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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE891 it is the complementary color #B3176E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE891 shade: #51E88C, #62FA9F, #73FFB2, #84FFC5 and #95FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE891 shade: #4CE891, #3BD67E, #2AC46B, #19B258 and #08A045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE891 shade: #4AE890, #4AE866, #5AE84A, #84E84A and #AEE84A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE891 shade: #4AE890, #4AE8BA, #4AE8E5, #4AC0E8 and #4A96E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE891 shade matches the following richer shades: #4AE890 and #3AF88E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE891 shade: #4AE890, #5BD792, #6BC794, #7CB696 and #8CA698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE891 shade: #5AE84A, #4AE865, #4AE88F, #4AE8B8 and #4AE8E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE891 shade: #1AC666, #26E379, #4AE890, #6FECA6 and #93F1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE891 shade: #4CE891, #4A84E8 and #E8504A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE891 shade: #4CE891, #8F4AE8 and #E88F4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE891 shade: #4CE891, #4A84E8, #E84AA3 and #E8AE4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE891 shade: #4CE891, #4A55E8, #E84AA3 and #E8DD4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 38 / 9

HEX #4CE891

RGB 76 232 145

HSL 146.54, 0.77%, 0.6%

LAB 82.54, -59.82, 30.74

 

Complementary color

CMYK 0 / 87 / 39 / 30

HEX #B3176E

RGB 179 23 110

HSL 326.54, 0.77%, 0.4%

LAB 40.12, 63.76, -8.33

 

CMYK 65 / 0 / 40 / 9

HEX #51E88C

RGB 81 232 140

HSL 143.44, 0.77%, 0.61%

LAB 82.57, -59.84, 33.33

 

CMYK 61 / 0 / 36 / 2

HEX #62FA9F

RGB 98 250 159

HSL 144.08, 0.94%, 0.68%

LAB 88.67, -60.09, 31.95

 

CMYK 55 / 0 / 30 / 0

HEX #73FFB2

RGB 115 255 178

HSL 147, 1%, 0.73%

LAB 90.95, -55.06, 25.54

 

CMYK 48 / 0 / 23 / 0

HEX #84FFC5

RGB 132 255 197

HSL 151.71, 1%, 0.76%

LAB 91.89, -47.49, 17.24

 

CMYK 42 / 0 / 15 / 0

HEX #95FFD8

RGB 149 255 216

HSL 157.92, 1%, 0.79%

LAB 92.96, -39.42, 9.08

 

CMYK 67 / 0 / 38 / 9

HEX #4CE891

RGB 76 232 145

HSL 146.54, 0.77%, 0.6%

LAB 82.54, -59.82, 30.74

 

CMYK 72 / 0 / 41 / 16

HEX #3BD67E

RGB 59 214 126

HSL 145.94, 0.65%, 0.54%

LAB 76.39, -59.27, 32.22

 

CMYK 79 / 0 / 45 / 23

HEX #2AC46B

RGB 42 196 107

HSL 145.32, 0.65%, 0.47%

LAB 70.2, -58.41, 33.81

 

CMYK 86 / 0 / 51 / 30

HEX #19B258

RGB 25 178 88

HSL 144.71, 0.75%, 0.4%

LAB 63.96, -57.08, 35.49

 

CMYK 95 / 0 / 57 / 37

HEX #08A045

RGB 8 160 69

HSL 144.08, 0.9%, 0.33%

LAB 57.68, -55.13, 37.24

 

CMYK 68 / 0 / 38 / 9

HEX #4AE890

RGB 74 232 144

HSL 146.58, 0.77%, 0.6%

LAB 82.48, -60.33, 31.16

 

CMYK 68 / 0 / 56 / 9

HEX #4AE866

RGB 74 232 102

HSL 130.63, 0.77%, 0.6%

LAB 81.91, -66.81, 50.78

 

CMYK 61 / 0 / 68 / 9

HEX #5AE84A

RGB 90 232 74

HSL 113.92, 0.77%, 0.6%

LAB 82.05, -66.6, 62.79

 

CMYK 43 / 0 / 68 / 9

HEX #84E84A

RGB 132 232 74

HSL 97.97, 0.77%, 0.6%

LAB 83.5, -55.42, 64.77

 

CMYK 25 / 0 / 68 / 9

HEX #AEE84A

RGB 174 232 74

HSL 82.03, 0.77%, 0.6%

LAB 85.61, -41.05, 67.61

 

CMYK 68 / 0 / 38 / 9

HEX #4AE890

RGB 74 232 144

HSL 146.58, 0.77%, 0.6%

LAB 82.48, -60.33, 31.16

 

CMYK 68 / 0 / 20 / 9

HEX #4AE8BA

RGB 74 232 186

HSL 162.53, 0.77%, 0.6%

LAB 83.29, -51.6, 10.55

 

CMYK 68 / 0 / 1 / 9

HEX #4AE8E5

RGB 74 232 229

HSL 178.86, 0.77%, 0.6%

LAB 84.39, -40.67, -10.5

 

CMYK 68 / 17 / 0 / 9

HEX #4AC0E8

RGB 74 192 232

HSL 195.19, 0.77%, 0.6%

LAB 72.88, -20.54, -29.54

 

CMYK 68 / 35 / 0 / 9

HEX #4A96E8

RGB 74 150 232

HSL 211.14, 0.77%, 0.6%

LAB 60.87, 2.55, -48.3

 

CMYK 68 / 0 / 38 / 9

HEX #4AE890

RGB 74 232 144

HSL 146.58, 0.77%, 0.6%

LAB 82.48, -60.33, 31.16

 

CMYK 77 / 0 / 43 / 3

HEX #3AF88E

RGB 58 248 142

HSL 146.53, 0.93%, 0.6%

LAB 86.99, -68.62, 38.03

 

CMYK 68 / 0 / 38 / 9

HEX #4AE890

RGB 74 232 144

HSL 146.58, 0.77%, 0.6%

LAB 82.48, -60.33, 31.16

 

CMYK 58 / 0 / 32 / 16

HEX #5BD792

RGB 91 215 146

HSL 146.61, 0.61%, 0.6%

LAB 77.82, -50.13, 23.94

 

CMYK 46 / 0 / 26 / 22

HEX #6BC794

RGB 107 199 148

HSL 146.74, 0.45%, 0.6%

LAB 73.62, -39.06, 17.2

 

CMYK 32 / 0 / 18 / 29

HEX #7CB696

RGB 124 182 150

HSL 146.9, 0.28%, 0.6%

LAB 69.43, -25.75, 10.35

 

CMYK 16 / 0 / 8 / 35

HEX #8CA698

RGB 140 166 152

HSL 147.69, 0.13%, 0.6%

LAB 65.84, -11.87, 4.23

 

CMYK 61 / 0 / 68 / 9

HEX #5AE84A

RGB 90 232 74

HSL 113.92, 0.77%, 0.6%

LAB 82.05, -66.6, 62.79

 

CMYK 68 / 0 / 56 / 9

HEX #4AE865

RGB 74 232 101

HSL 130.25, 0.77%, 0.6%

LAB 81.9, -66.93, 51.22

 

CMYK 68 / 0 / 38 / 9

HEX #4AE88F

RGB 74 232 143

HSL 146.2, 0.77%, 0.6%

LAB 82.46, -60.51, 31.64

 

CMYK 68 / 0 / 21 / 9

HEX #4AE8B8

RGB 74 232 184

HSL 161.77, 0.77%, 0.6%

LAB 83.25, -52.06, 11.54

 

CMYK 68 / 0 / 3 / 9

HEX #4AE8E2

RGB 74 232 226

HSL 177.72, 0.77%, 0.6%

LAB 84.31, -41.49, -9.05

 

CMYK 87 / 0 / 48 / 22

HEX #1AC666

RGB 26 198 102

HSL 146.51, 0.77%, 0.44%

LAB 70.57, -61.49, 36.76

 

CMYK 83 / 0 / 47 / 11

HEX #26E379

RGB 38 227 121

HSL 146.35, 0.77%, 0.52%

LAB 80.03, -67.1, 39.35

 

CMYK 68 / 0 / 38 / 9

HEX #4AE890

RGB 74 232 144

HSL 146.58, 0.77%, 0.6%

LAB 82.48, -60.33, 31.16

 

CMYK 53 / 0 / 30 / 7

HEX #6FECA6

RGB 111 236 166

HSL 146.4, 0.77%, 0.68%

LAB 85.06, -50.48, 23.57

 

CMYK 39 / 0 / 22 / 5

HEX #93F1BD

RGB 147 241 189

HSL 146.81, 0.77%, 0.76%

LAB 88.35, -39.07, 16.47

 

CMYK 67 / 0 / 38 / 9

HEX #4CE891

RGB 76 232 145

HSL 146.54, 0.77%, 0.6%

LAB 82.54, -59.82, 30.74

 

CMYK 68 / 43 / 0 / 9

HEX #4A84E8

RGB 74 132 232

HSL 217.97, 0.77%, 0.6%

LAB 55.87, 13.28, -56.24

 

CMYK 0 / 66 / 68 / 9

HEX #E8504A

RGB 232 80 74

HSL 2.28, 0.77%, 0.6%

LAB 55.47, 58.28, 36.03

 

CMYK 67 / 0 / 38 / 9

HEX #4CE891

RGB 76 232 145

HSL 146.54, 0.77%, 0.6%

LAB 82.54, -59.82, 30.74

 

CMYK 38 / 68 / 0 / 9

HEX #8F4AE8

RGB 143 74 232

HSL 266.2, 0.77%, 0.6%

LAB 47.71, 59.45, -69.15

 

CMYK 0 / 38 / 68 / 9

HEX #E88F4A

RGB 232 143 74

HSL 26.2, 0.77%, 0.6%

LAB 67.5, 27.87, 49.86

 

CMYK 67 / 0 / 38 / 9

HEX #4CE891

RGB 76 232 145

HSL 146.54, 0.77%, 0.6%

LAB 82.54, -59.82, 30.74

 

CMYK 68 / 43 / 0 / 9

HEX #4A84E8

RGB 74 132 232

HSL 217.97, 0.77%, 0.6%

LAB 55.87, 13.28, -56.24

 

CMYK 0 / 68 / 30 / 9

HEX #E84AA3

RGB 232 74 163

HSL 326.2, 0.77%, 0.6%

LAB 56.78, 68.15, -14.32

 

CMYK 0 / 25 / 68 / 9

HEX #E8AE4A

RGB 232 174 74

HSL 37.97, 0.77%, 0.6%

LAB 74.78, 11.41, 57.75

 

CMYK 67 / 0 / 38 / 9

HEX #4CE891

RGB 76 232 145

HSL 146.54, 0.77%, 0.6%

LAB 82.54, -59.82, 30.74

 

CMYK 68 / 63 / 0 / 9

HEX #4A55E8

RGB 74 85 232

HSL 235.82, 0.77%, 0.6%

LAB 43.91, 42.27, -75.59

 

CMYK 0 / 68 / 30 / 9

HEX #E84AA3

RGB 232 74 163

HSL 326.2, 0.77%, 0.6%

LAB 56.78, 68.15, -14.32

 

CMYK 0 / 5 / 68 / 9

HEX #E8DD4A

RGB 232 221 74

HSL 55.82, 0.77%, 0.6%

LAB 86.68, -12.8, 70.02

 

Description

Color code: HEX #4CE891 | qconv.com Color code: HEX #4CE891 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 232 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 232 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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