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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE7B0 it is the complementary color #B3184F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE7B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE7B0 shade: #51E7AB, #62F9BE, #73FFD1, #84FFE4 and #95FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE7B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE7B0 shade: #4CE7B0, #3BD59D, #2AC38A, #19B177 and #089F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE7B0 shade: #4BE7B0, #4BE786, #4BE75C, #65E74B and #8FE74B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE7B0 shade: #4BE7B0, #4BE7D9, #4BCAE7, #4BA0E7 and #4B76E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE7B0 shade matches the following richer shades: #4BE7B0 and #3BF7B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE7B0 shade: #4BE7B0, #5CD6AB, #6CC6A6, #7DB5A1 and #8DA59C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE7B0 shade: #4BE75B, #4BE784, #4BE7AE, #4BE7D7 and #4BCDE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE7B0 shade: #1BC588, #27E29F, #4BE7B0, #70EBC0 and #94F0D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE7B0 shade: #4CE7B0, #4B65E7 and #E7704B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE7B0 shade: #4CE7B0, #AE4BE7 and #E7AE4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE7B0 shade: #4CE7B0, #4B65E7, #E74B84 and #E7CD4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE7B0 shade: #4CE7B0, #604BE7, #E74B84 and #D2E74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 24 / 9

HEX #4CE7B0

RGB 76 231 176

HSL 158.71, 0.76%, 0.6%

LAB 82.82, -53.16, 15.13

 

Complementary color

CMYK 0 / 87 / 56 / 30

HEX #B3184F

RGB 179 24 79

HSL 338.71, 0.76%, 0.4%

LAB 39.24, 60.89, 10.07

 

CMYK 65 / 0 / 26 / 9

HEX #51E7AB

RGB 81 231 171

HSL 156, 0.76%, 0.61%

LAB 82.83, -53.43, 17.77

 

CMYK 61 / 0 / 24 / 2

HEX #62F9BE

RGB 98 249 190

HSL 156.56, 0.93%, 0.68%

LAB 88.95, -53.64, 16.56

 

CMYK 55 / 0 / 18 / 0

HEX #73FFD1

RGB 115 255 209

HSL 160.29, 1%, 0.73%

LAB 91.58, -48.73, 10.56

 

CMYK 48 / 0 / 11 / 0

HEX #84FFE4

RGB 132 255 228

HSL 166.83, 1%, 0.76%

LAB 92.59, -40.85, 2.27

 

CMYK 42 / 0 / 3 / 0

HEX #95FFF7

RGB 149 255 247

HSL 175.47, 1%, 0.79%

LAB 93.72, -32.55, -5.82

 

CMYK 67 / 0 / 24 / 9

HEX #4CE7B0

RGB 76 231 176

HSL 158.71, 0.76%, 0.6%

LAB 82.82, -53.16, 15.13

 

CMYK 72 / 0 / 26 / 16

HEX #3BD59D

RGB 59 213 157

HSL 158.18, 0.65%, 0.53%

LAB 76.65, -52.67, 16.43

 

CMYK 78 / 0 / 29 / 24

HEX #2AC38A

RGB 42 195 138

HSL 157.65, 0.65%, 0.46%

LAB 70.43, -51.92, 17.85

 

CMYK 86 / 0 / 33 / 31

HEX #19B177

RGB 25 177 119

HSL 157.11, 0.75%, 0.4%

LAB 64.15, -50.8, 19.43

 

CMYK 95 / 0 / 37 / 38

HEX #089F64

RGB 8 159 100

HSL 156.56, 0.9%, 0.33%

LAB 57.82, -49.19, 21.18

 

CMYK 68 / 0 / 24 / 9

HEX #4BE7B0

RGB 75 231 176

HSL 158.85, 0.76%, 0.6%

LAB 82.8, -53.31, 15.09

 

CMYK 68 / 0 / 42 / 9

HEX #4BE786

RGB 75 231 134

HSL 142.69, 0.76%, 0.6%

LAB 82.04, -61.55, 35.62

 

CMYK 68 / 0 / 60 / 9

HEX #4BE75C

RGB 75 231 92

HSL 126.54, 0.76%, 0.6%

LAB 81.52, -67.49, 54.77

 

CMYK 56 / 0 / 68 / 9

HEX #65E74B

RGB 101 231 75

HSL 110, 0.76%, 0.6%

LAB 82.07, -63.61, 62.53

 

CMYK 38 / 0 / 68 / 9

HEX #8FE74B

RGB 143 231 75

HSL 93.85, 0.76%, 0.6%

LAB 83.7, -51.44, 64.76

 

CMYK 68 / 0 / 24 / 9

HEX #4BE7B0

RGB 75 231 176

HSL 158.85, 0.76%, 0.6%

LAB 82.8, -53.31, 15.09

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7D9

RGB 75 231 217

HSL 174.62, 0.76%, 0.6%

LAB 83.79, -43.32, -5.06

 

CMYK 68 / 13 / 0 / 9

HEX #4BCAE7

RGB 75 202 231

HSL 191.15, 0.76%, 0.6%

LAB 75.77, -25.76, -24.58

 

CMYK 68 / 31 / 0 / 9

HEX #4BA0E7

RGB 75 160 231

HSL 207.31, 0.76%, 0.6%

LAB 63.68, -3.4, -43.31

 

CMYK 68 / 49 / 0 / 9

HEX #4B76E7

RGB 75 118 231

HSL 223.46, 0.76%, 0.6%

LAB 52.09, 21.69, -61.75

 

CMYK 68 / 0 / 24 / 9

HEX #4BE7B0

RGB 75 231 176

HSL 158.85, 0.76%, 0.6%

LAB 82.8, -53.31, 15.09

 

CMYK 76 / 0 / 27 / 3

HEX #3BF7B4

RGB 59 247 180

HSL 158.62, 0.92%, 0.6%

LAB 87.36, -60.79, 19.36

 

CMYK 68 / 0 / 24 / 9

HEX #4BE7B0

RGB 75 231 176

HSL 158.85, 0.76%, 0.6%

LAB 82.8, -53.31, 15.09

 

CMYK 57 / 0 / 20 / 16

HEX #5CD6AB

RGB 92 214 171

HSL 158.85, 0.6%, 0.6%

LAB 78.06, -44.29, 11.09

 

CMYK 45 / 0 / 16 / 22

HEX #6CC6A6

RGB 108 198 166

HSL 158.67, 0.44%, 0.6%

LAB 73.76, -34.54, 7.72

 

CMYK 31 / 0 / 11 / 29

HEX #7DB5A1

RGB 125 181 161

HSL 158.57, 0.27%, 0.6%

LAB 69.46, -22.64, 4.36

 

CMYK 15 / 0 / 5 / 35

HEX #8DA59C

RGB 141 165 156

HSL 157.5, 0.12%, 0.6%

LAB 65.73, -10.19, 1.85

 

CMYK 68 / 0 / 61 / 9

HEX #4BE75B

RGB 75 231 91

HSL 126.15, 0.76%, 0.6%

LAB 81.51, -67.6, 55.19

 

CMYK 68 / 0 / 43 / 9

HEX #4BE784

RGB 75 231 132

HSL 141.92, 0.76%, 0.6%

LAB 82.01, -61.89, 36.57

 

CMYK 68 / 0 / 25 / 9

HEX #4BE7AE

RGB 75 231 174

HSL 158.08, 0.76%, 0.6%

LAB 82.76, -53.75, 16.08

 

CMYK 68 / 0 / 7 / 9

HEX #4BE7D7

RGB 75 231 215

HSL 173.85, 0.76%, 0.6%

LAB 83.73, -43.85, -4.09

 

CMYK 68 / 11 / 0 / 9

HEX #4BCDE7

RGB 75 205 231

HSL 190, 0.76%, 0.6%

LAB 76.64, -27.25, -23.25

 

CMYK 86 / 0 / 31 / 23

HEX #1BC588

RGB 27 197 136

HSL 158.47, 0.76%, 0.44%

LAB 70.83, -54.5, 19.46

 

CMYK 83 / 0 / 30 / 11

HEX #27E29F

RGB 39 226 159

HSL 158.5, 0.76%, 0.52%

LAB 80.36, -59.41, 20.49

 

CMYK 68 / 0 / 24 / 9

HEX #4BE7B0

RGB 75 231 176

HSL 158.85, 0.76%, 0.6%

LAB 82.8, -53.31, 15.09

 

CMYK 52 / 0 / 18 / 8

HEX #70EBC0

RGB 112 235 192

HSL 159.02, 0.75%, 0.68%

LAB 85.34, -44.5, 10.46

 

CMYK 38 / 0 / 13 / 6

HEX #94F0D0

RGB 148 240 208

HSL 159.13, 0.75%, 0.76%

LAB 88.53, -34.51, 6.86

 

CMYK 67 / 0 / 24 / 9

HEX #4CE7B0

RGB 76 231 176

HSL 158.71, 0.76%, 0.6%

LAB 82.82, -53.16, 15.13

 

CMYK 68 / 56 / 0 / 9

HEX #4B65E7

RGB 75 101 231

HSL 230, 0.76%, 0.6%

LAB 47.72, 32.26, -68.82

 

CMYK 0 / 52 / 68 / 9

HEX #E7704B

RGB 231 112 75

HSL 14.23, 0.76%, 0.6%

LAB 60.86, 43.47, 41.79

 

CMYK 67 / 0 / 24 / 9

HEX #4CE7B0

RGB 76 231 176

HSL 158.71, 0.76%, 0.6%

LAB 82.82, -53.16, 15.13

 

CMYK 25 / 68 / 0 / 9

HEX #AE4BE7

RGB 174 75 231

HSL 278.08, 0.76%, 0.6%

LAB 51.61, 64.88, -62.09

 

CMYK 0 / 25 / 68 / 9

HEX #E7AE4B

RGB 231 174 75

HSL 38.08, 0.76%, 0.6%

LAB 74.68, 11.04, 57.17

 

CMYK 67 / 0 / 24 / 9

HEX #4CE7B0

RGB 76 231 176

HSL 158.71, 0.76%, 0.6%

LAB 82.82, -53.16, 15.13

 

CMYK 68 / 56 / 0 / 9

HEX #4B65E7

RGB 75 101 231

HSL 230, 0.76%, 0.6%

LAB 47.72, 32.26, -68.82

 

CMYK 0 / 68 / 43 / 9

HEX #E74B84

RGB 231 75 132

HSL 338.08, 0.76%, 0.6%

LAB 55.77, 64.19, 2.41

 

CMYK 0 / 11 / 68 / 9

HEX #E7CD4B

RGB 231 205 75

HSL 50, 0.76%, 0.6%

LAB 82.46, -5.11, 65.32

 

CMYK 67 / 0 / 24 / 9

HEX #4CE7B0

RGB 76 231 176

HSL 158.71, 0.76%, 0.6%

LAB 82.82, -53.16, 15.13

 

CMYK 58 / 68 / 0 / 9

HEX #604BE7

RGB 96 75 231

HSL 248.08, 0.76%, 0.6%

LAB 43.19, 50.74, -76.14

 

CMYK 0 / 68 / 43 / 9

HEX #E74B84

RGB 231 75 132

HSL 338.08, 0.76%, 0.6%

LAB 55.77, 64.19, 2.41

 

CMYK 9 / 0 / 68 / 9

HEX #D2E74B

RGB 210 231 75

HSL 68.08, 0.76%, 0.6%

LAB 87.66, -26.59, 70.07

 

Description

Color code: HEX #4CE7B0 | qconv.com Color code: HEX #4CE7B0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 231 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 231 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 24 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 24% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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