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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CF784 it is the complementary color #B3087B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CF784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CF784 shade: #51F77F, #62FF92, #73FFA5, #84FFB8 and #95FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CF784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CF784 shade: #4CF784, #3BE571, #2AD35E, #19C14B and #08AF38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CF784 shade: #4BF783, #4BF755, #6FF74B, #9DF74B and #CCF74B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CF784 shade: #4BF783, #4BF7B1, #4BF7E0, #4BDFF7 and #4BB1F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CF784 shade matches the following richer shades: #4BF783

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CF784 shade: #4BF783, #5AE788, #69D88E, #79C993 and #88B998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CF784 shade: #70F74B, #4BF753, #4BF781, #4BF7AF and #4BF7DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CF784 shade: #0BE452, #23F568, #4BF783, #72F89E and #9AFAB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CF784 shade: #4CF784, #4B9EF7 and #F74B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CF784 shade: #4CF784, #814BF7 and #F7814B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CF784 shade: #4CF784, #4B9EF7, #F74BC0 and #F7A44B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CF784 shade: #4CF784, #4B6AF7, #F74BC0 and #F7D74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 47 / 3

HEX #4CF784

RGB 76 247 132

HSL 139.65, 0.91%, 0.63%

LAB 86.86, -67.41, 42.79

 

Complementary color

CMYK 0 / 96 / 31 / 30

HEX #B3087B

RGB 179 8 123

HSL 319.65, 0.91%, 0.37%

LAB 39.89, 67.24, -16.8

 

CMYK 67 / 0 / 49 / 3

HEX #51F77F

RGB 81 247 127

HSL 136.63, 0.91%, 0.64%

LAB 86.9, -67.33, 45.25

 

CMYK 62 / 0 / 43 / 0

HEX #62FF92

RGB 98 255 146

HSL 138.34, 1%, 0.69%

LAB 89.95, -64.15, 40.06

 

CMYK 55 / 0 / 35 / 0

HEX #73FFA5

RGB 115 255 165

HSL 141.43, 1%, 0.73%

LAB 90.73, -57.42, 31.78

 

CMYK 48 / 0 / 28 / 0

HEX #84FFB8

RGB 132 255 184

HSL 145.37, 1%, 0.76%

LAB 91.63, -50.01, 23.52

 

CMYK 42 / 0 / 20 / 0

HEX #95FFCB

RGB 149 255 203

HSL 150.57, 1%, 0.79%

LAB 92.67, -42.05, 15.36

 

CMYK 69 / 0 / 47 / 3

HEX #4CF784

RGB 76 247 132

HSL 139.65, 0.91%, 0.63%

LAB 86.86, -67.41, 42.79

 

CMYK 74 / 0 / 51 / 10

HEX #3BE571

RGB 59 229 113

HSL 139.06, 0.77%, 0.56%

LAB 80.83, -66.64, 44.28

 

CMYK 80 / 0 / 55 / 17

HEX #2AD35E

RGB 42 211 94

HSL 138.46, 0.67%, 0.5%

LAB 74.75, -65.49, 45.8

 

CMYK 87 / 0 / 61 / 24

HEX #19C14B

RGB 25 193 75

HSL 137.86, 0.77%, 0.43%

LAB 68.65, -63.83, 47.3

 

CMYK 95 / 0 / 68 / 31

HEX #08AF38

RGB 8 175 56

HSL 137.25, 0.91%, 0.36%

LAB 62.51, -61.48, 48.64

 

CMYK 70 / 0 / 47 / 3

HEX #4BF783

RGB 75 247 131

HSL 139.53, 0.91%, 0.63%

LAB 86.83, -67.72, 43.22

 

CMYK 70 / 0 / 66 / 3

HEX #4BF755

RGB 75 247 85

HSL 123.49, 0.91%, 0.63%

LAB 86.34, -73.43, 63.03

 

CMYK 55 / 0 / 70 / 3

HEX #6FF74B

RGB 111 247 75

HSL 107.44, 0.91%, 0.63%

LAB 87.2, -66.76, 67.99

 

CMYK 36 / 0 / 70 / 3

HEX #9DF74B

RGB 157 247 75

HSL 91.4, 0.91%, 0.63%

LAB 89.02, -53.28, 70.44

 

CMYK 17 / 0 / 70 / 3

HEX #CCF74B

RGB 204 247 75

HSL 75, 0.91%, 0.63%

LAB 91.63, -36.34, 73.92

 

CMYK 70 / 0 / 47 / 3

HEX #4BF783

RGB 75 247 131

HSL 139.53, 0.91%, 0.63%

LAB 86.83, -67.72, 43.22

 

CMYK 70 / 0 / 28 / 3

HEX #4BF7B1

RGB 75 247 177

HSL 155.58, 0.91%, 0.63%

LAB 87.58, -59.38, 21.24

 

CMYK 70 / 0 / 9 / 3

HEX #4BF7E0

RGB 75 247 224

HSL 171.98, 0.91%, 0.63%

LAB 88.64, -48.43, -1.61

 

CMYK 70 / 10 / 0 / 3

HEX #4BDFF7

RGB 75 223 247

HSL 188.37, 0.91%, 0.63%

LAB 82.37, -31.23, -23.06

 

CMYK 70 / 28 / 0 / 3

HEX #4BB1F7

RGB 75 177 247

HSL 204.42, 0.91%, 0.63%

LAB 69.22, -7.56, -43.35

 

CMYK 70 / 0 / 47 / 3

HEX #4BF783

RGB 75 247 131

HSL 139.53, 0.91%, 0.63%

LAB 86.83, -67.72, 43.22

 

CMYK 70 / 0 / 47 / 3

HEX #4BF783

RGB 75 247 131

HSL 139.53, 0.91%, 0.63%

LAB 86.83, -67.72, 43.22

 

CMYK 61 / 0 / 41 / 9

HEX #5AE788

RGB 90 231 136

HSL 139.57, 0.75%, 0.63%

LAB 82.43, -58.43, 35.2

 

CMYK 51 / 0 / 34 / 15

HEX #69D88E

RGB 105 216 142

HSL 140, 0.59%, 0.63%

LAB 78.5, -48.05, 27.02

 

CMYK 40 / 0 / 27 / 21

HEX #79C993

RGB 121 201 147

HSL 139.5, 0.43%, 0.63%

LAB 74.79, -36.27, 19.45

 

CMYK 26 / 0 / 18 / 27

HEX #88B998

RGB 136 185 152

HSL 139.59, 0.26%, 0.63%

LAB 71.01, -23.01, 11.59

 

CMYK 55 / 0 / 70 / 3

HEX #70F74B

RGB 112 247 75

HSL 107.09, 0.91%, 0.63%

LAB 87.23, -66.51, 68.04

 

CMYK 70 / 0 / 66 / 3

HEX #4BF753

RGB 75 247 83

HSL 122.79, 0.91%, 0.63%

LAB 86.33, -73.61, 63.8

 

CMYK 70 / 0 / 48 / 3

HEX #4BF781

RGB 75 247 129

HSL 138.84, 0.91%, 0.63%

LAB 86.8, -68.03, 44.15

 

CMYK 70 / 0 / 29 / 3

HEX #4BF7AF

RGB 75 247 175

HSL 154.88, 0.91%, 0.63%

LAB 87.54, -59.79, 22.22

 

CMYK 70 / 0 / 11 / 3

HEX #4BF7DD

RGB 75 247 221

HSL 170.93, 0.91%, 0.63%

LAB 88.56, -49.19, -0.15

 

CMYK 95 / 0 / 64 / 11

HEX #0BE452

RGB 11 228 82

HSL 139.63, 0.91%, 0.47%

LAB 79.71, -74.37, 56.74

 

CMYK 86 / 0 / 58 / 4

HEX #23F568

RGB 35 245 104

HSL 139.71, 0.91%, 0.55%

LAB 85.33, -75.54, 53.77

 

CMYK 70 / 0 / 47 / 3

HEX #4BF783

RGB 75 247 131

HSL 139.53, 0.91%, 0.63%

LAB 86.83, -67.72, 43.22

 

CMYK 54 / 0 / 36 / 3

HEX #72F89E

RGB 114 248 158

HSL 139.7, 0.91%, 0.71%

LAB 88.53, -56.09, 32.35

 

CMYK 38 / 0 / 26 / 2

HEX #9AFAB9

RGB 154 250 185

HSL 139.38, 0.91%, 0.79%

LAB 91.12, -41.88, 22.44

 

CMYK 69 / 0 / 47 / 3

HEX #4CF784

RGB 76 247 132

HSL 139.65, 0.91%, 0.63%

LAB 86.86, -67.41, 42.79

 

CMYK 70 / 36 / 0 / 3

HEX #4B9EF7

RGB 75 158 247

HSL 211.05, 0.91%, 0.63%

LAB 63.89, 3.19, -51.76

 

CMYK 0 / 70 / 64 / 3

HEX #F74B59

RGB 247 75 89

HSL 355.12, 0.91%, 0.63%

LAB 57.59, 65.69, 30.64

 

CMYK 69 / 0 / 47 / 3

HEX #4CF784

RGB 76 247 132

HSL 139.65, 0.91%, 0.63%

LAB 86.86, -67.41, 42.79

 

CMYK 48 / 70 / 0 / 3

HEX #814BF7

RGB 129 75 247

HSL 258.84, 0.91%, 0.63%

LAB 47.51, 60.34, -77.96

 

CMYK 0 / 48 / 70 / 3

HEX #F7814B

RGB 247 129 75

HSL 18.84, 0.91%, 0.63%

LAB 66.51, 41.09, 48.82

 

CMYK 69 / 0 / 47 / 3

HEX #4CF784

RGB 76 247 132

HSL 139.65, 0.91%, 0.63%

LAB 86.86, -67.41, 42.79

 

CMYK 70 / 36 / 0 / 3

HEX #4B9EF7

RGB 75 158 247

HSL 211.05, 0.91%, 0.63%

LAB 63.89, 3.19, -51.76

 

CMYK 0 / 70 / 22 / 3

HEX #F74BC0

RGB 247 75 192

HSL 319.19, 0.91%, 0.63%

LAB 60.44, 75.2, -25.28

 

CMYK 0 / 34 / 70 / 3

HEX #F7A44B

RGB 247 164 75

HSL 31.05, 0.91%, 0.63%

LAB 74.08, 23, 57.07

 

CMYK 69 / 0 / 47 / 3

HEX #4CF784

RGB 76 247 132

HSL 139.65, 0.91%, 0.63%

LAB 86.86, -67.41, 42.79

 

CMYK 70 / 57 / 0 / 3

HEX #4B6AF7

RGB 75 106 247

HSL 229.19, 0.91%, 0.63%

LAB 50.12, 34.69, -73.88

 

CMYK 0 / 70 / 22 / 3

HEX #F74BC0

RGB 247 75 192

HSL 319.19, 0.91%, 0.63%

LAB 60.44, 75.2, -25.28

 

CMYK 0 / 13 / 70 / 3

HEX #F7D74B

RGB 247 215 75

HSL 48.84, 0.91%, 0.63%

LAB 86.45, -3.5, 69.82

 

Description

Color code: HEX #4CF784 | qconv.com Color code: HEX #4CF784 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 247 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 247 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 47 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 47% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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