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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D02D9 it is the complementary color #B2FD26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D02D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D02D9 shade: #5202D4, #6314E7, #7426FA, #8538FF and #964AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D02D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D02D9 shade: #4D02D9, #3C00C6, #2B00B3, #1A00A0 and #09008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D02D9 shade: #4D02D9, #8702D9, #C102D9, #D902B7 and #D9027D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D02D9 shade: #4D02D9, #1302D9 and #0202D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D02D9 shade matches the following richer shades: #4D02D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D02D9 shade: #4D02D9, #5314C7, #5826B6, #5D37A4 and #634992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D02D9 shade: #022DD9, #1102D9, #4A02D9, #8302D9 and #BC02D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D02D9 shade: #300187, #3F02B0, #4D02D9, #5D08FD and #7831FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D02D9 shade: #4D02D9, #D90266 and #11D902

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D02D9 shade: #4D02D9, #D94A02 and #02D94A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D02D9 shade: #4D02D9, #D90266, #91D902 and #02D975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D02D9 shade: #4D02D9, #D90226, #91D902 and #02D9B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

Complementary color

CMYK 30 / 0 / 85 / 1

HEX #B2FD26

RGB 178 253 38

HSL 80.93, 0.98%, 0.57%

LAB 91.62, -50.19, 83.63

 

CMYK 61 / 99 / 0 / 17

HEX #5202D4

RGB 82 2 212

HSL 262.86, 0.98%, 0.42%

LAB 30.86, 70.53, -85.65

 

CMYK 57 / 91 / 0 / 9

HEX #6314E7

RGB 99 20 231

HSL 262.46, 0.84%, 0.49%

LAB 35.83, 73.07, -88.26

 

CMYK 54 / 85 / 0 / 2

HEX #7426FA

RGB 116 38 250

HSL 262.08, 0.95%, 0.56%

LAB 41.22, 74.37, -90.04

 

CMYK 48 / 78 / 0 / 0

HEX #8538FF

RGB 133 56 255

HSL 263.22, 1%, 0.61%

LAB 45.68, 71.27, -85.41

 

CMYK 41 / 71 / 0 / 0

HEX #964AFF

RGB 150 74 255

HSL 265.19, 1%, 0.65%

LAB 50.22, 66.27, -77.91

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 70 / 100 / 0 / 22

HEX #3C00C6

RGB 60 0 198

HSL 258.18, 1%, 0.39%

LAB 26.84, 66.56, -84.21

 

CMYK 76 / 100 / 0 / 30

HEX #2B00B3

RGB 43 0 179

HSL 254.41, 1%, 0.35%

LAB 22.89, 61.38, -79.56

 

CMYK 84 / 100 / 0 / 37

HEX #1A00A0

RGB 26 0 160

HSL 249.75, 1%, 0.31%

LAB 19.05, 56.21, -74.5

 

CMYK 94 / 100 / 0 / 45

HEX #09008D

RGB 9 0 141

HSL 243.83, 1%, 0.28%

LAB 15.39, 51.05, -68.87

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 38 / 99 / 0 / 15

HEX #8702D9

RGB 135 2 217

HSL 277.12, 0.98%, 0.43%

LAB 38.21, 75.83, -76.17

 

CMYK 11 / 99 / 0 / 15

HEX #C102D9

RGB 193 2 217

HSL 293.3, 0.98%, 0.43%

LAB 47.48, 83.17, -60.65

 

CMYK 0 / 99 / 16 / 15

HEX #D902B7

RGB 217 2 183

HSL 309.49, 0.98%, 0.43%

LAB 49.75, 82.26, -37.09

 

CMYK 0 / 99 / 42 / 15

HEX #D9027D

RGB 217 2 125

HSL 325.67, 0.98%, 0.43%

LAB 47.33, 76.07, -6.06

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 91 / 99 / 0 / 15

HEX #1302D9

RGB 19 2 217

HSL 244.74, 0.98%, 0.43%

LAB 27.27, 69.86, -94.63

 

CMYK 99 / 99 / 0 / 15

HEX #0202D9

RGB 2 2 217

HSL 240, 0.98%, 0.43%

LAB 26.92, 69.74, -95.22

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 58 / 90 / 0 / 22

HEX #5314C7

RGB 83 20 199

HSL 261.12, 0.82%, 0.43%

LAB 30.55, 64.2, -78.57

 

CMYK 52 / 79 / 0 / 29

HEX #5826B6

RGB 88 38 182

HSL 260.83, 0.65%, 0.43%

LAB 31.44, 54.21, -67.06

 

CMYK 43 / 66 / 0 / 36

HEX #5D37A4

RGB 93 55 164

HSL 260.92, 0.5%, 0.43%

LAB 33.44, 41.74, -53

 

CMYK 32 / 50 / 0 / 43

HEX #634992

RGB 99 73 146

HSL 261.37, 0.33%, 0.43%

LAB 36.92, 27.64, -36.48

 

CMYK 99 / 79 / 0 / 15

HEX #022DD9

RGB 2 45 217

HSL 228, 0.98%, 0.43%

LAB 31.58, 55.73, -87.46

 

CMYK 92 / 99 / 0 / 15

HEX #1102D9

RGB 17 2 217

HSL 244.19, 0.98%, 0.43%

LAB 27.22, 69.84, -94.72

 

CMYK 66 / 99 / 0 / 15

HEX #4A02D9

RGB 74 2 217

HSL 260.09, 0.98%, 0.43%

LAB 30.66, 71.28, -88.89

 

CMYK 40 / 99 / 0 / 15

HEX #8302D9

RGB 131 2 217

HSL 276, 0.98%, 0.43%

LAB 37.62, 75.42, -77.15

 

CMYK 13 / 99 / 0 / 15

HEX #BC02D9

RGB 188 2 217

HSL 291.91, 0.98%, 0.43%

LAB 46.64, 82.44, -62.06

 

CMYK 64 / 99 / 0 / 47

HEX #300187

RGB 48 1 135

HSL 261.04, 0.99%, 0.27%

LAB 17.46, 50.38, -61.58

 

CMYK 64 / 99 / 0 / 31

HEX #3F02B0

RGB 63 2 176

HSL 261.03, 0.98%, 0.35%

LAB 24.43, 61.04, -75.14

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 63 / 97 / 0 / 1

HEX #5D08FD

RGB 93 8 253

HSL 260.82, 0.98%, 0.51%

LAB 37.1, 79.64, -98.62

 

CMYK 53 / 81 / 0 / 1

HEX #7831FD

RGB 120 49 253

HSL 260.88, 0.98%, 0.59%

LAB 43.18, 71.84, -88.46

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 0 / 99 / 53 / 15

HEX #D90266

RGB 217 2 102

HSL 332.09, 0.98%, 0.43%

LAB 46.65, 74.26, 7.13

 

CMYK 92 / 0 / 99 / 15

HEX #11D902

RGB 17 217 2

HSL 115.81, 0.98%, 0.43%

LAB 75.92, -75.59, 73.54

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 0 / 66 / 99 / 15

HEX #D94A02

RGB 217 74 2

HSL 20.09, 0.98%, 0.43%

LAB 51.44, 53.75, 61.7

 

CMYK 99 / 0 / 66 / 15

HEX #02D94A

RGB 2 217 74

HSL 140.09, 0.98%, 0.43%

LAB 76.15, -72.32, 56.09

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 0 / 99 / 53 / 15

HEX #D90266

RGB 217 2 102

HSL 332.09, 0.98%, 0.43%

LAB 46.65, 74.26, 7.13

 

CMYK 33 / 0 / 99 / 15

HEX #91D902

RGB 145 217 2

HSL 80.09, 0.98%, 0.43%

LAB 79.41, -47.83, 77.79

 

CMYK 99 / 0 / 46 / 15

HEX #02D975

RGB 2 217 117

HSL 152.09, 0.98%, 0.43%

LAB 76.63, -66.39, 36.95

 

CMYK 65 / 99 / 0 / 15

HEX #4D02D9

RGB 77 2 217

HSL 260.93, 0.98%, 0.43%

LAB 30.95, 71.42, -88.4

 

CMYK 0 / 99 / 82 / 15

HEX #D90226

RGB 217 2 38

HSL 349.95, 0.98%, 0.43%

LAB 45.55, 71.28, 44.46

 

CMYK 33 / 0 / 99 / 15

HEX #91D902

RGB 145 217 2

HSL 80.09, 0.98%, 0.43%

LAB 79.41, -47.83, 77.79

 

CMYK 99 / 0 / 17 / 15

HEX #02D9B5

RGB 2 217 181

HSL 169.95, 0.98%, 0.43%

LAB 77.86, -52.52, 5.3

 

Description

Color code: HEX #4D02D9 | qconv.com Color code: HEX #4D02D9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 2 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 2 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 99 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 99% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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