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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CED5E it is the complementary color #B312A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CED5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CED5E shade: #51ED59, #62FF6C, #73FF7F, #84FF92 and #95FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CED5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CED5E shade: #4CED5E, #3BDB4B, #2AC938, #19B725 and #08A512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CED5E shade: #4AED5C, #64ED4A, #90ED4A, #BCED4A and #E8ED4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CED5E shade: #4AED5C, #4AED88, #4AEDB4, #4AEDE0 and #4ACEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CED5E shade matches the following richer shades: #4AED5C and #3AFD50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CED5E shade: #4AED5C, #5ADD69, #6ACD75, #7ABD82 and #8AAD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CED5E shade: #91ED4A, #65ED4A, #4AED5A, #4AED86 and #4AEDB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CED5E shade: #15D02A, #24E93A, #4AED5C, #70F17E and #95F5A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CED5E shade: #4CED5E, #4ABCED and #ED4A7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CED5E shade: #4CED5E, #5A4AED and #ED5A4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CED5E shade: #4CED5E, #4ABCED, #ED4ADD and #ED7B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CED5E shade: #4CED5E, #4A8BED, #ED4ADD and #EDAC4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 60 / 7

HEX #4CED5E

RGB 76 237 94

HSL 126.71, 0.82%, 0.61%

LAB 83.4, -69.08, 56.05

 

Complementary color

CMYK 0 / 90 / 10 / 30

HEX #B312A1

RGB 179 18 161

HSL 306.71, 0.82%, 0.39%

LAB 42.14, 70.78, -36.53

 

CMYK 66 / 0 / 62 / 7

HEX #51ED59

RGB 81 237 89

HSL 123.08, 0.81%, 0.62%

LAB 83.46, -68.7, 58.28

 

CMYK 62 / 0 / 58 / 0

HEX #62FF6C

RGB 98 255 108

HSL 123.82, 1%, 0.69%

LAB 89.49, -69.35, 57.15

 

CMYK 55 / 0 / 50 / 0

HEX #73FF7F

RGB 115 255 127

HSL 125.14, 1%, 0.73%

LAB 90.18, -63.25, 49.52

 

CMYK 48 / 0 / 43 / 0

HEX #84FF92

RGB 132 255 146

HSL 126.83, 1%, 0.76%

LAB 91.01, -56.37, 41.63

 

CMYK 42 / 0 / 35 / 0

HEX #95FFA5

RGB 149 255 165

HSL 129.06, 1%, 0.79%

LAB 91.97, -48.85, 33.65

 

CMYK 68 / 0 / 60 / 7

HEX #4CED5E

RGB 76 237 94

HSL 126.71, 0.82%, 0.61%

LAB 83.4, -69.08, 56.05

 

CMYK 73 / 0 / 66 / 14

HEX #3BDB4B

RGB 59 219 75

HSL 126, 0.69%, 0.55%

LAB 77.34, -68.04, 57.15

 

CMYK 79 / 0 / 72 / 21

HEX #2AC938

RGB 42 201 56

HSL 125.28, 0.65%, 0.48%

LAB 71.25, -66.52, 57.95

 

CMYK 86 / 0 / 80 / 28

HEX #19B725

RGB 25 183 37

HSL 124.56, 0.76%, 0.41%

LAB 65.13, -64.33, 58.18

 

CMYK 95 / 0 / 89 / 35

HEX #08A512

RGB 8 165 18

HSL 123.82, 0.91%, 0.34%

LAB 58.98, -61.26, 57.35

 

CMYK 69 / 0 / 61 / 7

HEX #4AED5C

RGB 74 237 92

HSL 126.63, 0.82%, 0.61%

LAB 83.34, -69.65, 56.83

 

CMYK 58 / 0 / 69 / 7

HEX #64ED4A

RGB 100 237 74

HSL 110.43, 0.82%, 0.61%

LAB 83.85, -66.03, 64.77

 

CMYK 39 / 0 / 69 / 7

HEX #90ED4A

RGB 144 237 74

HSL 94.23, 0.82%, 0.61%

LAB 85.5, -53.6, 67.01

 

CMYK 21 / 0 / 69 / 7

HEX #BCED4A

RGB 188 237 74

HSL 78.04, 0.82%, 0.61%

LAB 87.85, -38.01, 70.16

 

CMYK 2 / 0 / 69 / 7

HEX #E8ED4A

RGB 232 237 74

HSL 61.84, 0.82%, 0.61%

LAB 90.88, -20.63, 74.18

 

CMYK 69 / 0 / 61 / 7

HEX #4AED5C

RGB 74 237 92

HSL 126.63, 0.82%, 0.61%

LAB 83.34, -69.65, 56.83

 

CMYK 69 / 0 / 43 / 7

HEX #4AED88

RGB 74 237 136

HSL 142.82, 0.82%, 0.61%

LAB 83.86, -63.55, 36.99

 

CMYK 69 / 0 / 24 / 7

HEX #4AEDB4

RGB 74 237 180

HSL 159.02, 0.82%, 0.61%

LAB 84.65, -54.98, 15.6

 

CMYK 69 / 0 / 5 / 7

HEX #4AEDE0

RGB 74 237 224

HSL 175.21, 0.82%, 0.61%

LAB 85.71, -44.24, -5.92

 

CMYK 69 / 13 / 0 / 7

HEX #4ACEED

RGB 74 206 237

HSL 191.41, 0.82%, 0.61%

LAB 77.11, -26.07, -25.75

 

CMYK 69 / 0 / 61 / 7

HEX #4AED5C

RGB 74 237 92

HSL 126.63, 0.82%, 0.61%

LAB 83.34, -69.65, 56.83

 

CMYK 77 / 0 / 68 / 1

HEX #3AFD50

RGB 58 253 80

HSL 126.77, 0.98%, 0.61%

LAB 87.84, -78.21, 66.46

 

CMYK 69 / 0 / 61 / 7

HEX #4AED5C

RGB 74 237 92

HSL 126.63, 0.82%, 0.61%

LAB 83.34, -69.65, 56.83

 

CMYK 59 / 0 / 52 / 13

HEX #5ADD69

RGB 90 221 105

HSL 126.87, 0.66%, 0.61%

LAB 78.99, -59.35, 45.98

 

CMYK 48 / 0 / 43 / 20

HEX #6ACD75

RGB 106 205 117

HSL 126.67, 0.5%, 0.61%

LAB 74.83, -47.39, 35.02

 

CMYK 35 / 0 / 31 / 26

HEX #7ABD82

RGB 122 189 130

HSL 127.16, 0.34%, 0.61%

LAB 70.97, -33.49, 23.28

 

CMYK 20 / 0 / 18 / 32

HEX #8AAD8E

RGB 138 173 142

HSL 126.86, 0.18%, 0.61%

LAB 67.46, -18.15, 12.07

 

CMYK 39 / 0 / 69 / 7

HEX #91ED4A

RGB 145 237 74

HSL 93.87, 0.82%, 0.61%

LAB 85.55, -53.27, 67.07

 

CMYK 57 / 0 / 69 / 7

HEX #65ED4A

RGB 101 237 74

HSL 110.06, 0.82%, 0.61%

LAB 83.88, -65.79, 64.81

 

CMYK 69 / 0 / 62 / 7

HEX #4AED5A

RGB 74 237 90

HSL 125.89, 0.82%, 0.61%

LAB 83.32, -69.87, 57.65

 

CMYK 69 / 0 / 43 / 7

HEX #4AED86

RGB 74 237 134

HSL 142.09, 0.82%, 0.61%

LAB 83.83, -63.88, 37.94

 

CMYK 69 / 0 / 25 / 7

HEX #4AEDB1

RGB 74 237 177

HSL 157.91, 0.82%, 0.61%

LAB 84.59, -55.63, 17.08

 

CMYK 90 / 0 / 80 / 18

HEX #15D02A

RGB 21 208 42

HSL 126.74, 0.82%, 0.45%

LAB 73.18, -71.54, 64.33

 

CMYK 85 / 0 / 75 / 9

HEX #24E93A

RGB 36 233 58

HSL 126.7, 0.82%, 0.53%

LAB 81.27, -76.46, 67.32

 

CMYK 69 / 0 / 61 / 7

HEX #4AED5C

RGB 74 237 92

HSL 126.63, 0.82%, 0.61%

LAB 83.34, -69.65, 56.83

 

CMYK 54 / 0 / 48 / 5

HEX #70F17E

RGB 112 241 126

HSL 126.51, 0.82%, 0.69%

LAB 85.94, -58.84, 44.71

 

CMYK 39 / 0 / 35 / 4

HEX #95F5A0

RGB 149 245 160

HSL 126.88, 0.83%, 0.77%

LAB 89.03, -45.39, 32.25

 

CMYK 68 / 0 / 60 / 7

HEX #4CED5E

RGB 76 237 94

HSL 126.71, 0.82%, 0.61%

LAB 83.4, -69.08, 56.05

 

CMYK 69 / 21 / 0 / 7

HEX #4ABCED

RGB 74 188 237

HSL 198.04, 0.82%, 0.61%

LAB 71.92, -16.88, -33.74

 

CMYK 0 / 69 / 48 / 7

HEX #ED4A7B

RGB 237 74 123

HSL 341.96, 0.82%, 0.61%

LAB 56.42, 65.48, 8.8

 

CMYK 68 / 0 / 60 / 7

HEX #4CED5E

RGB 76 237 94

HSL 126.71, 0.82%, 0.61%

LAB 83.4, -69.08, 56.05

 

CMYK 62 / 69 / 0 / 7

HEX #5A4AED

RGB 90 74 237

HSL 245.89, 0.82%, 0.61%

LAB 43.04, 52.28, -79.8

 

CMYK 0 / 62 / 69 / 7

HEX #ED5A4A

RGB 237 90 74

HSL 5.89, 0.82%, 0.61%

LAB 57.86, 55.77, 39.07

 

CMYK 68 / 0 / 60 / 7

HEX #4CED5E

RGB 76 237 94

HSL 126.71, 0.82%, 0.61%

LAB 83.4, -69.08, 56.05

 

CMYK 69 / 21 / 0 / 7

HEX #4ABCED

RGB 74 188 237

HSL 198.04, 0.82%, 0.61%

LAB 71.92, -16.88, -33.74

 

CMYK 0 / 69 / 7 / 7

HEX #ED4ADD

RGB 237 74 221

HSL 305.89, 0.82%, 0.61%

LAB 60, 77.18, -42.54

 

CMYK 0 / 48 / 69 / 7

HEX #ED7B4A

RGB 237 123 74

HSL 18.04, 0.82%, 0.61%

LAB 63.89, 40.21, 46.01

 

CMYK 68 / 0 / 60 / 7

HEX #4CED5E

RGB 76 237 94

HSL 126.71, 0.82%, 0.61%

LAB 83.4, -69.08, 56.05

 

CMYK 69 / 41 / 0 / 7

HEX #4A8BED

RGB 74 139 237

HSL 216.07, 0.82%, 0.61%

LAB 58.07, 10.8, -55.51

 

CMYK 0 / 69 / 7 / 7

HEX #ED4ADD

RGB 237 74 221

HSL 305.89, 0.82%, 0.61%

LAB 60, 77.18, -42.54

 

CMYK 0 / 27 / 69 / 7

HEX #EDAC4A

RGB 237 172 74

HSL 36.07, 0.82%, 0.61%

LAB 74.83, 14.57, 57.96

 

Description

Color code: HEX #4CED5E | qconv.com Color code: HEX #4CED5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 237 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 237 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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