 44 73

HSL 279.31, 0.25%, 0.23%

LAB 21.35, 15.1, -14.67

 

CMYK 84 / 95 / 0 / 56

HEX #12066F

RGB 18 6 111

HSL 246.86, 0.9%, 0.23%

LAB 12, 40.48, -55.34

 

CMYK 59 / 95 / 0 / 56

HEX #2E066F

RGB 46 6 111

HSL 262.86, 0.9%, 0.23%

LAB 14.73, 42.35, -50.73

 

CMYK 33 / 95 / 0 / 56

HEX #4A066F

RGB 74 6 111

HSL 278.86, 0.9%, 0.23%

LAB 18.94, 45.75, -43.64

 

CMYK 7 / 95 / 0 / 56

HEX #67066F

RGB 103 6 111

HSL 295.43, 0.9%, 0.23%

LAB 24.2, 50.57, -34.88

 

CMYK 0 / 95 / 17 / 56

HEX #6F065C

RGB 111 6 92

HSL 310.86, 0.9%, 0.23%

LAB 24.58, 49.12, -21.75

 

CMYK 30 / 94 / 0 / 87

HEX #170221

RGB 23 2 33

HSL 280.65, 0.89%, 0.07%

LAB 3.03, 13.55, -14.81

 

CMYK 32 / 94 / 0 / 72

HEX #310448

RGB 49 4 72

HSL 279.71, 0.89%, 0.15%

LAB 10.61, 33.58, -31.2

 

CMYK 32 / 95 / 0 / 56

HEX #4C066F

RGB 76 6 111

HSL 280, 0.9%, 0.23%

LAB 19.28, 46.05, -43.07

 

CMYK 32 / 95 / 0 / 41

HEX #670897

RGB 103 8 151

HSL 279.86, 0.9%, 0.31%

LAB 27.55, 57.9, -54.63

 

CMYK 32 / 95 / 0 / 25

HEX #810ABE

RGB 129 10 190

HSL 279.67, 0.9%, 0.39%

LAB 35.21, 68.82, -65.4

 

CMYK 32 / 95 / 0 / 56

HEX #4D0671

RGB 77 6 113

HSL 279.81, 0.9%, 0.23%

LAB 19.64, 46.63, -43.78

 

CMYK 0 / 95 / 80 / 56

HEX #6F0616

RGB 111 6 22

HSL 350.86, 0.9%, 0.23%

LAB 22.19, 42.62, 22.72

 

CMYK 95 / 0 / 71 / 56

HEX #066F20

RGB 6 111 32

HSL 134.86, 0.9%, 0.23%

LAB 40.43, -43.92, 35.12

 

CMYK 32 / 95 / 0 / 56

HEX #4D0671

RGB 77 6 113

HSL 279.81, 0.9%, 0.23%

LAB 19.64, 46.63, -43.78

 

CMYK 0 / 33 / 95 / 56

HEX #6F4A06

RGB 111 74 6

HSL 38.86, 0.9%, 0.23%

LAB 34.58, 10.19, 41.54

 

CMYK 95 / 0 / 33 / 56

HEX #066F4A

RGB 6 111 74

HSL 158.86, 0.9%, 0.23%

LAB 41.06, -36.41, 13.21

 

CMYK 32 / 95 / 0 / 56

HEX #4D0671

RGB 77 6 113

HSL 279.81, 0.9%, 0.23%

LAB 19.64, 46.63, -43.78

 

CMYK 0 / 95 / 80 / 56

HEX #6F0616

RGB 111 6 22

HSL 350.86, 0.9%, 0.23%

LAB 22.19, 42.62, 22.72

 

CMYK 61 / 0 / 95 / 56

HEX #2B6F06

RGB 43 111 6

HSL 98.86, 0.9%, 0.23%

LAB 41.05, -39.22, 44.6

 

CMYK 95 / 0 / 14 / 56

HEX #066F60

RGB 6 111 96

HSL 171.43, 0.9%, 0.23%

LAB 41.61, -30.4, 0.81

 

CMYK 32 / 95 / 0 / 56

HEX #4D0671

RGB 77 6 113

HSL 279.81, 0.9%, 0.23%

LAB 19.64, 46.63, -43.78

 

CMYK 0 / 80 / 95 / 56

HEX #6F1606

RGB 111 22 6

HSL 9.14, 0.9%, 0.23%

LAB 23.56, 37.81, 32.39

 

CMYK 61 / 0 / 95 / 56

HEX #2B6F06

RGB 43 111 6

HSL 98.86, 0.9%, 0.23%

LAB 41.05, -39.22, 44.6

 

CMYK 95 / 14 / 0 / 56

HEX #06606F

RGB 6 96 111

HSL 188.57, 0.9%, 0.23%

LAB 37.03, -17.72, -15.22

 

Description

Color code: HEX #4D0671 | qconv.com Color code: HEX #4D0671 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 6 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 6 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 95 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 95% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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